Group portrait of Poulter family, taken in 1904. Include William Haylock Poulter, his wife Mary Alice Poulter and children Elsie, Jim, Norm, Jessie, Sydney, Joseph and Olive. The photograph was named by family descendants Brian and Joan Poulter.Digital image of 1904 family photo, with names.Names of subjects added in pencilwilliam haylock poulter

John Henry Charles Kirby VX30148 POB Creswick. P.O.W. captured Singapore Feb 1942. Fate: survived and RTA.Black & White group portrait mounted on cardboard backing. The backing piece has a few decorative lines around the borders, The title is above the portrait. Below the portrait are the names of the soldiers. there are 16 men in the photo. Centre row, 2nd from right is Pte. J.H. Kirby.ww2, aasc, pow

A group portrait of the Ballarat School of Mines editorial staff. Back row (left to right):E. Kift, K. Jebb, Percy Trompf (Secretary) Front row (left to right): D. Whitehead, C.C. McNamara (Editor), R.L. Cutter (Staff rep), E. McKissockpercy trompf, harold jolly, c. mcilvena, e. mckissock, v. gilchrist, ballarat school of mines, students' magazine, essie mckissock, dorothy whitehead, claudia mcilvena

Soft cardboard cover. Black & white print on front, spine & back. Black background with sepia colour photo of a group portrait of soldiers on front in foreground. Inscription front fly leaf. 192 pages, cut, plain, white. Illustrated black & white photos, maps & illustrations.Handwritten in black ink on title page front fly leaf: "To Bendigo District RSL Museum with best wishes Katrina" On title page on front fly leaf: "RSL stamp"books-military-history, great war, victorians

Group portrait of a group of women and children in front of a wooden rail fence. Left to right, old Mrs Chapman, Andy, Martha (blurred), Bella, Gran (Sarah Ann Rathgeber), Jac (Joe Rathgeber), Jim, Jack Pianta's mother, Sis Rambi , Dad (Anthony Richard Rathgeber) 1893On Back Martha married Chapman, Bella Married Phillips, Gran is Sarah Ann Rathgeber, Jac is Joe Rathgeber

An e.21st century digital print on foamcore, of an original l.19th century sepia photographic print. Image features an informal group portrait of young men and women, on a tennis court. All subjects are holding a tennis racquet. Materials: Foamcore, Ink, Wood, Metal, Paper, Paint, Linentennis

1823-1923.MR. JAMES VENN MORGAN. "FATHER OF" KEW."In a Village in Somersetshire in England on February 21, 1823, a son was born to George and Sarah Morgan. The child was so delicate that his parents feared that he would not live. How little ground the parents parents had for their fears may be judged from the fact that the boy, christened James Venn Morgan is still alive and hale. He is able to exhibit with pride the paper with its faded ink on which a clergyman wrote the certificate of his baptism almost 100 years ago. But for some slight infirmities of sight and hearing, Mr. Morgan, who is within six weeks of completing the 100th year of his life, is in good health, and is well able to attend to his business affairs. His immediate cause for regret is that he is not now able to do a day's work in his garden, as he was 12 months ago. After spending his early life in England, where he learned his trade as shoemaker, Mr Morgan came to Australia in April, 1851. He carried letters of introduction to Mr. Tripp, a solicitor, of Melbourne, who strongly recommended him to begin business as a shoemaker, and accordingly he opened a shop at the corner of Swanston and Bourke streets, where the Leviathan Stores now stand, and was not long in working up a good connection. Among his customers at that time Mr. Morgan recalls Mr. Justice A'Beckett and many leading men in law and medicine of the day. Then the news was flashed through Melbourne of the discovery of gold at Ballarat. Nothing can give a clearer idea of the excitement this news caused in Melbourne than that Mr. Morgan, who was a member of one of the first parties to leave for the diggings, left uncompleted in his workshop one of a pair of riding boots he was making for Mr. J. B. Weir. As the purchase of suitable clothing would have taken time, he set out to make his fortune wearing a top hat. At Ballarat he stayed for five or six weeks, and returned to Melbourne with 10oz. of gold. He remained in the city long enough to finish the second of the two riding boots, and then, with three companions, set out for Chewton, near Castlemaine. Here fortune smiled. The party tried their luck in an abandoned shaft, and in two weeks returned to Melbourne again after having won 35lb. weight of gold. How Kew Was Born. Mr Morgan was content with his success, and induced his partners to invest their money with him in land. After obtaining the advice of a friend, the party negotiated with Mr Samuel Watts, of Collngwood, who had recently purchased land from the Crown, and from him they took over at £15 an acre about 32 acres of land in the district that is now known as Kew. This land extended from where the Kew Post-office now stands to the locality of the Boroondara Cemetery. At that time there was not a house in the district, and there was a fairly large population of aborigines, but no white men. Here it was that Mr Morgan decided to settle, and, after having had the land surveyed, the partners apportioned it by drawing straws for the four sections into which it had been divided. One of them sold his holding later in the year for £100 an acre, and was sorry for it afterwards. In 1853 Mr. Morgan built the first house in Kew, and this house is the one in which he still resides. Here with his wife, he settled down to market gardening and dairying. He tells with a laugh how he was paid 1/ a lb for the first potatoes he grew, and 1/ a quart for milk. So successful was the new venture that he induced his father and other members of the family to come out to Australia to assist him. How different Kew of those days was from the Kew of to-day will be understood from Mr. Morgan's statement that for weeks at a time they never saw a a white face other than those of the family. The blacks, he says, although very noisy, were entirely friendly. Gradually the district became settled, Mr. Morgan parted with a portion of his holding, and subdivided and built on the remainder which he still retains. In 1884 he found himself in a position to retire from active business. Youth in Old Age. In Mr Morgan's garden, which is a large, one trees which he and his father planted more than 60 years ago are still bearing heavy crops of apples. Mr. Morgan has been a widower since 1915. He has three daughters all of whom are married, and numerous grandchildren and great-grandchildren. One of the great-grand children reccntly informed Mr. Morgan that he was about to be married. Perhaps the most striking characteristic of Mr. Morgan to-day is his activity. Not only does he move about with surprising alacrity, but is able to go into the streets and attend to his business affairs with but little fatigue The Argus, 17 January 1923, p.12.This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.A group portrait on the occasion of the 100th birthday of James Venn Morgan in 1923. Dorothy Rogers used this photograph in 'A History of Kew' (1973). It faces page 17. In the book, the caption reads "JAMES VENN MORGAN'S 100TH BIRTHDAY ANNIVERSARY. The party was held at 'Morganville'. Mr Morgan is shown with a group of descendants."James Morgans 100th Birthday Party. james venn morgan, kew, model dairy, dorothy rogers

Pte George Maddams was in the 67th (Bendigo) Inf Bn Militia.1. Full length, black and white, portrait of a standing soldier. Taken in a studio. He is not armed and not wearing a hat. 2. Group portrait of a large body of marching troops. They are on a road beside telegraph poles and wires. An officer is marching in front of the troop. They are armed with what appears to be Long Lee Enfield rifles.1. On Rear - Pte G. Maddams 2. Fully written in pencil - addressed to Dear Linda. It describes the soldiers as going for a Guard review etc.passchendaele barracks trust, photographs, ww1, george maddams

Dark brown & silver colour timber frame with glass, silver grey coloured mount. Black & white formal group portrait photo of soldiers in uniform of the Reinf 7/38 Batt. AIF. Photo No 117 - 1917. Framed information, photocopy, handwritten in white ink on black paper below photo. Handwritten below photo: “Reinf 7/38 Batt. AIF” “Torpedoed on HMAS Ballarat on ANZAC Day 25.4.1917. These troops when torpedoed upheld the best traditions of the race & their conduct was beyond praise. These were the recipients of the warmest praise from His Majesty The King, General Birdwood KCSI, KCMG, CB CIE DSO; and the Commonwealth High Commissioner, The Hon Andrew Fisher” On printed white label: ALBERT HENRY McKELVIE Enlisted 13.1.1917 REO's 38th Ball AIF, No 3125, aged 21. Embarked 19.2.1917. WIA GSW to arm 5.6.1918. Discharged from the AIF 21.2.1920. McKELVIE is on the R, centre row. Donated by the McKELVIE family. Handwritten in black felt tip pen on back of frame: McELVIE Family.photography - photographs, frame accessories, military history, mcelvie, ballarat, 38th

This image is one of several family group portraits taken by Stevenson and McNicoll on rural properties. This property has been identified as that of John Tilley at Parwan’s Creek. The people depicted are presumably members of the Tilley family. The dwelling has since been demolished. Tilleys Road in Maddingley is probably named for this family farm.Small sepia unframed photograph on card with gold border framing photograph. Housed in the Jeremeas Family Album which contains photographs of Bacchus Marsh and District in 1883 by Stevenson and McNicoll. The property has been identified as that of John Tilley at Parwan’s Creek. This property has since been demolished. Presumably, the photo is of members of the Tilley family. The image shows a family group of four women and one young child. It is unclear if the child is a boy or a girl, due to the custom of clothing young male children in dresses. The women are sitting or standing in two groups. To the right stands an older woman in a starched white apron, perhaps indicating that she is the housekeeper. The group on the left is of one woman standing and two women seated, one reading a newspaper or magazine. The young child reaches out one arm to her, perhaps for reassurance. The dwelling consists of two structures, one single storeyed cottage, which is perhaps the older part, and an adjoining weatherboard house with a steeply pitched roof and a prominent chimney at the front. The cottage has a shingled verandah partially covered by corrugated iron, which also covers the roof. Trees, a climbing vine and shrubs form a rather unkempt garden. On the hill rising behind the farmhouse there can be seen animals, possibly sheep, grazing.On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE. stevenson and mcnicoll 1883 photographs of bacchus marsh and district, farmhouses, families, women bacchus marsh

An e.21st century digital print of an original e.20th century black and white photographic print. Image is an informal group portrait of men, women and children - most of whom are in their tennis whites - outside on a tennis lawn, with bushland in the background. Materials: Cardboard, Ink, Wood, Metal, Paper, Lacquer, Cardboard, Glasstennis

This image is one of several family group portraits taken by Stevenson and McNicoll on what appears to be a rural property. The identity of this family group and the location where the image was taken has not been identified. It is presumed to be in the Bacchus Marsh district and dates from around September-November 1883. The composition of the group appears to be a father and mother with three adult daughters.Small sepia unframed photograph on card with gold border framing photograph. Housed in the album, 'Photographs of Bacchus Marsh and District in 1883 by Stevenson and McNicoll'. The image shows a family group of four women and one man. They are standing in a single row in front of a farm house. The family in this image and the precise location of the property have not been identified. The house in the background is a single storey timber structure with a shingled roof and a verandah at the front. Two chimneys can be seen attached to the house.On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE. stevenson and mcnicoll 1883 photographs of bacchus marsh and district, farmhouses, families

Photo taken at the Grinton home at Tragowel near Kerang in 1919. JACK GRINTON. Refer Cat No. 1280 for his service history. BERT GRINTON No. 5024 38th Bn - Refer to Cat No. 1320P for service history.Photograph - framed. Photograph - black and white photograph on paper depicts an informal group portrait of two men and four women; two women seated. 3rd left, Bert Grinton. Background - verandah of timber house with a "WELCOME" banner suspended from verandah posts. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 6: Life after 1919". "C. Welcome Home". framed accessories, camera on the somme, ww1, 38th bn, grinton

Herbert Trangmar Allan, refer to Cat No 2755.4 for his extensive service records and awards.Hard, dark green buckram covered book. Subjects are group portraits of 19th Reinforcements, through the voyage, English scenes, ship scenes, return journey & rural Australia scenes. Contains 1 or 2 panoramas. Most of the photos have a small caption. There are 25 cardboard pages with 4 black & white photos on each side.Front right corner has gold embossed sun rays with words: Photographsalbum, photographs

An e.21st century digital print on canvas, of an original e.20th century sepia photographic print. Image features a group portrait of men and women, some of whom are holding tennis racquets. This image possibly depicts members of a tennis club in Wales. Materials: Canvas/Cotton, Ink, Wood, Metal, Paper, Paint, Linentennis

Cricket Players Winners of Dawson Trophy 1898B/W Group Portrait of a group of males in three rows most weraing cricket whites. second from left back row is holding a cricket ball ist left centre row is holding a cricket bat. 3 left centre row is holding a bat and wearing pads far right is also holding a bat.On The Left Side: Winners of the Dawson Trophy Season 1893 & On The Right Side: P(resented) to P Young E(sq) by the Stawell B Team Top of Photo: H.Lemon ( Umpire), E Cooper, A Neil, T Patterson, Rev Thompson, G Mitchell. Bottom of Photo: J Neil, D Thomas (capt), P Young, F Clarke, L Phillips T. Morgan J Stuart stawell sport

Group Portrait of Stawell Fire Brigade Members in uniform Discipline Team Bendigo 1938 Standing: L-R Captain A. Oliver, Clem Zala, Stan Illig, Henry Dunn, Charlie Newton. Hugo Evans, Lee Cook Kneeling: L-R Bob Hughes, Wally Stewart, George Huse, Phil Jamieson, Kitch Floyd , Frank FloydBlack and white photograph of men in uniform. Taken outdoors. trees in the background.nonestawell, discipline team

The first Ballarat School of Mines Students' Magazine was published in 1898.A group portrait of the Ballarat School of Mines editorial staff. Back row (left to right): G. Munro, R.L. Whitla, A.W. Middleditch, D. Whitehead, J. Ellsworth, H.A. Maddison (Miltary), D.R. Evans Front row (left to right): V. Gilchrist, Harold Jolly (Staff Rep), Percival A. Trompf (Editor), N. Hay, E. McKissockpercy trompf, harold jolly, c. mcilvena, e. mckissock, v. gilchrist, ballarat school of mines, students' magazine, dorothy whitehead, essie mckissock

Person identified by Mrs Flora West in 1989. Photograph was taken c1900 - no later than 1905.Black & White reproduction of group portrait of the West family. Back row: John or Walter, Crescat Blanche, Amos, Miriam, Harmon. Front row: John or Walter, Jane Eustace, * Elizabeth Victoria (Lizzie), John, Maria. * On the photo it has Annie Elizabeth in the front which should be Elizabeth Victoria (Lizzie). Annie died at the age of one year.Names on front of photo with year of birth.west family, phillip west

An e.21st century digital print on canvas, of an original e.20th century sepia photographic print. Image features an informal group portrait of men, women, and children. The teenaged boys wear blazers, and are holding tennis racquets, whilst the younger boys wear sailor suits. Materials: Canvas/Cotton, Ink, Wood, Metal, Paper, Paint, Linentennis

Portrait group of young ladies c1895stawell

From title page. Book - "Compiled and edited from Mr. Terry's account in/ the Cohuna Farmers' Weekly from 1914 to 1921".Soft Cover Book Cover - beige coloured light weight cardboard with sepia tone print on front and spine. Front cover - two sepia colour photographs. Top - 3 mounted soldiers with the Sphinx and Pyramid in background. Lower - group portrait. 148 pages - off white colour paper, cut, plain. Staples used on binding. Illustrated with black and white photographs.On title page - handwritten blue ink pen "JENNY BOTTCHER/ 25-4-85"books, military history, ww1

Refers to service of Frank Edwards No. 1541 5th Battalion, Enlisted 30 Nov 1914. WIA 13 May 1915. Discharged Australia 23 June 1916.1. P - B & W full length portrait of Frank Edwards in uniform. He is wearing webbing, no rifle, This is a photocopy. 2, P - B & W Group portrait of four soldiers with coquet clubs in front lawn of a large mansion. This is made in the form of a postcard. 3. - Newsclipping about wounding of Frank Edwards. Melbourne Age, Sat 5 June 1915. 2. On rear, written in ink is - This is a photo of Lady Northcote's place where Frank was staying on sick 'leaf'(sic) in England. To Willie and Mary with love from Mother M.A.E.ww1, australian army

Benjamin Thomas Roy Chadd No's 10594, VX20311, 1st and 2nd AIF. Refer 2039 for service history also 2034P. Photograph, framed. RHQ Sigs. 7th Div. AIF 1940 re Lt. Col. B.T.R CHADD. Timber frame mid brown colour. Black and white photograph. Group portrait of officers and men in uniform. In the background tin shed and gem trees. Sign at their feet states "RHQ SIGS 7 DIV AIF/1940" Dark green cardboard surround to photograph.On the back board - hard written in black felt pen "B.T.R. CHADD"photographs- photography, frame accessories, military history - army

An e.21st century digital print on canvas, of an original e.20th century sepia photographic print. Image features an informal group portrait of men, women, teenage girls and a boy. Many of the girls hold tennis racquets. A neo-classical sculpture of a maiden features behind the subjects. Materials: Canvas/Cotton, Ink, Wood, Metal, Paper, Paint, Linentennis

An e.21st century digital print on canvas, of an original e.20th century sepia photographic print. Image features a group portrait of men, women, and children. Some of the subjects hold tennis racquets, whilst one lady holds a croquet mallet. Behind the subjects is a wooden pavillion. Materials: Canvas/Cotton, Ink, Wood, Metal, Paper, Paint, Linentennis

1. Portrait, full length of a soldier standing at ease. He is holding a single rifle with bayonet fixed. He has a peaked cap and the 3"webbing belt on. he is standing in a yard of some sort. Corrugated iron shed in back ground. 2. Portrait, full length of a soldier. Standing legs apart. He is holding a riding crop. he has a leather covered watch. He has one chevron on his left forearm above that are crossed flags. He is wearing a leather bandolier. He has a peaked cap. 3. Group portrait of Australian soldiers on a ship. 13 men - bare headed and slouch hats and 3 peak caps. In the bottom foreground is a small monkey. 4. Group portrait of soldier patients and nurses. 11 men and 4 nurses. The three in front are seated.1. xx 2. On rear - To Dear Auntie from Walter McGillivray. 3. On rear - Thomas Robert Jones 6 Bn 1914, 5 Re-inforcements. No. 1982 23 years Tom Jones and mates. 4. On rear - Edwin W Jones 3511 46 Bn "Snap of some of the ward taken in the garden. I am on the very end, taken the first day I was allowed out of bed," On front is a card and name Ned.passchendaele barracks trust, photographs, ww1

Photographic group portrait of the Ballarat School of Mines Scholarship Winners. Back row left to right: F. Pront, E.M. Willis, Harold G. Wakeling, N.C. Carmichael, M.F. Larkin, T.G. Wasley, J.A. Leask, S.J. Chambers. Front rol left to right: A.C. Hannah, Albert E. Williams, J. Phillips, Allan Bernaldo, P. Chatham, Noel Brelaz.ballarat school of mines, ballarat school of mines students' magazine committee, allan bernaldo, f. pront, e.m. willis, harold g. wakeling, n.c. carmichael, m.f. larkin, t.g. wasley, j.a. leask, s.j. chambers, a.c. hannah, albert e. williams, j. phillips, allan bernaldo, p. chatham, noel brelaz.

Dora Walker (married 1928 taking the name Simpson) had a long association with the Mission as a member of the Ladies Harbour light guild. This image is similar to another image in the collection which depicts the garden of the Walker family where many fund-raising events and hosting of seafarers took place. Rev Weller dates the image to around mid to late 1920s. In the 1960s and 70s Dora was president of the LHLG which later merged with the Flying Angels. She was awarded the MBE for her services to the community in the 1970s. Dora's son David Simpson is a volunteer still iat MTS n the 21stC. The Walker and Simpson families are examples of long association and commitment supporting the Mission to Seafarers. As they are researched it is clear the stories of these families document not only support for the Mission but are also shown to have been significant contributors, leaders and donors to the broader Melbourne and Victorian community from the 19th Century and up to the present day. The photograph shows the garden in its early years.Group portrait depicting 4 men in suits standing (reverend Weller on the right), a man sitting on the grass, next to a woman in white summer dress (Dora Walker), sitting on a chair in front of the men. They are photographed outdoor probably in the mission's garden (in the background we can see the letters E-EX on a building wall, thought to be from the Extension Bond and Free Stores located next to the mission at the time)dora walker, reverend reginald weller, picnic, cadets, officers, lhlg, amy dora walker, dora simpson, mission's garden, flinders street, mission to seafarers, seamen's mission, mission to seamen, ladies harbour lights guild, melbourne, lawn, grass, trees, plants, peppercorn tree, weller album, dora simpson nee walker