A 128-page book of printed matter, photographs, engravings and drawings. The hard cover is white with the title in gold lettering on the front. The dust-cover is also white with black lettering. Along the lower half of the cover, front and back, is a strip of six photos, three coloured and three black and white. 128 p. : ill. (some col.), ports. ; 22 x 25 cm.non-fictionWharves to the World: The Development of Melbourne's World Trade Centre is a photographic chronicle of the history of the World Trade Centre and its surrounds. The book traces the journey of land and the buildings that occupied it - from its beginnings with the Wurundjeri people to its role as a trading hub in early Melbourne, then as the site of the modern-day World Trade Centre, and now as part of a flourishing residential and commercial Precinct. As with any major project The World Trade Centre has face its share of fêlures, but despite thèse it has become an integral part of the City. So it goes that was once home to swampland and the City morgue has been transformer into a Diamond of the Yarra River.yarra yarra tribe, early melbourne, world trade centre, melbourne, southbank, northbank, australian wharf, siddeley street, waterfront, amy zurrer, wurundjeri, spencer street bridge, north wharf, riverlee, wtc, wharf, harbor trust, sir john coode, harbour trust, little dock, polly woodside, wharfies, divers

Standard dress diving equipment used by Melbourne Harbour Trust from late 1800s until 1991. Because of its structure of heavy canvas, lead and brass, it was used in wharf construction and salvage. Total weight on wearer is approximately 90 kgslarge brass diving helmet

This photograph of Lillie and Olive Duncan is one of a number featuring the sisters. They were active members of the Ladies' Harbour Lights Guild during the 1920s and 1930s and the objects we have relating to the women highlight the relationships forged between seafarers and those who offered their time and energy to the Mission.The Ladies' Harbour Lights Guild was instrumental in raising the necessary funds for the construction of the current Mission to Seafarers building. They also worked to provide the tangible elements of seafarers' welfare, such as procuring donations of goods and money. However, their most important work, in many ways, was to provide company, conversation and support to seafarers. Lillie, Olive and their entire family were involved with the Mission over an extended period of time.Black and white photograph of Lillie Romana Duncan and Olive Harriet Duncan. Olive is on the left wearing a dark coloured dress with a 'V' neck, little coloured coat and gloves, carrying a clutch under her arm and wearing a dark hat. Olive (on the right) is wearing a ladies' suit and gloves, carrying a clutch under her arm, wearing a dark coloured hat and a brooch at her neck. The photograph has been turned into a postcard, complete with printed postcard division on reverse.In pencil on reverse: Lillie Morgan/Olive Hall/RHS/(DUNCAN) Printed: POST CARD/CORRESPONDENCE/ADDRESS

Lillie Duncan was a member of the Ladies' Harbour Lights Guild, the women's auxiliary group of the Mission to Seafarers organisation. The LHLG was formed in 1902 and organised social events for visiting seafarers and were directly responsible for much of the fundraising for the construction of the facility at 717 Flinders Street. As a member of the Guild, Lillie was expected to entertain and support visiting seafarers, although within a strict set of rules. This letter, along with a number of others, was sent to Lillie from abroad.This letter, along with a number of others sent to Lillie Duncan by visiting seafarers, underscore the social conventions of the time and the work of the Mission to Seafarers in provide comfort and support to visiting seafarers. The letters speak of the many events and activities undertaken at the Mission and provide a snapshot of the era.Letter addressed to Miss L. Duncan, 11 Paxton St, East Malvern, Melbourne, Australia from J. Kokx, U.S.S. Medusa, c/o Pm San Francisco, 5th Div Cal consisting of two parts. Part 0074.1 Envelope Part 0074.2 Letter Both the envelope and the letter are creamy yellow in colour with black curly writing on one side of the envelope and both sides of the letter. The letter begins with "Dear Lillie, I received your letter..." and concludes with "Bundles of love, Julius Kokx, x Little Melbourne girl x"The envelope is torn across the top and part of the flap for access to its contents. It has two 2 cent red stamps with the text "United States Postage" and "Washington" on it, and one green 1 cent stamp with the text "U.S. Postage 1 cent 1"correspondence, handwriting, postage stamps, julius kokx, lillie duncan, lhlg, uss medusa, san francisco, california

Lillie Duncan was a member of the Ladies' Harbour Lights Guild, the women's auxiliary group of the Mission to Seafarers organisation. The LHLG was formed in 1902 and organised social events for visiting seafarers and were directly responsible for much of the fundraising for the construction of the facility at 717 Flinders Street. As a member of the Guild, Lillie was expected to entertain and support visiting seafarers, although within a strict set of rules. This letter, along with a number of others, was sent to Lillie from abroad.This letter, along with a number of others sent to Lillie Duncan by visiting seafarers, underscore the social conventions of the time and the work of the Mission to Seafarers in provide comfort and support to visiting seafarers. The letters speak of the many events and activities undertaken at the Mission and provide a snapshot of the era.Letter addressed to Miss L. Duncan, 11 Paxton St, East Malvern, Melbourne, Australia from Alex (no return address on the back or in the letter). It is in two parts. Part 0099.1 Envelope Part 0099.2 Letter Both the envelope and the letter are creamy yellow in colour with black curly writing on one side of the envelope and both sides of the letter. The letter begins with "Dearest Lily,I know you will forgive..." and concludes with "ever yours, Alex".There is a round ink stamp on the top middle of the envelope with the text "Cristobal, Jul 28 1130 AM 1926 Canal Zone". There is also an ink stamp in seven wavy lines covering the small blue 5 cents stamp. This stamp has the text "United States Postage, Roosevelt" on it.lhlg, alex, lillie duncan, panama, canal

This postcard depicts the urban setting of the Mission to Seafarers a few years after its construction. (the Dome, the last part erected, was opened on 21 October 1921). It demonstrates a lack of urban surrounds or buildings as well as a paved road and a horse-drawn wagon. The figure in the photo is also a record of the dress style of the era. The lady is most likely a member of the Ladies' Harbour Lights Guild.This postcard demonstrates that the building was deemed important enough to be photographed for a postcard. It is a record of what the Mission to Seafarers looked like two years after its construction, and its urban surrounding.Sepia postcard of the Mission to Seafarers building complex and surrounding streets. The postcard depicts a wagon and a woman walking by the complex wearing a black dress and coat and black hat and holding an umbrella. Front: THE MISSIONS TO SEAMEN INSTITUTE, MELBOURNE VICTORIA REAL PHOTO SERIES.M.1696 Reverse: PUBLISHED BY THE VALENTINE & SONS PUBLISHING CO.LTD / MELBOURNE SYDNEY & BRISBANE. Contains logo of VALENTINES REAL PHOTO SERIES POSTCARD. Stamp logo lists: BRANCHES / SYDNEY / LONDON / DUNDEE / DUBLIN / CAPETOWN / MONTREAL / TORONTO Handwritten in blue: 1919mission to seafarers, melbourne, mission to seamen, seamen's mission, norla dome, flag, flying angel, lady, horse cart, umbrella, flinders street extension, ships, australian wharf, valentine's postcards, real photo series postcards, st peter chapel, lhlg, architecture, walter richmond butler

Port of Portland Authority archivesFront: (no inscriptions) Back: P.H.T./ Print No. 3/20 Neg. No ..../ Date taken 27-7-53/ SUBJECT./ Workshop No. 1. (Ink stamp with blue pen and pencil additions, centre)port of portland archives

Port of Portland Authority archivesFront: (no inscriptions) Back: P.H.T./ Print No. 3/25 Neg. No 199/ Date taken 2-11-53/ SUBJECT./ Office Extension (Ink stamp with blue pen and pencil additions, centre)port of portland archives

Port of Portland Authority archivesFront: NEW STORE BUILDING AND WORKSHOP AREA 25.9.52./ VIEW FROM CLIFF ST. BRIDGE (lower centre) Back: P.H.T./ Print No. 3/4 Neg. No 5/ Date taken 25-9-52/ SUBJECT./ % (Ink stamp with blue pen and pencil additions, centre)port of portland archives

Port of Portland Authority archivesFront: WORKSHOP NO. 1. 27.3.53. (lower centre) Back: P.H.T./ Print No. 3/17 Neg. No 148/ Date taken 27.3.53./ SUBJECT./ % (Ink stamp with blue pen and pencil additions, centre)port of portland archives

Port of Portland Authority archivesFront: WORKS AREA AT SAND-SPIT. 6/8/52/ SHOWING WORKSHOPS' SITE & STORES BUILDING UNDER CONSTRUCTION (lower centre) Back: P.H.T./ Print No. 3/3 Neg. No // Date taken 6-8-52./ SUBJECT./ % (Ink stamp with blue pen and pencil additions, centre)port of portland archives

Port of Portland Authority archivesFront: Workshop No. 1 under construction and New Store Building. 27.3.53. (lower centre) Back: P.H.T./ Print No. 3/16 Neg. No 149/ Date taken 27.3.53./ SUBJECT./ % (Ink stamp with blue pen and pencil additions, centre) Partial fingerprint in purple ink, lower centre.port of portland archives