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Brighton Historical Society
Knitting project, Lovely Learned Luscious Ladies of Brighton knitting project, 1990 - 2008
Formed in 1990 by a group of current and former social services and administrative staff at the then-Brighton Council, the Lovely Learned Luscious Ladies of Brighton were a group bound by friendship, humour, fun and a delightfully strange knitting project. Each member took turns to add ten rows ten rows of knitting to the piece, following a series of handwritten rules on an attached card. The wool used was not to be bought, but could be "begged, borrowed or stolen", and previous work was not to be altered. The ladies met bi-monthly over dinner at local restaurants and hotels to swap gossip, play games and share the progress of the knitting. The work of twelve women over eighteen years, the piece documents fond memories, personal passions, wedding celebrations, the birth of a grandchild, footy triumphs, holidays and major events. It is a testament to a close-knit friendship, as expressed on the rules card: "MAY THIS PIECE SERVE TO BIND US TOGETHER".Irregular-shaped knitting project consisting of multicoloured knitted stripes in a variety of yarns and stitches created by a group of women over a period of eighteen years. The piece includes numerous additions and embellishments by the various makers, including sequins, beads, shells, badges, ornaments and laminated images.Attached yellow laminated rectangular card with handwritten rules: "1) Nominated member is to knit (in any stitch of choice) 10 rows of your best by the next meeting. 2) The yarn to be used is not to be purchased for the job but can be begged, borrowed or stolen. 3) The colour of yarn is to be left to member's discretion, but judgement will be passed by others. 4) The nominated member will not tamper with, pull out or destroy a previous member's work. 5) On returning the work to the meeting the member shall declare to what genuine purpose the piece will be put on completion (as a guide for future knitters), e.g. rug for favourite chardy, cock sock for lover. 6) The next knitter can (and shall be encouraged to) change the purpose as stated by the previous knitter. 7) This tag must not, without the permission of a majority of members, be removed. MAY THIS PIECE SERVE TO BIND US TOGETHER."brighton, brighton council, social groups, knitting, 1990s -
Ballarat Tramway Museum
Postcard, Rose Stereograph Co, "Panorama at Ballarat East Vic", c1916
Photo looks west from the Ballarat Fire Station (East) tower, and has a good view looking along Barkly St. Shows the crossing loop between Eastwood and Main St with one tram in the view. Wal has dated the photo as 1914 in his album notes. On rear Wal Jack has written "Looking up Barkly St towards Mt Pleasant. Photo taken from Ballarat Fire Station about 1914-1916 period. Old type tram from Mt Pleasant about to turn into Main St. Note old passing loop behind tram. Loop removed to top of rise in centre background. Old Ballarat East Gardens on left and council yards, showing big tin shed in centre of picture. Locality much altered today." See item 5127 for a digital image.Yields information about the buildings and scene looking west from the Fire Station tower along Barkly St. East BallaratPostcard Black and white - Rose Series No P4614, Divided back. No publishers details on rear.See image 2 for Wal Jack's notes.tramways, trams, esco, ballarat east, barkly st -
Ballarat Tramway Museum
Memorabilia - Scrap Book, Tim Wright, "Ballarat Tramway Preservation Society", 1971 - 1975
Demonstrates the development of the BTPS and yields information about the Society and other tramways. Has a strong association with the maker.Scrap Book - approx. 66 plain sheets, centre stapled within a cardboard cover with a Muppet type character on the rear cover. Front cover has a manila colour sheet attached with the label "Ballarat Tramway Preservation Society" Comprises many newspaper cuttings of the time of the closure of the SEC Ballarat tram system, the formation of the BTPS, buses, tickets, moving the trams to the new depot, tickets, samples of signs, cuttings from magazines, some cuttings from San Francisco, Melbourne, cartoons altered to support trams, Melbourne items, Sydney trams, new Z class trams in Melbourne, Bendigo Trust, Bylands, TMSV, Steam rail trains to Ballarat, an invite to the opening of the BTPS Tramway for 1/2/1975, opening photographs from The Courier. Each page has been scanned to the two pdf files.trams, tramways, scrap book, btps, opening, tmsv, bendigo, melbourne, z class trams, buses -
Ballarat Tramway Museum
Functional object - Fare Token, Electric Supply Co. of Vic (ESCo), 1913
Demonstrates aspects of the Ballarat Tramways fare system at the time of the one man trams, tokens which could be pre purchased by travellers and save time when boarding trams. See notes on file re these eg Reg Item 1801.Fare token- 2d - 21mm diameter - green celluloid - with "B.E.T." in large capitals on front centre of token and words "Ballarat Electric Tramways 1913" on circumference. On reverse in large font "2" and a small font "D" at top of the two - indicating token had a value of two pence. Extract from A. Bradley "The Golden City and its Tramways" about tokens and why. "The ESCo worked out its procedures from its own experience. A "pay as you enter" system was used on city-bound cars, and a "pay as you leave" system on outward-bound cars. On Sundays during busy periods this was reversed on the Gardens lines, but conductors were still required on this line to cope with the heavy summer holiday traffic. Trams 1 to 18 were altered by altering the end seating, placing gates on doorways and "pay as you enter" and "pay as you leave" signs. Once on board, passengers paid their coins into a farebox mounted behind the driver, which was fitted with glass windows and mirrors to enable the driver to see the coins slide into the box - a form of "moral check on passengers". Regular passengers could buy pink or green celluloid tokens at a discount price, to save the motorman having to issue tickets and give change." Stopped being in use in 1921, see Reg Item 1801.1 and 1802. Place of manufacture not known. For other 2d token see Reg. Item 1943 and 2488 page 31. See Reg. Item 2514 for H.P. James notes on the token system. 1794.1 - added 18/4/2009 - donation of Lyall Denning Related documents provides some information on the value of the items. eBay sale 15/10/2006 $20 - eBay slip with worksheet - see related items.trams, tramways, tickets, tokens, esco, one man trams -
Port of Echuca
Black & white photograph
The P. S. Edwards was built in May 1875 by J. M. Webb, Echuca. Official number 73287, made of wood, with paddle wheels at the side. 78 gross tons, 27 nett tons. It was altered in 1916 , after cabin removed 48 gross ton. It had 7 different owners before being purchased by R. J. Evans, of Evans Bros. Saw Mill, Echuca, in 1919. The P. S. Edwards was sunk at Echuca in the spring of 1958 and then raised in January 1981 and then was being restored by Geoff Evans in 1985 (Parsons, Ronald. Ships of the Island Rivers. 3rd ed. 1996. p.67) The barge Ada was built in 1899 at Echuca by the Permewan Wright Company. The Ada hull was built of part wood and part steel, to protect the wool from becoming wet on the voyage down the Darling River to the Echuca Wharf. The Ada was used as a logging insider barge as well as a wool barge with the Pevensey on the Darling River.The P. S. Edwards has historical and social significance being a paddle boat built in Echuca. The P. S. Edwards was built in May 1875 by J. M. Webb, Echuca. It had 7 different owners before being purchased by R. J. Evans, of Evans Bros. Saw Mill, Echuca, in 1919. The P. S. Edwards was sunk at Echuca in the spring of 1958 "and as the mill was burnt in 1959 salvage was not attempted. She was raised in January 1981 and in 1985 was restored by Geoff Evans. While owned by Evans Bros, was used to bring red gum from the Barmah Forest to the sawmill in the barge Clyde." (Parsons, Ronald. Ships of the Island Rivers. 3rd ed. 1996. p.67) The barge Ada was significant because of the construction of the hull, being part wood and part steel. The Ada was used as an inside looking barge as well as a wool barge with the P.S Pevensey on the Darling River. The barge Ada is still on display at the slipway at the Port of Echuca. A black & white photograph of the P. S. Edwards towing the barge "Ada". A large tree is in the foreground and frames the boats. The boats are on a bend in the river. The barge appears to be laden with timber.In blue pen on reverse of photograph are written the words ? Adelaide (crossed out) Edwards & Ada barge ID4. Geoff Evans ? ( also crossed out). port of echuca, p. s. edwards, evans bros saw mills, ada barge, wool industry, p.s pevensey, darling river -
Chiltern Athenaeum Trust
Clothing - Pair of gloves and an umbrella/parasol cover, Unknown
Ladies’ gloves were an essential part of life in the 1840s to 1900 Victorian era, regardless of class most ladies wore gloves. The glove design, material, and fit would hint at a lady's status, despite their hands being covered. A shorter style of glove would have been used for daytime wear, along with the matching parasol cover and would be matched to the owner's outfit. Leather was a material often used since the 1900s, however when WWI hit the price of leather gloves increased and many resorted to cheaper materials for their accessories. Although particular styles for evening-wear gloves altered throughout the 20th Century, the classic neutral leather glove was a staple throughout Australian ladies' fashion during this time. The need for gloves and parasol cover however disappeared in the 1960s when gloves were only used in the winter months as a practicality rather than a fashion accessory.The leather gloves and parasol cover indicate the owner was wealthy and was able to spend money on good quality accessories. This may have been due to the fact that Chiltern was a gold-rush town and would have had some wealthy families living there from the late 19th Century. The leather items are a symbol of such wealth and social signifiance in the rural town of Chiltern.Gloves: Beige colour with brown hand stitched detail on the upper hand - 3 lengths. Brown stitched all around with finger gussets. Three brown leather button detail to the upper cuff (actual leather circular pieces meant to resemble buttons, hand stitched in beige). Umbrella/parasol cover: Same soft leather as gloves and detail, metal zip along the length and tapered to one end. Two leather circular pieces meant to resemble buttons, one missing at the top). chiltern, leather, leather gloves, leather parasol cover, parasol, parasol cover, gloves, wealth, gold rush, chiltern athenaeum museum, chiltern gold rush -
Kew Historical Society Inc
Plan - Subdivision Plan, Boulevard Estate - Boulevard Section, 1930-1936
Pru Sanderson, in her groundbreaking ‘City of Kew Urban Conservation Study : Volume 2 - Development History’ (1988), summarised the periods of urban development and subdivisions of land in Kew. The periods that she identified included 1845-1880, 1880-1893, 1893-1921, 1921-1933, 1933-1943, and Post-War Development. These periods were selected as they represented periods of rapid growth or decline in urban development. An obvious starting point for Sanderson’s groupings involved population growth and the associated economic cycles. These cycles also highlighted urban expansion onto land that was predominantly rural, although in other cases it represented the decline and breakup of large estates. A number of the plans in the Kew Historical Society’s collection can also be found in other collections, such as those of the State Library of Victoria and the Boroondara Library Service. A number are however unique to the collection.The Kew Historical Society collection includes almost 100 subdivision plans pertaining to suburbs of the City of Melbourne. Most of these are of Kew, Kew East or Studley Park, although a smaller number are plans of Camberwell, Deepdene, Balwyn and Hawthorn. It is believed that the majority of the plans were gifted to the Society by persons connected with the real estate firm - J. R. Mathers and McMillan, 136 Cotham Road, Kew. The Plans in the collection are rarely in pristine form, being working plans on which the agent would write notes and record lots sold and the prices of these. The subdivision plans are historically significant examples of the growth of urban Melbourne from the beginning of the 20th Century up until the 1980s. A number of the plans are double-sided and often include a photograph on the reverse. This plan shows a subdivision with two sections: the ‘Boulevard Section’ and the ‘Riverside Section’. The first of these sections bordered Burke Road between Kilby Road and the farm beside the Yarra. Kilby Road, Munro Road, Burke Road and Old Burke Road bordered the 102 lots in the Boulevard Section of the plan. The streets within the Section included Walbundry Avenue, Inverness Way, Riverside Avenue, Cascade Street and Kyora Parade. These street names, at least in this subdivision plan linked the two Sections of the subdivision. At a later date, the City of Kew decided to alter the street names. Walbundry, Inverness, Riverside, Cascade and Kyora were all renamed as ‘Drives’ (e.g. Kyora Drive). The subdivision plan is of interest in that it names High Street in Kew as Doncaster Road. It also shows the location of the wooden church that was later removed to Yarraville on the corner of Kilby Road and High Street. The plan predates later developments such as the S. E. Dickens Supermarket.subdivision plans - east kew, boulevard estate, munro road -- kew east (vic.), kilby road -- kew east (vic.), burke road -- kew east (vic.), walbundry avenue -- kew east (vic.), inverness way -- kew east (vic.), riverside avenue -- kew east (vic.), cascade drive -- kew east (vic.), nyora parade -- kew east (vic.) -
Bendigo Historical Society Inc.
Document - IAN DYETT COLLECTION: AUCTION CATALOGUE - MURRAY BARRAGES
Two white covered auction catalogue with red and black printing for a sale at the Murray Barrages (Mouth of Murray) on 1st to 6th April, 1940. Sale was altered to one week later, the 8th to 13th April, 1940. For sale was Contractors, Engineers & Mining Machinery, Floating Plant, Locomotives, Stores, Buildings and Houses for Removal, Extensive Quantity of Oregon & Hardwood Timber, Scrap Iron, & Valuable Collection of Tools, Equipment & Sundries. Sold under instructions from the Supply & Tender Board, Adelaide. Auctioneers were J. H. Curnow & Son in association with R. E. Jackman & Co. Ltd. Some prices have been written in one catalogue. Black & white photos in the catalogue are: the Goolwa Barrage, Derrick Barge, 'Milang' Dipper Dredge, 'Captain Sturt' Steam Boat and Batter Pile Frame (for pile driving). The tattered copy has Mr. Curnow written in the top left corner. Contains description of some of the machinery.business, auctioneers, j h curnow & son pty ltd, ian dyett collection - auction catalogue - murray barrages, j h curnow & son, j l jamieson, r e jackman & co ltd, the supply & tender board adelaide, k p phillips -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Domestic object - Haberdashery, damask tablecloth, c1900
Damask is a reversible figured fabric of silk, wool, linen, cotton, or synthetic fibres, with a pattern formed by weaving. Damasks are woven with one warp yarn and one weft yarn, usually with the pattern in warp-faced satin weave and the ground in weft-faced or sateen weave. Twill damasks include a twill-woven ground or pattern. Damask weaves appear most commonly in table linens and furnishing fabrics, In the 1900s, the invention of the Jacquard loom made damask much easier to create. Jacquard fabric was woven with the direction of a series of punch cards that could be used to alter the position of the warp threads in the fabric. These punch cards automated the weaving process, allowing manufacturers to mass produce patterns and making the resulting fabric much less expensive than it once had been. Modern Jacquard weaving is accomplished with computer controls. Irish Linen was very popular because of its high quality and this table cloth may have been made in Ulster, Northern IrelandA white damask tablecloth.clothing, brighton, moorabbin, linen, pioneers, haberdashery, market gardeners, dressmakers, craft work, damask, weavers, jacquard loom -
Kiewa Valley Historical Society
Box Linen Thread, early to mid 1900's
This box which once contained linen thread manufactured in Scotland and labelled "British" manufacture" was used for the repair/manufacture of clothing by professional seamstresses and those wives required to "do" repair stitching of family clothes. This box was manufactured in a period when the title "United Kingdom" was used (late 1700's early 1900's) to describe the union of Britain and Scotland. The label however can be misleading as the"British Manufacture" thread was manufactured in Scotland. The broad term "British Manufacture" was used for the benefit of those in the "colonies" of Australia and New Zealand, during a period when the "coined" phrase "best of British, or British best" was synonymous to "top quality". After World War II the need for "cheaper products" was more persuasive than the quality of the product. In rural areas this shift to cheaper "non British" goods was at a slower rate than in the cities. Goods such as clothing manufactured or altered by seamstresses were regarded as of a higher standard and therefor the use of linen thread from "Britain" was a sign of quality and reliability.This box which contained linen thread, "British" made, is very significant to the Kiewa Valley because it demonstrates the conditions under which households in the late 1800's and early 1900's evolved from a "domestic repair /replacement" of damaged clothing to a consumer of recycled and shop bought clothing and linen. The ability of semi isolated rural based families to purchase "off the rack" clothing was severely affected by weather, long distance over dirt roads(poorly serviced) to large towns(shops), horse/cart or slower driven cars. The purchasing of clothing was, on the whole, from trading house "mail order" consignment orders.This red paper covered box has a white covered lid (top) with black print detailing the manufacturer and contents. This box contained 150 yds of linen thread 2 cord. A small added note pasted on one side "USUAL TWIST (s)" describing the thread's appearance. Two semicircular "finger" holes on two sides of the lid permit easier removal of the lid from the base.On the top lid: "W.&J. KNOX'S" below this a crest with latin motive "MOVEO ET PROFICIOR" English translation "I proceed and am more prosperous" encircling an open winged falcon. below this "LINEN THREAD", "2 CORD." "WARRANTED" "150 Yds." Made from Flax." British Manufacture". On one side "DRABS SOFT FINISH" within a shield "KNOX'S TWO CORD 150 YARDS 30" next to this a trade mark "W & J KNOX below this "made in KILBIRNIE, SCOTLAND"thread, cord. flax, box container, linen thread, seamstress items, cardboard box -
Vision Australia
Text, RVIB Warrnambool Auxiliary, 1930 - 1995
The Warrnambool RVIB Auxiliary was believed to be formed in 1936. This collection includes an article showing the strength and determination of auxiliaries dated March 1940 ' Blind Institute Annual Meeting' - "If this war was only going for six months, I would say to all our workers- Down Tools- and give your efforts solely to war purposes. But this war is more likely to last six years in my opinion, than six months. It is not right to rob Peter to pay Paul, especially where Peter is a frail little fellow," said Mr. Van Assche, of the Royal Victorian Institute for the Blind, when appealing at the annual meeting of the Warrnambool Auxiliary yesterday afternoon for a continuance of support to the institution as far as the altered circumstances would permit. "The war had changed the whole aspect of the bright financial outlook of the institution," he said. "In the year just ended, largely due to the auxiliaries' efforts, the subscriptions had reached a record figure of £9,274, which was £461 better than the previous twelve months." 5 minute books -- 1 account books -- various newspaper clippings royal victorian institute for the blind -
Wangaratta RSL Sub Branch
Framed print, HMAS Melbourne
HMAS Melbourne never fired a shot in anger during her career, having only peripheral, non-combat roles in relation to the Indonesia-Malaysia confrontation and the Vietnam War. She was, however, involved in two major collisions with allied vessels; though Melbourne was found not to be the primary cause of either incident. The first occurred on the evening of 10 February 1964, in which Melbourne rammed and sank the RAN destroyer HMAS Voyager when the latter altered course across her bow. Eighty-two of Voyager's personnel were killed, and two Royal Commissions were held to investigate the incident. The second collision occurred in the early morning of 3 June 1969, when Melbourne also rammed the United States Navy (USN) destroyer USS Frank E. Evans in similar circumstances. Seventy-four American personnel died, and a joint USN–RAN Board of Inquiry was held. These incidents, along with several minor collisions, shipboard accidents, and aircraft losses, led to the reputation that Melbourne was jinxed. HMAS Melbourne was a Majestic-class light aircraft carrier of the Royal Australian Navy (RAN). Operating from 1955 until 1982, she was the third and final conventional aircraft carrier to serve in the RAN. Melbourne was the only Commonwealth naval vessel to sink two friendly warships in peacetime collisionsMoulded patterned black plastic frame and mount containing black and white print of hand drawn ship at seaThe Majestic Melbourne Dedicated to those who servedhmas melbourne, ran, aircraft carrier -
Brighton Historical Society
Clothing - Nightgown, Mid 19th Century
This nightgown is believed to have belonged to Mrs Thomas Anne Ward Cole, an early Brighton resident and wife of George Ward Cole. The item appears to have been made or altered to accommodate a pregnant belly, however purpose made maternity clothing was not common at this time. Mrs Ward-Cole’s six pregnancies took place in 1843, 1844, 1845, 1847, 1849 and 1851. The style of this garment in particular the shape of the sleeves would indicate that it is most likely to have been constructed in circa 1860, so whilst it appears to be a maternity item, and historically has been referred to as thus, this purpose cannot be confirmed. George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor The Duke Of Edinburgh, Queen Victoria’s second son, at St Ninians in 1867. In later years St Ninians was subsequently subdivided and later demolishedA hand sewn ivory cotton muslin nightgown, c. 1842–1850. The bodice is made of delicately embroidered muslin in a floral design. The open flat collar features a scalloped lace frill underneath. The bodice fastens with thirteen mother of pearl buttons down the centre front. After the fourth button, the remaining buttons are concealed beneath a full gathered modesty skirt, which falls from just below the bust line. The modesty panel is secured horizontally across the bodice by six mother of pearl buttons. The sleeves finish over the back and palm of the hand in two flattened peaks. The front of the gown consisting of the modesty front is full length. The modesty gown at both sides joins two panels that are an integrated part of the bodice. At the centre back there is a very full gathered panel with lace trim that falls to create a train. It is semi-attached to the bodice with a top section secured with mother of pearl buttons and small ties. The purpose of this design feature is unknown. st ninians, george ward cole, brighton, night gown, thomas anne ward cole -
Puffing Billy Railway
7A Number Plate
Historic - Victorian Railways Locomotive Number Plate used on Steam Locomotive 7A Loco: 7A In service Saturday, 6th May 1905 Livery Maroon Owner Puffing Billy Gauge 762 Status Preserved - Operational 7A Built in 1905 and painted Canadian red & dark brown, this locomotive was issued to the Wangaratta to Whitfield line and saw service on all four lines with most of its service on the Upper Fern Tree Gully to Gembrook line. It was temporarily withdrawn from service in 1958 and returned to service at Belgrave in 1962 for the reopening of this line where it has seen almost continuous service since. 1979 saw the early two-tone green colour scheme applied to this loco as a trial even though it never historically carried it, but its physical configuration was not altered accordingly. It is now painted its original livery of Canadian Pacific red & dark brown and will eventually be returned, as far a possible, to its original condition with a low bunker, narrow ash-chute, etc.Historic - Victorian Railways Locomotive Number Plate used on Steam Locomotive 7ANumber Plate 7A Fabricated steel number board made by the Victorian Railways for locomotive 7A7apuffing billy, 7a, number plate, victorian railways -
Ballarat Tramway Museum
Newspaper, The Courier Ballarat, "All Aboard", "Buses for Sebastopol on September 20", 19/08/1971 12:00:00 AM
Two Newspaper clippings pasted onto a single sheet of paper with two Punch holes on the left hand side. First clipping from The Courier, Ballarat, Thursday 19/8/1971 of two photos of a bogie trams in Sturt St. The first one with tram 40 derailed near the intersection of Sturt St with another bogie tram behind. Both trams showing destination of "Special". The photos are associated with a tram tour for Ballarat North Technical School. See Reg items 3765, 3766 for actual prints of the Courier photographs. Second cutting dated 23/7/71 discusses the replacement of the trams with buses, the various dates and trams being sought for preservation after closure, including the City of Ballaarat, the Borough of Sebastopol and the BTPS. Quotes Mr. Pellas, the manager of the Mid-Western Electricity Supply Branch. Newspaper cutting has been altered by cutting to fit the required space on the sheet, and possibly has left out a line in the last column.In red ink in on the first cutting, adjacent to the photo caption "19/8/71" and on second cutting, "23/7/71" in red ink on the right hand upper side of the cutting. On rear has various pencil marks from former use at perhaps Donor's employer, Ronaldson and Tippet.trams, tramways, tram tours, derailments, closure, bus replacement -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Weapon - Bayonet, M1898/O5s sawback "Butcher" bayonet
Used in WW1 by German soldiers, primarily pioneer troops and NCOs. Often had their teeth removed due to negative conotations associated with allied propaganda. Many German soldiers were advised not to use the sawback bayonet as they believed that if caught with it they could be summarily executed Know as a saw back bayonet or a butchers knifeDark steel bayonet with substantial 37 cm (15 in) blade. Woodne grips are missing and steel on grop is significantly rusted. Saw back edge with 2 rows of 29 teeth, The quilion bends down toward the hanle Unlike many other bayontes this bayonet does not have a muzzel ring it instead has a long t shaped gove in the handle, Mauser avoided one since these altered the vibration harmonics of the barrel when fired, affecting accuracy. All the bayonets featured quillons that curved back towards the hilt. These were much less effective at catching the opposing blade than the forward-swept quillons used by some other nations. A small number of pioneers and certain non-commissioned officers of the German Army were issued a bayonet with a sawback edge, known as the S or m.S. ("mit Säge", with saw). Many such bayonets had their teeth ground down in response to negative Allied propaganda. There is a heavily rusted, all steel scabbardWAFFENFABRIK MAUSER A.G OBERNDORF a.N5/6 rvr, bayonet, ww1, german, western front -
Kew Historical Society Inc
Photograph - Zig-zag Bridge, Kew, Henry Beater Christian, 1920s
An item from an outstanding and diverse photographic collection, assembled by members of the Christian family of Pakington Street, Kew, comprising professional and amateur photography, depicting individuals, natural and settled environments and the interactions between these worlds. Many of the photographs vividly capture the worlds of three generations of men - Henry Christian, his son Orlando Henry Beater Christian, and his grandson of Henry Beater Christian. The most important photographer was the youngest, Henry Christian, who was a keen explorer, not just of his immediate environment but also of the Victorian wilderness. His major opus is contained in two albums in which he records, sometimes in majestic detail and on other occasions the intimate features of the natural world. His photographic travels during the 1920s, often in solitary ramblings but on other occasions with companions, recall the heroic landscape photography of an earlier era, pioneered by Nicholas Caire. In addition to their aesthetic value, the albums are historically significant records within the State of Victoria, of what is now a distant point in time, and of places that have become radically altered through human intervention.Sepia photograph of the wooden trestle Zig-Zag Bridge across the River Yarra. The bridge was built in the 1870s to transport stone from the west side of the Yarra to the east side. The stone was used in the construction of the Kew Asylum. The bridge continued to link the two asylums on each side of the river. yarra river -- kew (vic), zig-zag bridge -- kew (vic.), henry beater christian, christian-washfold collection -
Melton City Libraries
Booklet, Melton Business and Trade Directory, c.1965
BUSINESS TRADE AND DIRECTORY MAP NORTH of High Street RALIEGHS Road - Early settlers Oliver Reierson ( Norwegian) Raliegh SHEBLER Court Auguste EMIL Court Jongebloed Family residence “Hemlich” ALEXANDRA Street Coronation King, Queen Alexandra - 1903 O’NEILS Road Farmer OLDERSHAW Road CORR Grove Early landowner, Teacher at the Common School – Denominational Churches, 1850’s Wesleyan (Methodist) BRYAN Court 1850’s resident renamed from earliest town site - Flat HURLEY Street Early settler and farmers - CHESNEY Road was named Minns, due to duplication altered to Chesney (Minns) SOUTH of High ALKEMADE Drive. Family name ARNOLD Court Family BARRIES Road Charles Ernest Barrie “Darlingsford” 1911 Residence KILPATRICKS Road became Barries Road west of Station Road BLACKWOOD Drive Alexander, Early settler CALLANAN Drive Surveyor early LUBY Court John Luby - Crown Grant Land title KERWIN Street Michael - Crown Grant land title (deleted due to Freeway)Pamphlet of Melton Businesses and map of the townlocal identities, misc., council -
Federation University Historical Collection
Letter, Associated Board of Royal Schools of Music correspondence, 1936, 26th March, 1936
Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.An addressed envelope which is addressed to Frank Wright and a sheet of paper which is a letter from The Associated Board of the Royal Schools of Music.On the top left hand corner of the envelope is "The Associated Board of The Royal Schools of Music, London (The Royal Academy of Music and Royal College of Music) 14 & 15, Bedford Square. London, W.C.I on the right hand side is an inked stamp in red with Great Britain a crown G v R Post Paid N 1/12d 99. The address is Frank Wright Esq LRSM. 226 Cambridge Street, Hyde Park W2 The letter is from the Associated Board of the Royal Schools of Music London, altering Frank Wright that he is entitled to describe himself as a Licentiate of The Royal Schools of Music, London (L.R.S.M., London)frank wright, royal school of music, l.r.s.m. -
Flagstaff Hill Maritime Museum and Village
Bracket, On or before 1889, when the Newfield was built
This bracket was recovered from the wreck of the Newfield. The barque Newfield left Liverpool on 1st June 1892 with a cargo of 1850 tons of fine rock salt for Brisbane. About six weeks later the ship ran into very heavy weather approaching the Australian coast. On 28th August at about 9pm her master, Captain George Scott, observed between the heavy squalls the Cape Otway light on the mainland of Victoria, but due apparently to a navigational error (the chronometers were incorrect), he mistook it for Cape Wickham on King Island, some 40 miles south. He altered course to the north expecting to run through the western entrance of Bass Strait, but instead, at about 1:30am, the ship ran aground about about 100 yards from shore, one mile east of Curdies River. The vessel struck heavily three times before grounding on an inner shoal with six feet of water in the holds. The Newfield remained upright on the reef with sails set for a considerable time as the wind slowly ripped the canvas to shreds and the sea battered the hull to pieces. Seventeen men survived the shipwreck but the captain and eight of his crew perishedFlagstaff Hill’s collection of artefacts from the Newfield is significant for its association with the shipwreck Newfield, which is listed on the Victorian Heritage Registry. The collection is significant because of the relationship between the objects. The Newfield collection is archaeologically significant as the remains of an international cargo ship. The Newfield collection is historically significant for representing aspects of Victoria’s shipping history and its association with the shipwreck.‘L’ bracket, copper, 3 holes on one side, 2 holes on the other1893, shipwrecks, shipwrecked coast, flagstaff hill, flagstaff hill maritime museum, maritime museum, shipwrecked artefact, flagstaff hill maritime village, shipwreck coast, warrnambool, newfield, 1892, 28 august 1892, port campbell, nineteenth century, victorian shipwrecks, barque, norma bracken, peterborough, 29 august 1892, peter ronald, curdies river, bracket -
Flagstaff Hill Maritime Museum and Village
Functional object - Porthole, Before June 1892, when the Newfield sailed for Brisbane
This porthole frame was recovered from the wreck of the Newfield. The barque Newfield left Liverpool on 1st June 1892 with a cargo of 1850 tons of fine rock salt for Brisbane. About six weeks later the ship ran into very heavy weather approaching the Australian coast. On 28th August at about 9pm her master, Captain George Scott, observed between the heavy squalls the Cape Otway light on the mainland of Victoria, but due apparently to a navigational error (the chronometers were incorrect), he mistook it for Cape Wickham on King Island, some 40 miles south. He altered course to the north expecting to run through the western entrance of Bass Strait, but instead, at about 1:30am, the ship ran aground about about 100 yards from shore, one mile east of Curdies River. The vessel struck heavily three times before grounding on an inner shoal with six feet of water in the holds. The Newfield remained upright on the reef with sails set for a considerable time as the wind slowly ripped the canvas to shreds and the sea battered the hull to pieces. Seventeen men survived the shipwreck but the captain and eight of his crew perished.Flagstaff Hill’s collection of artefacts from the Newfield is significant for its association with the shipwreck Newfield, which is listed on the Victorian Heritage Registry. The collection is significant because of the relationship between the objects. The Newfield collection is archaeologically significant as the remains of an international cargo ship. The Newfield collection is historically significant for representing aspects of Victoria’s shipping history and its association with the shipwreck.A porthole frame from the wreck of the Newfield. The porthole and glass are missing. It is encrusted, cracked and eroded. There are 8 retaining bolt holes with the remnants of 7 bolts remaining. On the inside are the remains of the hinge flange and the two release screws. Restored, good condition.warrnambool, shipwrecked coast, flagstaff hill, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, shipwrecked artefact, 1892, 1893, 28 august 1892, 29 august 1892, barque, curdie's river, newfield, nineteenth century, peter ronald, peterborough, port campbell, porthole, porthole frame, shipwrecks, victorian shipwrecks -
Flagstaff Hill Maritime Museum and Village
Functional object - Porthole, On or before 1889, when the Newfield was built
This small porthole was recovered from the wreck of the Newfield. The barque Newfield left Liverpool on 1st June 1892 with a cargo of 1850 tons of fine rock salt for Brisbane. About six weeks later the ship ran into very heavy weather approaching the Australian coast. On 28th August at about 9pm her master, Captain George Scott, observed between the heavy squalls the Cape Otway light on the mainland of Victoria, but due apparently to a navigational error (the chronometers were incorrect), he mistook it for Cape Wickham on King Island, some 40 miles south. He altered course to the north expecting to run through the western entrance of Bass Strait, but instead, at about 1:30am, the ship ran aground about about 100 yards from shore, one mile east of Curdies River. The vessel struck heavily three times before grounding on an inner shoal with six feet of water in the holds. The Newfield remained upright on the reef with sails set for a considerable time as the wind slowly ripped the canvas to shreds and the sea battered the hull to pieces. Seventeen men survived the shipwreck but the captain and eight of his crew perished.Flagstaff Hill’s collection of artefacts from the Newfield is significant for its association with the shipwreck Newfield, which is listed on the Victorian Heritage Registry. The collection is significant because of the relationship between the objects. The Newfield collection is archaeologically significant as the remains of an international cargo ship. The Newfield collection is historically significant for representing aspects of Victoria’s shipping history and its association with the shipwreckSmall porthole frame (inner), from the wreck of the Newfield. Glass missing, brass with 2 screw dogs lugs and one hinge. Restored, good condition.warrnambool, shipwrecked coast, flagstaff hill, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, shipwrecked artefact, 1892, 1893, 28 august 1892, 29 august 1892, barque, curdie's river, newfield, nineteenth century, peter ronald, peterborough, port campbell, porthole, shipwrecks, victorian shipwrecks -
Puffing Billy Railway
7A Number Plate
Replica of a Victorian Railways replacement number board that 7A carried in the later 40's and 50's. This plate was created for the preservation society's reenactment trains in 2012 for the 50 year celebration of reopening to Menzies Creek. Loco: 7A In service Saturday, 6th May 1905 Livery Maroon Owner Puffing Billy Gauge 762 Status Preserved - Operational 7A Built in 1905 and painted Canadian red & dark brown, this locomotive was issued to the Wangaratta to Whitfield line and saw service on all four lines with most of its service on the Upper Fern Tree Gully to Gembrook line. It was temporarily withdrawn from service in 1958 and returned to service at Belgrave in 1962 for the reopening of this line where it has seen almost continuous service since. 1979 saw the early two-tone green colour scheme applied to this loco as a trial even though it never historically carried it, but its physical configuration was not altered accordingly. It is now painted its original livery of Canadian red & dark brown and will eventually be returned, as far a possible, to its original condition with a low bunker, narrow ash-chute, etc.Historic - Replica Victorian Railways Locomotive Number Plate of the type used on Steam Locomotive 7A in the later 40's and 50's created for the preservation society's reenactment trains in 2012 for the 50 year celebration of reopening to Menzies Creek Number Plate 7A Rectangular black and white number plate. Cast aluminum replica number board.7Apuffing billy, 7a, number plate -
Melton City Libraries
Photograph, High Street, Melton, c.1980
The Staughton Memorial Lamp 1903, memorial to Captain S.T Staughton, who died at an early age. The Staughton Memorial Lamp was removed from the High Street when the plantation trees removed and the road was rebuilt. 1970. The Lamp was taken to the Shire Council yard. The M&DHS investigated the location and state of the lamp, finding the base with its plaques and the column only. A photograph was taken while at the Council yard. An initiative of the M&DHS was set in motion to restore to monument and return it to the High Street. Peter Staughton a descendent of the family was approached and produced a design for the missing lamp section. After considerable deliberation it was agreed a capping would be appropriate for the top of the column. Architectural drawings were produced by Peter Staughton and students from RMIT were engaged to make the capping. The original lamp section as seen only in early newspaper photographs was not adopted due to the elaborate shape and the cost of production. The ongoing cost of replacing curved glass panes was a contributing factor in the choice of a capping. In 1973 Peter Staughton officially opened the newly located Lamp The Lamp has since been altered with the addition of an oval shaped lamp being placed above the capping. The development of McEwan Bakery Square. Magnet discount can be seen in the background.landscapes of significance -
Vision Australia
Administrative record - Text, Register of Life Governors, 1930s to 1950s
Handwritten list of Life Governorships awarded to various people from the RVIB during the 1930s until the 1950s. Entries include the name and address or township of recipients, and later a date column was included. No information is included on why a Life Governor was granted however this was usually in recognition for the funds donated to the institution. This amount was dependent upon the time of the contribution. In the Constitution and Rules section of the 1872 Asylum and School for the Blind Annual Report: Membership - Every Subscriber of 10s., and upwards per annum shall be a Member of the Institution, and every donor of 20 pounds and upwards, a Life Member. Auxiliary members who were appointed Life Governors were usually involved in helping organise some of the many fundraising activities, such as the Auxiliaries Annual Three Day Fair. A Life Governorship also meant that the person would have a vote when it came to some decisions made by the Committee of Management. RVIB Life Governors are listed cumulatively in the annual report until 1935 when, due to reasons of space, it was altered so that names appeared only in the year that they were granted. This continued until 1999/2000 when these were no longer awarded.Vinyl covered record book with alphabetical listing of some Life GovernorsR.V.I.B. Life Governersroyal victorian institute for the blind, fundraising -
Flagstaff Hill Maritime Museum and Village
Functional object - Porthole frame, ca. 1889
This porthole and porthole cover was removed from the stern of the Newfield wreck, on the starboard side. The barque Newfield left Liverpool on 1st June 1892 with a cargo of 1850 tons of fine rock salt for Brisbane. About six weeks later the ship ran into very heavy weather approaching the Australian coast. On 28th August at about 9pm her master, Captain George Scott, observed between the heavy squalls the Cape Otway light on the mainland of Victoria, but due apparently to a navigational error (the chronometers were incorrect), he mistook it for Cape Wickham on King Island, some 40 miles south. He altered course to the north expecting to run through the western entrance of Bass Strait, but instead, at about 1:30am, the ship ran aground about about 100 yards from shore, one mile east of Curdies River. The vessel struck heavily three times before grounding on an inner shoal with six feet of water in the holds. The Newfield remained upright on the reef with sails set for a considerable time as the wind slowly ripped the canvas to shreds and the sea battered the hull to pieces. Seventeen men survived the shipwreck but the captain and eight of his crew perished.Flagstaff Hill’s collection of artefacts from the Newfield is significant for its association with the shipwreck Newfield, which is listed on the Victorian Heritage Registry. The collection is significant because of the relationship between the objects. The Newfield collection is archaeologically significant as the remains of an international cargo ship. The Newfield collection is historically significant for representing aspects of Victoria’s shipping history and its association with the shipwreckPorthole frame, including porthole and porthole cover, from the wreck of the Newfield. Porthole secured by nine bolts. It was removed from the stern of the wreck on the starboard side. there is some marine growth on the porthole. The cover still opens. warrnambool, shipwrecked coast, flagstaff hill, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, shipwrecked artefact, 1892, 1893, 28 august 1892, 29 august 1892, barque, curdie's river, newfield, nineteenth century, peter ronald, peterborough, port campbell, porthole, porthole cover, shipwrecks, victorian shipwrecks, porthole frame -
Upper Yarra Museum
Glass container, 1898 (exact); before 1898, product was trademarked in 1898
http://www.clag.com.au/about/about.htm http://en.wikipedia.org/wiki/Clag_(glue) Clag was first trademarked in 1898 by Joseph Angus, manufacturer, of 216 Nicholson Street, North Fitzroy, Melbourne. The National Archives of Australia holds the original trademark application - a digitised version is available online (see References). The exact composition of the original paste is unknown but is thought to have been starch-based. Australian schools commonly request that parents purchase Clag paste for their children as part of the stationery lists that are circulated before each school year. The main reason for this is Clag's reputation for safety and ease of use. The bottle includes a brush recessed into the lid that children find relatively easy to handle, and the packaging does not contain any small components that children might swallow. The main ingredient of Clag is wheat starch dissolved in a water base, meaning that children can safely swallow the glue without incident It feels cold to touch and when applied to paper, it sometimes alters the colour of what is on it and causes paper to warp, owing to the high water content of the glue. There is an Australian slang usage of the word "clagged" derived from the characteristic of Clag Paste and can be used in place of the words, "clogged", "congested", "restricted" or "stuck". Bottle used for clag. The bottle has the original marking made by Angus P/l who trademarked the glue in 1898.Angus & Co Pty Ltd, ISM 12school, bottle, glue, clag, trademark, wheat starch -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - opalotype, Thomas Must, n.d
Possibly Portland Town Council. Thomas Must, a wealthy Sydney merchant arrived in Portland in 1845. In 1855 prospect was built for Must to a design by local architect George Mathewson. The two storey home was built in expansive grounds with sweeping views of Portland Bay and the township. The stuccoed house is of Regency/Italianate style with a single storey verandah and single storey kitchen wing. In 1878 the original posted verandah was replaced by new verandah and a conservatory to a design of architect Daniel Nicholson. Nicholson had also been responsible for the design of the Assembly Rooms at the London Inn. Thomas Must was active in the Portland Community. He was a Trustee of the Port Philip Savings Bank, a Justice of the Peace, Treasurer of St. Peters Church at Bridgewater and the first Chairman of the Portland Borough Council. Prospect was Thomas Must’s home until his death in 1905. The building has been considerably altered over the years and much of the original Italianate character has been lost. Subsequent owners include B. Cunningham, G.S. Beresford (who changed the property’s name to Waterford), and long-term Liberal Senator Sir Magnus Cormack. Cormack was President of the Senate from 1971 to 1974. In 1976 the Prospect became an aged accommodation centre.Wooden Frame - light brown. Gold inner frame. Fawn mount. Man with long white beard and hair facing right wearing dark jacket.Front: (no inscriptions) Back: (no inscriptions)photography, opalotype, thomas must -
Ballarat Tramway Museum
Ephemera - Tour Notes, Victorian Railways et al, ARE/ARHS/AREA (Vintage Train) Tour to Ballarat, Sep. 1971
Set of three foolscap size sheets, for ARE/ARHS/AREA (Vintage Train) Tour to Ballarat, on Sunday 5 September 1971, the last day of the Mount Pleasant, Gardens Via St. West Lines. 1. - Welcome Aboard circular - printed both sides on pink paper - which involved the running of two trains, special bus and tram arrangements at Ballarat, for the visit to Sovereign Hill. Gives details of the tram timetables, for the afternoon, train departure times, lunch arrangements and notes on bus and tram running if peak loads encountered. 2nd copy ex Peter Winspur, added 11/1/2007. 2. Victorian Railways S Circular, or special train notice, S2188/71, three pages giving list of special trains, altered platform arrangements at Flinders St., train schedules, alterations to goods trains, light engine movements, loads, motive power and tickets. Signed by J.C. Crute as Chief Traffic Manager. Dated 27/8/1971. See Reg Item 3442 for the booking circular and form. Images of document added 27-08-12.Notes on page 2 by W.Doubleday of trams operating and some notes.arhs, are, area, ballarat, special trains -
Ballarat Tramway Museum
Document - Form/s, Ballarat Tramway Preservation Society (BTPS), "Revenue Journal", 1991 to 1997
2944.1 - A4 size sheet of white paper, printed up as a BTPS (BTM) conductor's Revenue Journal for Adults fares as $1.50c, Children $0.80 and all day cards $3.00. Standard BTPS Revenue Journal format that was altered as necessary for the various fares. Known as form T2. Form titled for the "Ballarat Tramways" and has been used on Sunday 29/12/1991 by Andrew Mitchell. Gives the opening and closing numbers, total number issued, pay in values and total cash. Signed by A. Mitchell. 2944.2 - ditto, completed by Austin Brehaut on 15/1/1991, when fares were Adult $1, children 50c and All Day cards - $2.00. 2944.3 - ditto on green paper, completed by P. Mong 9/3/1997, when fares were $1.50 for Adults, 80c for Children and $3.00 for All Day cards. Specially printed for the 1997 Begonia Festival with addition of 50c and 30c check or ticket values. 2944.4 - A5 version dated 6/10/ 1996, completed by Clayton Giles. Fares $1.50 Adults, 80c for Children and $3.00 for All Day cards. Images added 27-11-2016trams, tramways, fares, revenue journal, btps, tickets