From its beginnings in 1958, the Society has mounted exhibitions and/or displays, in early days in shop window and in community spaces located in the Kew City Hall (later Kew Library), and since 2010 at the Kew Court House. Exhibitions typically coincided with the annual Kew Community Festival in March, but after 2013 evolved into three new exhibitions yearly at the Kew Court House. Smaller displays continue to be mounted in the Kew Library. Display sourced from the Society's and private collections, curated by Les Littlechild, illustrating historical aspects of children's health in Kew.kew historical society - exhibitions, children's health - kew (vic), kew library

From its beginnings in 1958, the Society has mounted exhibitions and/or displays, in early days in shop window and in community spaces located in the Kew City Hall (later Kew Library), and since 2010 at the Kew Court House. Exhibitions typically coincided with the annual Kew Community Festival in March, but after 2013 evolved into three new exhibitions yearly at the Kew Court House. Smaller displays continue to be mounted in the Kew Library. Photograph of three costumes exhibited at the Kew Library, all donated by Netta Fuller, and dated to the 1860s.netta fuller, australian fashion - 1860s, women's clothing - 1860s, dresses - 1860s, kew historical society - exhibitions, exhibitions - victorian era fashion

Sydney : Angus and Robertson in association with the State Planning Authority of N.S.W., 1965 48 p. : ill., map, plans ; 25 cm. non-fictionsydney (n.s.w.) -- historic buildings

[Liverpool, N.S.W.] : Cumberland County Council, 1963 54 p. : ill., maps ; 26 cm. non-fictionhistoric buildings -- new south wales -- liverpool., historic buildings -- new south wales -- campbelltown.

[Sydney], 1967 67 p. : illus., facsims., maps, plans ; 26 cm. non-fictionhistoric buildings - windsor (nsw), historic buildings - richmond (nsw)

Sixteen page black and white knitting pattern book featuring men’s jumpers and vests. Book contains black and white photographs and printed text. Front cover shows a man wearing a knitted jumper and shorts holding a tennis racquet. front: [printed] Sun-glo / Knitting Book / DESIGN No. / 3845 / PAGE 5 / Series 121 / 7 ½ d [handwritten] H Lambas?fashion, women, magazine, knitting, crochet, home life, patterns

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limted edition woodblock print.art, artwork, lisa baker, printmaking, woodblock

Photographs of crowds enjoying Carols by Candlelight in 1987.Col. photograph of transparencies of Carols by Candlelight audienceUncorrected proofs not to be reproducedcarols by candlelight, royal victorian institute for the blind, fundraising

1989 Carols by Candlelight performers on stage and the crowds assembling to watch them.Col. proof sheet of images taken at Carolscarols by candlelight, peter cupples, lisa edwards, debbie byrne, broken voices, the seekers, ray martin, cameron daddo, suzanne johnston, rob guest, noel watson, jeff phillips, john cain, karen knowles, salvation army band, national boys choir

p.437.non-fictionA French - English dictionarydictionaries - english language, dictionaries - french language

Hand made, Irish crocheted.Round, white doily with 10 embroidered flowers in the cotton hand-crocheted surround.doilies, table linen.

A publication of 186 pages featuring black and white photographs and an anthology of poetry.This book is an anthology of poetry written by over 80 migrants who settled in the North East of Victoria. It is a moving evocation of the migrant experience. Many of these migrants had been housed at the Bonegilla Migrant Reception and Training Centre near Wodonga which began receiving migrants in 1947, Bonegilla became the largest and longest operating reception centre in the post-war era. More than 300,000 migrants passed through its doors between 1947 and 1971. Most of these migrants came from non-English speaking European families escaping their war-torn homelands. Their world had been turned upside down. Many were confused, unsure of where they were going or what the future held for them. These poems reflect their experiences in adjusting to their new country and environment.immigrants' writings, immigrants in north east victoria, immigrants -- poetry, bonegilla migrant reception centre

ill, p.48.non-fictionA photographic profile of the D50 class 2-8-0 freight locomotive of the New South Wales Railways.locomotives -- australia -- pictorial works, locomotives - new south wales - history

ill, p.48.non-fictionA photographic profile of the 42 class Clyde-E.M.D. diesel electric locomotive of the New South Wales Railways.locomotives -- australia -- pictorial works, diesel locomotives - new south wales - history

ill, p.48.non-fictionA photographic profile of the 40 class Canadian- Alco diesel electric locomotive of the New South Wales Railways.locomotives -- australia -- pictorial works, diesel locomotives - new south wales - history

ill, p.48.non-fictionA photographic profile of the 421 class Clyde-E.M.D. diesel electric locomotive of the New South Wales Railways.locomotives -- australia -- pictorial works, diesel locomotives - new south wales - history

ill, p.48.non-fictionA photographic profile of the 43 Goninan Co-Co diesel electric locomotive of the New South Wales Railways.locomotives -- australia -- pictorial works, diesel locomotives - new south wales - history

The co-operative was registered in 1919 as the Graziers Co-op Shearing Company Limited. It changed its name in September 1948 to Grazcos Co-operative Ltd. In 1981 the co-operative merged with Farmers & Graziers Co-op Ltd to form Farmers Grazcos Co-op Ltd. This item is part of a collection of Annual Reports from Grazcos dated from 1949 - 1980.Booklet featuring a colour graphic on the cover of horses pulling a cart load of wool bales, with the sun setting in the background and black printed text.front: GRAZCOSagricultural co-operative, agricultural wholesaling, annual reports, rural life, rural industry, business, corporate body

photograph

Land is mother, we live with the land – not off the land. This artwork comes from Millar-Baker’s Toongkateeyt (Tomorrow) series, which sees the mashing of Countries to create imagined landscapes that embody both birth country (Wathaurong) and ancestral country (Gunditjmara). Toongkateeyt takes an introspective exploration of contemporary Indigenous connection to land and identity post-colonisation. Using images she took herself and those taken by her grandfather, Millar-Baker focuses on places that have played an important part in her family’s intergenerational experiences. Each work in this series is built from hundreds of individual layers and photographs. Each rock, tree, animal etc. was photographed individually and cut out to create a new landscape depicting the ‘mashing’ of ‘countries’ and a personalised experience existing today as an Aboriginal person. photograph

Robert Greer, baker, married Ida Warren whose family started the bakery; in 1929. Robert & Ida inherited the Bakery from Ida's father John Warren. for further information see Bridging the Gap p. 56Photo shows Robert Greer, baker standing with a load tin in his hands, inside the bakery. Baking tins & ovens can be seen in the photo.Folio no.48 Negative no.25people, greer, buildings, bakery

Two wheeled horse drawn cart that belonged to John Sexton, Maldon baker c 1940. Painted pale yellow with "Hudson Terraplane" wheel hubcaps. Flat bed with a full width step across the back. Leaf springs.Brass cast plate at the back end of the bed with "Maldon" cast in. Brass engraved plate on the side "The Baker's cart is known to have been used / in Maldon between 1930 and 1950 by bakers / "Doughy" Wells 30/40 and John Sexton 40/50" followed by restoration details.trades; horse drawn;

Used on Sheep Farm in Coleambally, NSW to mark sheeps ears with that particular farms brand. Used approximately 1960.Steel spring handle with one side having brand cut out and other side brand protruding to fit together when squeezed. Hole in one handle."W.JNO BAKER" "BAKER"farm implements, farming, george evans collection, 1960s, sheep, farms

Also enlargement 18 x 25, also sepia toned copy from postcard titled Mrs Baker's, Lakes Entrance. Guest House conducted by Mrs Zelie Alphonsine Baker, previously Lake, nee Ducret. Husband George 'Brinet' Baker. Later proprietors were Mrs Syd Ashton, 1930's, and Gerlands, 1950's. Site now occupied by Lakes Photographics, King and Heath shops, all Myers St (west side) to Church StBlack and white photograph of St Rosieres Boarding House. showing weatherboard residence, corrugated iron roof, half veranda at front, timber awning over windows of gabled room. George - Briney - Baker and wife Zelie at front fence. Lakes Entrance Victoriatourism, guesthouses, architecture

Article on planting of Bellbird Dell with photo of committee members, Wilma Docking, Heike Jindra and Barbara Baker. Nunawading Gazette, 12 May 1993.bellbird dell, parks and reserves, docking, wilma, jindra, heike, baker, barbara

This ledger comes from the Model Bakery business of G.W. Greaves, a baker and pastrycook In Allansford in the first half of the 20th century. Allansford is a township 10 kilometres east of Warrnambool, now incorporated into the City of Warrnambool. The ledger contains details of the Greaves business sales of goods, mostly bread, from 1946 to 1948 and includes the names of the customers, the orders and the moneys owing. The bakery served many nearby areas including Wangoom, Hopkins Point, Cudgee, Mepunga, Naringal and Lake Glllear. This ledger is of interest as it illustrates the size of the Allansford bakery and contains many names of people in the area in the 1940s, making it a valuable research object.This is a ledger with a black cover and leather coverings at the corners and a brown leather spine. The red label on the spine has gold lettering and ornamental edges. The inside of the cover has a red mottled pattern and has tape and string stitching. A maker's label is also inside the front cover. The pages are ruled with red lines and contain handwritten entries. There are some loose invoices. The cover is very faded and stained.Baker's Ledger Andrew Jack, Dyson & Co. Wholesale Stationersallansford bakery, greaves model bakery

18cm x 12cm black and white photograph of the building on 13 Sydney Street. Which was occupied by J. Quinn who was a baker. Three figures are standing in front of the building, all female. And one male sitting in a cart pulled by a dark coloured horse. The cart has advertising on the side for J. Quinn. The building is made from bricks with decretive columns on the exterior. Written on the back: 600dpi J Quinn Baker in HEY-DAY Building before Breakell'sbakers, bakers and bakeries, bakeries, 19th century