St Peter’s Church Eaglehawk, Bendigo. The small crosses indicate those that never came back being 22.Honour Board rectangular shape pointed at the top with a cross on, timber construction, all text & markings in gold.“St Peter’s Honour Roll - For God and Country in the Great War 1914 - 1919”. Cross symbol, “Supreme Sacrifice” at the bottom.honour, st peters, roll

Silver lighter with inscription engraved.Vietnam is the land that God forgot, but I've been there and I remember: Vietnam 70-71 Saigon B-52H Bomberzippo lighter, b52

The weatherboard former Golden Point Methodist Church was undergoing renovation in 2014. It was damaged by fire on 09 February 2014 while two owners were rennovating.The foundation stone states: "This Memorial Stone was laid to the Honour and Glory of God by Mrs M.A. Thomas 27th May 1897.methodist church, golden point methodist church, m.a. thomas, thomas

Colour photograph of a stone cairn with a metal cog wheel on top of it.In commemoration of the Turriff West Pioneer Settlers who built a bush church on this site 1914-1915 'To satisfy a need for god'cairn, memorial, turriff, turriff west, pioneer memorial, bush church, turriff west bush church

A kippah, also called a yarmulke or skull cap, is a head cover worn by religious Jewish men for many reasons, one being that it is a sign of one's respect for God.This crochet kippah was made in Melbourne, Australia. This kippah is made of cotton. It is navy blue and decorated with decorative bands, mauve rose buds, blue leaves and yellow flowers.

"THE TIGER MAN OF VIETNAM/ THE HILL TRIBES MADE HIM A DEMI-GOD/ THE CIA WANTED TO KILL HIM/ THE REMARKABLE TRUE STORY OF/ AUSTRALIAN WAR HERO BARRY PETERSEN"Soft cover book. Soft cover - cardboard, gold and black print on front, spine and back. Illustrated, front montage photo of sepia toned soldier with jungle scene behind. Back - sepia toned photograph - portrait of a man with an animal skin. 356 pages, paper, cut, plain, white. Illustrated - black and white photographs.books, history, biography, vietnam conflict

Holy Trinity Anglican Church Stained Glass Windows (Colour) Dorcas and Lydia. To the glory of God and in loving memory Emily Julian Davies died May 22nd 1914.stawell religion

In 1909, assistant Chaplain Rev. Haire presented the Mission with an 'uncommonly artistic pulpit' in memory of his mother. A plaque in memory of Jane King Haire can be found on the side next to the steps. The dedication was performed by the Archbishop of Melbourne on the 26th January (date engraves on the plaque) This pulpit was designed by Melbourne architect Rodney Howard Alsop (1881-1932) and manufactured by William John Dalziel (furniture manufacturer). It was initially used in the first Mission in Central Melbourne, Siddeley St. It is located in the Chapel of Saint Peter of the Mission to Seafarers 717 Flinders St. complex since 1917 (State Heritage listed (H1496). This complex was designed by Walter Richmond Butler in 1916, and officially opened on 11 September 1917, a day '...of unusually kind weather', by the Governor of Victoria, the Honourable Sir Arthur Stanley. According to a later article published in 1950: The pulpit is a model, built to scale, of the stern of an old ship of the line in Lord Nelson's day. This pulpit is significant as it is housed in The Memorial Chapel of Saint Peter forming part of the State Heritage listed Mission to Seafarers Victoria complex. It was built in Melbourne of Australian timbers, and is one of only two known maritime inspired pulpits, both associated with Missions to Seamen of the early 20th C. the other is held in the ANMM Collection see link. Their statement of significance is worth quoting in part as it applies equally to this pulpit "...an extremely rare and unique example of such pulpits. It is highly significant as a wonderfully preserved example of a time when religion was preached to sailors for their spiritual guidance and temperance..." Rodney Howard Alsop was an important Melbourne architect of the Arts and Crafts movement. John William Dalziel had sailed from Liverpool to Melbourne in 1862. Seventeen years later Penman and Dalziel founded the business in Lonsdale Street West, and won recognition at the Indian and Colonial Exhibition in London in 1886. Penman and Dalziel were identified in 1937 as one of Melbourne’s early ‘skilled craftsmen’ and ‘leading names’ in the manufacture of fine furniture. He died in February 1918 in a railway accident.Timber pulpit built in the form of a ship's stern including a timber step ladder for access, a timber keel and rudder, a rope fixed from the pulpit to a post mounted to the floor, and a dedication plaque on the side of the pulpit. The pulpit sits on timber legs. It's likely to be the original rope: traditionally made coir rope with twisted fibres, covered with canvas supported by a thread. At lower end the rope is secured by a monkey fist know and at the top by a turk head knot.Inside the pulpit (right) is the cardboard label with the maker details: " On an attached plaque see 0678 To the greater glory of God and in ever loving memory of Jane King Haire. This pulpit is erected by her son. Blessed are the pure in heart. For they shall see God. St. Matt. V.8. 26.1.09mission, seafarers, melbourne, victoria, chapel, saint peter, pulpit, australian timber, stern, walter richmond butler, australian maritime history, reverend w.f. haire, rodney howard alsop (1881-1932), wright's lane, william john dalziel, gifts-1917, heritage listed

Concerns are raised over possible traffic problems when the new housing estate is built on land previously owned by St John of God Accord in Diamond Creek Road Greensborough.News clipping, black and red text.DV Leader and date written on page.st john of god accord, town planning, traffic, greenhills

A competition was announced to design a suitable building for the proposed Melbourne International Exhibition in December 1877. Eighteen entries were received. The winner of 300 pounds was Joseph Reed of the architectual firm Reed and Barnes. The foundation stone was laid by Governor Sir George Bowen on 19 February 1879. Prominent Melbounre builder David Mitchell, father of Dame Nellie Melba, won the tender to construct the main building. Exhibitors were able to move in by May 1880. On 01 October 1880 the Melbourne International Exhibition opened, when over 6000 people entered the main hall to see the Governor, the Marquess of Normanby open the show. Thirty three nations participated and ofver 32,000 exhibits were displayed. At the close of the exhibition on 30 April 1881 over 1.3 million people had visited the exhibition. In 1881 Victoria's population was just over 250,000. The management of the Exhibition Building and eight hectares of the Carlton Gardens was handed to the Exhibition Trustees by the Melbourne International Exhibition Commissioners on 01 OCtober 1881. The Trustees maintained the building for 'future public exhibitions and ... general public instruction and recreation' until 1996 when management of the building was transferred to Museum Victoria. In 1901 when the Australian colonies federated there was no capital and no federal parliament building. The Federal Parliament moved into the Victorian State Parliament building, and the State Parliament moved into the Western Annexe of the Exhibition Building for 26 years. After World War One, on 04 February 1919, the exhibition Building was turned into a hospital to treat Melbournians struck down with the Spanis 'Flu'. Initially housing 500 beds, the hospital grew to accomodate 2000 patients. Femals were located between the concert platform in the western nave and the done; male patients occupied the spaces beyond. The basement was used a a morgue. With the departure of the State Parliament in 1927 the western annexe became home to the Country Roads Board. In 1932 it was joined by the MOtor Registration Branch, and the Transport Regulation Board in 1934. They co-existedin cramped offices until the 1960s. In 1949 the oval at the rear of the ExhibitionBuilding was leased to the Commonealth Government for the establishment of the Migrant Reception Centre. When it closed in 1961-62, the centre comrised 29 bungalows over 1.4 hectare. The centre provided temporary accomodation for thousands of new arrivals from Britain. On 01 July 2004 the Royal Exhibition Building and Carlton Gardens were inscribed on the World Heritage List. It is the only 19th century Great Hall to survive largely intact, still in its original landscape setting, and still used as a palace of industry. The Melbourne International Flower and Garden Show is a flower show held annually since 1995 in early April each year, in Melbourne, Australia. It is located in the World Heritage Site of Carlton Gardens and the Royal Exhibition Building.[1] It is the largest horticultural event in the southern hemisphere, attracting over 100,000 visitors. It is rated among the top five flower and garden shows in the world. (Wikipedia)Colour photograph of the interior of the Melbourne Exhibition Buildings during the 2019 Melbourne Flower and Garden Show. Four mottoes are painted under teh windows of the dome: Dei Grecia (By the grace of God), Carpe diem (Make the most of the day), Aude sapere (Dare to be wise) and Benigno numine (With benighn power)melbourne international flower and garden show, carlton gardens, melbourne exhibition building, royal exhibition buildings

A competition was announced to design a suitable building for the proposed Melbourne International Exhibition in December 1877. Eighteen entries were received. The winner of 300 pounds was Joseph Reed of the architectual firm Reed and Barnes. The foundation stone was laid by Governor Sir George Bowen on 19 February 1879. Prominent Melbounre builder David Mitchell, father of Dame Nellie Melba, won the tender to construct the main building. Exhibitors were able to move in by May 1880. On 01 October 1880 the Melbourne International Exhibition opened, when over 6000 people entered the main hall to see the Governor, the Marquess of Normanby open the show. Thirty three nations participated and ofver 32,000 exhibits were displayed. At the close of the exhibition on 30 April 1881 over 1.3 million people had visited the exhibition. In 1881 Victoria's population was just over 250,000. The management of the Exhibition Building and eight hectares of the Carlton Gardens was handed to the Exhibition Trustees by the Melbourne International Exhibition Commissioners on 01 OCtober 1881. The Trustees maintained the building for 'future public exhibitions and ... general public instruction and recreation' until 1996 when management of the building was transferred to Museum Victoria. In 1901 when the Australian colonies federated there was no capital and no federal parliament building. The Federal Parliament moved into the Victorian State Parliament building, and the State Parliament moved into the Western Annexe of the Exhibition Building for 26 years. After World War One, on 04 February 1919, the exhibition Building was turned into a hospital to treat Melbournians struck down with the Spanis 'Flu'. Initially housing 500 beds, the hospital grew to accomodate 2000 patients. Femals were located between the concert platform in the western nave and the done; male patients occupied the spaces beyond. The basement was used a a morgue. With the departure of the State Parliament in 1927 the western annexe became home to the Country Roads Board. In 1932 it was joined by the MOtor Registration Branch, and the Transport Regulation Board in 1934. They co-existedin cramped offices until the 1960s. In 1949 the oval at the rear of the ExhibitionBuilding was leased to the Commonealth Government for the establishment of the Migrant Reception Centre. When it closed in 1961-62, the centre comrised 29 bungalows over 1.4 hectare. The centre provided temporary accomodation for thousands of new arrivals from Britain. On 01 July 2004 the Royal Exhibition Building and Carlton Gardens were inscribed on the World Heritage List. It is the only 19th century Great Hall to survive largely intact, still in its original landscape setting, and still used as a palace of industry. The Melbourne International Flower and Garden Show is a flower show held annually since 1995 in early April each year, in Melbourne, Australia. It is located in the World Heritage Site of Carlton Gardens and the Royal Exhibition Building.[1] It is the largest horticultural event in the southern hemisphere, attracting over 100,000 visitors. It is rated among the top five flower and garden shows in the world. (Wikipedia)Colour photograph of the interior of the Melbourne Exhibition Buildings during the 2019 Melbourne Flower and Garden Show. Four mottoes are painted under teh windows of the dome: Dei Grecia (By the grace of God), Carpe diem (Make the most of the day), Aude sapere (Dare to be wise) and Benigno numine (With benighn power)melbourne international flower and garden show, carlton gardens, melbourne exhibition building, royal exhibition buildings

Memorial tablet, south wall, main nave. Decorative opus sectile mosaic within a copper frame, depicting St George slaying the dragon. The inscription is positioned on a stylised ribbon as part of the design.To the glory of God / In Loving Memory of / John Salter / for 45 years / Worshipper and Office Bearer / in this Church / Died Feby. 7th, 1933

Awarded to L.G. Donelan by the Shire of TowongMetal medallion, tarnished on face and rear.Face - FOR GOD, KING AND COUNTRY Back - SHIRE OF TOWONG For Honourable Service Rendered L.G. Donelan World War 1939 - 45l.g. donelan, towong

The sanctuary lamp was part of the original furnishings of St Nicholas Seamen's Church, Williamstown, Victoria. The church was operated by the Missions to Seamen organisation. The lamp was donated by Miss C. Roberts to St Nicholas Seamen's Church, Williamstown, as a memorial to Edward Roberts, who passed away on August 7th, 1905, as stated on the plaque. THE MISSIONS TO SEAMEN (Brief History: for more, see our Reg. No. 611, Set of Pews) The Missions to Seamen was an Anglican charity that served seafarers of the world since 1856 in Great Britain. It symbol is a Flying Angel, inspired by a Bible verse. Today there are centres in over 200 ports world-wide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria the orgainsation began in Williamstown in 1857 as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’ in an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000 the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943 a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981, and closely resembles the Williamstown chapel. The lamp is socially significant as a lasting memorial to Edward Roberts. It is also significant historically for its origin in the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for the physical, social, and spiritual needs of seafarers. It originated in Bristol, England when a Seamen's Mission was formed in 1837. The lamp is historically significant for its connection to the Ladies Lightkeepers’ Auxiliary, an organisation of women, formed to support seafarers. The connection of this lamp to the Mission to Seamen highlights the strong community awareness of the life of people at sea, their dangers and hardships, and their need for physical, financial, spiritual and moral support. Sanctuary Lamp, brass six-sided lamp supported by three chains to a main disc, with single chain above. Ring on base. Ruby glass bowl on top. Inscribed glass plates on sides. Lamp bowl is lit by electric lamp. Made in England.Marked on plates "In Loving Memory of Edward Roberts who passed away 7 August 1905 Nearer My God To Thee"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, religion, religious service, sailors rest, bethel sailors’ church, bethel floating church, ladies harbour light guild, harbor lights guild, joy club for fighters, ladies lightkeepers’ auxiliary, missions to seamen victoria, mission to seafarers, flying angel’s club, st nicholas seamen’s church williamstown, st nicholas mission to seamen church williamstown, mission to seamen williamstown, st nicholas seamen’s church flagstaff hill, 139 nelson place williamstown, sanctuary lamp, electric lamp, church lighting, pendant lamp, edward roberts, memorial plaque, 7-08-1905, c. roberts

This object relates to Frank John PARTRIDGE VC. He was born on 29/11/1924 in Grafton, NSW. Frank John served in the Army (NX700426; N454409) enlisting on, 21/12/1942 before being discharged from duties with the 8 BATTALION as a Army Non-Commissioned Private (PTE) on 17/10/1946. Frank John PARTRIDGE VC was not a prisoner of war. His next of kin is Patrick PARTRIDGEOn back - "The Argus Week-End Magazine" Comic strip - "Thank God Young Partridge was there! Pte. Frank John PARTRIDGE, V.C."second world war (ww2), 1939 - 1945, photo/pictures, ballarat rsl, ballarat

From Heritage Victoria: The Women's Christian Temperance Union (WCTU) was an international first-wave feminist organisation. The Melbourne branch was formed in 1887 and became the biggest and most influential women's organisation in Victoria. The WCTU introduced large numbers of Victorian women to political activity. The Union linked temperance and women's suffrage to achieve a variety of social reforms to improve women’s lives. Possible belonged to Florence Dellar of Henty Street, PortlandBanner for the Women's Christian Temperance Union. Navy cotton backing. Pale blue cotton front. Hand painted. White cord on edges. White fringe on bottom. Person holding flag and cross in centre. Paint - blue, white, black, gold. Wooden slat on top - nailed. String hanger with white tassels.Front: WCTU. For God, For Home, For Native Land. Portland League of Hope. Tremble King of Alcohol, We Shall Grow Up.wctu, womens christian temperance union, feminism, feminist

For King and Country certificate - Australian Commonwealth Military Forces. Enlisted / sailed / served the Empire in the Australian Imperial Forces / Company / Battalion / Brigade. God Save The King. Verse by CHC Montrose.Cardboard rectangle with map of Australia in gold print, 2 red, blue, white flags. Oval cutouts with block & white photographs of 2 individual soldiers in uniform inserted, black print verse. Rising Sun badge depicted in gold print.“1st Nov 1916 / 16th Dec 1916 / W A Reid / 14th / 4th”, handwritten in red ink. “5th June 1915 / 8th Nov 1915 / W Robinson / 21st & 59th”, handwritten in blue ink.documents - certificates, military history

View from the West Ballarat Fire Station looking north west looking towards Drummond and Errard Streets. Both the Base and St John of God Hospitals roofs and chimneys are seen.west ballarat fire station, ballarat, drummond street, errard street, base hospial, st john of god hospital

To celebrate Rosh Hashanah (Jewish New Year), Jews eat foods like honey cake and apple dipped in honey. Along with a special prayer, this is a way of asking God for a sweet and happy year ahead. Our contemporary Judaica collection was developed through a series of exhibitions titled Australian Contemporary Design in Jewish Ceremony I, II and III. For each of the three exhibitions, contemporary artists and crafts-makers were invited to design new objects that could be used to perform the Jewish ceremonies and rituals that had been preserved and developed by Australia’s Jewish community over the last 200 years. This collection now comprises over sixty unique and distinctive objects made using very different methods of production, including tapestry, silver-smithing, carpentry, ceramics and glass-work. These objects have been inspired by a broad spectrum of religious, spiritual, artistic and emotional responses to the ideology and practice of Jewish rituals, as well as deeply considered connections to Australia’s broader culture and landscape. judaica, ceramics, jewish new year

Holy Trinity Anglican Church Stained Glass Windows (Colour) Saint Mark and Saint George. To the glory of God and in grateful Remembrance of the men who made the supreme sacrifice in the Great War 1914-1918.stawell religion

Item in the collection re John D Gardiner No 2832, refer Cat No 5892.2 for his service details.Badge large pressed brass, comprises an eagle with outstretched wings and claw holding a type of staff. Through the centre on a scroll are raised lettering, on the rear are two lugs. Item is curved to fit a German helmet.On the face, " MIT. GOTT. FUR. KOENIG. UND. VATERLAND", Central are letters "F R". English translation meaning, "With God for King and Fatherland".badges, german, fatherland

This Bible was given in March 1916 to Private Henry Havelock Rogers (1895-1917), the son of Joseph and Ellen Rogers of Warrnambool. He left Australia in April 1916 as a member of the 14th Battalion (17 Reinforcement Group) and died in France in April 1917 as a result of wounds. The cousins named on the card were the three older children of Arthur and Agnes Rogers, also of Warrnambool. Joseph and Arthur Rogers were brothers. The Bible was found in the MacDonald Street, South Warrnambool home of Bill Rogers, another son of Arthur and Agnes Rogers not born until the 1920s (deceased estate item). This item has a particular poignancy as it was given to a Warrnambool World War One soldier who was killed in action. Perhaps he carried the Bible with him and it was returned to his family after his death. This is a brown leather-covered book of 822 pages. The cover extends over the edges of the pages and has gold lettering on the front cover and spine. The pages are gilt-edged and there are several colour maps at the end of the book. There is a blue ribbon marker encased in the binding. The inscription is on a loose card and is handwritten in black ink. ‘To Dear Harry Wishing Him God Speed & Safe Return From His Loving Uncle, Aunt And Cousins, Rita, Alfie & Charlie’. henry rogers, rogers families of south warrnambool, world war one and warrnambool

Rev Walter Guthrie Bower was born in Lincoln, Lincolnshire, England in 1877. He was a graduate of London University and was ordained a priest in 1901. He had been a curate of St. Michael & All Angels, Bedminster, then he became the Vicar of St. Thomas, Bristol, for 8 years prior to coming to Warrnambool in 1923. He made a lasting impression on the Parish with his teaching and Christian humility and service. He was a quiet, scholarly, Christian gentleman who endeared himself to all sections of the community. He was married to Norah Marianne. He resigned from the Vicariate of Warrnambool in 1932, to return to England to accept the living of Metfield with Withersdale, Suffolk. HIs address when he died was - The Vicarage, Metfield, Harleston, Norfolk. He died on Mar 26th, 1936 aged 59 yrs leaving his widow Norah. Norah died in 1963 aged approx 77 yrs in Horiston, Devon. Stained glass lancet window memorial to the Reverend Walter Guthrie Bower, the 7th Vicar of the Parish of Warrambool 1923 - 1932. Depicting Jesus as the Good Shepherd.To the Glory of God. In grateful and/affectionate memory of the life and ministry of/ Walter Guthrie Bower/ Vicar of this parish 19230-01932. A faithful minister of the Gospel.

Stained glass, lancet window, north wall, chancel, main nave, memorial window. Depiction of the boy Jesus with his mother in the carpenter's workshop.To the Glory of God, a token of affection/ for the Venerable T.P. Bennett,/ sometime Vicar and Archdeacon of Warrnambool/ Presented by his Masonic Friends A.D. 1946

Straight sided commemorative glass tumbler with gold transfer and rim."150th 4/5/2008" "St Albans Uniting Church" "St Albans Park Geelong" God is our refuge & our strength"

Tabor Lutheran Church, Tanunda 1850 - 1975, this booklet has been published to conincide with the 125th anniversary of Tabor congregation, observed with special services on August 31 1975 in grateful acknowledgement of the many blessings of God, received over the years. History of the free Evangelical Lutheran Church of Tanunda - Tabor, with black and white photographs.religions, christian, lutheran, history-sa-lutheran church- tanunda