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Flagstaff Hill Maritime Museum and Village
Tool - Caulking mallet, mid-to-late 20th century
Caulking is the use of cork or other substances to seal the seams and joints of the vessel to make them watertight. Caulking lasts for quite some time but eventually dries out and needs to be replaced. A mallet or hammer is often used with a caulking iron to drive it along the seams. The caulking iron’s blade is tapered to be narrower at the tip to make it easier to remove it from the joint. The shipwright’s tools on display in the Great Circle Gallery are connected to the maritime history of Victoria through their past owner, user and donor, Laurie Dilks. Laurie began his career as a shipwright in the mid-1900s, following in the wake of the skilled carpenters who have over many centuries used their craft to build and maintain marine vessels and their fittings. You can see Laurie’s inscription on the tool called a ‘bevel’. Laurie worked for Ports and Harbours, Melbourne, for over 50 years, beginning in the early 1960s. He and a fellow shipwright inscribed their names on a wheelhouse they built in 1965; the inscription was discovered many decades later during a repair of the plumbing. Many decades later Laurie worked on the Yarra moving barges up and down the river and was fondly given the title ‘Riverboat Man’ His interest in maritime history led him to volunteer with the Maritime Trust of Australia’s project to restore and preserve the historic WWII 1942 Corvette, the minesweeper HMAS Castlemaine, which is a sister ship to the HMAS Warrnambool J202. Laurie Dilks donated two handmade displays of some of his tools in the late 1970s to early-1980s. The varnished timber boards displayed the tools below together with brass plaques. During the upgrade of the Great Circle Gallery Laurie’s tools were transferred to the new display you see there today. He also donated tools to Queenscliffe Maritime Museum and Clunes Museum.The shipwright’s tools on display in the Great Circle Gallery are connected to the maritime history of Victoria through their past owner, user and donor, Laurie Dilks. Laurie began his career as a shipwright at Ports and Harbours in Melbourne in the mid-1900s, following in the wake of the skilled carpenters who have over many centuries used their craft to build and maintain marine vessels and their fittings.Caulking mallet; a thick wooden handle with a round ‘T’ cross-bar near the end. Metal reinforcing is added around the ends of the head. Both sides of the wooden head are flared outwards towards the end. The head is reinforced where it intersects with the handle and around the ends of the head just above the tips. It once belonged to shipwright Laurie Dinks.flagstaff hill, maritime museum, maritime village, warrnambool, shipwreck coast, great ocean road, shipwright, carpenter, shipbuilding, ship repairs, hand tool, equipment, caulking, ship maintenance, cooper, shipwright’s tools, shipwrights’ tools, tools, maritime trade, caulking mallet, caulking iron, laurie dilks, l dilks, port and harbours melbourne -
Flagstaff Hill Maritime Museum and Village
Tool - Caulking iron, mid-to-late 20th century
Caulking is the use of cork or other substances to seal the seams and joints of the vessel to make them watertight. Caulking lasts for quite some time but eventually dries out and needs to be replaced. A mallet or hammer is often used with a caulking iron to drive it along the seams. The caulking iron’s blade is tapered to be narrower at the tip to make it easier to remove it from the joint. The shipwright’s tools on display in the Great Circle Gallery are connected to the maritime history of Victoria through their past owner, user and donor, Laurie Dilks. Laurie began his career as a shipwright in the mid-1900s, following in the wake of the skilled carpenters who have over many centuries used their craft to build and maintain marine vessels and their fittings. You can see Laurie’s inscription on the tool called a ‘bevel’. Laurie worked for Ports and Harbours, Melbourne, for over 50 years, beginning in the early 1960s. He and a fellow shipwright inscribed their names on a wheelhouse they built in 1965; the inscription was discovered many decades later during a repair of the plumbing. Many decades later Laurie worked on the Yarra moving barges up and down the river and was fondly given the title ‘Riverboat Man’ His interest in maritime history led him to volunteer with the Maritime Trust of Australia’s project to restore and preserve the historic WWII 1942 Corvette, the minesweeper HMAS Castlemaine, which is a sister ship to the HMAS Warrnambool J202. Laurie Dilks donated two handmade displays of some of his tools in the late 1970s to early-1980s. The varnished timber boards displayed the tools below together with brass plaques. During the upgrade of the Great Circle Gallery Laurie’s tools were transferred to the new display you see there today. He also donated tools to Queenscliffe Maritime Museum and Clunes Museum.The shipwright’s tools on display in the Great Circle Gallery are connected to the maritime history of Victoria through their past owner, user and donor, Laurie Dilks. Laurie began his career as a shipwright at Ports and Harbours in Melbourne in the mid-1900s, following in the wake of the skilled carpenters who have over many centuries used their craft to build and maintain marine vessels and their fittings.Calking iron, a metal tool with a round flat top and head that flares outwards to a wide wedge shape. It once belonged to shipwright Laurie Dinks.flagstaff hill, maritime museum, maritime village, warrnambool, shipwreck coast, great ocean road, shipwright, carpenter, shipbuilding, ship repairs, hand tool, equipment, caulking, ship maintenance, cooper, shipwright’s tools, shipwrights’ tools, tools, maritime trade, caulking iron, laurie dilks, l dilks, port and harbours melbourne -
Flagstaff Hill Maritime Museum and Village
Tool - Caulking iron, mid-to-late 20th century
Caulking is the use of cork or other substances to seal the seams and joints of the vessel to make them watertight. Caulking lasts for quite some time but eventually dries out and needs to be replaced. A mallet or hammer is often used with a caulking iron to drive it along the seams. The caulking iron’s blade is tapered to be narrower at the tip to make it easier to remove it from the joint. The shipwright’s tools on display in the Great Circle Gallery are connected to the maritime history of Victoria through their past owner, user and donor, Laurie Dilks. Laurie began his career as a shipwright in the mid-1900s, following in the wake of the skilled carpenters who have over many centuries used their craft to build and maintain marine vessels and their fittings. You can see Laurie’s inscription on the tool called a ‘bevel’. Laurie worked for Ports and Harbours, Melbourne, for over 50 years, beginning in the early 1960s. He and a fellow shipwright inscribed their names on a wheelhouse they built in 1965; the inscription was discovered many decades later during a repair of the plumbing. Many decades later Laurie worked on the Yarra moving barges up and down the river and was fondly given the title ‘Riverboat Man’ His interest in maritime history led him to volunteer with the Maritime Trust of Australia’s project to restore and preserve the historic WWII 1942 Corvette, the minesweeper HMAS Castlemaine, which is a sister ship to the HMAS Warrnambool J202. Laurie Dilks donated two handmade displays of some of his tools in the late 1970s to early-1980s. The varnished timber boards displayed the tools below together with brass plaques. During the upgrade of the Great Circle Gallery Laurie’s tools were transferred to the new display you see there today. He also donated tools to Queenscliffe Maritime Museum and Clunes Museum.The shipwright’s tools on display in the Great Circle Gallery are connected to the maritime history of Victoria through their past owner, user and donor, Laurie Dilks. Laurie began his career as a shipwright at Ports and Harbours in Melbourne in the mid-1900s, following in the wake of the skilled carpenters who have over many centuries used their craft to build and maintain marine vessels and their fittings.Caulking iron; an iron tool with round flat surface on top, above a narrow, long round handle that flares outwards to form a thick, narrow wedge shape. It once belonged to shipwright Laurie Dinks.flagstaff hill, maritime museum, maritime village, warrnambool, shipwreck coast, great ocean road, shipwright, carpenter, shipbuilding, ship repairs, hand tool, equipment, caulking, ship maintenance, cooper, shipwright’s tools, shipwrights’ tools, tools, maritime trade, caulking iron, laurie dilks, l dilks, port and harbours melbourne -
Bendigo Historical Society Inc.
Document - Y.M.C.A., Y'S WORKBOX, DISPLAY & DEMONSTRATION OF HAND CRAFTS, 26th October 1986
... & DEMONSTRATION OF HAND CRAFTS. ...Event, Bendigo Y.M.C.A., Y's Workbox, Sunday, October 26th,1986, at the Y.M.C.A. Stadium, Mundy Street, Bendigo, 10am - 5pm. Admission: Adults $2.50, Children 50c, Devonshire Teas $1.20. Crafts include; Fantasy Figures, Woodcarving, Bread Dough Jewellery, Various Embroidery Techniques, Sand Pictures, Irish Crochet, Slipcast Ceramics, Herbal Products, Lead Lighting, Tatting, Ribbon Flowers, Porcelain Dolls, Applique, Polished Natural Timbers, Dried Floral Art, Knitted Lace, Natural Material Baskets, Marzipan Fruits, Bobbin Lace, Christmas Novelties, Papermaking, Embroidery Thru the Ages, Childen's Display & Parade, Display of Knitted & Crochet Rugs. C.MarroneC.Marrone.event, exhibition, bendigo y.m.c.a. -
National Vietnam Veterans Museum (NVVM)
Photograph, Making New Friends - 105 Field Battery - Vietnam 1969
Colour photograph of soldiers engaging with local children. Soldier at the centre of picture is shaking hands with one of the children who has a cigarette in his mouth. In back ground is an army truck - cannon at rear and other soldiers picture in Black frame and light Brown mat.My Vietnam Collection. Making new friends - 105 field battery - Vietnam 1969 Copyright Jed Robinson.Gift Horse Gallery - original works by local and Interstate artists and crafts people.photograph, 105 field battery, vietnamese children -
Churchill Island Heritage Farm
Textile - Lace Piece Border on Net
This machine made net (76cm x 38) is trimmed on the edge with a tamboured design in the style of Limerick lace. Machines were so proficient in copying handmade lace that it is very difficult to tell if the trim is done by hand or by machine. Tambour lace was the earliest form of Limerick lace and was worked in chain stitch onto machine made net using a very fine crochet hook, so fine in fact that some practitioners used a sewing needle with the eye cut out and the pointed end inserted into a wooden handle.The lace industry in Limerick was started by Charles Walker in 1829 Many Irish women who learned the craft worked from home but Walker knew that he would get more consistent and cleaner work if he could oversee the work being done so he built a factory for the women. Limerick lace lost popularity after Walker died in 1842 but was revived in the late 1880s and continued to be made into the 20th century but never reached the heights of the Walker period. If this pattern is machine made it would have been made using a Bonnaz machine which was later called a Cornely machine. Antoine Bonnaz (1836 – 1915), a silk machine engineer, produced the first successful industrial chain stitch machine. His patent was finally acquired by Ercole Cornely in Paris who developed a hook shaped needle that could make a line of chain stitches. Initially these machines were only available in northern France but they were so popular that they were eventually exported to the rest of the world and are still being produced today. This lace edging is quite fine and would only be about a centimetre in width and so would be subtle in effect, perhaps to be used on undergarments or as a fichu for day wear.The Amess family owned Churchill Island from 1872 to 1929. This lace collection was added to and refined over the course of three successive generations of women.Machine made net, trimmed with tamboured design in style of Limerick lace.Note in package "LIMERICK LACE TRIMMINGS"lace, janet amess lace collection, churchill island, amess -
Churchill Island Heritage Farm
Clothing - Crochet Square
This little square, at just 6cm in width is quite intricate crochet work. The thread used appears to be a fine cotton and the pattern would have been executed with a very small metal or bone crochet hook. Queen Victoria learned the craft and made eight scarves for veterans of the South African War. After the Irish Potato Famine she purchased Irish crocheted lace to help Irish women who were struggling to make a living, and this popularised the craft.The Amess family owned Churchill Island from 1872 to 1929. This lace collection was owned and contributed to by four generations of Amess women.Hand crochet squarecrochet, churchill island, janet amess, lace collection, lace -
Churchill Island Heritage Farm
Clothing - Lace Collar
Although well-worn and somewhat damaged, this elegant lace collar is handmade and is a combination of some different styles. Bedfordshire lace, or simply Beds lace, and also known as Bedfordshire Maltese lace, was based on local lace forms traditionally produced in the English Midlands and on the Maltese lace that was developed in the early nineteenth century and on show at the Great Exhibition in London in 1851. Maltese lace, and Bedfordshire lace, are forms of guipure, bobbin lace. The Maltese lace in particular gave the Bedfordshire lace its rounded leaf patterns and in this case its delicate brides and edging. The motifs appear to have been added and are most likely to be examples of Cluny lace which is of French origin and is a heavy plaited bobbin lace which is geometric in design often with radiating wheat ears. The motifs in this lace collar bear a very strong resemblance to Carrickmacross lace which is Irish in origin and is crafted by placing first the pattern, then fine muslin through which the pattern can be seen and then stitching around the pattern and finally cutting the excess muslin away. The pattern is decorated further with needle run stitches.The Amess family owned Churchill Island from 1872 to 1929. This lace collection was owned and contributed to by four generations of Amess women.Maltese bobbin (NGV) Bedfordshire Cluny style hand made plaited lace janet amess lace collection, lace, churchill island, amess, collar, garment, clothing, maltese, bobbin, handmade, plaited, bedfordshire cluny -
Churchill Island Heritage Farm
Tool - 10" Spofford Brace, Mathieson
This brace would be used to drill into timber. A drill bit would be inserted into one end of the brace and then placed on the timber where the hole is to be drilled. The other end of the brace would be placed against the user’s abdomen, with one hand holding the brace firmly then the free hand would be used to turn the centre of the brace and drill the hole. This type of drilling method was used prior to the use of the electric drill. This brace appears to have been made by the firm of Alexander Mathieson & Sons from Glasgow, Scotland. Alexander Mathieson & Sons Ltd ('& Sons', after c. 1890), of the Saracen Tool Works, Glasgow, advertised as 'manufacturers of planes, mechanical, engineering and edge-tools'. They received 'prize medals' at the London, Melbourne and Edinburgh International Exhibitions of 1851, 1862, 1880 and 1886, in their 'quest for perfection in tools'. Mathieson's vast output included specialised craft implements for coopers, ship's carpenters, tinsmiths and wheelwrights. The firm originated when master plane-maker John Manners opened premises in Saracen Lane, Glasgow, in 1792. 4 Alexander Mathieson (c. 1797–1852) took over his business in 1821, which he gave as the foundation date of his firm. He was later succeeded by his son, Thomas A. Mathieson (1822–1899), a prominent Glasgow magistrate and preceptor of Hutcheson's Hospital charitable institution. In 1854, Mathiesons moved to East Campbell Street, and had opened branches in Edinburgh, Dundee and Liverpool by 1876. The third generation comprised Thomas O. and James H. Mathieson (born 1867), the latter being a Glasgow bailie (councillor), whose estate totalled an enormous £150,939 in 1926. Mathieson's hand- and small machine-tools (e.g. bandsaws and beading machines) were exported worldwide, especially their 'heavy duty auger bits used... for boring railway sleepers'. Iron carpenter's brace, metal handle, rotating knob, thumb screw, rustedATMIEBON (x) Mathiesonbrace, woodwork, carpenter's tools, spofford brace, churchill island -
Port Melbourne Historical & Preservation Society
Photograph - Display Port Melbourne City Library Liardet Street, c.1983
Craft display made in 1983 by donor, Jay MILLER who was a newly qualified part-time librarian at Port Melbourne City Library from 1983 - 1984. The library was then situated next to the old Fire Station on the site where Coles is now located.Photograph of 'Create with your Hands and your library' 1983 display at Port Melbourne City Library.jay miller, port melbourne library, coles, fire station -
National Vietnam Veterans Museum (NVVM)
Clothing - Child's jacket, August 1969
Bought by Phil Rogers, Australian Army no. 2790936 during his time of service in South Vietnam (1969-1970) to celebrate the birth of his son.Donated to the museum by the serviceman himself. This commemorative jacket demonstrates the poignant personal sacrifices made by those in service as significant family events continue at home in their absence.Child's bomber-style jacket made of khaki camouflage print polyester, hand embroidered. Purchased in South Vietnam in 1969 by Phil Rogers, Army No:2790936, B Company 6 RAR, and posted home on the birth of his son Brett 31/08/1969.Back: My daddy is in Vietnam/Vung Tau, 69-70/ Viet Nam plus a labelled map of Vietnam. Sleeves: Golden dragons Front: Tiger's head, Crossed South Vietnam flag and USA flag.commemorative clothing, children, family, vietnamese craft, craft, souvenir -
Ithacan Historical Society
Photograph, Embroidered Blouse
The blouse was made in Greece about 1945. The method used to create this fine embroidery was to copy a design from a cross stitch embroidery book guided by fine white tapestry threads tacked onto the yolk; when the design was finished, the embroiderer would pull out each fine white tapestry thread until only the embroidery remained around the yolk of the blouse.Throughout the centuries and up until the 1970s-80s, the women of Ithaca spun, wove, embroidered and knitted. Mothers prepared their daughters' 'glory boxes' trousseau (prikia), weaving bedspreads, rag mats (koureloudes) for everyday use, finer wool rugs for formal use, as well as linen sheets, pillowcases, blankets, towels and tablecloths. Linen was also woven to make the mattress that the young brides would take to their future homes. Mothers also wove and embroidered the fabric for their daughters' underwear and petticoats, nightgowns, etc. Sewing of the garments was also done by hand. The girls embroidered handicrafts using various stitches, they crocheted lace, netted pillows and even linen carpets. The handicrafts were usually embroidered by hand in cross-stitch using linen and cotton fabric. At the time there were merchants who travelled to the villages to sell machine made goods for the trousseaus, but most of the dowries consisted of the beautifully crafted work of the women. In the 30's the SINGER Company came to Ithaca and taught the girls sewing on the machine. A handwoven silk blouse. Colour - ecru. Hand embroidered, hand sewn, very fine white tapestry was tacked round the yolk; a gusset was sewn under each short puff sleeve at the armpit; two-tone hand made silk thread cords were passed through the hollow border of the sleeves and neckline. -
Coal Creek Community Park & Museum
Picture Frame
... is aesthetically significant, as it is an example of Arts and Crafts ...It is made from polished fiddleback, Blackwood and sassafras, and studded with ornamental metalwork.This item is aesthetically significant, as it is an example of Arts and Crafts movement, 1880's Hand made Picture Frame, made by Local Korumburra, Carpenter and Builder Mr. Dan Jarvis. As a Builder, this item was made as a hobby item which showed his Excellent skills with minute craftsmanship. It was selected, and featured as item 233, in Murray Walkers catalog, Colonial Crafts of Victoria, published in 1978, for the Exhibition at the National Gallery of Victoria, November 1978 to January 1979. -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Sculpture - Metal sculpture of a figure holding a baby
Metal statue of a figure holding a baby. Figure and baby take the form of stick figures, with thin metal bodies and hexagonal bolts for their heads. The larger figure is holding the baby by ankles in its right hand, dangling the baby head down in front of its torso. Sticker on underside of base of statue reads 'Handcrafted/By/ROCK CREEK/METAL CRAFT/P.O Box 39/Hansen, Idaho 83334/USA'. -
National Vietnam Veterans Museum (NVVM)
Sculpture - Souvenir, Paper Mache Mask
... Newhaven phillip-island-and-the-bass-coast Mask hand crafted ...Decorated mask. Red, black, white, blue, gold. Used in role playing - Catholic school, Ba Rai, Vung Tao prov. Handcraftedmask, hand crafted -
National Vietnam Veterans Museum (NVVM)
Photograph, Landing Craft Medium Harry Chauvel of 32 Small Ships Squandron
In a black frame a foloured photograph of a Landing Craft Medium Harry Chauvel of 32 Small Ships Squadron. There are soldiers aboad the vessel as well as some of two vehicles being unloaded near the shore. Bottom left hand side reads Voyages To Vietnam Collection and bottom left hand side reads Copyright Tony StancombeVoyages To Vietnam Collection. Copyright Tony Stancombephotograph, 32nd small ship squadron, cerberus collection -
National Vietnam Veterans Museum (NVVM)
Craft - Embroidered Panel, Embroidered Material Panel
Black material mounted on cardboard depicting soldiers, aircraft, villages & villagers in motion. Middle depicting people swimming in river. Bottom is peaceful scene with figures in black with colourful dress. All embroided.Hand made panel.embroidered panel -
Clunes Museum
Textile - DOILEY
.1 Blue cotton doily. Hand sewn with lemon crocheted edging and hand embroidered fawn and blue cotton. Oval shaped .2 Coffee coloured square doily, hand sewn wide lace edgingsewing, craft -
Tatura Irrigation & Wartime Camps Museum
Artwork, other - Puppet, Crocodile
... at Christmas time. hand puppets internment camp hand crafts pow puppets ...The puppets were made by German POW's in camp 13 and sent to internment camp 3 as gifts for the children at Christmas time.Hand painted green paper mache head. Teeth and inside of jaw painted red with red fabric lining at back of jaw. Black painted eyes. The body is of green fabric, hand stitched to leather which is tacked to the crocodiles head.hand puppets, internment camp hand crafts, pow puppets, sharon lohe, ww2 camp puppet theatre, crocodile puppet -
Tatura Irrigation & Wartime Camps Museum
Accessory - Men's Tie, 1940
... crafts Hand woven brown wool man's tie. Accessory Men's Tie ...Made by Internee Max Baumann in Camp 13.Hand woven brown wool man's tie.men's ties, max baumann, men's clothing accessory., internment camp hand crafts -
Tatura Irrigation & Wartime Camps Museum
Wooden Decoration, Ballerina, 1940-1945
... crafts childhood treasures ballarina Hand painted thin plywood ...Else-Lore Oertel, with her mother, was a German internee in Camp 3A as a child, from 1940-1945. The ballerina & stand were made by persons unknown & given to Else-Lore while in the camp & was one of her childhood 'treasures'.Hand painted thin plywood decoration of ballerina inside a ring / circle, with wooden stand. Outer circle shape with insert for stand, cut out of ballerina posed inside. All carved from one piece of plywood. Circle is painted purple. Ballerina inside circle is plain plywood painted with mainly yellow, blue & white costume. Stand is flat disc with slot for ballerina cutout to insert into. Stand is painted gold. Handmade.internment, internee camps, ornaments, toys, else-lore oertel, internment camp hand crafts, childhood treasures, ballarina -
Tatura Irrigation & Wartime Camps Museum
Clothing - Black Knitted Dress, 1944
... camp hand crafts Handknitted woollen black dress , with belt ...Made by internee, Rosa Rubitschung, at Internment Camp 3, Tatura.Handknitted woollen black dress , with belt. black shank buttons & white material collar. Plain knitting with full length centre panel which is patterned.rosa rubitschung, ladies dresses, internment camp hand crafts -
Tatura Irrigation & Wartime Camps Museum
Domestic object - Sewing Box
The sewing box was owned by Ian Baumert's mother, Magdalene (Magda) Baumert nee Beilharz who was an internee in Camp 3 compound B in Tatura WW2.Handmade, 2 x 3 tiered sewing box, made from scrap wood found in the camp. Each tier is held together by 3 pieces of wood that when you pull the handles apart it opens to get inside. One long box and 2 x 2 smaller boxes with a lid on the top two boxes. The left hand lid has a kookaburra sitting on a tree branch with a green circle behind. The letter "M" is below and to the right of the kookaburra. The right hand side has a green circle with a Koala and her baby on her back. The letter "B" is below and to the left of the koala. Each lid is held on with two hinges."M" "B" Magdalene (Magda) Baumert (nee Beilharz)ian baumert, magdalene baumert, magdalene beilharz, magda baumert, magda beilharz, camp 3 internee, sewing box, internee craft -
Tatura Irrigation & Wartime Camps Museum
Suitcase, 1940's
... Kazenwadel Albrecht Kazenwadel Internees camp 1 internee hand crafts ...Made by internees at camp 1 for Albrecht KazenwadelWooden suitcase covered with hessian material and printed brown. 2 black clips and a centre lock on the lid. Wooden strips around the case and leather handle. Metal around all edges and corners. Lined with paper. Stored inside this object are C7787, C7788, C7789 and C7790.albrecht kazenwadel, internees camp 1, internee hand crafts, wooden suitcase -
Tatura Irrigation & Wartime Camps Museum
Handkerchief holder, 19640's
... gertrud hermann camp 3 internees camp 3 hand crafts Beige linen ...made by Gertrud Hermann an internee in camp 3Beige linen sachet embroidered with blue flowers and border. Drawn thread work along hem. Hand sewn to form a pocket to hold handkerchiefs.gertrud hermann, camp 3 internees, camp 3 hand crafts -
Tatura Irrigation & Wartime Camps Museum
Functional object - Handkerchief, 1940's
... Tatura the-murray camp 3 hand crafts handkerchief Dr Silke Hesse ...Square white linen handkerchief with "S" inside an oval shape design, hand worked in one corner.as abovecamp 3 hand crafts, handkerchief, dr silke hesse, beinssen family -
Tatura Irrigation & Wartime Camps Museum
Photograph - copy, 1988
... . hand crafts pow internment camp hand tools Colour photograph ...Photographed at Exhibition of Camp Memorabilia displayed at Temper Home for Aged, Bayswater, Victoria, in 1981.Colour photograph. Variety of tools made from whatever material one could lay one's hands on. Negative no 20.hand crafts, pow, internment camp, hand tools -
Tatura Irrigation & Wartime Camps Museum
Photograph - copy, 1988 copy
... . hand crafts pow camp internees Colour photograph of items ...Photographed at Exhibition of Camp memorabilia displayed at Temper Home for Aged, Bayswater, Victoria, in 1981.Colour photograph of items in daily use at camp. Plate, mug and cutlery. Laundry scoop, grater and iron used with hot coals. Negatives no 3. hand crafts, pow, camp internees -
Tatura Irrigation & Wartime Camps Museum
Clothing - Child's Vest, Rosa Bacher nee Graze
... , her niece, whilst in Camp 3. ingeborg graze camp 3 hand crafts ...Made by Rosa Bacher, for Ingeborg Graze, aged 7, her niece, whilst in Camp 3.Child's hand embroidered vest. ingeborg graze, camp 3 hand crafts, rosa bacher -
Tatura Irrigation & Wartime Camps Museum
Clothing - Child's dress with vest, Rosa Bacher nee Graze
... hand crafts Rose Bacher Rosa Graze Child's Crocheted vest ...Made by Rosa Bacher, nee Graze, for her niece Ingeborg Graze, aged 7, whilst in Camp 3.Child's Crocheted vest and white frock.ingeborg graze, camp 3 hand crafts, rose bacher, rosa graze