Digital image titled "The Corner of Lydiard and Sturt Streets Ballarat Vic", photo looks south west from the Post Office steps towards the south west corner - has Craigs Hotel, National Mutual Life, town hall shops including Anderson Printer and the Town Hall in the picture along with Robbie Burns statue. The Rose Series Postcard No. P 1783. An ESCo tram is parked at the tram stop - No. 5? A number of horse drawn and motor vehicles are in the photograph. Wal has dated the photo about 1930 on the rear of the postcard and about 1929 in his album notes. See item 9193 for a copy print.Yields information the buildings, buildings and scene at the intersection of Sturt and Lydiard St with a number of vehicles in the view.Digital image from the Wal Jack Ballarat Album of a postcard .trams, tramways, esco, lydiard st, sturt st, town hall, tram 5 ?

Photo looks west from the Ballarat Fire Station (East) tower, and has a good view looking along Barkly St. Shows the crossing loop between Eastwood and Main St with one tram in the view. Wal has dated the photo as 1914 in his album notes. See item 8243 for an actual postcard. Yields information the buildings, buildings and scene looking west from the Fire Station tower along Barkly St. East BallaratDigital image of a postcard from an album compiled by Wal Jack, loaned to the Museum. The Rose Series Postcard No. P 4614. For rear of postcard - see second image.trams, tramways, esco, ballarat east, barkly st

Yields information the appearance of Sturt St from Doveton St looking east and ESCo including the possibility of a horse tram being towed.Digital image from the Wal Jack Ballarat Album of Rose Series postcard No. 4627, of looking east from Doveton St along Sturt St with the Town Hall in the background. Two ESCo trams are in the photograph, the one nearest the camera with a "Vote No" advertisement on the back of the tram. The second tram, the furthermost from the camera appears to be towing a horse tram trailer. See image i3. Alan Bradley advised 22/12/11 - "The picture appears to be taken in 1930, which was the year of a local option referendum. There are several pics showing ESCo trams with "VOTE NO"on the ends. In my research someone noted a tram with "VOTE YES "on one end and "VOTE NO"on the other! A black car on the south side appears to be a late 1920s model. If the front tram is towing a horse tram trailer, it would be for the bicycle carrying service. Many employees on the morning shift rode to the depot to sign on, and signed off in the city so their bikes needed to be transported." Published by Rose Stereograph Co., Armadale Victoria. For rear of postcard - see image i2.trams, tramways, sturt st, esco, trailers

Yields information the appearance of Lydiard St north, centre poles and buildings.Digital image from the Wal Jack Ballarat Album of Rose Series postcard No. P 1787, of Lydiard St North looking south from near Mair St. shows the centre poles prior to their removal. A number of motor cars are parked in the street, a dog on the right hand side, and ESCo tram has just rounded the corner and about to climb the small hill. Published by Rose Stereograph Co., Armadale Victoria. For rear of postcard - see image i2.in pencil on rear "Old type of electric tram"trams, tramways, esco, lydiard st, poles

Photo of Geelong No 4 in Moorabool St, from a Rose Series Postcard, No. P 70, looking south along Moorabool Street at the intersection with Ryrie St. Geelong. Has the Solomon's store, T& G in the background. Photo c1930? Has a Birney tram on the hill. Printed by the Rose Stereograph Co. Original postcard held - see image 2 for pencil notes on the rear about the trams and their routes.Yields information about Moorabool St Geelong in the 1930s.Black and White print of a postcard contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details.On rear in ink "SEC Geelong No. 4 with Birney tram on Moorabool St hill"trams, tramways, geelong, moorabool st, ryrie st, tram 4

Yields information about a PMTT tramcar that was sold to Ballarat and an operating member of the BTM fleet.Digital Image of Prahran and Malvern Tramway Trust, Maximum Traction tramcar No. 63 in Glenferrie Road, with destination of Esplanade and Route No. 4 in the window of the tram. Tram later became Ballarat No. 18. In the background are shops, centre poles and blinds on the shops, indicating a summer's day perhaps. Detail from a Rose Series postcard. Possibly late 1910's. See image 2 for original enlarged postcard and high res images. Advised by Mal Rowe that he obtained from the Bob Prentice collection. trams, tramways, pmtt, glenferrie rd, tram 63, tram 18

Colour image: single storey building, red corrugated iron roof, 'Rose of Australia' printed across top in brown. White façade. Red rose with green leaves on hotel name. Hotel situated in Eaglehawk Road, Long Gully. Appears to be late 1970's?bendigo, hotel, rose of australia

Dawn Smith Collection. Black & White Photograph Queen's Gardens, Bendigo Souvenir Set c1929 The Rose Series Photo 10427. Statue of Queen Victoria, Soldier's Memorial Institute & Post Office Clock Tower. Still Image.bendigo, tourism, queen's gardens

The photo postcard is a black and white version of a Rose Stereographic Co postcard - see item 7379, of Sturt St looking East from about Dawson St with the shops on the southern side and the Town Hall in the view. Has an ESCo tram in the bottom right-hand corner. Yields information about the appearance of Sturt St following the introduction of electric trams in 1905 and has a strong association with the work of Rose Stereograph Co.Postcard with a handwritten letter on rear. Dated 4/4/07See image 2 for details of the handwritten note on the rear. tramways, trams, sturt st, postcards, dawson st, esco

Original photograph by Rose Series Postcard P1711 with the original image held by the State Library of Victoria. Edited by Richard Conn. Purchased by the Museum.Provides information about the appearance of Bridge St during the 1920's, shows the tram tracks and overhead. Has in the view a number of road signs, shops, Super Spirit, Shell, Junction Service Station, motor vehicles, cyclists, Bon Marche, ladies with prams, a post box and Page's Bucks Head Hotel.Black & White copy photograph view A4 size, titled "Ballarat looking east along Bridge St from Grenville St c1920s", from a Rose Series Postcard, P1711. Original image held by the State Library of Victoria.ballarat, grenville st, bucks head hotel, bridge st, road signs, bon marche, tramways

Postcard containing a 3 x 3 panel of 9 images of Ballarat Tourist locations - Ballarat Trams featuring tram 27 in the later SEC Colour scheme, Begonias, Arch of Victory, Curiosity Shop, Gardens hot house, Kryal Castle, Sovereign Hill and the Reptile Park. Produced by Rose Stereograph Co. of Glen Waverly, No. 1679. Tram 27 was repainted in an early SEC Colours during 1984.Yields information about Ballarat tourist attractions during the early 1980s.Postcard - plain edges, divided back, 9 images of Ballarat Tourist locations.ballarat, trams, tramcars, btps, tourism, tram 27, gardens

Features 8 Melbourne Art trams of Oct. 2013. This was the reinvention of the Transport Art programme of 1978 to 1993. Image 2 gives the sponsors details - Arts Victoria, Transport Victoria, Melbourne Festival and Yarra Trams. Artists featured are - SW6 925 - Jon Campbell, Z3 183 Freya Pitt, Z3 209 - Luke Cornish (ELK), Z3 151 - Rose Nolan, Z3 259 Joining Forces, D1 3509 - Brook Andrew, B2 2002 - David Wadelton, C3008 - Bindi Cole.Provides a framed set of photos of Art Trams that were presented to the public in 2013 - 2014.Wood frame, containing 8 photographic prints, label, text regarding the trams, framed with perspex card backing, paper, tape and fitted on the rear with a hanging cord.transporting art, art trams, decorated trams, melbourne, trams, tramways, tram 925, tram 183, tram 209, tram 151, tram 3509, tram259, tram 2002, tram 3008, sw6 class, z3 class, c1 class, d1 class, b2 class, jon campbell, freya pitt, luke cornish (elk), rose nolan, joining forces, brook andrew, david wadelton, bindi cole

The bridal coat was part of a wedding ensemble worn by Peg Young in 1939. The final two images in the carousel include a wedding photograph of Peg and her husband. A letter accompanying the donation on file describes the outfit as: "Rosemary [Peg] looked very nice indeed in a simple white satin dress that made her look very tall and slim. It had trimming round the neck, down the front and on the shoulders that looked like quilting, with a little gold in it, and she wore gold slippers and a lovely lace veil, lent by Auntie Nellie. She carried a large sheaf of bright red roses." Mrs Peg Young, a Kew resident was at one stage President of the Children's Book Council of Australia. She was also a member of the Kew Historical Society. The coat was donated by her daughter, Mrs Helen Tutt.Floor-length satin bridal coat with a buttoned full length opening at the front extending the length of the garment. The front of the coat is hand-quilted in an abstract design of arabesques. The buttons are covered with the same satin fabric as the coat. Accompanying the dress there is a photo of the couple on the steps of the unnamed church in London and a letter describing the event, including the coat.Transcript of accompanying letter: Red Cottage Mallory Road Hove 4 Sussex England July 21.39 Dear Faith I have been up to London today to Rosemary's (Peggy) wedding. Though you might like to hear about it. To my mind the one sad part was that your Uncle Bertie and your adopted sister could not be there. Daisy (Margaret) has been simply splendid in all she has done. Rosemary looks very nice indeed in a simple white satin dress that made her look very tall & slim. It had trimming round the neck down the front & on the shoulders that looked like quilting, with a little gold in it, & she wore gold slippers & a lovely lace veil lent by Auntie Nellie. She carried a large sheaf of bright red roses. Her two bridesmaids were Mary & Brenda. They wore the same bridesmaids dresses as they wore at their sister Peggy's wedding a few weeks ago. They were very pale blue satin, simply made, with long skirts & they had lovely little flat bouquets made of the heads of all sorts of flowers out in the gold holder which I am sending you & tied round the handle with gold ribbon. They had wreaths of the same flowers in their hair. Nevil gave Rosemary away."costumes, wedding dresses, wedding coats, peg young, helen tutt, fashion design, fashion -- united kingdom, fashion -- 1930s

William Turner, a Scottish born free-lance designer, who was contracted to GP&J Baker, painted the image on which the design was based in 1918. Turner had trained as a furniture designer before leaving for London in the 1890s, where he rose to prominence as an Arts & Crafts designer. The bird that gives this design its name is adapted from Robert Havell’s ‘A Collection of Birds of Paradise’, published in 1835, and was a favourite of Victorian chintz designers.“Paradise Bird” has been in continuous production since its creation. The hand-block print, of which these curtains are an early example, was supplemented by a version engraved on copper rollers in 1962, and was updated onto screens in 1982. The curtains have significance to the collection because of their intrinsic value and for the link to one of the historic mansions in the City of Boroondara. The curtains by G.P & J Baker of London use one of the exemplary designs in this manufacturer’s output. The first use of the design was in 1918, following the Great War, and the design is said to reflect the hope for peace which was a feature of the postwar years. The curtains are an early example of the Paradise Bird design, and were block printed. A pair of curtains originally situated in one of the front reception rooms of 'Tourmont' in Balwyn Road, Balwyn (now Fintona Girls’ School). The fabric in the curtains was manufactured by the English firm of GP&J Baker. The textile design is variably named as ‘Paradise Bird’ or more recently, ‘Hydrangea Bird’. Turner’s bird perches in a blossoming branch directly above a woodpecker, which is an attribute of Mars, god of war. Thus the design reads as a symbolic statement where War is reversed and Paradise returns (a hopeful message at the end of WWI). “Paradise Bird” has been in continuous production since its creation. . curtains, fabric design, historic buildings

Decorative embroidered Photo Frame. Covered in Beige/Fawn colour. Soft cotton embroidered in shades of green, scrolls and leaves. Pink rose and petal. Mrs Hopkins in pencil on back. Image of infant.stawell

From 1979, the John Wilson Award was awarded to individuals who made a significant difference to the lives of those around them. To publicly acknowledge this, a signboard was established and hung at the Kooyong Centre. The top of the board was inscribed with the words 'Vision Australia Foundation' and the eye logo is located in the top left-hand corner. Below this is written: "The following recipients have made a notable contribution towards blind and vision impaired people. 1979 Agnes M. Tweedie, 1980 Elizabeth I. Lindsay, 1981 Flora Douglas, 1982 Edna Wilson, 1983 Herbert J. Brumby, 1984 Joanne Trumble, 1985 Arthur Nothling, 1986 Colin & Margaret Fox, 1987 Katharine M. Rose, 1988 Bryan G. Sitlington, 1989 Edna Swanson, 1990 Ellena F. Little, 1991 Neil McCrae, 1992 Lillian Dethridge, 1993 John A. Blanch, 1994 Winsome Baker, 1995 Barry Farnsworth, 1996 Harold Gration, 1997 Merle Wootten, 1998 Norma Crook, 1999 Thelma Royal, 2000 Neil & Elizabeth Maxwell, 2001 Elaine Leahy, 2002 Norman & Bernice Anderson, 2003 Gwladys Jeavons, 2004 Eve Lustig, 2005 Shirley Admans.Wooden board with frame and gold letteringawards, vision australia foundation, association for the blind

Badge awarded to Senior Citizen of the Year, Mrs Kitty Rose, in recognition of her outstanding efforts for blind and vision impaired people within the Bendigo region. The top circular part of the badge has the council crest has four images which represent the shire's main industries at the time of it's establishment in 1866: wine, tanning, mining and farming.1 metal badge with circular top and rectangular baseShire of Strathfieldsaye Victorian 1866 (circular top) Mrs Kitty Rose Citizen of the Year 1988 (base)association for the blind, badges, katharine (kitty) rose

Katharine Rose with Mrs Delacombe and Sir Rohan Delacombe, Governor of Victoria, at the opening of the new wing at Mirridong, named in her honour.1 x black and white photograph of four peopleMrs Katharine Rose meets Lady Delacombe & Gov. of Victoria Sir Rohan Delacombe prior to opening of K. Rose Wing.association for the blind, mirridong home (bendigo), katharine (kitty) rose, sir rohan delacombe

Images of bedrooms, dinning table and unnamed individuals on the day of the opening ceremony for the Katharine Rose wing.8 x black and white photographs of people at openingassociation for the blind, mirridong home (bendigo)

Katharine Rose and John Wilson look on as John Wicking officially opens the day centre at Mirridong.1 B/W photograph and 1 clipping of Annual Report of the same image6131 Mrs Kitty Rose & watch on as Mr M.J. Wicking officialy open day centre 30.9.78association for the blind, john wilson, john wicking, katharine (kitty) rose

Ella Vicars-Foote, John Wilson and Kitty Rose at the opening of the Ella Vicars Foote Day Room at Mirridong.1 x B/W photograph and 1 x colour photographB/W - 62,57, 0755, 6, Page 3 Colour - Ella Vicars Foote & John Wilson & Kitty Rose at opening of Ella Vicars Foote Day Room, 1986association for the blind, ella vicars-foote, john wilson, mirridong home (bendigo), katharine (kitty) rose

James Thompson and Rachel Beer look at a display in the Katharine Rose wing at Mirridong Nursing home.4 x colour photographs of man and woman Rose (2)james thompson, rachel beer, vision australia foundation, mirridong home (bendigo)

Members and staff of Vision Australia Foundation's library service at the 2002 Library Awards night held at the Kooyong office. 1 - Karl Hughes and Jennifer Yang 2 - David Tredinnick and Caroline Lee (narrators) 3 - Liana Fonti and Joelle Rault 4 - unknown 5 - Marie Aberle, Meike Mellars and Lynda Downie 6 - Jane Clifton and Evelyn Krape (narrators) 7 - Tony Porter (narrator) 8 - Joelle Rault and Anna Fairclough 9 - Caroline Baum (host) 10 - Don Watson (author) presenting the Braille Book of the Year Award 11 - Peter Rose, author of Rose Boys, Braille Book of the Year winner. 12 - Judge (unknown) 13 - Stig Wemyss (narrator) 14 - Melissa Eccleston (narrator) 15 - Rebecca Macauley (narrator) 16 - Chris Thewlis (from Civica Pty Ltd, sponsor) 17 - Agnes Nieuwenhuizen presenting YA Book of the Year award to Irini Savvides, auhor of Willow Tree and Olive 18 - Irini Savvides 19 - Paul English (narrator) 20 - Paul English (narrator) 21 - Deidre Rubenstein (narrator) 22 - Evelyn Krape (narrator) 23 - Robert Stillwell (of Bib Stillwell BMW, sponsor) 24 - Robert presenting award to Paul English for his narration of either Corfu or The Blind Eye (he was nominated twice) 25 - Paul English 26 - Hilary McPhee (publisher/editor) presenting Adult Audio Book of the Year Award 27 - Hilary McPhee 28 - Either the winning author, or the author’s representative, accepting the award28 photographs of attendees for the 2002 Vision Australia Foundation Library Awards.vision australia foundation, awards, book of the year, karl hughes, jennifer yang, david tredinnick, caroline lee, liana fonti, joelle rault, marie aberle, meike mellars, lynda downie, jane clifton, evelyn krape, tony porter, anna fairclough, caroline baum, don watson, peter rose, stig wemyss, melissa eccleston, rebeca macauley, chris thewlis, agnes nieuwenhuizen, irini savvides, paul english, deidre rubenstein, robert stillwell, hilary mcphee

John Wilson, Kitty Rose and John Wicking at a Kitty Rose's farewell in Bendigo.B/W photograph of John Wilson, Katharine (Kitty) Rose and John Wicking.john wicking, john wilson, association for the blind, katharine (kitty) rose

Portrait of the Chairman of the Board of Directors J.H. Cockayne. Joining the Board in 1981, he rose to the position of Chairman in 1985 and retained this until the Library merged with the Association for the Blind in 1991.B/W photograph of J.H. Cockaynejohn cockayne, braille and talking book library

Board member Hubert Opperman speaks with Matron Rosewall and Katharine 'Kitty' Rose at Mirridong, the Association for the Blind's home for the elderly blind in Bendigo.B/W photograph of Hubert Opperman, Matron Rosewall and Kitty RoseMr Hubert Opperman visits Bendigo Home. Also pictured Matron Rosewall and Mrs G.R.Roseassociation for the blind, mirridong home (bendigo), hubert opperman, matron rosewall, katharine (kitty) rose

Rose pink satin scroll with names of donors printed upon it rests inside a brown wooden box. A plastic cover protects the scroll, and printed upon this is an image of the stone archway (from the first building housing the Sydney Industrial Blind Institution) as well as the words 'The Presidents Club'. To view the scroll, turn the handles up or down. List of names represents people who donated to an appeal (date unknown). Box was designed to be mounted on a wall.Wooden box with satin scroll of printed namesThe Presidents Clubroyal blind society of nsw, fundraising

To recognise the dedication and service of non-military persons, the Member of the Most Excellent Order of the British Empire (civil order) was established. Shortened to MBE, the award consists of a silver cross with a circular centre and a fleur de lis attached on four sides. Above the north facing fleur de lis is a crown which is connected to a rose pink crossgrain ribbon with pearl grey edges, and tied into a bow. In the central part is the profile of King George V and Queen Mary, and the words 'For God and Empire' in raised letters against a roughened background edging the portrait. On the rear are the copperplate letters 'GRI' (which stand for Georgius Rex Imperator) and an image of a crown directly above this. It is designed to be worn on the left hand side by the female recipient. In 1974 this medal was awarded to Miss Elsie May Henderson for services to blind persons.1 silver coloured medallion in black frame association for the blind, medals, elsie henderson

To recognise the dedication and service of non-military persons, the Member of the Most Excellent Order of the British Empire (civil order) was established. Shortened to MBE, the award consists of a silver cross with a circular centre and a fleur de lis attached on four sides. Above the north facing fleur de lis is a crown which is connected to a rose pink crossgrain ribbon with pearl grey edges, and tied into a bow. In the central part is the profile of King George V and Queen Mary, and the words 'For God and Empire' in raised letters against a roughened background edging the portrait. On the rear are the copperplate letters 'GRI' (which stand for Georgius Rex Imperator) and an image of a crown directly above this. It is designed to be worn on the left hand side by the female recipient. In 1937 this medal was awarded to Miss Millicent Frances Ritchie for her service as Secretary of the Braille Association of Australia.1 silver coloured medallion attached to ribbon in black case millicent ritchie, victorian association of braille writers, medals