The photograph offers significant information relating to late Victorian / Federation colour schemes and fencing.The block fronted villa has a corrugated iron roof and a flat projecting verandah, ornamented with a trellis design of timber. The front window features a timber shade, mounted on brackets. The treatment of the block-fronted panels shows that there is an attempt to highlight imitation quoining through use of a darker colour. The windows and door are also in this darker shade. The front fence and gate are made of wooden pickets. It is unlikely that the photograph was taken at the time of the villa's construction given the size of the shrub/tree in the front garden.Subdivision plans are historically important documents used as evidence of the growth of suburbs in Australia. They frequently provide information about when the land was sold on which a built structure was subsequently constructed as well as evidence relating to surveyors and real estate and financial agents. The numerous subdivision plans in the Kew Historical Society's collection represent working documents, ranging from the initial sketches made in planning a subdivision to printed plans on which auctioneers or agents listed the prices for which individual lots were sold. In a number of cases, the reverse of a subdivision plan in the collection includes a photograph of a house that was also for sale by the agent. These photographs provide significant heritage information relating house design and decoration, fencing and household gardens.A real estate photograph, mounted on brown card, showing a double fronted weatherboard villa, located in Kew, Victoria. On the reverse of the photograph is a subdivision plan for the Altyre Estate.Stamped on mount: Top - "KEW. Close tram. Fine View. / W.B. Villa Containing 8 Rooms. / Up-to-date Conveniences. EL Etc." Below - "Land 40 x 165. 615 pounds. Sold"houses - kew, real estate photographs

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Netta Fuller and her husband Alec were long-term residents of Kew. As a boy, Alec had attended East Kew Primary School and was later highly involved in the Kew Presbyterian Church during the 1950s and 60s. Netta's passion was for historic clothing and its exhibition. In 1985, Netta Fuller and Elizabeth Pace launched a parade of garments sponsored by Kew Historical Society at Holy Trinity Church, Kew. The parade was called 'Downunder Dressmakers' and included a collection of over fifty items of clothing dating from 1800 to 1984. The collection included dresses, hats, scarfs, capes, sporting costumes etc. The core of the parade consisted of a collection of 19th century costumes worn by the ancestors of a Miss Gertrude Murray, a resident of Blackburn. In sourcing items for her collections, Netta Fuller collected costumes stored in old trunks and wardrobes, or even purchased from opportunity shops. (During the period in which she collected and exhibited costumes, the latter could often be a reliable source for the purchase of historic and aesthetically significant costumes.) Not satisfied with purchasing authentic costumes of the period, Netta also used these as models for artistic recreations. Following her retirement from both collecting and exhibiting, Netta Fuller donated a number of 19th Century garments to the Kew Historical Society's costume collection. A number of garments were parts of costumes such as bodices, while others were complete outfits. Some of the latter exhibit signs of old damage, however very few of the costumes had been modified to enable them to be worn in exhibitions. Provenance, apart from that the costumes were donated by Netta Fuller after 1985 is limited to donor information, although some of her donations may have originally been part of the collection owned by the Murray family. While the costumes are old and therefore historic, provenance is less important than the representativeness and/or rarity of the costumes. Similarly, the costumes need to be evaluated as a group and separately, considering their aesthetic and artistic significance as well a their age.Two piece pale green and gold shot silk dress comprised of a skirt and top. The very full skirt has a scalloped edge front panel with bands of grey/green silk ribbon. The scalloped panels seem to be backed with later lining fabric (sic). The bodice has decorative buttons at the front from the high round neck to the waist. The bodice, like the skirt has a scalloped panel at the front, which is edged with ribbon. 1860-70. netta fuller, australian fashion - 1860s, women's clothing - 1860s, dresses - 1860s

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Netta Fuller and her husband Alec were long-term residents of Kew. As a boy, Alec had attended East Kew Primary School and was later highly involved in the Kew Presbyterian Church during the 1950s and 60s. Netta's passion was for historic clothing and its exhibition. In 1985, Netta Fuller and Elizabeth Pace launched a parade of garments sponsored by Kew Historical Society at Holy Trinity Church, Kew. The parade was called 'Downunder Dressmakers' and included a collection of over fifty items of clothing dating from 1800 to 1984. The collection included dresses, hats, scarfs, capes, sporting costumes etc. The core of the parade consisted of a collection of 19th century costumes worn by the ancestors of a Miss Gertrude Murray, a resident of Blackburn. In sourcing items for her collections, Netta Fuller collected costumes stored in old trunks and wardrobes, or even purchased from opportunity shops. (During the period in which she collected and exhibited costumes, the latter could often be a reliable source for the purchase of historic and aesthetically significant costumes.) Not satisfied with purchasing authentic costumes of the period, Netta also used these as models for artistic recreations. Following her retirement from both collecting and exhibiting, Netta Fuller donated a number of 19th Century garments to the Kew Historical Society's costume collection. A number of garments were parts of costumes such as bodices, while others were complete outfits. Some of the latter exhibit signs of old damage, however very few of the costumes had been modified to enable them to be worn in exhibitions. Provenance, apart from that the costumes were donated by Netta Fuller after 1985 is limited to donor information, although some of her donations may have originally been part of the collection owned by the Murray family. While the costumes are old and therefore historic, provenance is less important than the representativeness and/or rarity of the costumes. Similarly, the costumes need to be evaluated as a group and separately, considering their aesthetic and artistic significance as well a their age.Two piece olive green and gold shot silk dress comprised of a skirt and top. The very full skirt has a scalloped edge front panel with bands of grey/green silk ribbon. The scalloped panels seem to be backed with later lining fabric (sic). The bodice has decorative buttons at the front from the high round neck to the waist. The bodice, like the skirt has a scalloped panel at the front, which is edged with ribbon. netta fuller, australian fashion - 1860s, women's clothing - 1860s, dresses - 1860s

Grace James, the creator of the items in the Grace James collection, designed and created costumes over a 19 year period (1969-1988) for her daughter Ceri. The collection of clothing ranges from evening wear to knitted garments. All the items display exemplary dressmaking skills. The designs are of the period and reflect evolving fashions of the time. Some items are copies of published designs whereas others are original creations. The collection was donated in 2006.While most of the items in the Fashion & Design Collection of the Kew Historical Society are commercially designed items of clothing, there are also items made by home dressmakers. Many of these exhibit outstanding design knowledge and technical skills. A large and important group of these items of women's clothing is contained in the Grace James collection of outfits created for the dressmaker's daughter. The items have additional significance due to information about the purpose of the creation and the date when it was constructed.Long silk taffeta skirt made of patchwork silk pieces/panels with a matching silk scarf. The patchwork panels are in shades of pinks, purples and blues. The skirt is secured with clear plastic press-studs. A narrow internal border of lace is attached to the basque.grace james, women's clothing, australian fashion 1969-1988, dressmakers - surrey hills (vic), fashion design, fashion -- 1980s

At the beginning of the 20th century the toy industry was based predominantly in Germany. During the First World War, imports from Germany were banned and the British government instead encouraged toy-making in Britain, as it helped the economy and provided jobs for ex-servicemen. Around this time, English manufacturer E. A. Lott devised a new system of bricks suitable for assembling small buildings. Together with a cardboard roof and instructions, Lott started selling these bricks as Lott’s Bricks in 1918. Lott’s Bricks eventually became even more popular then Anchor blocks, which were produced on the same principles by Richter, the well-known German manufacturer of construction toys. Lott’s success was assured when Queen Mary bought a set from him at the British Industries Fair in 1918. A number of sets were later produced, each with its own series, including Modern, Lodomo and Tudor. The bricks were the last of the old-fashioned composition blocks, which were later superseded by the very different styles exemplified by Minibrix, Bayko and Lego. Lotts Brick’s Ltd ceased to exist in the 1960s. (Source: V&A Museum)Toy with model building materials in wooden box with manufacturers label on lid. Th label pictures a white brick house with two equidistant chimneys. Included in the box are blocks to be used in building the house. These are in different shapes and sizes. The roofing panels are preformed.Manufacturer information and description lott's bricks, toy blocks, construction toys

Surrey Panels was started by Maurice Dalzell (Maurie) Costello (1918-2000) in 1948, soon after the first Holden was released. Maurie later brought his sons Alan, Robert and Brian into the business. F H Stevens Motors started in North Balwyn at a similar time and in 1982 was taken over by the Costello brothers, with Robert as General Manager. Members of the Costello family have been around the Surrey Hills area for many decades. Maurie’s parents Thomas Maurice and Mabel Isabel Costello lived at 43 Box Hill Crescent, Mont Albert North. Thomas was a cattle dealer and related to the Costellos of Costello’s Jersey Dairy (demolished) in Mont Albert Road, Balwyn. Prior to starting the business Maurie is listed as a market gardener living with his parents in Box Hill Crescent. He married Mavis Jean Guillerme in 1942. Surrey Motors and Surrey Panels are well known businesses serving the Surrey Hills community for decades.A small booklet, yellow in colour, designed to fit in the glove box of a car. It is stapled on the spine in 2 places and consists of 12 pages. Some pages are designed for the owner to fill in with their personal details. There is advice regarding emergency phone calls, what to do in the event of an accident, towing, 'at fault' information, insurance, location and services of Surrey Panels and F H Stevens Motors. There is a brief history of these linked businesses. There is a separate loose sheet designed to be completed in the event of an accident.Nilsurrey motors, surrey panels, maurice dalzell (maurie) costello, f h stevens motors, alan costello, robert costello, brian costello, canterbury road, stirling crescent, surrey hills, ephemera, car accidents, motor vehicle repairs

Eva Fisher was a valued member of the AFB and wished to commission a sculpture for the grounds in the front of Paterson Hall. Noted sculptor Ian Bow was commissioned and created Urban Cycle, a seven panel metal sculpture that follows the development of the local area. Prior to receiving the commission, Ian Bow went through a period of temporary vision loss, which gave him insight into how the sculpture could be appreciated by the blind and low vision community. The different stages are: Harmony - Two pelicans amongst reeds. Intrusion - Frog, kookaburra, mice, fish, lizard and butterfly. Expansion - Doors, windows and roofs under tree canopies. Industry - A factory with large chimney blowing smoke. Density - Multiple boxes, some with figures inside, are crowded beneath a bridge and dome. Decay - Boxes with broken doors and unfinished concrete. Renewal - A church with a Calvary cross over roughened surface.Heptagonal cast aluminium sculpture with seven panels arranged around a central metal pole.Thanks to the generosity of Evangeline Annie Fisher this sculpture, entitled 'Urban Cycle', was created by Ian Bow in 1975 and depicts stages of development of a city through the use of tactile forms. Further information is available at Reception. Vision Australia. Blindness, Low Vision, Opportunity.association for the blind, eva fisher, ian bow, sculpture

used for the preservation of leather harness gearImported and sold by Holden and Frost Circa 1900Silver drum with screw lid and soldered handle on top. Paper front panel with product information printed onequine, harness preservative, dressing

Ballarat tram 11 at Sebastopol c1937 in the first SECV colour scheme or livery with cream rocker panels with the destination of City. Possibly, the photo was taken prior to the introduction of through routing of trams introduced in August 1937 when trams no longer terminated in the City at Grenville St but ran through the city to another terminus. See item 5578. Has the driver or motorman standing in the front doorway. Scan of negative collected by David Critchley of Sydney.Yield information about Ballarat 11, uniforms and the Sebastopol terminus c1938.Digital image of a scan of an original negative.tramways, trams, sebastopol, tram 11, uniforms, motormen

Photo of SECV/BTPS tram No. 27 in Wendouree Parade at Depot Junction on the first day of public operations by the Ballarat Tramway Preservation Society - Boxing Day 1974. Driver Gavin Young, Richard Gilbert is changing the points, with the assistance of Peter Rees. Photo by Paul Nicholson. The photographer notes the table card in front of him on the window sill. Tram 27 has a Twin Lakes sign on the front panel.Yields information about the first day of public tram operations on 26-12-1974 by the BTPS.Digital image of a black and white photographtramcars, tramways, btps, wendouree parade, tram 27, depot junction

The front and rear of the body had minor restyling, with new front grille, headlights and taillights. The interior has been significantly upgraded. Interior upgrade includes a new instrument panel, centre console and steering wheel and new design transmission lever and handbrake.[2] There is also a new mobile phone power outlet under the centre console. The new instrument cluster features a large multi-function digital display (single or triple-window, depending on model), which displays information such as radio station display, PRND321 gear selected indicator, trip computer with stopwatch function, service reminders and a help facility. Standard features (on some models) now include "twilight sentinel" - automatic headlamp control, programmable headlamps off time delay, high feature Blaupunkt audio systems, road-speed sensitive intermittent wipers and passenger airbags. The VY Series II update added cruise control, front power windows variable front seat lumbar support, and revised interior trims. A 245 kW (329 hp) V8 was introduced to sports variants and a sportier repositioning of the Calais model. This repositioning included a subtle body kit, the option of a 235 kW V8 in place of the previous 225 kW (302 hp) and a firmer suspension tune (known as FE 1.5) that was not as stiff as the FE2 suspension on sports variants. Released in September 2002 and produced until August 2004 (with a Series II released in August 2003), the VY series was the first major design departure (both inside and out) of the third generation Commodore range released in August 1997. It launched at the same time as the Ford Falcon (BA).VY Holden 4 door sedan white paint with grey fabric upholsteryLion and stone emblem grille centre, V6 badge on mudguards, Commodore badge on boot LHS, Lion and stone badge on boot centre, Acclaim badge RHS of boot lidvehicle, commodore, car

Black and white print of ESCo 17, photographed at the depot entry with a driver, conductor, and another employee in uniform standing alongside. Has a destination sign of Sturt St on the front dash panel of the tram, showing the seating arrangements, uniforms, and step arrangements. Has extensive notes written in ink by Wal Jack on the rear, giving details of the tram, driver, and conductor, colour scheme. Dated 30-5-1906. Gives names of J Quirk, Fritz A Thies. See also Reg Item 5104, 4290, 3578 for other copies of this image and 9466 for a glass plate negative. Yields information about the ESCo tramcars and uniforms at the time of opening of the tramway in 1906. Has a strong association with the two people named in the photograph.Black and white print with extensive notes written on rear in ink. Print by Wal Jack, Number T177. Second copy with similar notes on rear.esco, tramways, trams, tram 17, uniforms, crews, j quirk, fritz a thies

Colour print of Bendigo Birney No. 29 leaving the depot in now Tramways Ave on its way to Golden Square . The tram has large reflectorised triangles on its dash panel. Photographer and date not known.Yields information about Bendigo No. 29 and the depot lead.Colour prints - on plain papertramcars, tram 29, bendigo, birney tramcars, bendigo depot

ESCo 17 at the time of the tramway opening, photographed at the depot entry with a driver, conductor and another employee in uniform standing along side. Has a destination sign of Sturt St on the front dash panel of the tram, shows the seating arrangements, uniforms and step arrangements. See also Reg Item 3578, 5104, 8700 for other copies of this image and 9466 for a glass plate negative.Yields information about the ESCo tramcars and uniforms at the time of opening of the tramway in 1906.Black and white print mounted onto a black cardboard back On rear: white label "1" in red ink, "Photo page 43 23 reduced to 5.5" and 3.875" and William F Scott address label.trams, tramways, esco, depot, uniforms, crews, tram 17

Photograph of the three trams at the Mt Pleasant terminus during an AETA tour 21-4-1962. No. 20 the service tram, 18 and 37 the tour trams. No. 20 has Advertisements for the SEC, Ilford Film and a dash panel advert for The Age newspaper. See item 5249 for a similar Wal Jack photo. The date and location on the rear of the photo are incorrect. Yields information about the trams used for an AETA visit in 1962 and worked within the service trams.Black and white photograph printed on Ilford paper.on rear in ink "Drummond St North 7th April 1962"trams, tramways, aeta, tours, special trams, mt pleasant, tram 20, tram 18, tram 37

Photograph of Bendigo Tram 24 in 1947 painted in the SEC colours with a cream rocker panel, the prewar SEC scheme. The tram is ex Hawthorn Tramways Trust No 32, which became MMTB No. 138 before being sold to the SEC arriving in Bendigo late 1945. Photographer unknown. See item 326, Bendigo Tramways by Keith Kings.Yields information about Bendigo tram 24 appearance in 1947Photograph, black and white, with notes on rear.In ink "No. 24 car Bendigo 1947" and the Ken Magor stamp.tramways, trams, bendigo, bogie trams, tram 24

These photographs show staff in brown coloured uniform leaning out of/standing beside W class driver's cab showing Kew Depot run number 31. All have a advert for K L Dowling Real Estate on the front dash panel.Yields information about multicultural nature of workforceSet of three black and white photographs with pencil notes on rearDriver Robert Anthony Kerr Pakistan Kew Depot 1979, Driver Khac Cang Tran Vietnam Kew Depot 1979, Driver Tran and Conductress Ngoc Nga To Vietnam Kew Depot 1979tram, w class, kew depot, run number, brown uniform, multiculture

A blue linen covered cardboard cover with black information of the front. Top right hand corpner reads AAP 7416.024-3 former Australian Air Piblication 742.30. Above the RAAF insignia reads Royal Australian Air Force and under the insignia are the details of the manual. The manual is held together by three metal screws.royal australian airforce - manuals, australian air publication, control panel type 34, voltage regulator type 93

A blue coloured cardboard cover with the information on the front in black. Top right hand corner reads Australian Air Publication 7415.013-3. Above the RAAF insignia reads Royal Australian Air Force and under the insignia is the desription on the manual. There are three punch holes and two metal staples down the left hand side.royal australian airforce - manuals, base control panel, australian air publication

Colour duplicate slide of EX SEC Ballarat tram 34 - Adelaide Tramway Museum, operated by the Australian Electric Traction Museum at St Kilda Adelaide. Tram is in the SEC livery with the dash canopy lighting and tiger stripe panels removed. Photo taken at the the then St Kilda Beach terminus. Slide by the Tramway Museum Society of Victoria, probably 1972. Yields information about Ballarat tram 34 which was donated to the AETM following closure of the SEC system.Colour Kodak duplicate slide - white cardboard mountaetm, tramcars, tramway museums, tram 34, st kilda beach

Points of interest in the photograph are the lack of white lines along the tracks, safety zone equipment behind the tram, the "Hail Cars Here" tram stop sign on a steel pole by a traffic light and the style of traffic light. Two advertising panels on the front of the tram advertise "Jex Soap Pads" and the musical "Hair" at the Metro Theatre Bourke St. Two Fords are alongside the tramcar. The original source of photograph unknown. The Musical "Hair" was presented in Melbourne during 1971. Yields information about the location, the streetscape and the trams and vehicles in use at the time. Colour illustration of M&MTB tram W2 417 on a route 45, Deepdene service in Collins St. Melbourne at the intersection of Russell St. with the Scots Church in the background.tramways, trams, collins st, w2 class, tram 417, traffic lights, deepdene, route 45

Postcard featuring trams SW5 852 (University route 16), B2 2047, SW6 909 (City Circle), and SW5 729 (St Kilda Beach, route 16) with the title Melbourne Australia. Produced by Steve Parish Publishing of Archerfield Qld. Has space for stamp, address and message on rear. Yields information about various Melbourne trams during the 1990's and 2000'sPostcard - Steve Parish, four panel Melbourne tramstrams, tramcars, tramways, tram 852, tram 2047, tram 909, tram 729, route 16, city circle, sw5 class tram, b2 class trams, sw6 class tram

Postcard featuring five Melbourne tramcars - A1 253 (Mont Albert route 42), W6 963 (Moreland Route 15), Z1 61 (City Route 96), W6 990 (advertising tram for San Remo Oct. 1986) and SW5 816 - Transporting Art Leunig tram - Garden of Eden - 1986. Rear of tram provides a short note on the history of Melbourne trams, noting that cable trams commenced in 1885. Nu-Color-Vue number 12ML101, NCV 6115. Two copies held.Yields information about five different types of Melbourne trams in 1986.Postcard colour - Five panel Melbourne tram photographs - Nu-Color-Vuetrams, tramways, a1 class tram, w6 class tram, z1 class tram, w5 class tram, transporting art, michael leunig, tram 253, tram 963, tram 990, tram 61, tram 816

Postcard featuring seven Melbourne tramcars - B2 2111 in an all-over advertising livery for Crown "World of Entertainment" in 2001, SW6 957 City Circle, B2 2070 (Bundoora), C1 2004, B2 2019 (2001) advertising Luna Park outside Luna Park, W7 1005 (Toorak Glenferrie Rd, route 8) and an SW6 tram as one of the Restaurant trams. Nu-Color-Vue number 11ML580, NCV 13584Yields information about seven different types of Melbourne trams around 2001.Postcard colour - seven panel Melbourne tram photographs - Nu-Color-Vuetrams, tramways, tramcar restaurant, luna park, w7 class tram, sw6 class tram, b class tram, c1 class tram, advertising trams, tram 2111, tram 957, tram 2020, tram 2004, tram 2019, tram 1005

Postcard featuring four Melbourne tramcars - B2 2100 (Bundoora route 86), Z1 53 (St Kilda Junction, route 15), SW6 888 (City Circle), and SW6 965 advertising Australian Express 1993Yields information about four different types of Melbourne trams around 1993.Postcard colour - four panel Melbourne tram photographs - Barteltrams, tramways, tramcar restaurant, luna park, w7 class tram, sw6 class tram, b class tram, c1 class tram, advertising trams

Newspaper Clipping - from the Melbourne Herald Sun Pictorial newspaper - 8/ 9/1928 about the derailment after running through the catch points of a maximum traction tramcar at the Riversdale Road level crossing the previous day 7/9/1928. The front bogie or truck has been torn from underneath the tramcar. On the rear is a report of a boxing match in Winnipeg the previous Friday, between NZ born Bert Brown and Vic Foley. A web search (boxrec.com/boxer/90347) accessed 1/11/2016 shows the match took place on 6/9/1928. A check with The Sun microfilm at the State Library shows the paper was published on 8/9/1928 Study of the photo, discussions with Norm Cross, particularly with regard to the positioning of the numbers; can see "12", the 2 being centred in the panel, indicates the other number could be a "1". Consultation with the record cards indicate it is most likely tram 121. See images i3. Released back in service 21/3/1929 after relatively expensive accident repairs. See Reg Item 6377 for other photographs.Yields information about the amount of damage to the tram following a derailment to a maximum traction tram at Riversdale Road in 1928.Newspaper clipping from The Melboune Herald Sun 8-9-1928 - not dated.tramways, tramcars, derailments, accidents, level crossings, riversdale road, tram 121, n class

Photo shows Victorian Railways tramcar No. 42 and 33 at Elwood depot. Bogies or trucks are of the Brill 77E type. Note the oil lamp on the driver's dash panel - all VR trams carried them.Yields information about the Victorian Railways bogie trams.Photograph - Black and White - VR 42 and 33 at Elwoodtramways, trams, victorian railways, vr trams, elwood depot, brill 77e, tram 42, tram 33

Photograph shows the MESCo Geelong bus that ran to East Geelong (see item 9004). Registration number 6765 outside the Melbourne Electric Supply Co. power station in Corio Terrace Geelong. The bus has been fitted with body bracing indicating a loose body when the photo was taken along with other body panel damage. This bracing is not apparent in the item 9004, possibly indicating shortly before it was withdrawn in 1923. There is a Pay as you enter sign alongside the driver.Yields information about the MESCo Geelong bus.Black and White photograph with details on rearHas SEC Publicity photo stamp on the rear and number P31525.geelong, buses, mesco

Photograph taken during the Association of Railway Enthusiast tram tour on 18/5/1963, showing the Essendon football ground siding in Napier St. full of trams (about 12) lead by W5 796 which has Morris motor car and Bovril adverts on the front panel. A check with newspapers and the VFL data base, there races at Moonee Valley. Essendon played Fitzroy at the Brunswick St oval. Photo by Kevin MathisenYields information about the use of the Napier St siding by trams in 1963. Black and white photographer, Ilford paper with notes on rear."Crn Napier St and Mt Alexander Rd 18 May 63" & "Kevin Mathisen"tramways, essendon, napier st, tram 796