Colour photograph. Jan Wade, Minister for Women's Affairs, stands behind a lectern on the front steps of the QVWC building during the Grand Opening Weekend. A group of women, including Marion Lau Trust member and Fleur Spitzer OAM, stands behind JW. parliamentary representatives, official events, historic buildings, cultural structures and establishments

L-R: - , Mrs Marion Yeoman, Mrs Opal Smith (Treasurer and Membership Secretary, Shire of Eltham Historical Society)Colour photograph1987, activities, senior citizens' centre

L-R: Nr Marion Firth, Nr Alice Fechner, Nr Lois King, 1940s, Ballarat & District Hospitalfirth, fechner, king, nurses, 1940s, ballarat, hospital, prendergast

Donated to WHG by Marion Crowther, grand-daughter of Annie Ford. Annie Ford wife of John Foord,founder of Wahgunyah. A direct link to the Foord family in Wahgunyah.Brown covered book, gilt edged,Holy Bible embossed on front cover. Inside front cover "Mrs Ford. A token of love from a friend 16th December 1864..."foord,, holy bible

Video originally donated to Eltham Living and Learning Centre by Marion Steel. Return to study skills Course Semester 1, 1989video recording

This handmade blouse with its matching belt was donated along with a note that says, "This jacket was owned by Marion Leishman who married Captain Eadie. They lived in Warrnambool and are buried at Tower Hill Cemetery." The spelling on the headstone is "Edie" rather than "Eadie". Marion Leishman Edie was born in 1835 and died on August 7, 1914. She married Captain Richard Wilson C Edie in 1865. Capt. Edie drowned at sea on 16th June 1883 aged 49 years. Marion Leishman Edie died on 7th August 1914 aged 79 years. Her sister Alison Keishman Sprod, died in 1863, aged 25 years, and is also buried in the same grave at Tower Hill. The fine satin blouse and matching belt is an example of clothing worn by women in the mid-to-late 19th century. It demonstrates the beautiful and talented skills applied to handmade garments. The decoration indicates that the blouse or jacket was worn for a special occasion.Blouse of black satin, decorated with lace and sequins. Long sleeves are puffed at the shoulder fitted at the lower arm and cuff. The belt has sequins and tassels. Black lace is added around the neck and bodice, fastened at the front with hook and eye.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, costume, blouse, belt, female adult, clothing, fashion, satin, lace, wonem's clothing, marion leishman, captain eadie, tower hill cemetery, marion eadie, jacket, black satin jacket, sequins, marion edie, richard wilson c edie, drowned at sea, marion leishman edie, handmade, black jacket, sequined satin jacket

The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. A partial record of performances by the company includes: 1952 Florodora, 1953 The Cingalee - San Toy or The Emperor's Own, 1954 While the Sun Shines - A Country Girl - Our Miss Gibbs, 1955 The Toreador - The Arcadians, 1956 The Maid of the Mountains - Whiteoaks - Goodnight Vienna!, 1957 A Country Girl. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of a performance of A Country Girl by The Kew Light Opera Company in 1957. The performance at which this photo was shot took place in The Alexandra Gardens, Melbourne. Inscribed underneath the photo in the scrapbook by Marion Tilley: "X me. Alexandra Gardens." [The 'me' referred to in the photo is the woman with her back to the camera at left.]performing arts -- kew (vic.), scrapbooks, marion tilley collection, kew light opera company, kew recreation hall, musical comedy -- melbourne -- victoria

Series of four Black and White Photographs cable trams in Melbourne at the Bridge Road terminus or city during the mid 1920's/ .1 - Bridge road terminus with the car house or depot on the left hand side with the destination of Spencer St. .2 - Gripman possibly checking his watch with a depot worker? stepping off the tram. .3 - family stepping off the tram with cable trailer 368 in the view - Elizabeth St, near Flinders St? See Brian Weedon's notes re the photo and the trailer. .4 - As for .1 - with an X marked above the lady and a very large motor car passing. Printed on Kodak Paper. Adam Chandler advised by email 5/8/2020: " note there's a destination box fitted to the grip - from memory, these started to be used from the mid-1920s with the dummy and trailer repaints into the brown colour? That also looks to be either a 1925 or 26 Buick - the "moustache" shape at the top of the front radiator grille and the distinctly angled lower sash of the windscreen are further hints. Given the Richmond line closed in 1927 for conversion I'd say some time between 1924 and 29 June 1927." Also see image i5.pdf for further notes regarding the photographs and the Bridge Road tram depot building - use the original pdf file to read. Image i6, has had the "X" removed - done by Darren Hutchesson.On rear in ink in each print, "Cable car Melbourne" and "286 Anzac Hy/Marion Rd Adelaide SA, collection of late Don Schultz"trams, tramways, cable trams, bridge road, flinders st, richmond depot, hawthorn bridge, tram 368

Armbands of this type were worn by female keepers in the early days of the Healesville Sanctuary. This band belonged to keeper Marion Mason (nee Barber).Home made arm band. Small panel of blue cloth worn as identification. Has two elastic ties attached to the sides and is embroidered diagonally across the panel."Sanctuary" embroidered in white cotton diagonally across the panel.healesville-sanctuary, arm-band, identification-badge, keeper

Colour photograph of Bill and Stella Montague's original house with the orchard that was planted in 1952 in the foreground. The home of Alf and Marion Montague (Bill's parents) is on the left. A line on the left side indicates this is two photos stuck together to form a panorama. Trees in orchard appear to be quite young.

B&W photograph of Girl Guide Float Bendigo at the Easter Procession circa 1949 - depicting Citizenship. Rear details the names of the girl guides: Marion Colleen Cook, Faye Jorgenson, Joyce Stroud, Dot (?) Dawe, Lily Sandner, Julie Sandner & Maureen Spencer.girl guide float about 1949, easter parade

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Atmospheric photograph of performers in the "Q" Theatre Guild's performance of Gay Rosalinda, an arrangement of Johann Strauss' Die Fledermaus. The performance took place in the new Kew City Hall, with scenery created by Robert Jewell and Claud Ward. Costumes were designed and made by Marion Tilley. performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, musical comedy -- melbourne -- victoria, kew city hall -- cotham road -- kew (vic.)

This is the second report by the East Gippsland Regional Planning Committees part of the Regional Studied Program in East Gippsland requested by Mrs Marion Le Cheminant.This is a useful reference tool. It documents sites of significance, including the Orbost area of East Gippsland.A stapled book with a brown/orange cover. On the front cover is a black print hand-drawn illustration of some buildings (possibly Bairnsdale Courthouse. The title, "Sites of Historical Significance in the East Gippsland Region", is in black print at the top. This is inside a black border.Sites of Historical Significance / in the East Gippsland Region / EAST GISPPSLAND REGIONAL PLANNING COMMITTEEhistoric sites, history, east gippsland, heritage

Donor Marion is Great Great niece of Angus Henry Clarke Shire Engineer of Stawell. His son Ronald possibly a student of the Grammar School.Two Black and white photographs of Stawell Grammar School 1902/3 & 1908Roseleigh House March 25th 1908. 1902/1903 on back of photo with child in garden 1908 on back of both photographs roseleigh, education

Marion Blythman, Jenny Haymes in blue working on the Ballarat Mechanics' Institute stall at Clunes Book town. Dorothy Wickham is pictured in the black coat.clunes, book town, ballarat mecahnics' institute

Eliza Cameron, a daughter of Ewen and Marion Cameron, was born at Linton in 1869. She married Murdoch Robertson in 1899, and died at Surrey Hills in 1957.Sepia photograph of a young lady wearing skirt and top, seated with head resting on right hand, left hand on lap holding a card.eliza cameron, eliza robertson

This was the first time Ballarat's Sacred Heart College allowed girls a rowing elective and they rowed under the auspices of Kate Elliot (coach) Ballarat City Rowing Club based at Lake Wendouree Ballarat. L-R are Marion Taffe, Anne Taffe, Simone Scheelings, Danielle Herreen and coxwain Michelle Finn. Marion Taffe went on to be state and national champion and represent Australia internationally as a member of the Australian Rowing team at the world titles.

number in album 03551.01Colour photograph Bruce and Jean Hitchens, Bunty and Edith Bulmer, Stan and Joan Thomason, Elizabeth Bateman, Maty Moir, Zoe Head, Bart Keighley, Ivy Shaw, Bet May, Marion Kelly received rewards in the Garden Club Spring Competition Lakes Entrance Victoriaclubs, gardening, competitions, awards

Beatrice Charlotte Henty was born 25 December 1867, married Graham Frederick Blandy in 1927 and died on 5 March 1950 in Toorak. She did not have any children. Miss Beatrice Henty was the daughter of Henry and Marion Henty. Mr Henry Henty and his wife Mrs Marion Anne Henty (nee McKellar) had ‘Tarring’, Kew built for their family in 1872, and resided there until the death of Marion Henty in 1919. ‘Tarring’ was then sold to Ruyton Girls’ School, and the School moved to the site, (now 12 Selbourne Rd, Kew) in 1920. ‘Tarring’ was renamed ‘Henty House’ by Ruyton Girls' School in honour of its original owners. Ruyton Girls' School was founded in 1878, Miss Beatrice Henty attended the School before 1888. The photograph is dated c.1904. Sepia toned photograph Miss Beatrice Henty in the garden of her family home Tarring, Selbourne Road, Kew. The north east and south facades of the two story brick house are visible in the photo. Beatrice Henty is standing in the garden wearing a long gown and a large hat. A gravel path curves across the lower left corner of the photograph. The photograph is mounted on card.ruyton girls' school, kew, beatrice henty, henry henty, marion henty, tarring, henty house, selbourne road, beatrice blandy, kew (vic), 1900s, 1904

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Sepia-toned photograph of members of the "Q" Theatre Guild in a performance of Gay Rosalinda, an arrangement of Johann Strauss' Die Fledermaus. The performance took place in the new Kew City Hall, with elaborate scenery created by Robert Jewell and Claud Ward. Costumes were designed and made by Marion Tilley.performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, musical comedy -- melbourne -- victoria, kew city hall -- cotham road -- kew (vic.)

The red wood with the Victoria Police symbol in the centre. The texts above the symbol contains "special operations group per term per column per mare" The metal plate suggests it was presented the 1st Battalion The Royal Victoria Regiment from Victoria Police Special Operations Group 1979"

This photo was most probably taken in 1906 at Narada West. L-R: Isabella Browne (nee Johnston), Marion (wife of Monty) and Eliza Browne (nee Linton).Photocopy of black and white photograph of three women in front of a house covered by a grape vine.browne family, narada west

Henry Henty and his wife Marion Anne Henty (nee McKellar) had ‘Tarring’, Kew built for their family in 1872. Their house was named for Tarring, Sussex, the Henty familys' ancestral home in the United Kingdom. The Henty family resided at ‘Tarring’, Kew until the death of Marion Henty in 1919. ‘Tarring’ was sold to Ruyton Girls’ School in 1920, and the School moved to the site, (now 12 Selbourne Rd, Kew) in that year. ‘Tarring’ was renamed ‘Henty House’ by Ruyton in honour of its original owners.Rectangular-shaped brass name plate for the house "Tarring". One screw-sized hole in each corner to allow name plate to be attached to a building, (total of four). Reverse of nameplate is flat.TARRINGhenty, henry, henty, marion, tarring, 12 selbourne road, kew, ruyton girls' school, kew

Identified - back row - Ernest W Bonnels (teacher), Bob Cornwall, Frank Rossin.Black and white photograph showing group of eight students at Nungurner State School approx 1942 with teacher (Ernest W Bounds). Nungurner Victoria. Students: Bob Cornwall, Frank Rossen, Lois and Audrey Vandersloop, Marie Rossen, Marion Hicks, Rosie Cornwall, Harold Poole holding the plaque schools, students, school teachers