Colour photograph of Bill and Stella Montague's original house with the orchard that was planted in 1952 in the foreground. The home of Alf and Marion Montague (Bill's parents) is on the left. A line on the left side indicates this is two photos stuck together to form a panorama. Trees in orchard appear to be quite young.

B&W photograph of Girl Guide Float Bendigo at the Easter Procession circa 1949 - depicting Citizenship. Rear details the names of the girl guides: Marion Colleen Cook, Faye Jorgenson, Joyce Stroud, Dot (?) Dawe, Lily Sandner, Julie Sandner & Maureen Spencer.girl guide float about 1949, easter parade

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Atmospheric photograph of performers in the "Q" Theatre Guild's performance of Gay Rosalinda, an arrangement of Johann Strauss' Die Fledermaus. The performance took place in the new Kew City Hall, with scenery created by Robert Jewell and Claud Ward. Costumes were designed and made by Marion Tilley. performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, musical comedy -- melbourne -- victoria, kew city hall -- cotham road -- kew (vic.)

This handmade blouse with its matching belt was donated along with a note that says, "This jacket was owned by Marion Leishman who married Captain Eadie. They lived in Warrnambool and are buried at Tower Hill Cemetery." The spelling on the headstone is "Edie" rather than "Eadie". Marion Leishman Edie was born in 1835 and died on August 7, 1914. She married Captain Richard Wilson C Edie in 1865. Capt. Edie drowned at sea on 16th June 1883 aged 49 years. Marion Leishman Edie died on 7th August 1914 aged 79 years. Her sister Alison Keishman Sprod, died in 1863, aged 25 years, and is also buried in the same grave at Tower Hill. The fine satin blouse and matching belt is an example of clothing worn by women in the mid-to-late 19th century. It demonstrates the beautiful and talented skills applied to handmade garments. The decoration indicates that the blouse or jacket was worn for a special occasion.Blouse of black satin, decorated with lace and sequins. Long sleeves are puffed at the shoulder fitted at the lower arm and cuff. The belt has sequins and tassels. Black lace is added around the neck and bodice, fastened at the front with hook and eye.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, costume, blouse, belt, female adult, clothing, fashion, satin, lace, wonem's clothing, marion leishman, captain eadie, tower hill cemetery, marion eadie, jacket, black satin jacket, sequins, marion edie, richard wilson c edie, drowned at sea, marion leishman edie, handmade, black jacket, sequined satin jacket

Armbands of this type were worn by female keepers in the early days of the Healesville Sanctuary. This band belonged to keeper Marion Mason (nee Barber).Home made arm band. Small panel of blue cloth worn as identification. Has two elastic ties attached to the sides and is embroidered diagonally across the panel."Sanctuary" embroidered in white cotton diagonally across the panel.healesville-sanctuary, arm-band, identification-badge, keeper

The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. A partial record of performances by the company includes: 1952 Florodora, 1953 The Cingalee - San Toy or The Emperor's Own, 1954 While the Sun Shines - A Country Girl - Our Miss Gibbs, 1955 The Toreador - The Arcadians, 1956 The Maid of the Mountains - Whiteoaks - Goodnight Vienna!, 1957 A Country Girl. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of a performance of A Country Girl by The Kew Light Opera Company in 1957. The performance at which this photo was shot took place in The Alexandra Gardens, Melbourne. Inscribed underneath the photo in the scrapbook by Marion Tilley: "X me. Alexandra Gardens." [The 'me' referred to in the photo is the woman with her back to the camera at left.]performing arts -- kew (vic.), scrapbooks, marion tilley collection, kew light opera company, kew recreation hall, musical comedy -- melbourne -- victoria

Series of four Black and White Photographs cable trams in Melbourne at the Bridge Road terminus or city during the mid 1920's/ .1 - Bridge road terminus with the car house or depot on the left hand side with the destination of Spencer St. .2 - Gripman possibly checking his watch with a depot worker? stepping off the tram. .3 - family stepping off the tram with cable trailer 368 in the view - Elizabeth St, near Flinders St? See Brian Weedon's notes re the photo and the trailer. .4 - As for .1 - with an X marked above the lady and a very large motor car passing. Printed on Kodak Paper. Adam Chandler advised by email 5/8/2020: " note there's a destination box fitted to the grip - from memory, these started to be used from the mid-1920s with the dummy and trailer repaints into the brown colour? That also looks to be either a 1925 or 26 Buick - the "moustache" shape at the top of the front radiator grille and the distinctly angled lower sash of the windscreen are further hints. Given the Richmond line closed in 1927 for conversion I'd say some time between 1924 and 29 June 1927." Also see image i5.pdf for further notes regarding the photographs and the Bridge Road tram depot building - use the original pdf file to read. Image i6, has had the "X" removed - done by Darren Hutchesson.On rear in ink in each print, "Cable car Melbourne" and "286 Anzac Hy/Marion Rd Adelaide SA, collection of late Don Schultz"trams, tramways, cable trams, bridge road, flinders st, richmond depot, hawthorn bridge, tram 368

number in album 03551.01Colour photograph Bruce and Jean Hitchens, Bunty and Edith Bulmer, Stan and Joan Thomason, Elizabeth Bateman, Maty Moir, Zoe Head, Bart Keighley, Ivy Shaw, Bet May, Marion Kelly received rewards in the Garden Club Spring Competition Lakes Entrance Victoriaclubs, gardening, competitions

This is the second report by the East Gippsland Regional Planning Committees part of the Regional Studied Program in East Gippsland requested by Mrs Marion Le Cheminant.This is a useful reference tool. It documents sites of significance, including the Orbost area of East Gippsland.A stapled book with a brown/orange cover. On the front cover is a black print hand-drawn illustration of some buildings (possibly Bairnsdale Courthouse. The title, "Sites of Historical Significance in the East Gippsland Region", is in black print at the top. This is inside a black border.Sites of Historical Significance / in the East Gippsland Region / EAST GISPPSLAND REGIONAL PLANNING COMMITTEEhistoric sites, history, east gippsland, heritage

Donor Marion is Great Great niece of Angus Henry Clarke Shire Engineer of Stawell. His son Ronald possibly a student of the Grammar School.Two Black and white photographs of Stawell Grammar School 1902/3 & 1908Roseleigh House March 25th 1908. 1902/1903 on back of photo with child in garden 1908 on back of both photographs roseleigh, education

Marion Blythman, Jenny Haymes in blue working on the Ballarat Mechanics' Institute stall at Clunes Book town. Dorothy Wickham is pictured in the black coat.clunes, book town, ballarat mecahnics' institute

This was the first time Ballarat's Sacred Heart College allowed girls a rowing elective and they rowed under the auspices of Kate Elliot (coach) Ballarat City Rowing Club based at Lake Wendouree Ballarat. L-R are Marion Taffe, Anne Taffe, Simone Scheelings, Danielle Herreen and coxwain Michelle Finn. Marion Taffe went on to be state and national champion and represent Australia internationally as a member of the Australian Rowing team at the world titles.

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Sepia-toned photograph of members of the "Q" Theatre Guild in a performance of Gay Rosalinda, an arrangement of Johann Strauss' Die Fledermaus. The performance took place in the new Kew City Hall, with elaborate scenery created by Robert Jewell and Claud Ward. Costumes were designed and made by Marion Tilley.performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, musical comedy -- melbourne -- victoria, kew city hall -- cotham road -- kew (vic.)

The red wood with the Victoria Police symbol in the centre. The texts above the symbol contains "special operations group per term per column per mare" The metal plate suggests it was presented the 1st Battalion The Royal Victoria Regiment from Victoria Police Special Operations Group 1979"

Beatrice Charlotte Henty was born 25 December 1867, married Graham Frederick Blandy in 1927 and died on 5 March 1950 in Toorak. She did not have any children. Miss Beatrice Henty was the daughter of Henry and Marion Henty. Mr Henry Henty and his wife Mrs Marion Anne Henty (nee McKellar) had ‘Tarring’, Kew built for their family in 1872, and resided there until the death of Marion Henty in 1919. ‘Tarring’ was then sold to Ruyton Girls’ School, and the School moved to the site, (now 12 Selbourne Rd, Kew) in 1920. ‘Tarring’ was renamed ‘Henty House’ by Ruyton Girls' School in honour of its original owners. Ruyton Girls' School was founded in 1878, Miss Beatrice Henty attended the School before 1888. The photograph is dated c.1904. Sepia toned photograph Miss Beatrice Henty in the garden of her family home Tarring, Selbourne Road, Kew. The north east and south facades of the two story brick house are visible in the photo. Beatrice Henty is standing in the garden wearing a long gown and a large hat. A gravel path curves across the lower left corner of the photograph. The photograph is mounted on card.ruyton girls' school, kew, beatrice henty, henry henty, marion henty, tarring, henty house, selbourne road, beatrice blandy, kew (vic), 1900s, 1904

Identified - back row - Ernest W Bonnels (teacher), Bob Cornwall, Frank Rossin.Black and white photograph showing group of eight students at Nungurner State School approx 1942 with teacher (Ernest W Bounds). Nungurner Victoria. Students: Bob Cornwall, Frank Rossen, Lois and Audrey Vandersloop, Marie Rossen, Marion Hicks, Rosie Cornwall, Harold Poole holding the plaque schools

Henry Henty and his wife Marion Anne Henty (nee McKellar) had ‘Tarring’, Kew built for their family in 1872. Their house was named for Tarring, Sussex, the Henty familys' ancestral home in the United Kingdom. The Henty family resided at ‘Tarring’, Kew until the death of Marion Henty in 1919. ‘Tarring’ was sold to Ruyton Girls’ School in 1920, and the School moved to the site, (now 12 Selbourne Rd, Kew) in that year. ‘Tarring’ was renamed ‘Henty House’ by Ruyton in honour of its original owners.Rectangular-shaped brass name plate for the house "Tarring". One screw-sized hole in each corner to allow name plate to be attached to a building, (total of four). Reverse of nameplate is flat.TARRINGhenty, henry, henty, marion, tarring, 12 selbourne road, kew, ruyton girls' school, kew

This is a useful reference tool.Two copies of a 29 pp soft covered book. The front cover is pale blue with a black plastic spine. In black text is the title "East Gippsland : A Bibliography" above "compiled by Marion Le Cheminant". At the bottom centre is "M" . This is a resource guide for bookks about East Gippsland. The cost is noted as $2.50.2289.1 - on front cover "Mary Gilbert" in black ink. 2289.2 - on front cover "M.Brunt" in black penle-cheminant-marion east-gippsland-bibliography

Photograph showing the opening of the first Post Office in Lake Bolac in 1887. Pictured at the opening are G Veale, Marion Ward, Mrs Tom Ward, Robert McMillan and Blanche Ward.Photograph depicting a group of 5 men and women in front of a building. post office, lake bolac, g. veale, mrs tom ward, robert mcmillan, blanche ward, marion ward

In the KHS Minutes of June 1999, it is recorded that Marion Blatchley (a member) had restored the brown bridal hat. This is the only possible candidate. The minutes do not record the date of the hat's origin.The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. Most of the hats in the collection were created by milliners for women. There are however a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Open weave straw woman’s hat featuring a low domed crown and a wide brim. The dark brown hat has a pale green ribbon surrounding the base of the crown. Unclear handwritten marking: Sylvie Walsh (sic). Wynne Saish (sic)women's clothing -- hats, sun hats, raffia hats

This medallion was issued to all competitors at the 1996 Australian Rowing Championships to commemorate the official opening of the Sydney International Regatta Centre at Penrith , March 1996 in which Marion Taffe was rowing.The Sydney International Regatta Centre at Penrith was opened in March 1996 as the new venue for the Sydney Olympic Games 2000. The national regatta 1996 was the first regatta held at the centre and used as a trial for its suitability for the Olympic rowing and canoeing events and the regatta was sponsored by ABN Amro.rowing, regatta, sydney

This image was most probably taken during a sports day between Ballarat Teachers' College and Bendigo Teachers' College. The Ballarat Teachers' College was established after the Victorian State Government and the State Education Department decided to establish two provincial teachers' colleges, at Ballarat and Bendigo. On 04 May 1926 W.H. Ellwood (Principal), Miss A. Bouchier, and Mr A.B. Jones, welcomed the first enrolment of 61 students to undertake the one year course. In 1927 the College moved to the former Ballarat East Town Hall in Barkly Street, which was remodelled for their use. It closed in December 1931 due to the Great Depression. In 1946 Ballarat Teachers' College reopened and relocated to the Dana Street State School. It was originally planned to open as a women's college, for whom the residence at 130 Victoria Street was purchased, but the decision was made to admit resident men from Ballarat. Mr T.W. Turner was appointed as Principal in 1951 and directed the introduction of a two year course for the Trained Primary Teachers' Certificate. The former one year course was terminated at the end of 1951. In 1958 the College was relocated to a custom built facility at Gillies Street, in close proximity to the Ballarat Botanical Gardens. Numbers increased with the introduction of the Trained Infant Teachers' Certificate course under the guidance of Mary Egan. With the introduction of a three year Diploma Course in 1968 accommodation became cramped. The introduction of the Diploma of Teaching (Primary) led to the Trained Infant Teachers' Certificate being discontinued in 1969, and the end of the Trained Primary Teachers' Certificate in 1969. Secondary Art and Craft students began studies at Ballarat Teachers' College in 1969 under Mr Ted Doney. In 1971 Mr D. Watson was appointed Principal. The State College of Victoria was proclaimed by Order in Council on 24 July 1973, and Ballarat Teachers' College became a constituent college of the State College of Victoria, and was known as State College of Victoria, Ballarat. By 1975 the College moved to Mount Helen as part of the Ballarat College of Advanced Education. Pre service teachers currently undertake their studies on the Mount Helen Campus of Federation University. ("Ruffians Attempted to Carry of the School Tent: A History of State Education in Ballarat", 1974, p73-4.) Black and white photograph on grey card showing eleven members of the Ballarat Teachers' College Hockey Team posing in front of a grandstand. Back Row: Doris Ryan, Eileen O'Loughlin, ? , ? , ? Front row: Margery Lawrey, Marion Murray, Olive Dart, Annie Cowan, Ann Knights (Nee Punshon), Laura Hill.sports, margery brady, margery lawrey, hockey, ballarat teachers' college, margery lawrie, sports uniform, doris ryan, eileen o'loughlin, marion murray, olive dart, annie cowan, ann knights, laura hill