The ladies in the photograph were members of the Sunbury & District Heritage Association and they were enjoying a night out at the Ball Court Hotel in Sunbury. They are from L-R: May, who seated next to her daughter, Elwyn Davis, Margaret Dunn and Rosa McCall.A non-digital coloured photograph of four ladies seated in a restaurant at a social function.sunbury & district heritage association, ball court hotel, elwyn davis, margaret dunn, rosa mccall, social functions

This 1958 photograph of the Sunbury Football Club members was taken on the club's home ground at Clarke Oval, named after the Clarke family from Rupertswood.. The team was known as 'The Swifts'.A non-digital scanned black and white photograph with a cream border of a football team Sunbury Football Club 1958sunbury football club, "the swifts', clarke oval

The four ladies are members of the Sunbury Art Group and they were working on constructing five collages of Sunbury people who had contributed to the local area in a variety of ways. The finished images were to be displayed at the 2001 People Scape that was featured on the lawns of Parliament House in Canberra.A coloured non-digital photograph of four ladies cutting out photographs for a project.people scape, canberra, sunbury art group

Black and white photographNote attached to photograph: Judging by the lack of bowling attire it was a non-bowling day.

Ian Parry (born 1947) is a Melbourne-born artist living in Tasmania, active since 1974 and collected by National and State Collections. He was winner of the 1990 ACTA Maritime art Prize. He also took part in 2006, to the ANL Art Prize organised each year at the Mission since 2003. In his biography on his website: Ian Parry was born into a family of seafaring descent. His extensive career as a respected practising artist and teacher, has uniquely included a fishing fleet apprenticeship and years as a single handed fisherman in Bass Strait. "In the early 70's when I first showed at the renowned Powell St gallery in Melbourne, the paintings were large, abstract, with allusion to the experience of the world of water, sky and land. My visual world has always been permeated with the wet parts of this place and continues to be so to this day. Maritime and geological charts and the daily necessity of plotting a course, appear in paintings where necessary, as a means of getting a schematic representation of the subject into play, trying to free the work from the tyranny of the horizon line but frequently returning. Now-a-days I am returning to abstraction, making paintings that allow me free rein with colour and composition, aiming for a sense of permanence and independence in each work." Maritime ArtLarge moulded gilt wood frame, non glazed painting of shipping, oil on canvasSignature and date bottom right corner: "Parry 89"p & o nedloyd, shipping, melbourne ports, docklands, wharfside, wharves, ian parry, maritime art, acta maritime art prize, artwork-paintings

When the ship Schomberg was launched in 1855, she was considered the most perfect clipper ship ever to be built. James Blaine’s Black Ball Line had commissioned her to be built for their fleet of passenger liners. At a cost of £43,103, the Aberdeen builders designed her to sail faster than the quick clippers designed by North American Donald McKay. She was a three masted wooden clipper ship, built with diagonal planking of British oak with layers of Scottish larch. This luxury vessel was designed to transport emigrants to Melbourne in superior comfort. She had ventilation ducts to provide air to the lower decks and a dining saloon, smoking room, library and bathrooms for the first class passengers. At the launch of Schomberg’s maiden voyage, her master Captain ‘Bully’ Forbes, drunkenly predicted that he would make the journey between Liverpool and Melbourne in 60 days. Schomberg departed Liverpool on 6 October 1855 with 430 passengers and 3000 tons cargo including iron rails and equipment intended the build the Geelong Railway and a bridge over the Yarra from Melbourne to Hawthorn. The winds were poor as Schomberg sailed across the equator, slowing her journey considerably. She was 78 days out of Liverpool when she ran aground on a sand-spit near Peterborough, Victoria, on 27 December; the sand spit and the currents were not marked on Forbes’s map. Overnight, the crew launched a lifeboat to find a safe place to land the ship’s passengers. The scouting party returned to Schomberg and advised Forbes that it was best to wait until morning because the rough seas could easily overturn the small lifeboats. The ship’s Chief Officer spotted SS Queen at dawn and signalled the steamer. The master of the SS Queen approached the stranded vessel and all of Schomberg’s passengers were able to disembark safely. The Black Ball Line’s Melbourne agent sent a steamer to retrieve the passengers’ baggage from the Schomberg. Other steamers helped unload her cargo until the weather changed and prevented the salvage teams from accessing the ship. Local merchants Manifold & Bostock bought the wreck and cargo, but did not attempt to salvage the cargo still on board the ship. They eventually sold it on to a Melbourne businessman and two seafarers. After two of the men drowned when they tried to reach Schomberg, salvage efforts were abandoned.32 In 1975, divers from Flagstaff Hill, including Peter Ronald, found an ornate communion set at the wreck. The set comprised a jug, two chalices, a plate and a lid. The lid did not fit any of the other objects and in 1978 a piece of the lid broke off, revealing a glint of gold. As museum staff carefully examined the lid and removed marine growth, they found a diamond ring, which is currently on display in the Great Circle Gallery.33 Flagstaff Hill also holds ship fittings and equipment, personal effects, a lithograph, tickets and photograph from the Schomberg. Most of the artefacts were salvaged from the wreck by Peter Ronald, former director of Flagstaff Hill. The Schomberg, which is on the Victorian Heritage Register (VHR S612), has great historical significance as a rare example of a large, fast clipper ship on the England to Australia run, carrying emigrants at the time of the Victorian gold rush. She represents the technical advances made to break sailing records between Europe and Australia. Flagstaff Hill’s collection of artefacts from the Schomberg is significant for its association with the shipwreck, The collection is primarily significant because of the relationship between the objects, as together they have a high potential to interpret the story of the Schomberg. It is archaeologically significant as the remains of an international passenger Ship. It is historically significant for representing aspects of Victoria’s shipping history and for its association with the shipwreck and the ship, which was designed to be fastest and most luxurious of its day Valve, non-returning. Part of the bilge pump assembly. Recovered from the wreck of the Schomberg.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, schomberg, clipper ship, black ball line, 1855 shipwreck, aberdeen clipper ship, captain forbes, peterborough shipwreck, ss queen, valve, non-returning valve

James S Steele tool boxCarpenters Special "Non-Leak" oil can 60mm diameter 100 mm tallflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Most likely collected and donated by Dr Frank ForsterVectis, with inlaid mahogany handle, non-retractable. Stamped at centre of blade "WEISS LONDON".obstetric delivery, vectis

interviews from Peter Cosgrove, Prime Minister John Howard, Chief of the Army, former SAS commanding officers and serving soldiers and officers.covers selection and training and recent deployments of Australia's SASsoft cover non-fiction book covering the SAS from East Timor to Iraq.

The children from Bulla and MIckleham schools were attending a school camp at Beechworth and one of the activities was hiking in one of the nearby hills. While hiking they came across a tunnel which captured the attention of these children.A non-digital coloured photograph of four children looking into a tunnel, which is under an embankment.school camps, hiking, beechworth

The people in the photograph were students, teachers and parents from Bulla and Mickleham Primary School who were attending a school camp at Beechworth. One of the activities was a visit to a local trout farm.A non-digital coloured print of a group of children and adults walking around a lake in bushland.trout farms, beechworth, school camps

Children from Bulla and MIckleham Primary schools attend a camp at Beechworth in 1988. While there they experienced a number of varied activities as part of their outdoor education course. In this and the following set of photos the students went on a hike and cooked their lunch on a camp fire as well as identifying the local bird life .This activity gave the children an understanding of correct camp-fire procedures as well as observing the native wildlife.A non-digital coloured photograph of three boys in bushland watching over a small campfire.school camps, beechworth, camp fires, picnics, native birds

The ranger was helping the students from Bulla and MIckleham Primary Schools how to encourage the birds, that they were studying, how to perch on their arms.The children were attending a school camp at Beechworth and one of their activities was to become acquainted with the native birds in the area.A non-digital coloured photograph of a park ranger with a crimson rosella perched on her arm.school camps, beechworth, crimson rosellas, bulla primary school, mickleham primary school

The man with the camera helped out at the Bulla Primary School with the audio-visual equipment. He was filming the children and community at the concert that the school had mounted, with the help of the community, in 1988. The concert took place at the Bulla Community Hall.A non-digital coloured photograph of a man seated behind a camera, which is mounted on a tripod.school concerts, bulla primary school

The students attending Bulla Primary School celebrated Arbor Week in 1989 by improving the school garden and planting native trees on the surrounding area adjacent to the school.The experience gave the children an awareness of the importance of trees and an understanding of the local native flora.A non-digital coloured photograph of six children and an adult doing gardening in a bushland setting.arbor week, bulla primary school, gardening, native vegetation

The giraffe was photographed when the children from Bulla Primary School were taken on an excursion to Werribee Parl Open Range Zoo and mansion. The children were amused at the way the giraffe had to spread out his front legs in order to reach the food in the container. The excursion to the Open Range Zoo was a part of the children's nature and environmental studies.A non-digital photograph of a giraffe in an open area feeding from a large container on the ground.werribee park open range zoo, bulla primary school, school excursions, exotic animals

The group of children photographed were from Bulla Primary School and they were taken on an excursion to Werribee Park Mansion and Open Range Zoo. During their lunchtime break they passed the time playing with quoits on the lawns in front of the mansion.A non-digital coloured photograph of a group of children playing quoits on a large open lawn.werribee mansion, werribee park open range zoo, bulla primary school, school excursions

Captain Cook's Cottage was dismantled in his village in England and rebuilt in Melbourne's Fitzroy Gardens in the 1930s. Since then it has been an attraction for many visitors although there is little relationship between Captain Cook as he never set foot anywhere in Victoria. The photograph was taken when the children from Bulla Primary School were taken on an excursion to the gardens,A non-digital coloured photograph of a small brick cottage with a tiled roof in a garden setting.school excursions, bulla primary schooil, fitzroy gardens

The vineyards exhibition was mounted by the Sunbury & District Heritage Association in the former George Evans Museum from August 1996 to January 1997. It featured the establishment of the vineyards and the wine industry in Sunbury from the 1860s to the present day. From the early days of European settlement in Sunbury, it was found that the soils and climate suited the growing of grapes, especially the east facing slopes along Vineyard Road. A number of people of German origin established vineyards along there. By the end of the nineteenth century and limited spending power as a result of the 1890s depression, the demand for wine declined in Victoria with beer being the preferred beverage.While Phylloxera destroyed the vines in many areas of Victoria, Sunbury's grapevines were not affected. As the demand for wine increased in the 1960s - 70s, some vineyards in the Sunbury area were replanted.The vineyards established in Sunbury in the 1860s were one of the earliest agricultural pursuits taken up by European settlers in the area and remained an important industry for 40 years.A non-digital coloured photograph of a display board advertising an exhibition of vineyards in the Sunbury area.vineyards, sunbury, vignerons, wine production

Mr. Johnston and Grace McKenzie were guests at the official opening of the Alister Clark Memorial Rose Garden in Bulla on the 12th December 1999. Mr. Johnston is the grandson of James Stewart Johnston, who is the grandson of James Stewart Johnson, Chief Superintendent in the Victorian Colonial Government and in 1864 established his winery and vineyard at 'Craiglee' in Sunbury. Grace McKenzie and her family are long time Bulla residents.A non-digital coloured photograph of a lady and man standing in front of an old bluestone building.alister clark memorial rose garden, rose gardens, glenara homestead, grace mckenzie, james stewart johnson

The photograph was taken in the older section of Sunbury Cemetery, which was laid out in denominal sections in 1862. It replaced the building of a cemetery that was planned at The Gap. Some of the cemetery's older graves and headstones are along the avenue in the image.Sunbury Cemetery is one of the earliest cemeteries to be established and still functioning in the areaA non-digital coloured photograph of an avenue of trees in a cemetery with graves on both sides of the path.sunbury cemetery, cemeteries, memorials

Red cylinder for crayons. (although cylinder says 12 crayons, cylinder contains 14 coloured pencils)Non-injurious/Premier Students' Crayons/12 crayons for school drawing/Made In Germanytoys, general