The photograph was taken at an Ithacan Philanthropic Society annual picnic held at Bacchus Marsh. The men picture are all wearing badges. People attending the picnics received a medallion shaped badge which they wore while at the picnic. Race officials also wore a special badge (with ribbon) to identify them. Pictured standing from left to right, Alkinos Paizes, Gerasimos Raftopoulos (Bourlotos) and Spiros Paizis-Danias; seated from left to right Orpheas (?), Andreas Papadopoulos, Andreas Zavitsanos, Stathi Kallinikos and Con Zervos. A sepia photograph of eight men photographed in a park. Three are standing behind five men who are seated. The names of the men are written in Greek on the back of the photograph. vendouras, alkinoos

A group family photo at the wedding of Irini Pappas to Paul Anagnostou in Melbourne in 1952. Irini was the daughter of Thalia (Paizis) and Anastasios Papadopoulos. Back row l-r: Evangelos & Maria (Paizis) Kezos, Nick Pappas (tou Spirou), Alekos Anagnostou, Jimmy James (Giannoutsos), Paul Anagnastou, Irini Pappas, Thalia & Anastasios Pappas, George Pappas, Manto and Yianni Raftopoulos (Tsagaris), Spiro Pappas. Front row l-r: George James, Pothiti Katsikas, Rene Pappas (Moutafis), Nina James, Sophia PappasA photograph taken from an original studio photograph of a family wedding group. There are 9 men, 6 ladies including the bride and three small attendants.

The young lady is Efstathia (Toula) Mavokefalos (nee Raftopoulos) aged 16 who grew up in Romania. Efstathia left Ithaca at the age of three when her parents migrated to Romania. She returned to Ithaca where in 1913 met Costantine J. Mavrokefalos (Black) who had returned from Australia to fight in the Balkan Wars. Within three weks of their first meeting, they married and spent their honeymoon on the ship to Australia. Their children were Regina (Nina), John, Ellie, Marguerita (Rita) and Olga. During the19th century a number of Ithacans migrated to Romania. Generally they worked as barge traders on the Danube River or as farmers. Instability in the Balkans lead to many returning as well as new opportunities and trends in migration for Ithacans, such as Australia.A photograph of a sepia studio portrait photograph of a head and shoulders view of a young lady. The original photograph was backed onto brown board. Details relevant to the photographer are written in Romanian across the bottom of the backing.

The photograph was taken when Kalypso Sofianos (nee Raftopoulos), seated in the front, was presented with her Honorary Life Membership of the Ithacan Philanthropic Society on the 4 June 1995. She is surrounded by her family: Front, her son and daughter Spiros (Pip) Sofianos and Nina Mills. At the back from L-R: Theone Sofianos, Kevin Mills, Eva Mills and Nick and Lynne Sofarnos. Kalypso arrived in Australia in 1936 from Ithaca and in 1937 she married Dimitrios Sofianos, also from Ithaca.The Honorary Membership is awarded to long time active members of the Ithacan Philanthropic Society in recognition of their years of service they have given to the Society and the wider community. A coloured photograph of five women and three men standing and seated in a room. A table with refreshments can be seen behind the group and there are some decorations on the wall behind them. One of the men and two of the women are seated in front and the rest of the group are standing behind them.

The eighteen men are assembled at the Greek Returned Servicemen's League hall which was located in Russell Street, Melbourne. The honour board, erected in memory of Greek soldiers, features battle fields where the Greek army participated from 1821, the beginning of Greek War of Independence against the Ottoman Empire, through to World War 2 and the Italian and German occupation of Greece. The man seated in front in an army uniform is an American serviceman. Seated fourth from the left is Spiros E. Raftopoulos who was president of the organisation from 1944 - 1968. Today the Hellenic RSL sub-Branch of Victoria represents and supports the Greek Australian veteran community. In 1978 the organisation joined the Returned and Services League of Australia. The Hellenic RSL sub-Branch commemorates all the Greek and Australian national days each year and proudly marches on Anzac Day in Melbourne, alongside veterans from the wars of Korea, Vietnam, and Afghanistan and earlier wars. On Anzac Day 2013 members of the IPS took part in the Anzac Day march for the first time. Greek national days are commemorated with wreath-laying ceremonies inside the Shrine of Remembrance in Melbourne, at which the IPS participates.A black and white photograph of eighteen men seated and standing in front of an honour board, which has curtains on either side of it.

The two men, Spiros Raftopoulos and Ioannis Metaxas, joined the army to fight in the Balkan Wars which involved two conflicts that took place in the Balkan Peninsula between 1912 and 1913. In the first conflict Greece, Bulgaria, Romania and Serbia defeated the Ottoman Empire in the First Balkan War; in the second conflict Bulgaria unsuccessfully contested the distribution by its former allies of territory taken from the Turks during the First Balkan War. A number of Greeks who had emigrated to Australia and other parts of the world returned to Greece to fight in those wars.The men returning to fight for the country of their birth were motivated by their patriotism. Even though they had sought a new life in another country they felt strongly the need to return to their homeland to join the struggle. A black and white photograph of two soldiers dressed in Greek army uniform which was worn in the early years of the twentieth century. The two men are holding rifles and have a load of bullets strapped across their shoulders. The original photograph was mounted on fawn and dark green board.A strip of paper has been stuck across the bottom of the photograph with the names of the two men written in Greek and English. S.RAFTOPOULOS AND K. METAXIS IN THE ARMY 1913.

IPS committee members and special guest Spiros Arion (seated with his partner) at an Ithacan dinner dance held a The Acropol. Spiros was a well known wrestler in Australia. The Acropol was a reception business located on the top of floor of Ithaca House (level 2). The IPS club rooms were located on the first floor. Dinner dances were held at the Acropol. From L-R: Jim Kandiliotis, Stathi Raftopoulos, Alkinos Paizis (IPS president), Anastasia (Sia) Fatouros-Beasley (president of the social committee), Evangelos Metaxas?, Kiki Razos, Dennis Lourantos. Spiros arrived in Australia in July 1964 and was know in the wrestling scene under the name of 'The Golden Greek'. He joined f World Championship Wrestling where he wrestled until its end in 1978. He was a favorite among Greek wrestling fans.A black and white photograph with a crinkled edge of seven men and two ladies at a social gathering. A couple are seated at a table and the others are standing behind.

The photo is taken of a group of Ithacans, most of whom are related and from the village of Kioni, at an annual Ithacan picnic. Standing l-r: Spiros Papadopoulos (Skiomenos), Calypso Sofianos, Katerini ? (Palaitou), sisters-in-law Thalia, Florence and Dimitra Paapdopoulos, Marika Paizis, Nelly, Ruby Paizis, Spiros Danias (Korokis). Seated l-r: Gerasimos Papadopoulos (Tsinis), Jim Sofianos, John (Yiannis) Papadopoulos (Soufi), Yiannis Raftopoulos (Tsagaris), Alkinoos Paizis (Kaleris), Gerasimos Koutsouvelis, unknown. Children l-r: Nick Papas, Irini Pappas, Tasia Paizis (Alpitsis), Kaleris Paizis.The annual picnic was an important event on the Ithacan Philanthropic Society's calendar as it provided an opportunity for families and friends to get together in a relaxed environment away from work and businesses. A mounted black & white photo of a picnic group. There are 8 ladies, 9 men and 4 children.They are sitting and standing in front of some trees.Written on the back in Greek: Present from Alkinoos Paizis 1936

Melbourne Cup Eve dances were a regular event in the 1950s and 1960s The young women are photographed at the 1954 Cup Eve dance at which an 'Ithacan Cup' event was held. The young women, wearing sashes representing the different Ithacan villages, raced up and down the hall to find the winner. Pictured L-R back row: Nina Kallinikos, Angelica Raftopoulos, June Megalos, Kalliope Kallinikos, Kiki Zaverdinos, Leah Sikiotis; middle row: Mary Metaxas, Eula Flocas, Nina Paxinos, Marina Deftereos; front row Olga Black , Nina Black At that time the IPS Constitution prevented women from becoming members of the Ithacan Philanthropic Society, however, there was a Ladies Auxiliary which organised social events such as the Cup Eve events. A sepia photograph of twelve young women wearing sashes and standing in three rows on a platform in front of a banner on which the words 1954 ITHACA CUP are written. Two of the women are kneeling in front of the group.

The photograph was taken in the family home of Constantine and Toula Black (Mavrokefalos) in Parkville during the early 1920s on the christening day of their son John Black. John's sisters, six year of Nina Black and her four year old sister, Rita (Marguerita) are pictured. Also pictured from l-r: Argiro ? , who was from Adelaide; John (Panoyoti) Raftopoulos, Toula's brother; and Lily Sigalas, Greek school teacher. Lily was the sister of Alexandra Vrachna who taught two generations of Australian born Ithacan children in Greek community schools for close to 30 years.In adult life Nina Black also went on to teach Greek at the Greek Community school which opened in Melbourne in the early 1930s. She also taught Greek at the CAE and English to new arrivals in the 1960s.A black and white photograph of a man, two ladies and two little girls of a group standing in a garden. A person on the left is almost hidden.

The photograph features members of the Vlassopoulos (Vlass) family (Kopela) many of whom settled in the Mildura area. It was following the wedding day of Peter (Pano) Vlass and Joyce Mason. Pictured from L-R: Costa Vlass, Ida Mason (Joyce's sister), Peter (Pano) Vlass, Joyce Mason, Stathy Vlass, Bill (Vasilis) Florence (Floria) and Angelos (Agathangelos) Vrettos. Front from L-R: George Mason, Joyce's father; and Demetrios Vlassopoulos, father of Costa, Pano and Stathy. The photo was taken in Red Cliffs in the backyard of the Golden Key Cafe which was opened by Demetrios Vlassopoulos together with his brother-in-law Spiros Raftopoulos (Levendis). Demetrios Vlassopoulos (Kopela) arrived in Australia circa 1922-23 and settled in Red Cliffs where his brothers-in-law, John and Efthimios Raftopoulos, (Fiakas) had established themselves in a range of business enterprises in Mildura district. Demetrios' three sons, Stathy, Pano and Costa migrated to Australia during the 1930s. His wife, Eugenia (nee Raftopoulos) did not arrive in Australia till 1950 accompanied by her son Nikos. Like many women, Eugenia was left to raise her children whilst her husband migrated for work and to support the family back home. They had been separated for almost 30 years.A print of a photograph of a family group of six men and two ladies. The group are standing and seated in front of a house which has a water tank in the background.kopella

The photograph taken in 1927 of young Greek men celebrating the 21st birthday of Bill Florence. One of the men is playing the mandolin, a very popular instrument on the island of Ithaca. It is assumed that some of the men worked at the Golden Key Cafe, possibly Bill Florence, as the truck belonged to the business. Bill was nephew of the proprietors of the cafe. The Golden Key Cafe was established in the 1923 by Demetrios Vlassopoulos (Kopela) and brother-in-law Spiros Raftopoulos (Levendis) in the town of Red Cliffs in the Mildura district. Spiros eventually left and established a business in Merbein. The Golden Key was run by Demetri until the mid 1950s, following which his daughter and son-in-law, Nitsa and Kyriakos Kyriakakis took over the business. Although Ithacan Greeks tended to settle in the capital cities and worked in either catering or food retail areas, some ventured further afield into regional towns where they opened cafes, or worked on farms in the surrounding districts. A black and white photograph of five men enjoying themselves at a picnic. One man is playing a mandolin while another man is pouring a drink into a mug. They are sitting on boxes in front of a small truck which has the words 'The Golden Key' printed on the side of the cabin. There are five bottles of beer on the ground in front of the men.Stamped on the back: ITHACAN HISTORICAL SOCIETY INCORPORATED/ A0027411E/329 ELIZABETH STREET MELBOURNE/VICTORIA 3000/AUSTRALIA/PO BOX 611D MELBOURNE 3001/TELEPHONE (03) 670 0230 Stamped in blue O 384

Dimitrios Sofianos and Kalypso Sofianos (nee Raftopoulos) ran a small shop at 391 Camberwell Road Hartwell and worked there together for almost thirty years. They sold fish and chips and potato cakes as well as fresh fish and shell fish. Dimitrios Sofianos, sometimes called Jimmy James, is pictured serving a customer. On the counter there are two piles of paper for wrapping the fish and chips. The white greaseproof paper on the LHS was the first wrapper used to wrap the fish and the single sheets of newspaper on the RHS were used for the outer wrappers. The takings went into the embossed metal cash register on the counter and the metal scales on the far RHS weighed the goods to be purchased. The fish and chips were cooked in the metal vats where Dimitri is standing. Potted plants and framed pictures of sailing boats were used to decorate his shop. Many Greeks ran fish and chips shops. Coming from an island Ithacans were often keen fishermen and knew how to cook fish expertly. The Ithacan families who set up their businesses were very conscious of the presentation and attractiveness of their venues and some of the added decorative touches often reflected their interests. A black and white photograph of a man serving a customer in his fish and chip shop.

The lady is Regina Mavrokefalos, mother of Constantine Mavrokefalos (Black) and paternal grandmother of Nina (Regina) and Olga Black, both well known in Melbourne's Greek community for their contributions to Greek language and culture. Constantine first emigrated to Australia in 1902, returning to Greece circa 1912-13 to serve his home country in the Balkan Wars. He met and married his Efstathia (Toula) Raftopoulos on Ithaca in 1914 and returned to Australia with his wife. Constantine had trained as an accountant, but his qualifications were not recognised in Australia. Changing his surname to the Anglicised "Black", he started off working in his older brother Dionysios's cafés before going into business on his own. In 1917 he opened the Paris Residential Café at 54-56 Swanston Street, which offered both dining and accommodation. The business saw some years of success, but did not survive the Great Depression. Constantine died in 1944.A sepia photograph of a photograph of a lady sitting in the garden of a small house which is in the background.

The photograph was taken outside the Evangelismos Greek Orthodox Church East Melbourne following a celebratory eulogy marking the unification of the Heptanese (seven islands) with Greece in 1864. The Heptanese are located in Western Greece in the Ionian Sea. They include Kerkira, Zakinthos, Lefkada, Ithaca, Paxos, Kefallonia, and Kythera. The celebration is organised each year by Melbourne's Heptanesean Federation and commences with a celebratory church eulogy followed by afternoon tea and cultural activities at the host clubrooms. The women are dressed in traditional dress of each island .Ithaca (and the other islands of the Heptanese) were unified with Greece in 1864. From approx 1500 Ithaca was under centuries-long Venetian rule, which largely preserved it from becoming part of the Ottoman Empire, thus creating a distinct cultural identity with Venetian influences. Following a brief period in 1797 of French rule, Ithaca became a British protectorate from 1809 until 1864 followng which the island was reunified with the modern Greek state. Although Ithacans made up the largest number of Greek migrants who settled in Melbourne in the first half of the twentieth century, other Greeks from the neighbouring Ionian Islands also migrated to Australia during those years. In particular from Lefkada, and also from Kythera most of whom settled in regional towns in New South Wales and Queensland.A newspaper cutting mounted on white cardboard which includes a photograph taken in front of a brick building with a caption below in Greek. The photograph is of a celebration and features eight ladies dressed in Greek traditional dress in front of a group of people. The celebrations by the Heptanesian Federation of Melbourne for the 135th anniversary of the unification of the the seven Ionian islands with mother Greece, commence tomorrow with a celebratory eulogy at the The Holy Temple of the Evangelismos Church East Melbourne. The afternoon of the same day at the Lefkadian Brotherhood Hall, 12A Bell St; Coburg, the Federation has organised a cultural and musical afternoon dedicated to 'The Seven Diamonds of the Ionian'. The program will feature a talk, 'Angelos Sikelianos, an environmentalist, before his time', by Mr. N.Sofokleos; recitations from Stathis Raftopoulos and Thanasis Makrigeorgos; and Heptanesian melodies and songs from the choir and orchestra of the Educational Group of Florina, Melbourne. At the conclusion , savoury snacks, coffee and sweets will be served. Entry is free. In the photo, a snapshot of last year's event.eptanesian

This is a photo Constantine Black (Mavrokefalos) who was from the village of Exoghi arrived in Melbourne 18 years of age in the early 1902. He returned to Greece for the Balkan War and the photo depicts him in the army uniform of the time. It was at this time that on a visit to Ithaca he met Efstathia (Toula) Raftopoulos. They married and in 1914 Constantine returned to Melbourne with Toula. Constantine had trained as an accountant, but his qualifications were not recognised in Australia. Changing his surname to the Anglicised "Black", he started off working in his older brother Dionysios's cafés before going into business on his own. In 1917 he opened the Paris Residential Café at 54-56 Swanston Street, which offered both dining and accommodation. The business saw some years of success, but did not survive the Great Depression. Constantine died in 1944. Two of his children, Nina Black and Olga Black, were very active and well known in the Ithacan and Greek community's cultural life.A studio black and white photograph of a man wearing the traditional Greek soldier's uniform. He is standing beside a wall and holding a gun upright.

From January 1959 and until 1982, “Cosmopolitan Motion Pictures”, owned by Mr Peter Yannoudes (Παναγιώτης Γιαννούδης) and Mr Stathis Raftopoulos (Στάθης Ραφτόπουλος) travelled around Australia to entertain the Greek, Turkish, Indian and Yugoslav speaking population of Australia and provide a significant cinema culture. They travelled as far as Perth in WA, Adelaide in SA, Tasmania, Darwin in Nt, Canberra in ACT and Sydney and NSW. However they found themselves also in places like Berri and Renmark in NSW, where concentrations of migrants lived and thrived during the period. Initially they were travelling by train, carrying all their equipment by hand and placing them in boxes and suitcases. However after 1962 when they acquired their first automobile, travelling became less of a burden, nevertheless cumbersome and laborious. They carried with them initially two portable projectors (second one as a backup) and at times travelled with a third in order to ensure that technology will not be letting them down at the time of film projection. At times the films were projected onto a white sheet of cloth because there was no proper screen to project it on at the venue they were using.Primary historic significance in the context that it was used, as well as rarity significanceMetal adjustable height, hand operated drill. Rusty appearance. It seems to have a small piece at the bottom broken off, but still in working order according to Mr P. Yiannoudes. This drill was used to drill holes in cinema light carbon sticks in order to extend their life.drill, carbon, film, entertainment, greek, language, hand, yiannoudes, γιαννούδης, τρυπάνι

From January 1959 and until 1982, “Cosmopolitan Motion Pictures”, owned by Mr Peter Yannoudes (Παναγιώτης Γιαννούδης) and Mr Stathis Raftopoulos (Στάθης Ραφτόπουλος) travelled around Australia to entertain the Greek, Turkish, Indian and Yugoslav speaking population of Australia and provide a significant cinema culture. They travelled as far as Perth in WA, Adelaide in SA, Tasmania, Darwin in Nt, Canberra in ACT and Sydney and NSW. However they found themselves also in places like Berri and Renmark in NSW, where concentrations of migrants lived and thrived during the period. Initially they were travelling by train, carrying all their equipment by hand and placing them in boxes and suitcases. However after 1962 when they acquired their first automobile, travelling became less of a burden, nevertheless cumbersome and laborious. They carried with them initially two portable projectors (second one as a backup) and at times travelled with a third in order to ensure that technology will not be letting them down at the time of film projection. At times the films were projected onto a white sheet of cloth because there was no proper screen to project it on at the venue they were using. This projector stand was the actual projector stand used in their trips around Australia.Historic and rarity (only one left that was used by "Cosmopolitan Motion Pictures") Primary significanceMetal construction Projector tripod with a cloth on top to stop damaging the projectors. It has an adjustable height depending that extends to about 1.5 metres.T.J.N. Macey - Toolmaker and Manufacturing Engineerstand, tripod, projector, film, culture, language, greek, entertainment, yiannoudes, γιαννούδης, τρίποδο

From January 1959 and until 1982, “Cosmopolitan Motion Pictures”, owned by Mr Peter Yannoudes (Παναγιώτης Γιαννούδης) and Mr Stathis Raftopoulos (Στάθης Ραφτόπουλος) travelled around Australia to entertain the Greek, Turkish, Indian and Yugoslav speaking population of Australia and provide a significant cinema culture. They travelled as far as Perth in WA, Adelaide in SA, Tasmania, Darwin in Nt, Canberra in ACT and Sydney and NSW. However they found themselves also in places like Berri and Renmark in NSW, where concentrations of migrants lived and thrived during the period. Initially they were travelling by train, carrying all their equipment by hand and placing them in boxes and suitcases. However after 1962 when they acquired their first automobile, travelling became less of a burden, nevertheless cumbersome and laborious. They carried with them initially two portable projectors (second one as a backup) and at times travelled with a third in order to ensure that technology will not be letting them down at the time of film projection. At times the films were projected onto a white sheet of cloth because there was no proper screen to project it on at the venue they were using. This winder was part of the equipment they carried around Australia Historical significance Primarily as it is the actual unit used to manually rewind all films.A film rewinding gadget, perhaps home made, with a wooden base, two reels, and an metal winder used for transferring the film from one reel to the next."Premier - Made in England"winder, film, entertainment, language, greek, yiannoudes, γιαννούδης, plutarch

One of the three projectors used in every trip was this 16mm Portable Projector, which was used taken to about 60 towns and cities around Australia, as Mr Yiannoudes states. This projector is in working condition serviced by Mr Yiannoudes himself regularly. It is an optical and magnetic sound projector, a rare one of its type.Primary historic significance as well as rarity significanceFrom January 1959 and until 1982, “Cosmopolitan Motion Pictures”, owned by Mr Peter Yannoudes (Παναγιώτης Γιαννούδης) and Mr Stathis Raftopoulos (Στάθης Ραφτόπουλος) travelled around Australia to entertain the Greek, Turkish, Indian and Yugoslav speaking population of Australia and provide a significant cinema culture. They travelled as far as Perth in WA, Adelaide in SA, Tasmania, Darwin in Nt, Canberra in ACT and Sydney and NSW. However they found themselves also in places like Berri and Renmark in NSW, where concentrations of migrants lived and thrived during the period. Initially they were travelling by train, carrying all their equipment by hand and placing them in boxes and suitcases. However after 1962 when they acquired their first automobile, travelling became less of a burden, nevertheless cumbersome and laborious. They carried with them initially two portable projectors (second one as a backup) and at times travelled with a third in order to ensure that technology will not be letting them down at the time of film projection. At times the films were projected onto a white sheet of cloth because there was no proper screen to project it on at the venue they were using. One of the three projectors used in every trip was this 16mm Portable Projector, which was used taken to about 60 towns and cities around Australia, as Mr Yiannoudes states. This projector is in working condition serviced by Mr Yiannoudes himself regularly. It is an optical and magnetic sound projector, a rare one of its type. Apart from this projector these items were taken on each trip. -a- 3 projectors in total -b- 2 tripod stands -c- 1 20 feet x 10 feet screen -d- 6 projector lamps and 2 exider lamps for sound -e- 2 extra lamps per film to be shown -f- 1 film rewinder (see rewinder in same collection)Siemensprojector, film, magnetic, sound, optical, language, greek, siemens, german, γιαννούδης, προβολέας, yiannoudes, plutarch

This nightgown belonged to Toula Mavrokefalos Black, nee Raftopoulos (1892-1976). Born in Ithaca, Toula's family migrated to Romania when she was only a baby. She learned to sew as a child while growing up in the Romanian village of Brila. She developed her skills making lace and embroidering items for her trousseau. Some of the linen she embroidered had been woven from flax on Ithaca by her own grandmother, Efstathia. In 1914, Toula emigrated to Australia with her husband Constantine Mavrokefalos. During the Depression, when money was scarce, Toula embroidered at home, doing work for a factory in Flinders Lane. Using a cotton reel, a threepence and a sixpence she created and embroidered designs on hundreds of blouses. Her daughter Olga Black spent her preschool days sitting at the table where her mother worked. Toula would involve Olga by allowing her to help choose the colour combinations. Toula lived with Olga in Brighton until her death in 1976. Olga inherited her mother's sewing skills. She re-invented some of Toula’s trousseau nightdresses and skilfully altered other clothing, making dresses which she wore around Brighton for many years. BHS holds a collection of garments and textiles made by the women of Olga's family, spanning four generations.Women's cream cotton sleeveless nightgown. Cutwork embroidery on bodice. Blue stain under one arm.nightgown, toula black, toula mavrokefalos, 1900s

This top was made by Toula Mavrokefalos Black (nee Raftopoulos) as a teenager living in Romania. It was intended to be worn under suit jackets. Her daughter, Olga Black, is a longtime Brighton resident. Olga Maria Black was born in Melbourne in 1930, the daughter of Ithacan migrants Constantine and Toula Mavrokefalos. Constantine first emigrated to Australia in 1902, returning to Greece circa 1912-13 to serve his home country in the Balkan Wars. Toula's family had left Ithaca for Romania when she was only six months old, but she happened to be visiting the island at the very time that Constantine arrived, fresh from the war. Within three weeks they were married, and when Constantine returned to Melbourne in 1914 his new bride came with him. Constantine had trained as an accountant, but his qualifications were not recognised in Australia. Changing his surname to the Anglicised "Black", he started off working in his older brother Dionysios's cafés before going into business on his own. In 1917 he opened the Paris Residential Café at 54-56 Swanston Street, which offered both dining and accommodation. The business saw some years of success, but did not survive the Great Depression. Constantine died in 1944. Olga's mother Toula learned to sew as a child, while growing up in the Romanian village of Brila. She developed her skills making lace and embroidering items for her trousseau. Some of the linen she embroidered had been woven from flax on Ithaca by her own grandmother, Efstathia. During the Depression, when money was scarce, Toula embroidered at home, doing work for a factory in Flinders Lane. Using a cotton reel, a threepence and a sixpence she created and embroidered designs on hundreds of blouses. Olga spent her preschool days sitting at the table where her mother worked. Toula would involve Olga by allowing her to help choose the colour combinations. Toula lived with Olga in Brighton until her death in 1976. Olga inherited her mother's sewing skills. She re-invented some of Toula’s trousseau nightdresses and skilfully altered other clothing, making dresses which she wore around Brighton for many years.Long-sleeved top of cream georgette with high round neck. Front features three handmade rectagular lace panel inserts, surrounded with floral cross stitch embroidery in red, blue, black and greentoula mavrokefalos, toula black, olga black, migration, embroidery

Yiannoudes Family Film Memorabilia It is normally a time consuming and difficult task to accurately assess a collection’s significance to the primary criteria, however in the case of the “Yiannoudes Family Film Memorabilia” we have no hesitation of its high significance about its historic, social, rarity, interpretive, cultural and provenance to Australia, including the country side where most of this collection memorabilia visited. From January 1959 and until 1982, “Cosmopolitan Motion Pictures”, owned by Mr Peter Yannoudes (Παναγιώτης Γιαννούδης) and Mr Stathis Raftopoulos (Στάθης Ραφτόπουλος) travelled around Australia to entertain the Greek, Turkish, Indian and Yugoslav speaking population of Australia and provide a significant cinema culture. They travelled as far as Perth in WA, Adelaide in SA, Tasmania, Darwin in Nt, Canberra in ACT and Sydney and NSW. However they found themselves also in places like Berri and Renmark in NSW, where concentrations of migrants lived and thrived during the period. Initially they were travelling by train, carrying all their equipment by hand and placing them in boxes and suitcases. However after 1962 when they acquired their first automobile, travelling became less of a burden, nevertheless cumbersome and laborious. They carried with them initially two portable projectors (second one as a backup) and at times travelled with a third in order to ensure that technology will not be letting them down at the time of film projection. At times the films were projected onto a white sheet of cloth because there was no proper screen to project it on at the venue they were using. Mr P. Yiannoudes has also published a book in October 2010, titled “Greek Cinema Across Australia – Behind the Scenes”. The book was published in two languages, English and in Greek. Details about the launch can be found on the Diasporic Literature Spot website at this address (in the Greek language) http://diasporic.org/ellinika/biblia/greek-films-in-australia/. His book is devoted to those with whom he co-operated in order to bring for the first time Greek language films into Australia. Their names are: Stathis Raftopoulos, Andreas Papadopoulos, Andreas Katopodis, Theodoros Kanellopoulos, Michael Ioannou, Fotis Hatzipavlides, Kostas Vrahnas, Evaggelos Terpenos, Dionysis Lourantos, Dimitris Georgiou, Vasilis Florias and Jim Gragie. All businessmen with the right entrepreneurial spirit to be the first and to make their mark in the making of cultural Australia. Mr P. Yiannoudes a Cypriot by descent born in the town of Vouni, a village in the area of Lemesos. In Lemesos he learned the first few things about cinema which would help him in all his later life. He migrated to Australia in 1956 has been a prominent member of the Greek & Cypriot Communities in Melbourne for many decades. He has been President of the Cypriot Community, President of Federation of Cypriot Communities in Australia (for 18 years), President of SEKA (for 26 years) and highly regarded member of the Greek-Cypriots Diaspora since he also has been Vice-President of the Global Federation of Cypriots of Diaspora for 18 years. Mr P. Yiannoudes is now working on creating a small museum of these pieces in the back of the Westgarth Theatre with the help of the Plutarch Project and …. In this collection numbering hundreds of items, we will try and capture some of the glory that was the Greek film industry in Australia for 23 years between 1959 and 1982. “Cosmopolitan Motion Pictures” also owned a large number of cinemas in Melbourne, the National Theatre in Richmond, the Westgarth Theatre in Northcote (which is still owned by the Yiannoudes family today), Sun Theatre in Yarraville, Kinema in Albert Park, Empire Theatre in Brunswick, Paramount Theatre in Oakleigh, Globe Theatre in Richmond, Galaxy Theatre in Brunswick and the Cosmopolitan Theatre in Brusnwick. At the same time they were hiring other theatres for film projections. They were the Astor Theatre in St. Kilda, Victoria Theatre in Richmond, Sunshine Theatre in Sunshine. Apart from Melbourne they were using the Pantheon Theatre in Adelaide, the Norwood Town Hall in Adelaide, the Shepparton Town Hall in Shepparton, the Premier Theatre in Perth, the Rivoli Theatre in Berri and the Renmark Theatre in Renmark. The number of films shown around Australia were over 1500 in total whilst about 1218 of them were in the Greek language. Other languages shown were in Turkish (about 150 films), Yugoslavian (about 100 films), English, French, German, Swedish, Dutch language films. “Cosmopolitan Motion Pictures” was the first company to bring Swedish and Dutch films to Australia. They also showed Martial Arts films for the first time in Australia in 1975 at the Galaxy Theatre in Melbourne. However one of the most significant pieces that tell the story with places and dates is the Show Logbook. The Show Logbook has a large number of stories to tell. It is still intact and in fair condition after all these years of travelling around Australia. It is categorised with an alphabetic index on the right by film title. Greek, Indian, Turkish and Yugoslav language film titles adorn its pages alongside the place where they were first shown, the towns and cities they visited and the dates for each one. It is an extremely significant part of history of the settlement of migrants in Australia. This Log Book is of Primary Significance to the "Cosmopolitan Motion Pictures" and the Yiannoudes family film memorabilia collection. It has a Historic, Social, Provenance and Rarity significance for the settlement of migrants in Australia and the entertainment industry.This is the Log Book, manually updated and used by "Cosmopolitan Motion Pictures" for films shown in different parts of AustraliaCollins Stock Records Booklogbook, films, shown, cultural, language, greek, australia, γιαννούδης, κατάσταση, yiannoudes

Three generations of women are represented in this apron. The linen used was woven by Olga's great-grandmother Efstathia in the late nineteenth century with flax grown on the island of Ithaca. Olga's mother Toula Raftopoulos added the whitework around 1908 at age 16 - the first piece of lacework she made on her own - and embroidered her initials on the front. Olga embellished the apron with coloured embroidery around 1950 at age 20. Olga Maria Black was born in Melbourne in 1930, the daughter of Ithacan migrants Constantine and Toula Mavrokefalos. Constantine first emigrated to Australia in 1902, returning to Greece circa 1912-13 to serve his home country in the Balkan Wars. Toula's family had left Ithaca for Romania when she was only six months old, but she happened to be visiting the island at the very time that Constantine arrived, fresh from the war. Within three weeks they were married, and when Constantine returned to Melbourne in 1914 his new bride came with him. Constantine had trained as an accountant, but his qualifications were not recognised in Australia. Changing his surname to the Anglicised "Black", he started off working in his older brother Dionysios's cafés before going into business on his own. In 1917 he opened the Paris Residential Café at 54-56 Swanston Street, which offered both dining and accommodation. The business saw some years of success, but did not survive the Great Depression. Constantine died in 1944. Olga's mother Toula learned to sew as a child, while growing up in the Romanian village of Brila. She developed her skills making lace and embroidering items for her trousseau. Some of the linen she embroidered had been woven from flax on Ithaca by her own grandmother, Efstathia. During the Depression, when money was scarce, Toula embroidered at home, doing work for a factory in Flinders Lane. Using a cotton reel, a threepence and a sixpence she created and embroidered designs on hundreds of blouses. Olga spent her preschool days sitting at the table where her mother worked. Toula would involve Olga by allowing her to help choose the colour combinations. Toula lived with Olga in Brighton until her death in 1976. Olga inherited her mother's sewing skills. She re-invented some of Toula’s trousseau nightdresses and skilfully altered other clothing, making dresses which she wore around Brighton for many years.Cream linen embroidered half apron. White lace along hem, along with white embroidered initials, "T.P." Coloured floral and abstract embroidery along sides in red, black, blue and green.olga black, toula raftopoulos, migration, embroidery

Printed in 1986, the Articles of Association in this booklet were revision of the 1944 articles. It was printed in 1986. The revision resulted in the deletion of a small paragraph in Article 16. The correction was handwritten on the relevant page. At a special meeting of the Society on 5 May 1996 the resolution was passed to restore the relevant phrase to the set of articles. The original Articles of Association were developed when the Ithacan Philanthropic Society became a registered company in June 1944 .A small booklet with a pink cover and black printing with the insignia of the Ithacan Philanthropic Society above the title on the front cover with thirty two printed pages on the inside.MEMORANDUM/AND/ARTICLES OF ASSOCIATION/OF THE/ITHACAN PHILANTHROPIC/SOCIETY/"THE ULYSSES'lucas, victor harold, raftopoulos, peter john, paizes,stratos, razos, andrew, trochalis, stathis, chilianis, george, paizis, nicholas, vlasopoulos, vaseli, gray, b.w

The photograph was taken at the 1992 IPS Bursary awards. Ioannis Coutsouvelis was a bursary recipient. He is photographed with his parents, George & Spyridoula and sisters Anastasia & Ioanna. Tony Drakopoulos, president of the IPS is in the photograph together with Anastasios Tamis (second from right) and George Papadopoulos (far right). Spyridoula became president of the IPS in 2000, the second woman to hold this position. In 1987 Panoyiannis Raftopoulos proposed to the IPS Executive the introduction of Tertiary Bursaries to recognise and encourage academic achievement amongst young people of Ithacan descent. Introduced in 1988, the highest achieving Year 12 students (male and female) received an award. The awards continue to this day and are now known as the 'Year 12 Awards' and all students who successfully complete 12 are recognised. George Papadopoulos, whose father was a founding member of the Society, was active in many areas of public life and a member of numerous community and welfare organisations, including Chair of the Victorian Ethnic Affairs Commission. In 2013 he was awarded the Order of Australia (AO) for his significant contribution to the multicultural community of Victoria.A coloured photograph of 8 people ( 5 men, 2 females and 1young girl) standing in a room. The youngest man is holding a large envelope in his hands.