Originally the Bow Chair started off life with the name of the ‘Smoker’s Bow Chair’ where originally, it wasn’t designed for grandeur like many chairs of the time, but instead was designed for practicality and comfort. The original Smoker’s Bow Chair was a simple chunkier version of the Windsor Chair design which first appeared in the 1820’s. Although it lacked the high back found on any Windsor Chair of the time, it maintained a heavier, sturdier appearance. The main feature was a hoop or bow which was fashioned from steamed wood. This was then curved to make both the back support and arms. The chair also consisted of a wide seat, supported by 4 splayed, spindle legs. In its original form it was found in many country kitchens of the day as well as in many inns and public houses throughout the United Kingdom. Its name of the "Smoker’s Bow Chair" because the sweeping armrests were the perfect height to support a smokers arm when smoking a pipe.A significant piece of furniture from the late 19th century designed for a specific purpose, smoking. These chairs are now highly collectable and valuable today and avidly sought by collectors of antique furniture.Chair wooden dark brown "Smoker's Bow" chair, with wide and deep seat with broad arms, turned spindles and thick turned legs joined by a double stretcher.Noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, chair, furniture, smokers chair, bow chair

Originally the Bow Chair started off life with the name of the ‘Smoker’s Bow Chair’ where originally, it wasn’t designed for grandeur like many chairs of the time, but instead was designed for practicality and comfort. The original Smoker’s Bow Chair was a simple chunkier version of the Windsor Chair design which first appeared in the 1820’s. Although it lacked the high back found on any Windsor Chair of the time, it maintained a heavier, sturdier appearance. The main feature was a hoop or bow which was fashioned from steamed wood. This was then curved to make both the back support and arms. The chair also consisted of a wide seat, supported by 4 splayed, spindle legs. In its original form it was found in many country kitchens of the day as well as in many inns and public houses throughout the United Kingdom. Its name of the "Smoker’s Bow Chair" because the sweeping armrests were the perfect height to support a smokers arm when smoking a pipe.A significant piece of furniture from the late 19th century designed for a specific purpose, smoking. These chairs are now highly collectable and valuable today and avidly sought by collectors of antique furniture.Chair wooden dark brown "Smoker's Bow" chair, with wide and deep seat with broad arms, turned spindles and thick turned legs joined by a double stretcher.Noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, chair, furniture, smokers chair, bow chair

Originally the Bow Chair started off life with the name of the ‘Smoker’s Bow Chair’ where originally, it wasn’t designed for grandeur like many chairs of the time, but instead was designed for practicality and comfort. The original Smoker’s Bow Chair was a simple chunkier version of the Windsor Chair design which first appeared in the 1820’s. Although it lacked the high back found on any Windsor Chair of the time, it maintained a heavier, sturdier appearance. The main feature was a hoop or bow which was fashioned from steamed wood. This was then curved to make both the back support and arms. The chair also consisted of a wide seat, supported by 4 splayed, spindle legs. In its original form it was found in many country kitchens of the day as well as in many inns and public houses throughout the United Kingdom. Its name of the "Smoker’s Bow Chair" because the sweeping armrests were the perfect height to support a smokers arm when smoking a pipe.A significant piece of furniture from the late 19th century designed for a specific purpose, smoking. These chairs are now highly collectable and valuable today and avidly sought by collectors of antique furniture.Chair wooden dark brown "Smoker's Bow" chair, with wide and deep seat with broad arms, turned spindles and thick turned legs joined by a double stretcher.Noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, chair, furniture, smokers chair, bow chair

Originally the Bow Chair started off life with the name of the ‘Smoker’s Bow Chair’ where originally, it wasn’t designed for grandeur like many chairs of the time, but instead was designed for practicality and comfort. The original Smoker’s Bow Chair was a simple chunkier version of the Windsor Chair design which first appeared in the 1820’s. Although it lacked the high back found on any Windsor Chair of the time, it maintained a heavier, sturdier appearance. The main feature was a hoop or bow which was fashioned from steamed wood. This was then curved to make both the back support and arms. The chair also consisted of a wide seat, supported by 4 splayed, spindle legs. In its original form it was found in many country kitchens of the day as well as in many inns and public houses throughout the United Kingdom. Its name of the "Smoker’s Bow Chair" because the sweeping armrests were the perfect height to support a smokers arm when smoking a pipe.A significant piece of furniture from the late 19th century designed for a specific purpose, smoking. These chairs are now highly collectable and valuable today and avidly sought by collectors of antique furniture.Chair wooden dark brown "Smoker's Bow" chair, with wide and deep seat with broad arms, turned spindles and thick turned legs joined by a double stretcher.Noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, chair, furniture, captains chair

Originally the Bow Chair started off life with the name of the ‘Smoker’s Bow Chair’ where originally, it wasn’t designed for grandeur like many chairs of the time, but instead was designed for practicality and comfort. The original Smoker’s Bow Chair was a simple chunkier version of the Windsor Chair design which first appeared in the 1820’s. Although it lacked the high back found on any Windsor Chair of the time, it maintained a heavier, sturdier appearance. The main feature was a hoop or bow which was fashioned from steamed wood. This was then curved to make both the back support and arms. The chair also consisted of a wide seat, supported by 4 splayed, spindle legs. In its original form it was found in many country kitchens of the day as well as in many inns and public houses throughout the United Kingdom. Its name of the "Smoker’s Bow Chair" because the sweeping armrests were the perfect height to support a smokers arm when smoking a pipe.A significant piece of furniture from the late 19th century designed for a specific purpose, smoking. These chairs are now highly collectable and valuable today and avidly sought by collectors of antique furniture.Chair wooden dark brown "Smoker's Bow" chair, with wide and deep seat with broad arms, turned spindles and thick turned legs joined by a double stretcher.Noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, chair, furniture, smokers chair, bow chair

Reputed to be local identity, Ted Roberts. Sepia photograph in oval frame of a seated man and two boys, one seated. Could be Jim Roberts not Ted??Nillocal identities, ted roberts, photograph

Photograph in Stawell Girl Guides Hall Far right Esme MartinLarge Black & White Photos of four Girl Guides Leaders seated in front of group of guides seated on the floor.Marshall Studiosguides

Salvation Army Barracks Main Street Stawell. Weatherboard building part roof corrugated iron - remainder wooden shingles. Picket fence in foreground. Large group of people standing and seated on the footpath. The original Salvation Army Barracks is now at the rear of the present Citadel a red brick building. Stawell Corps was opened in the year 1884 in the month of May. The first meeting was conducted in a Church but afterwards the old market (area present Library) was secured for meetings. Captain Furbur and Lieutenant Quick were the first officers appointed. Photograph of a weatherboard building with a group of people standing and sitting in front of a picket fence. Part of the roof of the building is corrugated iron - remainder wooden shingles. The group of people standing and seated on the footpath, are a mixture of adults and children, some in uniforms, women in long dresses. Salvation army Barracks above the building door. Written in handwriting Stawell Barracks Mrs. R.J. Reeve.stawell religion

Photo, black / white, 6 soldiers in uniform without head gear. 3 standing at rear, 2 seated in centre, 1 lower in front. Photo is in brown wooden frame with glass front & fawn paper backing. Photo is mounted with brown / gold border & features NCO's who survived the Messines Armentiers Battle. D Coy 38th Battalion AIF.Information on cardboard marker at bottom of photo identifies 2 members: 1. Centre front: R H LUXON (Cpr) 2. Seated RHS: Harry W SHELTON (CQMS) In black texta & black ink on backing: Trust 31 On stickers front / back: No 56soldiers, framed photographs, group portraits

Appears to be earlier photo of Warren family prior to C1910Family of George Warren seatedAGFApeople, warren, myrtlebank

Wooden chair with leather seat. Manufactured by F.J. Crabb Sturt St S. Melbourne European Labor Only ornate, decorative

This original photograph is printed on Kodak photo postcard paper dating from 1908-1914. It belonged to the Anthony family who sent six children to Williamstown Grammar. The eldest, Queenie Anthony, commenced in 1908. In 1914, when the original building was gifted to the Education Department to establish Williamstown High School, Queenie and her siblings remained with Mabel Molland, moving to Holy Trinity Hall, to complete their primary school years. The teacher seated at the right is not Mabel Molland, who commenced in 1911. This is possibly Miss Molland's predecessor, Miss Towl. Research is underway to identify students in the photograph.Black and white photograph of a group of students in four rows with Denis Gerity standing at the left and a woman seated at the right. A board is placed before the front row with the letter 'WGS'. The photograph is printed onto postcard stock branded Kodak Austral.Handwritten inscriptions on the back include the word 'Anthony' three times (one in the top half, two in the bottom half) and a large smudge in the bottom right corner - all in light blue ink. Also possibly 'Old Grammar School Pupils of Mr. Gerity' and 'Mrs' in black ink. There is name and address inscribed in dark blue writing ink along the left edge. A number '14' in graphite in the stamp box and a further number '1' encircled and underlined in dark blue ink in the bottom right corner.

This photograph of the Orbost Municipal Band was taken outside the Orbost Youth Centre in Nicholson Street, Orbost. Those in the photograph are: At Rear- Peter Fagg and Alan Miles; Back Row - Jacqueline Solomon' Cryatal Barling, Julie West, Raymond Barling, Maddy Barr' Peter Rowley, Luigi Battel, Michelle Zuccolo, Helen Light; Seated - Phillip Barling, Russell Jensen, Susan Wood, Alf Barling (Band Master), Edward Knight, Charles Soloman; In Front - Mark Barling and Peter Knight The first Orbost Brass Band was formed in 1889. Around 1908 the town band split and the Orbost Workers' Band was formed. Eventually the two bands merged in 1913 to reform as the Orbost Municipal Band under conductorship of Charles Spink. The band continued for many years but was later disbanded and again reformed. This was to happen a number of times, the last time being in 1961 and continuing through to the late 1970's. Further info and Ref: In Times Gone By - Deborah Hall This is a pictorial record of the Orbost Municipal Band. The various Orbost bands over the years played a major role in community activities providing entertainment and musical experiences for the many members.A large black / photograph of a group of uniformed band members standing and seated in rows outside a building. All are holding musical instruments. There is a drum in the centre front row.on back - label with list of namesmusic-orbost orbost-municipal-band entertainment recreation

Family Portrait of children. Wilhelmena born 7/08/1856 died 20/09/1938. Robert Jnr died 02/02/1929. Jane killed 07/08/1884 when thrown by horse.Posed Photograph. Wilhemena and Robert Jnr. seated. Jane standing between seat and table. Large draped curtain behind.local history, photography, photographs, slides, film, three eldest anderson children - wilhemena, robert jnr, jane, sepia photograph, mrs emma anderson jacobs

Chair wooden Bentwood without seat, front leg broken, & circle bracing under seat missing. Dark stainflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, chair, bentwood, bentwood chair

Dark green LHD, open sided with soft top jeep. Two front seats & 1 rear bench seat.23489617; Airborne, 173 AB 2 502 C4.military jeep

Mrs Hubert Jeeves, nee Daisy Rowse with son Kenneth and daughter Elizabeth c1930.Sepia photograph showing woman seated in garden holding a baby wrapped in a blanket with a small boy seated beside her.daisy rowse, hubert jeeves, kenneth jeeves, elizabeth jeeves

Sepia photograph of a group of six young men in uniform two standing at back, three seated, one seated on floor."Don't know identities of these taken about 1887. Linton Fire Brigade" / "Mrs E Monti 56-58 Rea St, Shepparton 3630".linton fire brigade, fire fighters

Sir Hubert Opperman and Arthur Wilkins riding a tandem bicycle.B/W photograph of Arthur Wilkins and Sir Hubert Opperman on a tandem bikeTesting the first tandem bicycle for blind people with Sir Hubert Opperman in the driver's seat.association for the blind, arthur wilkins, hubert opperman

Walter was the youngest son of Emily and Thomas Antonio. At the time of the marriage Ivy was only 19 years of age. Her mother, Ada Alice Bond. gave her consent to the marriage and was also a witness. The other witness was John Thomas Antonio, eldest brother of the groom. Emily Antonio is seated at the right of the photograph wearing a yellow dress. Presumably, the the lady on the left is Ada Bond, the mother of the bride. Thomas Antonio, the groom's father, would be the older gentleman standing behind the groom, and John Antonio would be one of the younger men standing. Ivy did have an older brother, Stanley Gordon, so presumably that would be the gentleman standing behind her mother. Ivy and Walter had three children, Dorothy Jean (Jean), Ernest Walter and Alfred John (Teddy0Sepia photograph of a 1st May 1913 wedding party. Three men, two flower girls, bride standing, two attendants and groom seated. Yellow and pink tones have been added to the photograph.bond, ivy myrtle, antonio, walter herbert

After WWII demand for wheelchairs increased. The original wheelchairs were driven by the patient's hands pushing the wheels. Later a motor was added. Then the motor and battery were built into the chair under the seat. This was followed by developments in ergonomics (comfort), controls, comfort and performance.See KVHS 1796, KVHS 1797Used by Wilma Davies, a Kiewa Valley resident, who suffered from polio from the early 1950s.2 large wheels - The outer wheel is steel and the inner is rubber with metal spokes attached. The foot plates are of ribbed steel. The ribbed seat is blue made of thick canvas as is the back of the chair. Some plastic has been glued on the back. The arm rests are also covered with old torn plastic. There is a metal stick on the side used to brake the chair by being pulled enabling it to touch the wheel and slow it down or stop it from turning."Sibbing / Melbourne" on the foot platespolio, wheelchair, pandemic

(1) Sepia photograph by Foster Martin, Melbourne, Curator, members of the Horticultural board of Advice, staff? and students pasted on to heavy cardboard. (2) As (1) but fewer people by JALMA Melbourne. Detailed description in handwritten catalogue. Note attached about donor's Great Grandfather, Joseph Harris seated front left. Further notes date it as 9 February 1894. (3) Framed version. (1) Handwritten description on reverse, "George Neilson born 1822 died 1897 Senior Officer in charge of the School of Horticulture at its inception 1891 (Back centre, no hat, white beard) Curator of Gardens 1872-about 1894 or 1895." "Stewart Neilson far left/soft hat & beard) (brother of George)" "Boyce Nurseryman next to S. Neilson" Charles Draper, seated second from left. (2) Handwritten on reverse "Geo Neilson 2ns from right white beard (illegible writing)" Charles Draper seated second from left. Alfred Bennett 1st left back rowfoster martin, horticultural board of advice, staff, students, joseph harris, charles draper, george neilson, curator, stewart neilson, boyce nurseryman, alfred bennett

This display at the 1992 Wildflower Show in the Halls Gap Hall replicated the D'Alton home "Glenbower". The seated mannequin represents Henrietta D'Alton (artist) and the standing mannequin represents Ellen D'Alton. For further information about "Glenbower" and the Misses D'Alton see "Victoria's Wonderland", pp 79 & 123. ** the two copies are also originals, the third original is a slightly closer view of the display.The photo shows a stage display - a house has been set up to replicate "Glenbower". Two mannequins dressed in period costume are in front of the house, one standing and one seated at a table. A flower garden has been created around the scene and a mural showing rocky peaks can be seen in the background. The front of a stage with another display can be seen in the foreground."92 6 11" imprinted into bottom, right corner of photo.events, wildflower show

The “Coogee” is an intermediate single seat sailplane designed and built by Tom Proctor in 1940. Only one was built. It was first flown at Stuart Hill near Bendigo Victoria in January 1941 and was maintained in flying condition until 1967. The aircraft was flown extensively by the Victorian Motorless Flight Group (now the Melbourne Gliding Club) and Geelong Gliding Club and several subsequent owners. This exhibit is a "one off" Australian designed and built glider similar in some respects to the Hutter H17. Its usage is relevant to the history of gliding in Victoria in the post war years. Also the aircraft provides an insight into gliding technology in Australia in the 1940s. Wood and fabric single seat glider sailplane with strutted wings and strutted tailplane – features metal framed perspex canopy, central fuselage skid and wheel, small tail skid, instruments include airspeed, turn and bank indicator; variometer and altimeter. Metal parts include struts and fairing covering wing joint. All surfaces are pink doped – awaiting painting.australian gliding, glider, sailplane, coogee, tom proctor, victorian motorless flight group, geelong gliding club

Photo - Bertha Leviny (seated centre) with five of her daughters L-R: Gertrude, Hilda, Mary (standing), Dorothy and Kate. Her grandson James Leviny is at Bertha's knee. The pet dog is an Australian terrier. Bertha was the wife of noted colonial silversmith and jeweller, Ernest Leviny. Together, they raised a family of ten children in their home Buda, Castlemaine. The five unmarried daughters pursued their interests in various creative pastimes linked with the Arts and Crafts Movement of the late nineteenth and early twentieth centuries.One of the few photographs of Bertha Leviny and her daughters taken together after the death of Bertha's husband, Ernest, a prominent Australian silversmith. The Leviny daughters were artistic in their own right, following the principles of the Arts and Crafts Movement. Three of the daughters entered works in the 1907 Exhibition of Women's Work held at the Exhibition Buildings, Melbourne.Silver gelatin, toned print. Black and white photograph of a group of six women, a child and a dog. The women are seated on and around a garden bench with the tennis pavilion in the background. All are smiling at the dog which is standing on its back legs in the foreground. The little boy's face is blurred from movement during the exposure.Handwritten in ink (verso): "At Buda 1906"bertha leviny, mary leviny, gertrude leviny, hilda leviny, dorothy leviny, kate leviny, james leviny, australian terrier dog, kodak box brownie camera, edwardian costume, buda, 1906, photograph, portrait, leviny women, castlemaine

Amy Huxtable was born at Cheltenham in 1918, to Robert Henry Huxtable and Violet A Dagg. Her father was an installer for an oil company and travelled the State. taking his family with him. She completed her education at the Bendigo High School and later attended the Bendigo Business College, becoming an expert shorthand writer. Her first position was as a copy writer with Radio 3BO, in the mid 1930s. She worked with an advertising agency in Melbourne and then with the Age,newspaper. In 1953, Miss Huxtable was appointed temporarily to succeed Miss E B Millane as social editress of the Bendigo Advertiser, during the latter's absence abroad. In 1956, Amy travelled abroad and on her return in 1957 was appointed permanently as Women's editor, a position she held for twenty-three ears. During her early years with The Advertiser she wrote under the name Toora, but in later years her own name became widely known. Miss Huxtable was well known both in her professional capacity and through a interest and involvement in community activites. She was life governor of the Bendigo Hospital, the Bendigo Home for the Aged, and Mirridong Home for the Blind, she was a member of Soroptimist International and the Business and Professional Women's Club. Amy was also a tireless worker for the spastic society and a strong supporter of the YWCA. When Amy Huxtable died at Mt AJvernia Hospital on 16 January 1980 Mayor Campbell ordered the city flag to be flown at half-mast. "Lowering the flag is the least we can do for such a lady" Cr Campbell said. Douglas Lockwood, editor of the Bendigo Advertiser said, "She was a devot d colleague who gave her craft and her newspaper the kind of service which identified a rare and generous spirit." She was a true professional who decided to make Bendigo her home. More than 300 people packed St Paul's Church for her funeral ervice the bell tolled as the casket was carried from the church. At a ceremony in the Conservatory Gardens on No ember 22 1981 The Amy Huxtable Memorial Committee presented to the City of Bendigo, a garden seat in memory of the late Miss Huxtable. This Bendigo manufactured seat was a fitting tribute to one ofBendigo's most loved and esteemed citizens. All Miss Huxtable's Advertiser articles were microfilmed and presented to the Library by the above committee. Amy Huxtable Memorial Seat - Bendigo Conservatory Gardens. Four Newspaper articles from the Bendigo Advertiser: 2808.7a Article entitled " Committee of 9 for Huxtable Memorial 1/4/1980". Describes how the Mayor of Bendigo called for a committee to consider a suitable memorial to Amy, the former Bendigo Advertiser women's editor. Also mentions a portrait to be painted and hung in a prominent location, perhaps the Advertiser Office. There were a number of other suggestions to honour her including a book to be produced containg Miss Huxtable's numerous history articles. 2808.7b A public notice 21/11/1981 from Miss N Young, President, Amy Huxtable Memorial Committee, inviting people to the presentation of the Amy Huxtable Memorial Seat to the City of Bendigo at the Conservatory Gardens on Sunday Nov 22 1981 2808.7c Article contains a photo of the seat being installed by the Superintendant of Bendigo Parks and Gardens Andrew Taylor, and the deisgner, President of the Memorial Committee Bill Delecca. It acknowledges the seat was bought by the Committee and the Business and Professional Women's Club. 2808.7d Article advising that the Bendigo City Council had granted approval for the seat.history, amy huxtable, bendigo, amy huxtable memorial committee, bendigo professional women's club, bendigo conservatory gardens