Showing 5222 items
matching willow-pattern
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Disability Sport & Recreation Victoria
Neck Tie
Though there is no information on the tie to indicate to whom this tie belonged, it is possible to assume that it belonged to Kevin Coombs, as the box it was found contained several medals and other memorabilia related to Coombs.Dark green neck tie with gold pattern. Label indicating "polyester - washable".The pattern on the green background is three gold interlocking wheels likely symbolising "Friendship - Unity - Sportsmanship" - see this link for a similar motif https://victoriancollections.net.au/manage/catalogue/items/5dc386f021ea670f9c4576fb -
Stawell Historical Society Inc
Photograph, Cato Lake looking from Sloane Street -- Coloured
Cato Lake view from Sloane Street. This photo is one of three showing Stawell Council Works deepening Cato Lake in February c 2002. Tracks from a tractor can be seen all round the lake. Willows branches hang either side of the view with trees along the horizon. The Presbyterian Church tower, Senior Citizen room and Anglican Church can be seen amongst the trees in the background.Coloured photograph of Cato Lake. The view is from Sloane Street and the lake was in the process of being lowered for the deepening of the lake by Shire Council Works. Tractor tracks can be seen all round the lake. Willows hang either side of the view with trees along the horizon. The Presbyterian Church tower in the background near the Senior Citizen room and Anglican Church to the right.Date on back of photo in biro 12.2.2002.stawell -
Bendigo Historical Society Inc.
Programme - BENDIGO OPERATIC SOCIETY ''BLESS THE BRIDE''
Bendigo Operatic Society ''Bless The Bride'' At the Capital Theatre, View Street, Bendigo For a Five Night Season Commencing Friday 18th June, 1971. Producer: Max Collis - Assistant producer, Ballet and Wardrobe: Madge Welch - Society Pianist: Ruth Gorman - Musical Direstor: Gwen Grose. Cast in Oreder of Appearance: Ruth Irendale as Alice Charity Willow - John Boquest as Cousin George - John Beaumont as Archdeacon Gurney - Carol McKenzie as Lucy Veracity Willow - Fred Trewarne as The Hon Thomas Trout - Coral Rivett as Ann Fidelity Willow - Christine Cavanaugh as Charlott Patience Willow - Jill Barker as Elizabeth Patience Willow - Pamela Duffy as Frances Fortitude Willow - Debra Lockett, Jocelyn Lyon as Millicent Punctuality Willow - Neil Roxburgh as Pierre Fontaine - Patricia McCracken as Suzanne Valois - Ferd Lorenz as Augustus Willow (Lucy's Father) - Bartina Daws as Mary Willow (Lucy's Mother) - Duncan McFarland as Albert Willow (Augustus'sFather) - Dorothy Field as Harriet Willow (Grandmama) - Patricia Lyon as Nanny - Karl Steinberg, Shane Brennan as Buttons - Ray edebone as Chief Gendarme - Fred Veitch as 2nd Gendarme - John Lourens as M. Robert - Michael Filippini as 1st Waiter - John Tonkin as 2nd Waiter - Douglas Sayle as M. frontenac - John Beaument as M. Martel.program, theatre, bendigo operatic society -
Dutch Australian Heritage Centre Victoria
Boch Delfts Wall Plate, Boch
A fully decorated Boch Delfts wall plate depicting a scene with water, sailing boats, a small dinghy, distant land with village and a glimpse of shore in the foreground. The whole is encircled by a ribbon of blue. The broad outer edge is decorated with leaf and flower patterns.The marks "Boch" and "Delfts" encircled by flower patterns cover a small central area on the back. -
Bendigo Historical Society Inc.
Slide - BENDIGO VIEWS, Oct 1963
Slide. Bendigo Views. Trees and weeping willows beside the lake.slide, bendigo, bendigo views, bendigo views -
Melton City Libraries
Newspaper, The Minns, 2004
Minns descendants reunion at the Willows featured in the Melton and Moorabool Leader local identities -
Melton City Libraries
Photograph, The Willows, 1974
The Willows built by Ralph Parkinson on his farm c. 1855. local architecture, local special interest groups -
National Wool Museum
Sketch
Artist's watercolour sketch from which carpet manufacturing pattern is graphed out. Genoese (Axminster) 4/4102.Artist's watercolour sketch from which carpet manufacturing pattern is graphed out. Genoese (Axminster) 4/4102. Artist's watercolour sketch from which carpet manufacturing pattern is graphed out. Genoese (Axminster) 4/4102.4/4102 Roll 4 M6weaving, carpet -
National Wool Museum
Book - Pattern Book, Patons Knitting Book, No.689, Patons and Baldwins, 1980s
Twenty four page knitting pattern book featuring black and white text and colour images. The colour cover features a woman wearing a black and red knitted top and a black hat with a large red feather.front: [printed] Patons / Leading / Lady / 689 / PRICE / CODE / D / EASY / TO FOLLOW / PATTERNS / 1fashion, design, knitwear, home made, wool, pattern book, patons -
8th/13th Victorian Mounted Rifles Regimental Collection
Equipment - saddle
The 1912 universal pattern saddle was standard issue to mounted , artillery and transport units from 1912 to 1941. Universal pattern saddles have unchangeable parts making them easily repaired.Saddle, 1912 universal pattern for Australian Light Horse complete with stirrups. The stamp on the sweath flap indicated this saddle was issued to 8th Light Horse.AAOD / 8 / LH / 237 / 710saddlery, light horse, 8th -
National Wool Museum
Sketch
Sketch from which carpet manufacturing pattern is graphed out. Genoese (Axminster) 4/4180. Artist's paint sketch.Sketch from which carpet manufacturing pattern is graphed out. Genoese (Axminster) 4/4180. Artist's paint sketch. Sketch from which carpet manufacturing pattern is graphed out. Genoese (Axminster) 4/4180. Artist's paint sketch.4/4180 Genoese MS recolored lighter ground burgundy goldweaving, carpet -
National Wool Museum
Book, Knitting, Lincoln Trio Knits Leaflet no. 414
One of a collection of 56 knitting pattern books donated by Mrs Hilma Carruthers. These books had been used by Mrs Carruthers, her mother and her two daughters. This leaflet was produced by Lincoln Mills and contains a pattern for a womans knitted cardigan.Lincoln Trio Knits / 1'6 / LEAFLET No. 414 / THIS PATTERN KNITS 5, 8 & 12 PLY / IN 4 SIZES / LINCOLN KNITTING WOOLS - THE BEST BUY IN ANY PLYhandicrafts - history knitting, lincoln mills (australia) limited, handicrafts - history, knitting -
Melton City Libraries
Newspaper, Facelift for the Willows, 1999
Works being undertaken at the Willows Homestead article featured in the Express Telegraph local architecture, council, local special interest groups -
National Wool Museum
Book - Pattern Book, Patons Knitting Book, No.667, Patons and Baldwins, 1980s
Twenty six page knitting pattern book featuring black and white text and colour images. The colour cover features a woman wearing a pink, yellow, red and purple knitted jumper.front: [printed] Patons / belles in bluebell / 667 / PRICE / CODE / D / PURE NEW WOOL / EASY / TO FOLLOW / PATTERNSfashion, design, knitwear, home made, wool, pattern book, patons -
National Wool Museum
Book - Pattern Book, Embassy Knitting Magazine, Vol. 4, Embassy, 1970s
Thirty two page knitting pattern book featuring black and white printed graphics and text. The colour cover shows a man, woman and girl wearing knitted clothing.front: [printed] Vol. 4 / Embassy / Knitting Magazine / Patterns for the family in knitting and crochet. / Embassy / Knitting yarn exclusive to COLESknitting, pattern, fashion, knitwear, women -
Whitehorse Historical Society Inc.
Document - Dress Patterns, 1970s
Style Patterns used by Donor, made up and worn. McCall's - made slacks only and worn by donor.Four Dress Patterns from the 1970s. McCall's Dress Patterns Number one is STYLE 2553 from 1970. Number two is STYLE 1957 from C1970. Number three STYLE 1945 is from C1975 and Number four Style is McCall's 7887 from C1978.STYLE 2553.1957.1945.McCall's 7887handcrafts, dressmaking, domestic items, sewing -
Bendigo Historical Society Inc.
Document - Knitting Patterns
Women at home were encouraged to knit "comforts" for servicemen. In WW2 this was not as successful as during WW1 because a) women had a wider range of wartime jobs that limited their time for knitting and b.) Knitting wool was rationed. The Comforts Fund produced its own pattern book that included patters for various socks, stockings, pullovers, scarves, balaclavas suitable for all branches of the armed services.Knitting for Soldiers Knitting Patterns. Fifteen page booklet, supplement to the Australian Home Journal; contains knitting patterns for soldiers WW2. Black and white illustrations. Incudes patterns for socks, gloves, mittens, pullover and head wear.lydia chancellor collection, history, knitting, ww2, australian home journal -
National Wool Museum
Book, Knitting, Patons and Baldwins' Specialty Knitting Book no. 61
This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Patons and Baldwins and contains knitting patterns for childrens clothes.Knitting pattern book, 24pp. Cover printed in brown tones with colour highlights and includes a photo of a young girl wearing a knitted red beret and knitted red coat. Contains photos and patterns for knitted childrens clothes.No. 61 / 6D. / "P&B" / BRAND / PATONS & BALDWINS' / SPECIALTY / Knitting / Book / "P&B" / BRANDknitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history -
Coal Creek Community Park & Museum
Biscuit Forcer
Metal cylinder with a blue wooden handle at one end and with small holes in the other. Label in yellow, red, dark blue cream and black.The Willow Icing & Biscuit Forcer -
National Wool Museum
Sample, Yarn
One of a batch of yarn sample cards. Alexander Lau established his business in 1950 in the Nicholas Building, 37 Swanston Street, Melbourne. He designed textiles and commissionned many of his textiles to be spun andf woven in Geelong mills. He had a long association with the Returned Soldiers and Sailors Mill and with Mr Schofield, the manager. In 2000, he retired and closed the business.NOIR/PURPEL/STELL/WILLOWtextile design fashion textile industry - history, alexander lau pty ltd, textile design, fashion, textile industry - history -
National Wool Museum
Textile - Yarn Sample, Alexander Lau Pty Ltd
One of a batch of yarn sample cards. Alexander Lau established his business in 1950 in the Nicholas Building, 37 Swanston Street, Melbourne. He designed textiles and commissionned many of his textiles to be spun andf woven in Geelong mills. He had a long association with the Returned Soldiers and Sailors Mill and with Mr Schofield, the manager. In 2000, he retired and closed the business.Yarn sample card: card wound with four samples of woollen yarn, each yarn sample is the same design but in a different colourway. The card is printed with the label COL: and handwritten with the colour names.NOIR/PURPEL/ STELL/WILLOWtextile design fashion textile industry - history, alexander lau pty ltd, textile design, fashion, textile industry - history -
Kew Historical Society Inc
Domestic object - French Porcelain Coffee Set, 19th century
Following the death of Hugh and Nell Ferguson, their families donated a number of items to the Kew Historical Society, including a French porcelain coffee set and a ceramic willow pattern dinner service. The latter was apparently bought piece by piece during the Great Depression. An item of historical interest donated by members of the Dods family in 2006. The Dods-Ferguson Collection includes a number of items once in the possession of the families related to or descended from two mayors of Kew: Cr. Hugh Ferguson and Cr. Frederick Dods.Continental porcelain coffee set of 5 cups, 6 saucers, a coffee pot, sugar bowl & lid and matching tray, once owned by the Dods family and donated in 2006.cr. frederick william dods, continental porcelain, french porcelain -
National Wool Museum
Book - Speciality Knitting Book no. 49, Patons and Baldwins, 1930s
This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Patons and Baldwins and contains knitting patterns for womens garments.Knitting pattern book, 24pp. Cover printed in colour with a photo of a woman wearing a light yellow cardigan heavily embroidered with colour flowers. She is standing in front of a rose bush. Contains knitting patterns and photos of womens garments.PATONS / AND / BALDWINS' / No. 49 / "P&B" / BRAND / SPECIALTY / Knitting Book / "P&B" / BRAND / TEN ULTRA - SMART MODELS . . . SIXPENCEknitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history, fashion, clothing -
National Wool Museum
Book - Patons Knitting Book no. 244, Patons and Baldwins, 1945 - 1950
One of a collection of 56 knitting pattern books donated by Mrs Hilma Carruthers. These books had been used by Mrs Carruthers, her mother and her two daughters. This book was produced by Patons and Baldwins and contains knitting patterns for children.Knitting book, 20pp. Cover depicts a young girl wearing a knitted twin set holding a paint brush. Contains patterns and some photos.Patons / KNITTING BOOK / NO. 244 / 7d. / "ANNA" / See page 9handicrafts - history knitting, patons and baldwins (australia) ltd, handicrafts - history, knitting, fashion, style, knitwear, wool -
National Wool Museum
Book - Patons Knitting Book no. 416, Patons and Baldwins, 1955
Pattern book produced by Patons and Baldwins.Knitting book, 16pp. Front cover is printed in black and white with a photo of a man and a woman wearing knitted cardigans. Contains knitting patterns for men's and women's garments.No. / 416 / Patons KNITTING BOOK / No. / 416 / PATONS / DOUBLE QUICK / KNITTING / ALL PURE WOOL / P&B / WOOLS / 1'3d.handicrafts - history knitting, patons and baldwins (australia) ltd, handicrafts - history, knitting, design, style, fashion, wool -
National Wool Museum
Book, Knitting, The Wool Collection - K-Mart
This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. This free pattern was given away by K-Mart, the department store, in 1984 when large knitted jumpers were particularly fashionable.The / Wool Collection / FREE / PATTERN / FROM K-MART / Quality always makes its mark. / PURE NEW WOOLknitting handicrafts - history, k-mart, knitting, handicrafts - history -
Bendigo Historical Society Inc.
Slide - BENDIGO VIEWS, Oct 1963
Slide. Bendigo Views. Close up view of a weeping willow with reflections in water.slide, bendigo, bendigo views, bendigo views -
Kiewa Valley Historical Society
Shoes - Slippers
sourced from local resident of Kiewa Valley Mr David Barton. As theses shoes are from Turkey and from the period of the early 1900s they may have been bought back from that country as a souvenir after WWI. Members of the Barton family went to WWI . Manufacture of slippers circa 1920s and represents early Turkish style .These slippers are considered rare due to the intricate workmanship in leather. They have historical and good Provence significance due to being donated by a local man who possibly bought them back from WWI . Two brown slippers, left and right foot. Leather soles and gold patterned (circle and fish like) embroidered uppers. A long, 13cm leather strip upward curled, extension fastened at tip of sole. Back of heel extended to a pointPatterned front toe,side arch and heel. Markings may represent water ,four fish and fish traps -
Flagstaff Hill Maritime Museum and Village
Equipment - Pattern, Briggs Brass Foundry, Early 20th century
The wooden pattern is part of a set that are stored in a strong wooden crate. It was used at Briggs’ Brass Foundry for making sand casts. The traditional craft of sand casting is over 2000 years old. The handcrafted process produces brass and copper alloy goods that are well suited to marine use; bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers. Briggs’ Bronze mixture is a copper-based alloy made from local ingots of copper, tin, zinc and lead in carefully measured quantities. The finished product is non-ferrous and can last indefinitely. The crate of patterns was donated by the Briggs family in the early years of Flagstaff Hill, along with other related items such as brassware, tools and machinery. The donated items were displayed in a simulated Brass Foundry in the Village along with other working crafts, trades and services found in a Maritime town. The items were on show from the completion of the building in 1986 until 1994 when the building was repurposed. The patterns represent the trades of foundering and metalwork, both supporting maritime industries such as shipwrights and boatbuilders. Farmers, manufacturers and other local industries also needed the castings made by foundries. The Brass Foundry included a historic Cornish chimney set up as a working model, to tell the story of smelted metal heated in furnaces then be poured into the sand moulds. This chimney was made from specially curved bricks and is now about two-thirds of its full height when originally located at the Grassmere Cheese factory. The craft of sand-casting from carved wooden patterns to create metal is an example of skills from the past that are still used today. The foundry pattern set is significant for its association with brass foundries locally and generally in coastal areas of Victoria. Marine industries such as ship and boat building rely on good quality castings for their machinery, equipment and fittings. Briggs Brass was especially formulated using non-ferrous metals to ensure their longevity. The patterns are associated with the long-running firm Briggs Brass Foundry that specialised in cast goods for the marine industry, ready to supply the needs for once-off or mass-produced items. Their products would have been fitted to sail and steam vessels along coastal Victoria including Warrnambool. Briggs Marine was also a bell-founder specialist and is also associated with the Schomberg Bell at Flagstaff Hill, having restored it to is former state as a fine example of the bell from a luxury migrant vessel from the mid-19th century.Pattern; hexagonal wooden shape painted orange. The thick carved wooden shape is in halves forming a hole when locked together with the dowel pegs and opposing drilled holes. The pattern is part of a set of foundry patterns from Briggs Brass Foundry.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, briggs' bronze, traditional method, trade, sand cast, cast, brass alloy, copper alloy, pattern, mould, foundry, brass foundry, metal foundry, casting, sand mould, sand casting, marine equipment, marine tools, marine fittings, copper tin zinc lead, non-ferrous, non-corrosive, brassware, metalware, foundering, metalwork, maritime, bell founders, ship chandlers, marine products, biggs, briggs family, herbert harrison briggs, h h briggs, george edward briggs, cyril falkiner mckinnon briggs, cyril briggs, briggs & son brass foundry, h h briggs & sons foundry, briggs marine, alliance casting & engineering solutions, grassmere cheese factory, cornish chimney, curved bricks, collingwood, moorabbin, collingwood foundry, moorabbin foundry, 1912 -
Flagstaff Hill Maritime Museum and Village
Equipment - Pattern, Briggs Brass Foundry, Early 20th century
The wooden pattern is part of a set that are stored in a strong wooden crate. It was used at Briggs’ Brass Foundry for making sand casts. The traditional craft of sand casting is over 2000 years old. The handcrafted process produces brass and copper alloy goods that are well suited to marine use; bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers. Briggs’ Bronze mixture is a copper-based alloy made from local ingots of copper, tin, zinc and lead in carefully measured quantities. The finished product is non-ferrous and can last indefinitely. The crate of patterns was donated by the Briggs family in the early years of Flagstaff Hill, along with other related items such as brassware, tools and machinery. The donated items were displayed in a simulated Brass Foundry in the Village along with other working crafts, trades and services found in a Maritime town. The items were on show from the completion of the building in 1986 until 1994 when the building was repurposed. The patterns represent the trades of foundering and metalwork, both supporting maritime industries such as shipwrights and boatbuilders. Farmers, manufacturers and other local industries also needed the castings made by foundries. The Brass Foundry included a historic Cornish chimney set up as a working model, to tell the story of smelted metal heated in furnaces then be poured into the sand moulds. This chimney was made from specially curved bricks and is now about two-thirds of its full height when originally located at the Grassmere Cheese factory. The craft of sand-casting from carved wooden patterns to create metal is an example of skills from the past that are still used today. The foundry pattern set is significant for its association with brass foundries locally and generally in coastal areas of Victoria. Marine industries such as ship and boat building rely on good quality castings for their machinery, equipment and fittings. Briggs Brass was especially formulated using non-ferrous metals to ensure their longevity. The patterns are associated with the long-running firm Briggs Brass Foundry that specialised in cast goods for the marine industry, ready to supply the needs for once-off or mass-produced items. Their products would have been fitted to sail and steam vessels along coastal Victoria including Warrnambool. Briggs Marine was also a bell-founder specialist and is also associated with the Schomberg Bell at Flagstaff Hill, having restored it to is former state as a fine example of the bell from a luxury migrant vessel from the mid-19th century. Pattern; round wooden shape with a wide concave centre and a round flat handle in the middle, painted dark brown. The underside has a large wooden disc added to the centre. The pattern is part of a set of foundry patterns from Briggs Brass Foundry.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, briggs' bronze, traditional method, trade, sand cast, cast, brass alloy, copper alloy, pattern, mould, foundry, brass foundry, metal foundry, casting, sand mould, sand casting, marine equipment, marine tools, marine fittings, copper tin zinc lead, non-ferrous, non-corrosive, brassware, metalware, foundering, metalwork, maritime, bell founders, ship chandlers, marine products, biggs, briggs family, herbert harrison briggs, h h briggs, george edward briggs, cyril falkiner mckinnon briggs, cyril briggs, briggs & son brass foundry, h h briggs & sons foundry, briggs marine, alliance casting & engineering solutions, grassmere cheese factory, cornish chimney, curved bricks, collingwood, moorabbin, collingwood foundry, moorabbin foundry, 1912