Taken at the Portland Centenary celebrations in 1934.Laminated copy of black and white photo. 2 women dressed in period costume, taken inside building. Couch in foreground. Door in background. Stripped wallpaper.Front: Lettie Coster/Winnie Bree. Colonial Ball 1934. Centenary Portland.portland centenary, 1934, coster

CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Laminated screenprint of three Aboriginal women in foreground with red text "PORTLAND IS FOR EVERYONE" at the top. The Aboriginal women are portrayed with blue skin and orange, yellow and pink clothing. The background is a mix of yellow and pink lines, over which black leafless trees are printed. At the bottom of the work is purple text which reads "Thanks to the Aboriginal Cultural Centre, Heywood and the Portland Historical Society".Front: 47/60 Angela Gee '83 Back: 10

Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut. Eleventh in a suite of 16 in the Admella Rescue series. Printed in black on white archival paper. Depicts man reading telegram to group of men and women.Front: 'Linocut, Bob Stone Our telegrams were passed from hand to hand being read aloud.' SA Advertiser 9th August 1859.' - hand written, black penadmella, portland lifeboat, shipwreck

Front Cover: Green background. White Woman's Day across top. Head and shoulders shot of young woman with brown hair, check scarf around neck. Backcover: Advertisement for Peter Stuyvesant cigarettes. 104 pages.womans day magazine, popular culture, women

Red cloth binding over carboard covers, with title in gold at top edge. Black and white drawing depicting a girl and a boy seated on a part bench on the front cover, with floral decoration surrounding them. 177 pp.childrens fiction, fiction, women authors

Tan cloth-covered binding with section of dustjacket glued to front cover. Title and author on spine in black lettering. 223pp.Account of an Australian woman in Vanuatu when it was the New Hebrides and and 'outpost' of Empirehistory, social history, vanuatu, new hebrides, colonial, womens history, women authors

Blue cloth binding over carboard covers, with title in gold at top edge. Man riding a chariot with four horses depicted in a roundel at lower edge of cover, with details in gold. 200 pp.childrens fiction, fiction, women authors

20 Page booklet compiled by Jan Lier for the Casterton and District Historical Society Inc. Includes list of pioneer women from Casterton and district who signed the 1891 suffrage petition, biographical details of the women, and a number of photographs of the women.womens suffrage, suffragette, casterton, casterton and district historical society

From Mrs Helen Lindsay Mc Donald, family descendant. Vida Goldstein was a strong advocate for women's rights and equality. She was the first woman to stand for parliament in the British Empire.Black and white studio photographic portrait of a woman in late 19th century dress. She is central in the photo, standing next to balustrade and greenery, and in the background is a painted backdrop.Front: Front- Yeoman and Co 107 Swan Street, Richmond Back- 'Vida Goldstein' - Printed in texta on stellotape.portrait photography, vida goldstein, suffragette, equality

Port of Portland Authority archivesFront: (no inscriptions) Back: P.M/ Malcolm Fraser/ on Tarragal (blue pen, lower centre)port of portland archives

Tapa cloth was given to Mr Mel Bartlett by the King of Tonga, for drilling wells for water in and aid program.Wall hanging, floor covering or bed cover - traditional offering as a wedding gift. Highly prized by Tongan villagers. Symbols depict trees, flowers, moons, stars. Images repetitive. Made of Tapa bark, hand .

I am a Melbourne based ceramic artist creating sculpture, murals, community art projects, commissioned works and residencies. I am a passionate facilitator of creativity and have extensive experience working, teaching and running workshops with in communities, schools and with people of all ages and abilities. My involvement with so many varied and interesting projects constantly informs my work and leads me to develop in new and exciting directions. The Arts of Suff-Rage (exhibition statement) In 2008 I joined forces with fellow artist Fern Smith in creating The Art of Suff-Rage traveling art installation. The project sees us roving Victoria dressed as suffragist giving out the latest edition of our newspaper. The installation celebrates the Centenary of Women’s Suffrage in Victoria and I have created one hundred ceramic suffragist sculptures each around 30cm in height. Fern has painted ten commemorative banners to honor the legacy of women campaigning for equality. Gasworks Arts Park has auspice the project and we received funding from the Department of Planning and Community Development Grants Program-Centenary of Women’s Suffrage. Thank you to everyone who has helped to get the project up and running. Fern and I ventured to Portland recently with The Art of Suff-Rage traveling art installation for an exhibition of our work. The exhibition consists of the entire body of work that we produced last year for the centenary celebrations of Victorian Women Vote 1908 – 2008. As Portland was the birth place of Vida Goldstein it was fantastic we had this opportunity to explore more of her adventures.Ceramic sculpture of Vida Goldstein, long black skirt, white blouse purple and white patterned jacket, hat with blue brim and purple and white patterned crown. She is holding posters in support of votes for women.Front: Inside base: "Ursula Dutkiewicz Vida 2007' - black textasculpture, vida goldstein, suffrage, womens rights victorian women

Glenelg Shire Council recordsBlack and white photograph of 18 women in a spa or sitting on edge of spa with legs dangling in. One man and one women stand behind them. Shows the opening of Portland spa. Athalie Lane (centre) in spa. Unframed.Front: 57/45 (blue pen, lower right) Back: 39 (red pen, lower left)portland spa, ymca