Showing 2175 items
matching house design
-
Surrey Hills Historical Society Collection
Drawing - Architectural drawing, 4 Albert Street, Surrey Hills by Margaret Picken, 1990
Margaret Picken (1950-) trained and worked as a cartographic draftsman from 1968-1975 within the mining industry. These skills were readily transferable to work as a property illustrator for the real estate industry. Process: “Sketches were ordered by phone initially as there were no mobile phones or computers then. I would take our 2 year-old son with me to the houses when the other 2 boys were at school. I photographed houses with a Polaroid camera and made a ‘thumbnail’ sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the ‘pen and ink’ was completed. This process was the only one I used the entire time. Polaroid photos gave an instant usable photo. I then delivered the sketches by hand to the offices. There were deadlines each week on a Tuesday.” “… about 2003 coloured photos began to take over the sketches and mainstream companies replaced sole traders like myself providing a one-stop shop for all advertising. I produced my last Real Estate sketches in late 2005.” Margaret Picken (1950-) trained and worked as a cartographic draftsman from 1968-1975 within the mining industry. This architectural drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated. Margaret Picken approached a number of historical societies in July 2020 with a view to donating her work. Sketches for post code 3127 arefheld by this collection. Others for suburbs including Ashburton, Balwyn, Camberwell, Canterbury, Blackburn, Box Hill, Burwood, Glen Iris, Hawthorn, Kew, Mont Albert North and Nunawading have been donated to the relevant historical group in those suburbs. (See Balwyn Historical Society, Box Hill Historical Society, Camberwell Historical Society, Hawthorn Historical Society, Kew Historical Society, Whitehorse Historical Society). In some cases, this collection also has a copy of the matching newspaper advertisement. Pen and ink architectural drawing on drafting film of 11 Agnes Street, Surrey Hills (VIC) by Margaret Picken. The drawing, dated 1990, was commissioned by the Woodards real estate company.37 ALBANY CRES, SURREY HILLS / MARGARET PICKEN -91 / WOODARDS ~ C'WELLarchitectural drawing, houses, surrey hills / mont albert (vic.), artists, margaret picken 1950-, albany crescent, 1980 -
Vision Australia
Leisure object - Object, Dolls house
Dolls house used by children who resided in the RVIB nursery. Possibly made by R.F. Tuney, as the design resembles one used at Narbethong House and a picture taken at RVIB nursery refers to children playing with the Sunbeam House, however no name plate indicates this.Wooden dolls house with two doorsroyal victorian institute for the blind, r.f. tunley -
Vision Australia
Functional object - Object, Donation tin - rectangular RVIB tin, 1936
Coin collections have a long and varied history. Coins were often collected in churches in a box located near the entrance/exit, and later via a collection plate that was passed amongst the congregation Funds were used to repair the church or feed the poorest of the parish. The donation of coins is and was considered part of religious life and mentioned in Christian, Jewish and Islamic texts. With the need and expansion of charitable works occurring outside religious life, charity boxes began to spread into hospitals, orphanages and asylums. The need for non-fixed boxes grew with the rise in charities and their activities outside a fixed building. Collection boxes could be large (and therefore hard to move) or could be held by individuals acting as collection agents, working at a specific location, moving between dwellings or at events. These boxes were designed to be reused, with a pop out section in the base.2 x metal coin collection tins with printed sidesFront: The Royal Victorian Institute for the Blind St Kilda Road The only Institute in Victoria for teaching blind adults trades & professions educating & maintaining blind children & babies (Lighthouse with words radiating out from light) Modern cottage homes Pensions - after care & sick fund Prevention of blindness lectures, etc. Free wireless radio for needy cases Boat shed & club house Professions & trades Blind babies nursery Wireless sets Social club Happiness for the blind every day & night Musical education Higher education Domestic science classes for blind women & girls A free education Maintenance of blind children The Lighthouse! As a thanksgiving for sight Please place a coin in this box and help to keep the Beacon Light flashing for the Institute's Blind Adults, Babies and Children Side: (Picture of two girls playing with dolls house) Our blind babies and pupils will probably spend 70 years in our Royal Victorian Institute for the Blind St Kilda Road As a thanksgiving for sight please help make their years very happy ones by placing a coin in this box! Reverse front: (Drawing of a man holding his hand to his eyes as a blast occurs in front of him, pushing small objects towards his body.) It might hit You or Me! Please! Will You? As a thanksgiving for the sight you and your dear ones possess, please place a coin in this box to assist the Royal Victorian Institute for the Blind, St Kilda Road, and its Blind Adults, Children and Babies! Reverse side: (picture of workshop at RVIB) One of our many spacious workshops provided by public subscription! The Royal Victorian Institute for the Blind is faced with the problem of employing and otherwise assisting its blind workers. It gives them charitable allowances in addition to their earnings, amounting to approximately 15,000 (pounds) every year, to enable them to support their wives and families! No profits can therefore be made! This 15,000 (pounds) is distributed because the great handicap of blindness prevents blind persons from earning as much as their more fortunate sighted fellows. Please! Ask Storekeepers for our Baskets, Mats, Brooms, etc. And as a thanksgiving for Your Sight place a coin in this box for our blind adults, children and babies! Embossed on the top of the box is Royal Victorian Institute for the Blindfundraising, royal victorian institute for the blind -
Vision Australia
Photograph - Image, Vision Resource Centre, 1987-1989
The growing need for assistive equipment and the increased demands upon the Association for the Blind, bigger premises were needed to house these services. In 1987 the Victorian Premier ceremonially layed the foundation stone for the new building that would become the Vision Resource Centre designed to meet this need. It was built using funds from the Vision Victorian Appeal and completed in 1989.2 digital images of metal plaqueAssociation for the Blind The foundation stone for the Vision Resource Centre was graciously unveiled by the Honourable John Cain, M.P., Premier of Victoria, on the 16th October, 1987. Association for the Blind The official opening of the Vision Resource Centre was performed by His Excellency, Dr. Davis McCaughey, A.C. Governor of Victoria, on the 3rd May 1989.association for the blind, john cain, dr davis mccaughey -
Vision Australia
Card - Text, Centenary Garden Party
Summary update of Centenary AppealInvitation card for Neil and Elizabeth Maxwell to the Centenary Garden Party. The card includes both the invitation itself and the programme of events during the party and served as an entry card. Held at Government House, the Garden Party was designed to recognise the 100 years of volunteering that has been undertaken by those present and in the past.Invitation card for Mr and Mrs Maxwell to Centenary Garden partynon-fictionelizabeth maxwell, neil maxwell, association for the blind -
Federation University Art Collection
Bookplate, 'Ex Libris Kevin'
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition.An aerial view depicts a red-roofed house and a tractor amongst green, yellow and brown paddocks.Kevin Marriot on backbookplate, printmaking, australian bookplate design award -
Federation University Art Collection
Photograph, Clive Hutchison, 'Our Hopes and Future of Morwell' Photographic Collection, 2017
This photographic exhibition was developed by the Federation University-led Community Wellbeing research stream of the Hazelwood Health Study in collaboration with Morwell Neighbourhood House and Gippsland Centre for Art and Design at Federation University Australia. It highlights people's hopes for the future of Morwell has its roots in two unexpected places: the Hazelwood mine fire in 2014 and an academic study into community recovery from that fire. In late summer of 2014 a bushfire spread to the coal mine near the town of Morwell in the LaTrobe Valley, in south-eastern Victoria. The Hazelwood mine fire burned for 45 days, shrouding communities - especially Morwell - in smoke and ash. Strong calls by the community for an investigation into the health impacts of the Hazelwood Mine Fire led to the Department of Health's (Know the Department of Health and Human Services) decision to fund a ten year study of the potential health effects of this smoke event (Known as the Hazelwood Health Study). This exhibition came out of work undertaken by the Community Wellbeing Stream of the Hazelwood Health Study during 2016 and 2017. Based at Federation University Australia's Gippsland Campus, just a few kilometres from where the fire took place, one of our Study's main aims has been to find out from the community how the smoke event impacted on community wellbeing. We also planned to talk to community members about the effectiveness of community rebuilding activities, and find our how these have aided recovery following the smoke event. In 2017 we began working with community organisations on a project to foster community recovery and wellbeing. What emerged from these discussions was the idea for a photographic exhibition, on the theme of 'Our hopes for the future of Morwell'. Invitations to participate were extended to up to 50 members of various community groups. The groups were asked to think of some object that symbolizes their hopes for the future of Morwell. Individuals were then invited to attend a photographic session kindly hosted by the Morwell Neighbourhood House. Each individual was to hold this object while it was photographed, as well as explain what the object represented in terms of Morwell's future. Out of this process twenty nine photographs with their captions were produced, enlarged and framed for exhibiting. The photographs were taken by Clive Hutchison of the Gippsland Centre for Art and Design at Federation University Australia.Twenty nine framed original photographs.morwell, our hopes for the future of morwell, clive hutchison, photography, morwell neighbourhood house, hazelwood health service, gippsland centre for art and design, hazelwood mine fire, haxelwood health study, morwell neighbourhood mine fire, neale stratford, tracie lund, ian brown, susan yell, sue whyte, ainsley ja, ainsley james, michelle duffy, shaun mallia, valerie prokopiv, morwell art and framing -
University of Melbourne, Burnley Campus Archives
Photograph - Colour print, Sunken Garden, 1983
Appears to have been used for an exhibitionCaption, "The house was demolished in 1980. Geoff Olive, the Gardens Manager designed the new landscaping. Students building the Sunken Garden 1983." Work had commenced 1981. Appears to have been used for an exhibition.geoff olive, gardens manager, sunken garden, students working outside -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, Your Garden Magazine, A Good Example of Shrub Placement, 1960
... Boulevard Richmond melbourne shrub placement garden design suburban ...Black and white photograph. Suburban house, white brick, two-storeyed at one side. Well maintained front garden lawn, neat flower beds, clipped trees and bushes. Woman in summer dress standing on front steps.On reverse, "A good example of shrub placement, blending with the home, yet not hiding it."shrub, placement, garden design, suburban house -
University of Melbourne, Burnley Campus Archives
Photograph - Colour prints, Garden Designs
... Boulevard Richmond melbourne houses student garden design ...9 large colour photographs of the fronts of houses. Probably used for student garden design assignments.houses, student garden, design assignments -
Port Fairy Historical Society Museum and Archives
Photograph, Mason, John
Captain John Mason came from Stirling in Scotland, arriving at Port Fairy in 1844. One year after James Atkinson obtained his Special Survey of the area. Thus his life covers all the history of Port Fairy when it was known as Belfast. He married Jane Murray in Portland in 1846 and they had 5 children, Jane died in 1855 and ten years later he married Ann Brown widow of Abijah Brown. They had no children and she died in 1887. In due course he became known as Captain Mason, he was not a sea captain, but captain of the Belfast Volunteers, a Rifle Corps formed in 1859 as a consequence of the Crimean War, and later reconstituted as the Belfast Volunteer Corps. For 40 years he displayed a remarkable versatility in his various occupations. Starting as an Innkeeper - he took over the Stag Inn from Captain Saunders in 1852, for 3 years. He then became a carpenter, stonemason, architect, estate agent honorary technical advisor to the Borough and treasurer to the Shire, and Savings Bank Secretary. They thought so well of John mason in Belfast that they elected him to the first Roads Board in 1853 and to the first Municipal Council in 1856. He was Chairman four times and with Councillors David Talbot and Joseph Whitehead designed the Council's Common Seal and the Motto "Commune Bonum".He was the first Mayor of the Borough in 1863 for a period of 7 weeks. He was responsible for the design, supervision or construction of many of the buildings in the town; most still standing today. He built the Rosebrook Bridge in 1855 and the first official Post Office ( a timber structure in Bank Street) in 1857, replacing it with a stone office in 1865. he built the Court house in 1859 and completed the breakwater between Rabbit Island and Griffith Island started by James Atkinson and John Griffith in 1849, also the first bridge over the Moyne river which connected with Battery Lane and the Bay. Among the many buildings associated with John Mason are Gobles Mill, Tynemouth Villa, 10-12 Princes Street, the Mechanics Institute, the Commercial Hotel, Yambuk and Mickey Bourke's Pub in Koroit. However, he did not build "Riverdale" in Gipps Street as is thought. He had a store and workshop on this site but sold the property in 1872 before the house was built. After an almost uninterrupted term as Councillor starting with the Municipality in 1856, John resigned from the Council in 1873. He well deserved the illuminated address they gave to him and the toast that they drank in the Bank Hotel champagne. Within the year he was working for the Borough as its engineer., surveyor, general supervisor and advisor of public works, simply as the man to whom all difficult problems were referred and at very little expense. John Mason was a great worker for his town and devoted himself unsparingly to the community. That his work was appreciated was shown by the way in which people rallied to his aid when, in the end, he found himself in financial difficulties and his reputation was challenge; arrested for embezzling from the Savings Bank of which he was the actuary in 1882. The money was repaid and the charges found not proven at his trial. He was an early member of the Loyal Prince Albert Lodge, and a founding member of the smaller Loyal Belfast Lodge in 1863. He was also a member of the Horticultural Society. Captain John Mason Died on the 14th of October 1891 (see also 62-04-046 photo)Sepia photograph on heavy cardStevenson & McNicoll photo. 108 Elizabeth Street Melbourne copies can be obtained at anytimedefence, captain, mason, carpenter, councillor, mayor -
City of Greater Bendigo - Civic Collection
Work on paper - Photograph, W H Robinson, Druids Sandhurst Lodge No. 247, 01 / 11/ 1910
Druids are known to exist from around the 3rd century B.C. Their name may have come from a Celtic word meaning “knower of the oak tree.” Many of their ceremonies were carried out in oak groves, which they considered sacred and members were, at that time a mix of priest, judge, doctor and philosopher. The Druids enjoyed a revival in the 19th century and were taken up enthusiastically during the Victorian era. Druidry was believed to have been introduced into Australia in 1851 with the setting up of the first lodge in Melbourne under the name United Ancient Order of Druids. Unlike the Freemasons, the Druids were not a secret society and were not selective in who they let in, as long as they paid their dues and acted more like a benevolent society than a spiritual movement. "They originally operated when there were few benefits available from the government or employers and the introduction of sick leave and other employer provided benefits, combined with the gradual introduction of government subsidised medicine, caused the need for them to diminish." Druids House — in Swanston Street, was opened by the Lord Mayor in 1927 and was designed to be the movement's national head office. It was completed at a cost of 19,000 pounds. This photograph was believed to have been commissioned by the Druids of Bendigo to the Licensees of the Queens Head pub where they regularly met, situated on the corner of the Bendigo-Maryborough Rd & the Calder Alternate Hwy ( Lockwood Cross Roads). The old Marong Council offices were situated opposite from 1864 until around 1908 when new offices were then built in Marong. It is believed that this photograph and a photo of the pub were given to Marong Shire by descendants of the publicans, probably in the 90’s. Framed black and white group photographic portrait of 37 members of the Sandhurst Chapter of the Druids staged and shot outdoors. Each of the gentlemen is carrying a bouquet of flowers. The photograph has a gold inner mount with the second mount cut to give the impression of a frame. The outer mount is hand painted with botanical motifs and elaborate text c.t. DRUIDS Sandhurst Lodge/ No 247. l.c Presented to Mr and Mrs Chadwick / Lockwood / in recognition for kindness rendered.W. G. Robinson / Photo and J.H. Gribble / Long Gully / 1,11,10robinson photographer, j.h.b. gribble artist, chadwick, shire of marong, city of greater bendigo portraits, city of greater bendigo community groups -
City of Greater Bendigo - Civic Collection
Souvenir - Bendigo Post Office Centenary Ephemera, Ted Rankins, 1987
When the Commonwealth Post and Telegraph Act was passed in June 1902, and a national Postmaster General's Department (the PMG) was established the responsibility the nation's mail and telephone services fell on local Post Offices. The Bendigo Post Office was designed by Public Works architect George W Watson and constructed between 1883 and 1887. The two story brick structure with basement has unpainted rendered facades and a 43m high clock tower complete with 6 bell carillon. The facades are elaborately decorated with Corinthian pilasters, balustrading, lions' heads and the state mansard roof with cast iron ridging and finials. (VHR #4739). Situated on Pall Mall it has always been called the Bendigo Post Office even though it was not until 1891 that the name Bendigo was given to the town. The Bendigo Post Office housed much more than just postal services and the building contained many early government departments and services needed for a growing district. The building celebrated its centenary on the 30th September 1987 to much fan fare with Ted Rankins, the then Postal Manager planning many of the week long events including tours of the post office, a grand parade with cake and staff in period costume, a ball at the Shamrock and a barbeque in Rosalind Park. The Post Office ceased providing postal services in 1997 after the privitisation Australia Post and Telstra but continues to play a central role for the community, providing important services to visitors and locals alike. Currently it is occupied by Bendigo Tourism and includes two exhibition spaces including the Living Arts Space and Djaa Djuwima a dedicated and permanent First Nations Gallery. Activities at the Post Office are supported by City of Greater Bendigo staff and a dedicated group of volunteers. These items are part of the postal collection donated by the Rankins family in memory of the last postal manager at the Bendigo Post Office, Ted Rankins. 0364.1: Single sided printed 'Order of Proceedings' flyer; Outlines the running of events for the celebrations on Wednesday 30 September, 1987 at the Post Office with the centenary logo centre top in crimson ink. 0364.2: Single sided, four-colour printed, DL size invitation for celebrations marking the centenary of the Post Office on Wednesday 30 September, 1987. 0364.3,.4,.5,.6,.7: Printed cake bag with centenary logo and image of Bendigo Post Office printed on front in crimson ink. 0364.8,.9,.10,.11: Square note paper with centenary logo and border printed in crimson ink. 0364.12 Envelope: Australia Post envelope with Bendigo 100th anniversary images. Date stamped and addressed to Mr Edmondston Postmaster, Elmore. bendigo post office, bendigo tourism, city of greater bendigo tourism, post office collection, ted rankins collection, city of greater bendigo volunteers -
City of Greater Bendigo - Civic Collection
Booklet, Lansell's Fortuna, c 1980
Originally designed in 1857 and extended to the further designs by Bendigo Architects Vahland and Getzschmann, Emil Mauermann and William Beebe the original two story house expanded over time as Lansell's fortune increased and the subsequent mansion was built adjacent to the New Chum Reef and mine from which most of his wealth was yielded. Fortuna remained in the Lansell family for twenty nine years after George died and was sold by auction for demolition in 1934 only to be saved to become a reception house. In 1942 the Army acquired a lease for wartime mapping and occupied the site until 2008. It is now in private hands with the surrounding land being divided for housing. George Lansell was commonly known as 'Australia's Quartz-King' and director of thirty-eight mines with some link with almost every mine in Bendigo.A4 size tour booklet outlining the history, use and architectural features of Fortuna Villa which was purchased by George Lansell in 1860. mayor william beebe, george lansell -
Canterbury History Group
Ephemera - Excellence in design and presentation, {1997 or 2003}
Real estate advertisement for the sale by auction of 27 Hopetoun Avenue Canterbury on Saturday 13 September [1997 or 2003]. Includes a sketch of the house and floor and site planscanterbury, hopetoun avenue, townhouses -
Melton City Libraries
Card, Scottish Debutante Ball invite, 1973
"The Mechanics’ Institute hall (demolished) and the library played a central role in the story of Melton social life, and in the development of its learning, culture, entertainment, celebration, commemoration and many community groups. The building on the site today - with the Court House the only remaining early community or public building remaining in High Street - is a tribute to the energy and talents of the very small Melton community over many years. Its substantial size, brick materials, and the evident use of an architect in its design, sets it apart from most other simple weatherboard Mechanics’ Institutes that were built in smaller country towns in Victoria. The financing and upkeep of this building, which was community-owned until 1982, and built on land purchased by the community rather than granted by Government, itself contributed to the coming together of the Melton community in decision making and fundraising. Although the original hall is demolished, the 1983 Melton Community Hall adjacent is partly its successor, demolition of the Institute hall having been predicated on its construction. The surviving brick front portion of the Institute was opened by the Hon. J Murray, Premier of Victoria in 1910". Scottish Debutante Ball hosted by Scots Church Melton at the Mechanics Hallchurches -
Melton City Libraries
Document, West Melton: A preview of tomorrow, c.1969
"In April 1969, the first major residential development in Melton began with the release of 148 homes for purchase. This was the first stage of a staggered release of a planned 30,000 homes for 100,000 people by 1990. The development, called Westmelton Satellite City, was described as ‘a preview of tomorrow’.101 It was the first estate built in a ‘modern’ style, with curved streets, and dozens of culs de sac. Westmelton was also the first major development in Victoria to build all the supply lines to the houses – including electricity and telephone lines – underground. The six different home designs in Westmelton were ‘specially designed for the future’, and with allotments ten feet wider than regulations required, there was plenty of ‘space for gracious living’ and for a family swimming pool. The developers of this new estate were active in promoting Westmelton as a new community within the Shire of Melton. By 1971, the Westmelton City News reported that Ian McIntosh, General Manager of Westmelton, had given away $100,000 on behalf of the company ‘to aid community projects’. This included a $72,000 donation towards building a community centre in Westmelton, and $25,000 for the shire’s Olympic-sized swimming pool. Ian McIntosh and his family moved to Melton and Ian said he was ‘very much aware of the needs of [the] Westmelton community’. By the end of 1971, Westmelton was home to 100 new families. The modern residences were obviously an appealing drawcard, but so was the country feel that characterised Melton. Mrs C. Allen, described as a ‘housewife’, said she and her husband chose to move to Westmelton because of ‘the quality homes ... and we both love the clean, fresh, natural environment that surrounds us’. Similarly, Mr W. Coxhead, insurance consultant, moved to Westmelton because of the ‘clean, fresh country air’. Accountant Mr B. Swanton echoed their sentiments, describing Westmelton as ‘far enough away from the industrial pollution carried over Melbourne suburbs by prevailing westerly winds’. The new development attracted an increasing number of young, professional couples and families, representing the beginning of a significant shift from the predominantly rural and farming community of the district’s past. The Westmelton development had four different ‘neighbourhoods’ designed to cater to a variety of different lifestyle needs. Westmelton was the first to be established, followed by Brookfield, which offered ‘superb land in a rustic setting’. Brookfield Acres offered ‘wide open spaces with lots of room for a pool and even a tennis court’ on huge one-acre blocks, while Westlake was an innovative development with ‘different sized homesites’ and ‘lakeside living’.Westmelton was the first of many residential developments that would come to play a huge role in shaping the shire in the decades to follow".A marketing brochure for the Westmelton Satellite City developmentlocal significant events, council -
Melton City Libraries
Newspaper, Get the good oil here…, 2001
"A court was established in Melton by 1864, when the first recorded case was heard before Mr BA Porter JP, with Mr A Carroll as the Clerk of Courts. John James was convicted of being drunk, for which he was fined five shillings or 24 hours imprisonment. The court was held in the ‘long room’ of the old Melton Hotel, before moving to rented accommodation at the Raglan Hotel, and finally to the Roads Board office. Tenders for construction of the present building were called for by the Public Works Department on 13th February 1892. The architect Samuel Edward Brindley was born in Birmingham, England, in 1842. He was articled to the local architect, J.R. Botham, FRIBA, before emigrating to Victoria where he was employed as an architect in the Education Department from 18 August 1873. With the amalgamation of the architectural branch of the Education Department with the Public Works Department in 1884, Bindley was placed in charge of Victorian government building design for the North-Western District. In 1975, the Melton and District Historical Society became concerned at hearsay that the court house was to be demolished to make way for carparking space. Melton had been declared a ‘satellite city’ and was developing rapidly. A new shopping centre had recently been built at a setback of 60 feet (c.18 metre) from 323-329 High Street, and the court house, together with the adjacent weatherboard police station, had been left standing alone. A new police station was planned, and the weatherboard police station was subsequently demolished. In its nomination of the building for National Trust classification the Society argued that the Court House was ‘the best of two early buildings left in the main street’ (the other being a bluestone hotel) and that its loss would be ‘tragic’. However the nomination was unsuccessful, the National Trust at the time judging that it was of no particular ‘distinction’ or ‘antiquity’. The building continued to be used as a court house at least until 1991 when the Department of Housing and Construction (formerly the PWD) conducted a heritage study of court houses. By this time Federation-era architecture had achieved acceptance within the heritage movement. The building was recognised as being ‘the only surviving example in brick of the Federation Queen Anne style which was used for court houses only twice.’ Twenty years later when it was proposed to modify the eastern façade of the building to accommodate a café, the M&DHS was again concerned. This time the National Trust objected that the proposed extension would be an over-development of the site, and questioned the changes to the interior court room furnishings and fittings. The site never appears to have been nominated to the Victorian Heritage Register. It has since been converted into the Shire of Melton Tourist Information Centre". Opening of the Visitor Centre in Meltoncouncil, local architecture -
Canterbury History Group
Book, K. C. B. Bethell, John Beswicke 1847-1925: Heritage Architect
"John Beswicke was a prolific architect during the Victorian and Edwardian eras. He commenced as an architect 13 years after a competition was called for the design of the first Government House in Victoria, and 10 years after the Victorian Institute of Architects was formed. The majority of Beswicke's designs were built before Federation in 1901. ... Beswicke designed buildings in and around Melbourne ... A dapper and urbane gentleman, he was a keen sporting shooter, motoring enthusiest and inventor, as well as a devoted family man. ... This book cements Beswicke's place as one of Melbourne's formost architects of his era."--Dust jacket gate fold.150 pages. Includes photographs, bibliographical references and indexes of book and architectural worknon-fiction"John Beswicke was a prolific architect during the Victorian and Edwardian eras. He commenced as an architect 13 years after a competition was called for the design of the first Government House in Victoria, and 10 years after the Victorian Institute of Architects was formed. The majority of Beswicke's designs were built before Federation in 1901. ... Beswicke designed buildings in and around Melbourne ... A dapper and urbane gentleman, he was a keen sporting shooter, motoring enthusiest and inventor, as well as a devoted family man. ... This book cements Beswicke's place as one of Melbourne's formost architects of his era."--Dust jacket gate fold.architects, heritage studies, buildings - victoria, biographies, john beswicke -
Parks Victoria - Mount Buffalo Chalet
Chairs
"Today the Chalet lounges and hallways are stocked with a number of disparate furnishings of unknown provenance - table and chair settings... many ranging in styles from Edwardian and Art Deco periods. While they may appear to be original to the rooms, the items are not evident in any of the historic photographs surveyed in the course of this report, so their historical association with the Chalet does not appear to be strong and enduring. Some, including the Art Deco dining table and chairs in the Music Room ( MBC0038.2) ... appear to be domestic furnishings rather than those of a 'resort house'. Two blonde wood chairs with brown leather seats. Carved floral design at back, top of chairs. -
Bacchus Marsh & District Historical Society
Album, Jeremeas Family Album of Photographs of Bacchus Marsh and District in 1883 by Stevenson and McNicoll
In late 1883 the Melbourne based photographers Stevenson and McNicoll visited the Bacchus Marsh township and nearby districts. They are known to have been visiting the town in September 1883 and by November 1883 they were reported to have moved on to Myrniong and Ballan. During their visit they took numerous photographs. The images produced comprise scenes of shops and businesses in Bacchus Marsh, public buildings like the Court House and Bacchus Marsh Primary School, houses and their owners and several broader views of streets. The photos were then offered for sale. Photography businesses also sold albums for purchasers to display their photos.A unique and comprehensive set of images of people and places in the Bacchus Marsh town and district at a particular period in time, September-November 1883. This album of "carte de visites" photographs presents a rare compilation of the work of the Stevenson and McNicoll photography business. This team of photographers are known to have made several visits to towns and districts in the rural areas of Victoria and southern New South Wales in the 1880s and this album represents a very rare example of their non-portrait photography. The album is an example of the Victorian middle-class fashion to display family photographs for themselves and their visitors. These albums were often very expensive and in themselves evidence of the affluence of the family. They were made possible by the popularisation of photography as a social medium and were a forerunner of the coffee-table book. Medium sized leather-bound album, brown, front cover engraved with gold tooling in a starburst pattern. Pages are gold-lined. The inside front and end covers are in pale blue silk embossed with a gold floral pattern. The metal locking clasp is broken. The front page has a floral wreath of roses and forget-me-nots and a dragon-fly. The word "Album" is in the centre of the wreath, printed in gold in Gothic print. There are nine pages with pockets for four 65mm x 105mm sized "carte de visites" style photographs. Several feature pages have a single pocket for a larger photograph, or double pockets, possibly designed for family portraits. These portrait pages are also decorated with floral wreaths and insects, reflecting the theme of the frontispiece page. The smaller photos in the album were taken by the Melbourne photographers Stevenson and McNicoll, There are 48 of these smaller images. The images were created around September 1883 when photographers for Stevenson and McNicoll are known to have visited Bacchus Marsh and district. The images comprise scenes of shops and businesses in Bacchus Marsh, public buildings like the Court House and Bacchus Marsh Primary School, houses with their owners and several broader views of streets. References to various photos being created and being available for sale are mentioned in the Bacchus Marsh Express newspaper during September to November 1883. Each smaller photo has printed on the verso: Light & Truth. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to Stevenson & McNicoll, late Benson & McNicoll, Photographers. 108 Elizabeth Street, Melbourne.bacchus marsh vic. history, streetscapes, shops bacchus marsh vic., roads and streets bacchus marsh vic., stevenson and mcnicoll photographers, stevenson and mcnicoll 1883 photographs of bacchus marsh and district -
Parks Victoria - Cape Nelson Lightstation
Furniture - Bookcase
Their polished wood finish appears to be original to their date of manufacture during the 1960s‐70s. They were located in the head keeper’s and assistant keepers’ quarters, where their use for office purposes also may have crossed over to a domestic function. In the post‐war years the Commonwealth Lighthouse Service (CLS) introduced modern, low‐cost furnishings to lightstations. Most notably, it commissioned a number of light, compact and functional items in bulk from émigré designer, Steven Kalmar (1909‐ 1989), who played a significant role in popularising modernist design concepts in Australia and drew his ideas from Scandinavian and American design trends. Born in Hungary, he trained as an architect and his contemporary affordable furnishings were especially suitable for the open‐plan houses being built in Australia’s new post‐war suburbs. It is not known whether the bookcases bear the Kalmar label, but the design, particularly the legs and bar bracing, is a signature style that is associated with his Sydney‐based firm, Kalmar Interiors. The CLS supplied the same bookshelves to a number of other lightstations, including Point Hicks, Cape Otway and Gabo Island, as well as other types of furnishings such as tables and cabinets. The bookcases have first level contributory significance as examples of the modernist furnishings that the Sydney‐based firm, Kalmar Interiors supplied to the Commonwealth Lighthouse Service in the post‐war years.The bookcases stand at about bench level and are almost square in dimension. They have two adjustable shelves as well as the base shelf and stand on legs supported by a single stretcher with a polished wood finish. -
Beechworth Historic Courthouse
Ball and chain
A ball and chain was a physical restraint device historically applied to prisoners, primarily in the British Empire and its former colonies, from the 17th century until as late as the mid-20th century. A type of shackle, the ball and chain is designed so that the weight of the iron ball at the end of the short chain restricts and limits the pace at which its wearer is able to move, making any attempt at escape much more difficult. The ball and chain is on loan from Robert Simpson and is used in displays at the Beechworth court House to interpret law enforcement.One large leg iron with heavy chain and heavy ball. ball and chain, leg irons, beechworth historic court house, beechworth, physical restraint, punishment, gaol -
Parks Victoria - Gabo Island Lightstation
Cabinet
Cupboard is original to Lighthouse. This nineteenth century cedar furnishing has two doors and one internal shelf. It remains in the lighthouse although its original location was probably the lantern room, where similar surviving cabinets are more typically found. It was purpose built for the lighthouse with a curved back to fit the proportions of the tower interior with the wood reputed to have originated from a partition in the assistant lightkeepers’ houses, and the cupboard doors possibly crafted at a different time. Curved cabinets similar to this example can be found at three other early lighthouses investigated by this study. It is possible that these specially designed cabinets were included in the standard complement of furnishings provided to the colony’s lightstations by the Victorian Public Works Department. Other similar cabinets with curved backs remain in the Point Hicks Lighthouse and at Cape Nelson (two examples )and Cape Schanck, which has a curved front as well as back .The Gabo Island cabinet has first level contributory significance for its historic value, uniqueness, provenance to the lightstation and clear association with the functions of the lighthouse lantern room.Two door wooden (cedar) cabinet. One internal shelf, panelled, curved back. Doors are attached. Frame has been stripped, doors are unpainted. -
Parks Victoria - Gabo Island Lightstation
Tables
Commonwealth government issue. This nest of tables are currently in use by the lighthouse staff.The set of three tables of descending size are designed in the same distinctive style as the bookcases and share the same wood type and finish (GILS 0012.2). Information on the underside of the tables indicates they were purchased by the Commonwealth through the Department of Transport for the CLS. The design bears the stylistic marks of the easily recognisable furnishings produced by the Kalmar firm, Sydney. Steven Kalmar (1909-1989), who migrated to Australia in 1939 and opened his own interiors business in 1949, played a significant role in popularising modernist design concepts in Australia drawing his ideas from Scandinavian and American trends. Born in Hungary, he trained as an architect and his contemporary affordable furnishings were especially suitable for the open-plan houses built in Australia’s new post-war suburbs. He closed the retail side of this in 1957 and concentrated on commissions, some for large-scale orders. One of these bulk orders came from the Commonwealth Government sometime between 1957 and the early 1970s, with several examples of light, compact and functional domestic furnishings supplied to lightstations in Victoria. Because the order was placed by the CLS, it is possible that Kalmar furnishings were also provided to lightstations in other states. Additional examples at Gabo Island include three bedside tables (GILS 0042.2 & 0076.10), chest of drawers (GILS 0077) and two bookcases (GILS 0012.2), with the backs of at least two of the furnishings bearing the Kalmar label. Kalmar furnishings in the other Victorian lightstations investigated by this study include bookcases at Cape Otway, Cape Nelson (3 examples) and Point Hicks (2 examples); two bedside tables at Cape Otway, and a long coffee table at Wilsons Promontory. The set of tables has first level contributory significance for their clear provenance, completeness and association with Steven Kalmar whose functional designs introduced modern, low cost furnishings to a number of Australia’s lightstations.Nest of three Scandinavian style tables, solid wood. Curved U shaped legs, one bar at base of table.Underside of GILS007.3:"C of A / D.O.T 1444248" (Commonwealth of Australia, Department of Transport.) •All tables have "16" on underside. -
Parks Victoria - Gabo Island Lightstation
Locker, flag
Probably used in the past to house the Signal Flag set at the lightstation. Appears to have been stored in the old stables for a number of years.The rectangular wooden cabinet has the distinctive features of a flag locker, comprising numerous open compartments of the same size each for storing a signal flag of a unique design. It has three internal shelves and a bench top, and is painted grey, a colour that is used for many of the wooden utilitarian furnishings in the six lightstations Parks Victoria manages. The cabinet, without its flag contents, was found in storage in the old stone stable building and is highly likely to be original to the lightstation. A wooden flag locker is held at Wilsons Promontory Lightstation. A wooden locker comprising two sections of 16 pigeon holes and four cupboard doors is held at Cape Otway The two flag lockers at Cape Nelson Lightstation are included in Victorian Heritage Register for contributing to the significance of the lightstation. The Nelson, Otway and Promontory lockers have associated sets of flags which are original to the lightstations. The Gabo Island cabinet has second level contributory significance for its provenance to the lightstation.Timber cabinet painted grey, partitioned with numerous open compartments of the same size . -
Parks Victoria - Point Hicks Lightstation
Bookcase (2)
The two identical bookcases probably date to the 1960s-70s period and retain their original light wood finish. They contain two adjustable shelves as well as the base shelf and stand on four legs braced by a stretcher extending across the front and around the sides. The bracing and the angled slightly curved front legs, which do not align with corners of the cabinet, produce the appearance of a box resting on a separate frame. These modern style bookshelves are examples of the low-cost furnishings that the Commonwealth Lighthouse Service (CLS) introduced to Australian lightstations in the post-war years. Most notably, it commissioned a number of light, compact and functional items in bulk from émigré designer, Steven Kalmar (1909-1989), who played a significant role in popularising modernist design concepts in Australia and drew his ideas from Scandinavian and American design trends. Born in Hungary, he trained as an architect and his contemporary affordable furnishings were especially suitable for the open-plan houses being built in Australia’s new post-war suburbs. It is not known whether the bookcases bear the Kalmar label, but the design, particularly the legs and bar bracing, is a signature style of his Sydney-based firm, Kalmar Interiors. The CLS supplied the same bookshelves to a number of other lightstations, including Cape Nelson (3 examples), Cape Otway and Gabo Island (2 examples), as well as other types of furnishings such as tables and nests of coffee tables, cabinets, drawers, bedside tables. The Point Hicks bookcases original function was more likely office-related rather than domestic. The bookcases have first level contributory significance for their provenance and historic value as examples of the modernist furnishings that the Sydney-based firm, Kalmar Interiors supplied to the Commonwealth Lighthouse Service in the post-war years.Two bookcases in the Scandinavian style. Each have 3 internal shelves and four legs, light coloured wood. -
Melton City Libraries
Photograph, The Cairn- Jimmy Melrose's plane crash site, 1988
Edna Barrie at the cairn, photo received from Graeme Minns in 1988. The cairn marks the site of Jimmy Melrose's plane crash in Melton South. The accident which happened on July 5th 1936. In 1934 Melrose made headlines with a series of spectacular flights. In July of that year, he set around Australia record and in that year established a new solo Australia England record when he flew to England to compete in the MacRoberston race with a De Havilland Puss Moth VH- YQO. The only Australian and the only solo pilot to complete the course within the time limit. He was seventh in finishing order and third in the handicap section making news again during the race with a dramatic landing in Darwin with empty fuel tanks. Late in 1935 Melrose imported the Phoenix for his “Adelaide to Anywhere” Charter Service. The previous year the Heston Aircraft Company had taken over the interests of the well known Comper Aircraft Company, and the first production of the new firm was the Phoenix, a single-engined all wooden five seater machine of sesquiplane configuration. The forward half of the fuselage was a streamlined rectangular section and the rear portion was a monocogue shell; the whole was of plywood fabric covered. The wing was built up of spruce box spars and lattice ribs, ply covered from the leading edge to the front spar and the fabric covered over the remainder. The tail surfaces were of similar construction. The most notable feature of the design was the lower stub wing which ran right across the fuselage embodying two box spars, plywood covered it housed the main undercarriage wheels when retracted and provided a substantial anchorage for the Nu form wing struts. The Dowty undercarriage retracted inwards, operated manually by hydraulic packs, Dual control fitted, with side by side seating for the pilots and three passenger seats behind. Power was a 200 h.p. De Havilland Gipsy VI 6 cylinder inverted in-line air-cooled engine. Six Phoenix were built; five of them registered in Great Britain and one of those was later sold abroad the remaining four were impressed into the R.A.F. in 1940. Specifications were: 40 feet 4 inches length 30 ft 2 ins height, 9ft 7ins, wing area 270 sq ft, Tare weight 2,600lbs loaded weight 3,300lbs; cruising speed 360 m.p.h. landing 50mph ceiling 14,000 ft range 700 miles. Melrose’s machine the first production aircraft was built early in 1936 and test flown of the 24th March. Painted green it carries the words “South Australian Centenary 1936” in silver of the fuselage and the name “Billing on the engine cowling in honor of Melrose’s uncle Noel Pemberton Billing, pioneer designer and founder of the Supermarine Aviation Company. The delivery flight was planned as a goodwill mission to publicise the forthcoming South Australian Centenary celebrations. Melrose left Dympne on the 9th April 1936, and flying via Marseilles, Naples, Athens, Baghdad, Basra, Karachi, Jodphur, Calcutta, Akyab, Penang, Singapore, Lombok, Darwin, Newcastle Waters and Alice Springs reached Adelaide on the 25th of April. Continuing the goodwill flight to other States, he visited Melbourne, Sydney, Newcastle, Grafton, Brisbane, Coff’s Harbour, Sydney again, Launceston, Hobart and Mount Gambier before returning to Adelaide on the 13th May. During June Jimmy made some charter flights and early in July was engaged by Mr. A.J. Campbell a director of several mining companies from Melbourne to Darwin to commence at Essendon on the4th July. However on that day low cloud and steady rain caused the postponement. There was little improvement and Melrose was advised to delay the departure again. However he wished to reach Oodnadatta that night, and when he observed the break in the clouds decided to leave. He planned to climb above the cloud and fly to Adelaide at 3,000 feet. The aircraft was airborne about 8.10 a.m. and was last seen from Essendon climbing above the clouds. At 8.45 people at Melton (30 miles West of Melbourne) heard an approaching aircraft. The engine noise increased abnormally and eye witnesses saw the machine fall out of control from the cloud base about 800 feet and then disintegrate, fragments were scattered for 1½ miles and both occupants were killed. Hand written carbon copy by Edna Barrie.Typed by Wendy Barrie March 2014 Last Flight of Jimmy Melrose by John Burke Parade Magazine July 1972 Page 2 –4 This article gives the take off time of 7.50 am from Essendon Airport Eyewitness account at the time Maisie Arthur’s description. Newspaper article. Edna Barrie at the site of the 'Cairn'local identities, local significant events -
Wodonga & District Historical Society Inc
Drawing - Cambourne House, Kevin P. Clark, 1984
... have been credited with the design of Cambourne. The house... have been credited with the design of Cambourne. The house ...Cambourne homestead was built by 1903 for Rebecca S. Carkeek, who purchased the property in Wodonga in 1899. Cambourne is situated on the original Wodonga run which was established in 1836. The township of Belvoir, later renamed as Wodonga. In 1855 the pre-emptive right of 171 acres of the Wodonga run was granted and sold the following year. The allotments on which the five-acre Cambourne property developed, were purchased in 1873 and 1876, coinciding with the opening of the railway from Melbourne. The property was purchased by Rebecca Carkeek in June 1899, wife of William Carkeek, publican of Wodonga and shire councillor. Local architects Gordon and Gordon have been credited with the design of Cambourne. The house at Cambourne was built at some stage between 1900 and 1903 as a large single storey homestead. It was constructed in red brick with corrugated iron roof and encircling verandah. Cambourne is a probable work of architects Gordon and Gordon, it is amongst their best preserved and one of their few surviving buildings in Victoria. Today Cambourne remains on a reduced allotment due to the acquisition of land in 1972 by the Country Roads Board and in 2006 by Vic Roads for road works adjacent to the property.This drawing is significant as a representation of Cambourne in Wodonga. Cambourne is of historical significance due to its links with the early settlement of the district and as an example of closer settlement which occurred in regional centres of the State. Cambourne, Wodonga is also of architectural significance as a largely intact late Victorian style house with elaborate decorative cast iron work and distinctive transverse plan. As a probable work of architects Gordon and Gordon, it is amongst their best preserved and one of their few surviving buildings in Victoria. A framed drawing of historic home, Cambourne in Wodonga. The drawing has been mounted and framed.On bottom right corner" Kevin P. Clark 1984"cambourne wodonga, gordon and gordon architects, historic buildings wodonga, heritage buildings wodonga -
Wodonga & District Historical Society Inc
Photograph - Cambourne House
... architects Gordon and Gordon have been credited with the design... have been credited with the design of Cambourne. The house ...Cambourne homestead was built by 1903 for Rebecca S. Carkeek, who purchased the property in Wodonga in 1899. Cambourne is situated on the original Wodonga Run which was established in 1836. In 1855 the pre-emptive right of 171 acres of the Wodonga Run was granted and sold the following year. The allotments on which the five-acre Cambourne property developed, were purchased in 1873 and 1876, coinciding with the opening of the Railway from Melbourne. The property was purchased by Rebecca Carkeek in June 1899, wife of William Carkeek, Publican of Wodonga and Shire Councillor. Local architects Gordon and Gordon have been credited with the design of Cambourne. The house at Cambourne was built at some stage between 1900 and 1903 as a large single storey homestead. It was constructed in red brick with corrugated iron roof and encircling verandah. Cambourne is a probable work of architects Gordon and Gordon, it is amongst their best preserved and one of their few surviving buildings in Victoria. Today Cambourne remains on a reduced allotment due to the acquisition of land in 1972 by the Country Roads Board and in 2006 by Vic Roads for road works adjacent to the property.Cambourne, Wodonga is of architectural and historical significance to the State of Victoria.A set of coloured photos depicting Cambourne in Wodonga. Part of a collection documented a heritage listed pioneer home.cambourne wodonga, cambourne homestead wodonga, historic buildings wodonga