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Royal District Nursing Service (now known as Bolton Clarke)
Photograph - Photograph, black and white, c. 1967
This photograph depicts Post-Natal care being given by a Royal District Nursing Service (RDNS), Sister who is working in the RDNS Domiciliary Infant and Maternal Care (DIMC) section of the Service. The photograph is taken in the home of the mother and baby and the Sister is in the process of putting the baby onto the Baby scales to ascertain the babe's weight. Sisters employed in the DIMC section of RDNS gave Post-natal care to both the mother and her newly born babe when they were discharged early from hospital. This photograph was taken in the year following Melbourne District Nursing Service (MDNS) being granted Royal patronage in 1966 and becoming Royal District Nursing Service. The Sister is wearing the the same grey uniform frock used by MDNS but the badge on her peaked cap has changed from a red Maltese cross to a metal round silver badge with a royal blue circle around the edge with the words 'Royal District Nursing Service' in white capital letters running inside the blue circle.The centre of the badge is divided into three sections; a silver rising sun top and bottom, and a thick royal blue horizontal central strip with 'RDNS' written in large white capital letters. This uniform continued to be worn until 1971 when it changed colour and style. In August 1893 Melbourne District Nursing Society (MDNS), commenced a Midwifery Service with Nurse Fowler, who trained in a Hospital and was qualified in General nursing and Midwifery nursing, being the first Midwife employed. Mothers were assessed for suitability of a home birth, or if they required delivery at the Women’s Hospital. The Midwife worked in conjunction with the Doctors at the Women’s Hospital and if a complication arose the patient was transferred to their care. Following birth they gave Post-Natal care to both the mother and babe. In 1898 the service ceased due to lack of funds but recommenced in 1906, and in the August 1925 Annual Report the number of MDNS home births was recorded at 478. MDNS built the After-Care Home and an Anti-Natal Clinic was opened in 1930. The last Ante-Natal clinic was held there in December 1951 and the MDNS Midwifery service ceased in February 1952. In 1964 MDNS commenced a Post-Natal service with General and Midwifery trained MDNS Sisters working from a room at Footscray Hospital, and visiting early discharged Footscray Hospital maternity cases at home. Now as Royal District Nursing Service (RDNS), this service was extended to a Domiciliary Infant and Maternal Care, (DIMC) service operating from most Centres and visiting early discharged, often 24 hours after birth, maternity cases from hospitals to give post-natal care to the mother and babe. Many Sisters working in this area had a Certificate in Infant Welfare as well as their General and Midwifery Certificates.In the right rear of this black and white photograph is a Royal District Nursing Service, (RDNS), Sister who is wearing a white gown over her uniform, and wearing her grey peaked hat with the RDNS badge visible, looking down at a baby she is about to weigh. The baby has sparse dark hair, is wearing a white singlet and is crying. The Baby scales, which are sitting on a table in front of the Sister, are white with a rectangular base and curved sided tray on the top. The Sister is standing behind the scales, and is supporting the babe's body with her right hand and holding baby's legs with her left hand as she lowers babe fully onto the scales. On the left of the photograph, the mother, who has long dark hair with a hair scarf holding it back, and is wearing a striped frock, is siting on a chair with her arms crossed at her waist, and is smiling at her babe as she observes proceedings.. Photographers Stampmdns, melbourne district nursing society, melbourne district nursing service, rdns, royal district nursing service, rdns domiciliary postnatal service, dimc -
Royal District Nursing Service (now known as Bolton Clarke)
Photograph - Photograph, black and white, c.1967
The demonstration is being carried out in the bathroom at RDNS Headquarter, 452 St. Kilda Road, Melbourne. The Sisters are wearing their grey RDNS uniforms and red cardigans of that era. From the founding of the Melbourne District Nursing Society (MDNS) in 1885, known as Royal District Nursing Service (RDNS) from 1966, the rehabilitation of patients to insure they were able to live independently in their own homes was at the forefront of care given by their Trained nurses. As well as teaching and supervising the use of equipment, their Trained nurses taught them safe transfer techniques. These techniques were also taught to family members to enable them to care for their loved ones. RDNS at first held workshops given by a contracted private Physiotherapist before employing their own Physiotherapist in 1975 who taught staff the correct techniques, not only for safety of the patient, but to reduce physical strain on RDNS nursing staff and patient’s family members. When required the Physiotherapist accompanied the Sister on her visit to the patient in their home.staff to be trained in techniques by RDNS Physiotherapists.Black and white photograph showing a safety technique demonstration. Royal District Nursing Service (RDNS) Sister Liz Thomson, with her hair drawn back, is wearing a white gown over her uniform and is being transferred by Sister Betty McDonald, dark short curled hair. She has her arms extended supporting Sr. Thomson onto a bath seat. Sister Thomson has her left leg over the bath and the wooden bath seat can be seen positioned in the upper section of a white bath. Sister Joanne Wilkinson, who has short straight dark hair is on the right observing. Both Sr. McDonald and Sr. Wilkinson are wearing their RDNS uniforms of a dark cardigan over a grey frock. A white tiled wall with a strip of dark tiles is behind the bath.with metal piping attached to the right tiled wall and running to taps over the bath. A window is seen to the left of the tiled wall. Photographers stamp and Quote No. GW 8royal district nursing service, rdns, rdns education, equipment, liz thomson, betty mcdonald, joanne wilkinson -
Melbourne Legacy
Medal, Australian Service Medal and Pacific Star Medal, 1949
The Australian Service Medal and Pacific Star Medal that were awarded to Private Arthur Norman Comben VX26251 for his war service in World War Two. From the AWM website Private Arthur N Comden of the 2/21st Australian Infantry Battalion, who died on Hainan Island, China, on 27 June 1945. The DVA records show he was born 6 April 1907 in Yarraville and enlisted on 17 June 1940 whilst residing in Coopers Creek Victoria. His next of kin was shown as H Dilks. Also that he had been a prisoner of war. His connection with Legacy is not known, he may have been a junior legatee though there's no record of his father Arthur John Louis Comben serving for Australia in WW1. More research is needed to check, it is possible the medals were donated to Legacy as no family members wanted them. Additional information provided by a distant relative - Arthur's mother (Mary Eleanor Norman) remarried twice after his fathers death in 1911. His stepfather Horace Dilks served in World War 1 with the 2nd Pioneer Battalion.These are examples of World War 2 medals awarded to a serviceman who participated in the conflict in the Pacific region. Many returned servicemen joined Legacy after World War 2 and would have had similar medals.Silver circular medal and bronze star shaped medal from World War 2 mounted on ribbons initially together by a safety pin. 01700.1 The medal is nickel silver with the crowned effigy of King George VI on the obverse. The reverse has the Australian coat of arms, placed centrally, surrounded by the words ‘THE AUSTRALIA SERVICE MEDAL 1939-1945’. The normal ribbon is missing and it is on the ribbon meant for the UK War Medal which is of red, white and blue to represent the colours of the Union Flag. 01700.2 The six–pointed star is yellow copper zinc alloy. The obverse has a central design of the Royal and Imperial cypher, surmounted by a crown. The cypher is surrounded by a circlet containing the words ‘The Pacific Star’. The ribbon has central yellow and green stripes that represent the forests and the beaches of the Pacific, flanked dark blue, light blue and red stripes that represent the service of the Naval Forces and Merchant Navy, the Air Forces and the Armies.Both engraved with 'VX26251 A. N. Comben'.medals, world war two, arthur comden -
Melbourne Tram Museum
Functional object - Ticket punch, Set of four, c1960
Set of four brass cast, chrome plated, machined, device or ticket punches used to cancel or punch paper tickets when purchased. Placed a shaped hole in the ticket. Spring loaded, consists of two main parts with a pin & spring from coiled wire and fitted with formed wire retaining hole fitted to one of the arms. Some of the chrome plating has been worn off. There are no manufacturer markings on the punches. See https://onlineriver.com/transit-punches/ accessed 6-11-2017 for details of the new equivalent punches. .1 - number G9 - punches a five cornered hole would have been used at the Glenhuntly Depot .2 - number K127 - punches a six cornered rounded hole - would have been used at Preston Depot .3 - number P108 - punches a rounded oblong hole - would have been used at Kew Depot. .4 - number 1096 - punches a small crossed hole.trams, tramways, ticket punch, tickets, fares, conductors, preston depot, kew depot, glenhuntly tram depot -
Flagstaff Hill Maritime Museum and Village
Domestic object - Iron, Mrs Florence Potts, Late 19th to early 20th century
Sad irons of the 19th century were so named because of the weight 1.8Kg that was needed to press wrinkled clothes and sheets. They were made of solid metal, including the handle. When the iron was heated, this meant that the handle would also heat up. The user would have to use a thick cloth or a mitt of some sort before they could pick up the iron. Even so, burns and blisters, as well as strained, tired arms, were a normal part of the “ironing day.” Mrs Mary Florence Potts of Ottumwa, Iowa, brought a change to the world of ironing. At the age of 19, in 1870, she invented her first sad iron. It had a hollow metal body that could be filled with a non-conducting material such as plaster of Paris. In 1871, Mary invented the removable wood handle, so that it could be changed from the cool iron to one that was hot and ready to use. A final improvement was the shape: Mary made both ends pointed so its user could iron in either direction. All of these inventions were patented under her name, a rarity for the time. Mary, with the help of her husband, tried unsuccessfully to market her invention on her own. It wasn't until she sold the sales rights to the American Manufacturing Company that sales took off. Advertised as "Mrs Potts' sad iron," it became a sensation. The company manufactured the iron from about 1876 to 1951. Mrs Potts' sad iron became a household word and a standard for future inventors to have to surpass. This didn't happen until 1882 when Henry W. Seely patented the first electric iron. The item is significant not only as a usable domestic tool, but it was, at the time of its creation, a revolutionary labour-saving device. Mrs Potts invention remains associated with a housewife's answer to the domestic drudgery of ironing.Iron,"Mrs Potts" pattern iron. Semi-circular or 'D' shaped wood handle and wood knob.Mrs Pottsflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, flagstaff hill maritime village, great ocean road, iron, clothes iron, flat iron, laundry, sad iron, mrs potts -
Kew Historical Society Inc
Map, Whitehead's Map of Victoria, With Alphabetical Key, 1869
When E. Whitehead's New Map of Victoria was released in 1869, an advertisement in the Bendigo Advertiser (16 July 1869) noted that: "This beautifully engraved Map has been revised and brought down to the present time; and, with the Alphabetical Key, is the most complete and the cheapest Map ever published; Price, 6d plain; 1s colored; 2s 6d in case; on linen, post free, 2d extra. E.. WHITEHEAD and CO, Publishers, 67 Collins-street east." The following year, 1870, Whitehead's promoted the edition in the Portland Guardian and Normanby General Advertiser (3 January 1870), advising that: "WHITEHEAD'S NEW MAP OF VICTORIA, 1869 ... is corrected to the latest date, and around is arranged an Alphabetical Key, with Post Towns and Money Order Olffices marked. The Map being divided into squares and numbered, by reference to the Key any place can be found immediately. Price Is beautifully colored, or mounted on linen in case, 2s 6d. Post free, 2d extra, in Victoria. B. Whitehead and C0., Puolishers, 67 Collins-street East, Melbourne". In the same edition of the Portland Advertiser, they also promoted their business generally, saying: "E WHITEHEAD and Co., Stationers, Engravers, Lithographers, 67 Collins street East, execute every description of Lithographic PRINTING, BILL-HEADS. NOTE Headings. Business Dies Engraved and Embossed on Envelopes &c. ARMS, MONOGRAMS, AND CRESTS Engraved and Embossed in Colour, superior to any other house in the Colony. Specimens, post free, 2d. Lithographers, &c, to H.R.H. the Duke of Edinburgh, and Die-inkers and Embossers to His Excellency Sir J. H. T. Manners-Sutton, K C.B. Orders executed for the Trade". Whitehead’s New Map of Victoria 1869 is is an important record of region created towards the end of the Victorian Gold Rush (1851-1869). In addition to its historical significance, this is a rare map, of which the only known copies in Australian public collections are those held at the National Library of Australia, the State Library of Victoria, State Library of New South Wales and the University of Queensland Library.Map of Victoria with gold mining areas, notes on topography, transport routes. Relief shown by hachures. List of towns with distance from Melbourne in map margin. [Melbourne] : Printed & Published by ... E Whitehead & Co ... 67 Collins Street East, 1869 1 map : col., mounted on linen ; 38.4 x 55.4 cm, folded to 18 x 12 cm.Cover "WHITEHEAD'S NEW MAP OF VICTORIA 1869"maps - victoria - 1860s, e whitehead's new map of victoria 1869, whitehead's map of victoria with alphabetical key 1869, cartography, gold rush -
Wodonga & District Historical Society Inc
Work on paper - Sketch - The School of Military Survey, Bonegilla, 1970s
Bonegilla operated as an army base from September 1940 and by 1943 was expanded to 848 buildings, including a general hospital. It provided training for small arms instructors, signallers, transport workers, bomb disposal and gas warfare personnel. In a response to the need to house the growing number of displaced persons coming to Australia, the Bonegilla Reception and Training Centre began operating in 1947. For some time it was a shared facility but the Army withdrew temporarily from Bonegilla in 1949, whilst still retaining ownership of the site. From 1949-65 Bonegilla Reception and Training Centre operated without a military presence. However, in the late 1960s and Australia’s commitments to the Vietnam War and pressed by the need to find accommodation to train men, especially National Servicemen, the Army negotiated with the Department of Immigration to take over several blocks at Bonegilla in 1965. Thirty-five huts were acquired by the Royal Australian Army Ordnance Corps as a Recruit Training Centre in which National Servicemen and recruits could attend 10-week ordnance courses. Shortly afterwards additional huts were acquired by the School of Military Survey, which established field-survey practical training areas and special astronomical observation sites as it began conducting courses in surveying. Instructors and trainees co-located at Bonegilla with migrant reception centre. In 1971 the Reception Centre closed and the site reverted to the Army. Progressively after 1971 the Army undertook a major site redevelopment with the construction of Latchford Barracks as the Army Apprentice School. Later Latchford Barracks was redeveloped into part of the Army Logistic Training Centre. Block 19 of the Mirant Reception Centre later became the Bonegilla Migrant Experience Heritage Park.This item depicts a heritage listed historical site located in the Wodonga district.A large poster size representation of the variety of buildings at Bonegilla, Victoria when it served as the location for the Royal Australian School of Military Survey. The insignia of the Royal Australian Survey Corps is featured in the top left hand corner.Top left corner: Insignia of the Royal Australian Survey Corps At bottom of sketches: "The School of Military Survey, Bonegilla Victoria / January 1966 - December 1982migrant reception centre bonegilla, army at bonegilla, australian military -
Bendigo Military Museum
Uniform - SHIRT, TROUSERS, NECKTIE, SERVICE DRESS - ARMY, Australian Defence Industries, 2006
1. Shirt - light khaki colour cotton/polyester fabric. Long sleeves, shoulder epaulettes, two front pockets with button down flap. Plastic buttons. Left sleeve - oval fabric patch embroidered Rising Sun Badge "THE AUSTRALIAN ARMY" - fabric patch, embroidered, crossed rifles. Right sleeve - fabric patch embroidered, Parachute Wings. Left and Right sleeve fabric patch embroidered, Australian Coat of Arms - Warrant Officer, 1st Class, white cotton manufacturers label below collar - illegible. 2. Trousers, Khaki colour wool/polyester fabric. Service Dress style with fob pocket, two side pockets, one back pocket with button down flap. Plastic buttons, metal zipper fly, khaki colour polyester fabric waist and pocket lining. White cotton manufacturer's label back pocket. 3. Necktie - khaki colour, polyester/viscose fabric with polyester fabric lining, necktie manufacturer's label - black cotton with white print.uniform, army, service dress -
Kiewa Valley Historical Society
Scales Weighing, early 1900's
Although these scales cannot be identified against a historical period of Australian development they are therefore placed in a time frame when commercial markings from manufacurers were not important enough to have domestic kitchen items labeled. These cast iron scales were made for domestic and possibly rural areas and not for cities where demand for known branded utensils was more an issue. These scales are very "basic" and not to the level of weighing detail that commercial scales had to be at. These scales do not show any visible markers for accurate measurement. The "near enough is good enough" principle can be related to these scales.These scales are significant as they identify one of the basic preparation items for the weighing of foodstuff before the televising of "cooking" shows (1960s onward). The meals for which quantity measurements are required for domestic cooking is not exact however the use of cup measurements for large dishes is tedious and these scales offer the capacity for a larger mixture and an easier method for the "cook". As the need for accurate measurements of ingrediants for rural domestic meals has in the past been not been critical the requirement of accuracy that these scales do not provide is of no consequence. Domestic kitchens in the Kiewa Valley and the type of meals produced would not have required the accuracy of ingrediants that "modern " international cuisines of the later 1900's require. These kitchen scale were used whenrecipes had the terms "pinch, dollop, squidge and smidgen" were about as accurate as most recipes needed to be.Black cast iron, medium weighing scales, with a two arm cradle. On one side of the cradle is a two half circle holding frame for the retention of the metal container scoop. This light weight steel scoop/dish allows for the weighing of loose grain or similar type material to be contained and held in place for establish its saleable contents. On the other side of the weighing cradle is a flat circular platform to hold various metal disc. All the disks used on this platform have their weight stamped on them. When the produced filled in the scoop balances with the metal weight on the opposite end of the balance match (visual horizontal appraisal) the appropriate quantity required is obtained. This scale does not have any visual markings on the arms to identify a true balance. It is therefore reasonable to assume that these scales were for domestic use only and not for commercial transactions. There are two weights that are useable with these scales, one is stamped "1 lB"(pound) and one stamped "1" and both are made as a solid round piece of cast metal.The smaller disc has a "1 lb" moulded and pressed form within a marked inner circle and a mouled ridge outer circle enclosure. The other weight is slightly larger and has a moulded "1" located on the top within a raised circular edge.domestic kitchen scales, weighing scales, metal scales -
Kiewa Valley Historical Society
Camera Box Brownie Folding, Six 20 Folding Brownie KodetteII, Circa 1948 to late 1970s
This camera was made for the mobile photographer and the camera manufacturer Kodak was at the peak of production. Mr. George Eastman, the company's founder, who invented roll film, which could withstand the outdoor activities and therefor replaced photographic plates. In 1900, the Box Brownie camera was first released Kodak's motto was' "You push the button, we do the rest," The film used in this camera was Kodak Verichrome 620 introduced in 1936 and only went out of production 2009. This camera was a vintage 1970s one. Between 1963 and 1970 the company sold 50 million of this type of camera. The production of smaller and more user friendly digital cameras, mainly from Japan finally nailed the coffin lid on the Kodak Company. Ironically, one of Kodak's engineers called Steve Sasson, devised a camera that could save images using electronic circuits. The images were transferred onto a tape cassette and were viewable by attaching the camera to a TV screen, however Kodak tried to maintain its photographic film products beyond its "use by date". In1975 Kodak becomes the first company to make a digital camera, however the Japanese manufacturers could make smaller and more compact cameras ending Kodak's monopoly and eventual demise.This particular "box brownie" was used by Margaret Shefford, nee Turner, who with her husband retired, in the 1980s, to Mount Beauty. The camera was purchased in the 197's and used on their cruise to England. The significance of this item is that at the time of its introduction to Mount Beauty the camera was a "state of the art", for general public, camera introduced by an ever increasing influx of retirees. This identifies the Kiewa Valley not only as an attraction for sightseers and overseas tourists but also retirees. The social implications of this trend will continue to provide a broader requirement for medical and other facilities geared up to the requirements of an aging population. As a lot of cities in Australia have increasing levels of violence (mainly drug related) rural "retreats" are becoming more sought after by sections of "the gentle populous"This is a black metal rectangular camera, rounded on the ends and has silver colored fittings(stainless steel) and a small leather handle on hinges the left side (facing the lens). The folding lens and shutter component fold out from the main compartment. Two metal arms swing out and hold the lens and collapsible lens body to the required length. When not in use this collapsible (folding) lens extension is fastened to the main body structure providing security and preventing damage to the folding material. The camera has a collapsible eye piece or view finder at the top end. The right hand bottom end has a cylindrical film wider (polished steel). Inside there are two cylindrical cavities, one holding the roll of unexposed film and the other (winder) end a cylinder onto which the unexposed film is wound through for each picture frame. There is a locking mechanism to hold the folding lens structure to the main box structure. See KVHS 0419B for its carrying caseNo external makings but when the lens is folded out it exposes manufacturing information on metal base around the lens " Kodette II B I shutter"(B= Bulb and I= Instant), underneath this, in larger print, is "'FOLDING 'BROWNIE' SIX - 20" below the lens and in smaller print, "made in Great Britain" and underneath this "by KODAK ltd"kodak kodette ii, folding brownie camera, photography, hobby personal item, tourist gadgets. -
Bendigo Historical Society Inc.
Document - ROYAL PRINCESS THEATRE COLLECTION: AUSTRALIA DAY 1915 PROGRAMME, 30 July 1915
Princess Theatre, Australia Day, Friday, July 30th, 1915. Programme - Part 1. 'Comrades in Arms', Combined Masonic Choir. Land of hope and Glory, Miss E Linane. The Watch on the Rhine, Mr J F Warren. The Sea is England's Glory, Miss A Macoboy. The Yankee Colonel, Mr J K Wlker. There's a Land, Miss Pauline Bindley. The Ballad of Splendid Silence, Miss E O'Keefe. Concert Caprice, Mr T P Bockelmann. Open Thy Blue Eyes, 'Till the Boys Come Home, Miss Clara Colgan. The Boys of Dardanelles, Mr F Monaghan. Accompanist-Mr Stan Elliot. Part II. Pictures will be shown by the Princess Theatre Management. Special Music by the Orchestra (Conductor Mr Upton). Piano kindly lent by Sutton's PTY LTD. Furnishings by Mr R O Henderson. The Committee wish to express their thanks to the Employees of of Messrs. Bolton Bros. for Printing these Programs, and to Messrs. Bolton Bros. for supplying the Paper.Bolton Brosprogram, music, princess theatre, princess theatre, australia day, july 30th, 1915. programme - part 1. 'comrades in arms', combined masonic choir. land of hope and glory, miss e linane. the watch on the rhine, mr j f warren. the sea is england's glory, miss a macoboy. the yankee colonel, mr j k wlker. there's a land, miss pauline bindley. the ballad of splendid silence, miss e o'keefe. concert caprice, mr t p bockelmann. open thy blue eyes, 'till the boys come home, miss clara colgan. the boys of dardanelles, mr f monaghan. accompanist-mr stan elliot. part ii. pictures will be shown by the princess theatre management. special music by the orchestra (conductor mr upton). piano kindly lent by sutton's pty ltd. furnishings by mr r o henderson. the committee wish to express their thanks to the employees of of messrs. bolton bros. for printing and paper -
Bendigo Historical Society Inc.
Document - FRAMED INVITATIONS TO ROYAL VISIT FUNCTIONS, 1867
Invitations to Royal Visit Functions. Mounted on board. Frame removed by Art Gallery staff and remounted for Art Gallery exhibition in 2019. 1. Invitation to the Mayor of Sandhurst, from Reception Committee, to attend a luncheon held at Sandhurst Town Hall on 18th Dec 1867, in honour of the visit of HRH. The Duke of Edinburgh. Printed on cream coloured card with sepia coloured print. Issued Nov 25th 1867. 2. Ticket to admit Mrs Sraut to the levee at the Town Hall on 18th December 1867. Signed by John McIntyre. Mayor, printed on pink card with sepia coloured ink. 3. Invitation to Miss.A.Abel to attend a ball held in celebration of the visit of HRH. Duke of Edinburgh at the Town Hall. Sandhurst. Dec 1867 at 9pm. Coat of Arms of the Duke of Edinburgh at top centre, printed on white card in sepia coloured ink. Initialled bottom right by, G.A.F. 4. Invitation to a function aboard the S.S.Aldinga, issued to the Mayor of Sandhurst, signed by William.B.Gilbert, secretary. Printed on green card by Sands & McDougall. Scdocument, invitations, official celebrations -
Kew Historical Society Inc
Certificate, Town of Kew, Roll of Honor of the Town of Kew : George Norman Pockett, 1918
George Norman Pockett, who was awarded the certificate was the son of George Pockett , who with his brother designed a number of public parks in Melbourne. George Pockett Snr. was the first curator of the Alexandra Gardens in Kew. (see Comment below)Rolls of Honor were awarded to returned soldiers at the end of the First World War by many towns and cities. This framed certificate awarded to George Norman Pockett by the Town of Kew is one of two held in the Collection. The item is well-provenanced, and through the formal use of emblems and images in the design allows us to make judgements about social and cultural values in the period.Framed Illuminated Certificate: A commemorative certificate documenting the war service of George Norman Pockett of 18 Cobden Street, Kew. George Pockett enrolled at the age of 23 on 5 October 1915, as an engineer in the Australian Army. He embarked on HMAT Wiltshire A18 on 18 November 1915. His rank was that of Warrant Officer Armament Artificer in the 4 FAB [Field Artillery Brigade]. The website of the Australian War Memorial records that he was mentioned in dispatches. The formal certificate records that ‘George Norman Pockett served Australia and the Empire in the Great War and in grateful recognition of his voluntary response to his Country’s Call his name is inscribed on the Roll of Honor of the Town of Kew’. The then Mayor and Town Clerk signed the certificate. [Kew did not become a ‘City’ until 1921]. The certificate highlights emblems and symbols of Australia and Great Britain, and includes the coats of arms of the allies in the war. The certificate is customised with two black and white photographs of Kew: the rotunda in the Alexandra Gardens at left, and boating on the Yarra River at right.George Norman Pockett served Australia and the Empire in the Great War and in grateful recognition of his voluntary response to his Country's Call his name is recorded on the Roll of Honor Town of Kew on behalf of the Mayor, Councillors and Burgesses. 1.8.18. E.P. Wynne [Mayor] H. Harrison [Town Clerk]george norman pockett, first world war - memorabilia - certificates, town of kew (vic), kew war memorial - roll of honor, wwi -
Royal District Nursing Service (now known as Bolton Clarke)
Photograph - Photograph, black and white:, 1952
The photograph is taken in Mr. Spartel's home in St. Kilda. The MDNS uniform worn under her white gown was a dark grey cotton frock with a belt. The grey stiffened and brimmed felt hat had a light grey hatband with a red Maltese cross attached in the centre. Sister J. Faust is about to redress a wound on Mr. Spartel's abdomen. The photograph is a record of wound care being given by MDNS trained nurses in a patients home during the 1950s. This photograph appeared along with an article in The Sun newspaper Oct 17 1952.The Trained nurses (Nurses) of the Melbourne District Nursing Society (MDNS), from its inception in 1885, provided wound care to their patients, who ranged in age from the very young to the elderly. As research developed better products and dressing materials, the methods and medication applied to wounds changed. MDNS received Royal patronage in 1966 and as Royal District Nursing Service (RDNS), the Education department developed programs, such as the Wound Specialist program, and the Leg Ulcer Management Program, to provide their Trained nurses (Sisters) with methods of best quality care. The Sisters liaised with the patient’s Doctors and hospitals to provide information on the progress of patient’s wounds and to receive any change of wound care from the Doctors. When RDNS introduced Wound Care Specialists they carried out assessments and provided advice and support to the District Sisters working in the field. On the left of the black and white photograph is Mr. George Spartel, who has dark short curly hair and is lying on his bed. His shoulders and head are resting on the white pillow with his head against the wooden slatted backrest of his bed. His torso is bare and part of a white wound dressing can be seen on his upper abdominal area. A dark grey covering is over the lower portion of his body. He is smiling and looking up at Sister J. Faust from Melbourne District Nursing Society (MDNS) who is standing to the right of his bed.Sister Faust, who has dark curled hair, has her arms raised behind her neck as she reaches the ties on the white gown she is wearing over her uniform. She is wearing her grey brimmed uniform hat. Behind her is a wooden table, with a dark coloured radio on its right, and a jug with a doily over it, on the right.mdns, melbourne district nursing society (1885-1957), nurses, mdns uniforms, rdns, royal district nursing service, rdns wound care, mr george spartel, sister j. faust -
Royal District Nursing Service (now known as Bolton Clarke)
Photograph - Photograph, black and white, 30 06 1965
The MDNS Sister has given nursing care to the gentleman and has transferred him safely into the wheelchair. Whilst doing this the Sister demonstrated the transfer technique to the lady in the photograph who is probably his wife. The Sister is wearing the MDNS uniform of the day, a grey cotton dress and red cardigan, under her white gown. She has a red Maltese cross applied to the centre of her grey peaked hat.From its founding in 1885 the Hospital Trained nurses of the then named Melbourne District Nursing Society (MDNS), later named Royal District Nursing Service (RDNS) gave high quality nursing care to patients in their own homes. They nursed patients referred by Hospitals and General Practitioners giving treatments, such as injections, wound care and doing many other procedures, as well as assisting them with 'general care' when required. The Sisters needed to transfer the patients when required and also taught family members safe transferring techniques to enable them to care for their loved ones. RDNS employed a Physiotherapist who taught staff the correct techniques, not only for safety of the patient, but to reduce physical strain on patient’s family members and the RDNS nursing staff . Where possible the Sisters worked towards independence, using equipment such as shower seats, rails and hand showers. The Sisters liaised with the patient's Doctor and supported and advised the patient and Carer of any further help to assist them.On the left of the black and white photograph is a Melbourne District Nursing Service, (MDNS) Sister, who is wearing glasses and is looking at the camera. She is wearing a white gown over her uniform, with the grey collar and the dark sleeves of her cardigan in view and her grey peaked hat, with an emblazoned Maltese cross in the centre front, sits over her short dark curly hair. Both of her arms are extended and resting on either side of a pillow she is straightening. The Sister is standing next to wheelchair bound man who has short dark hair and is wearing dark trousers and a light coloured jumper. On the right hand side of the wheelchair a lady, wearing a light blouse, grey jumper and tartan skirt, is standing with her left hand resting on the left arm of the man.They are both smiling and looking slightly towards the right in the photograph A 'monkey bar hand grip' is attached to the bed by a pole and hangs on a white chair over the bed. A window covered by a blind is behind the Sister, with a light curtain to the left..Photographers stamp. Quote No. DW 84mdns, melbourne district nursing service, patient care, rdns, royal district nursing service -
Merbein District Historical Society
Certificate - Proficiency Certificate
Proficiency certificate A4 certificate No 107909Front education department Victoria logo in oval with coat of arms and crown Proficiency certificate NO 107909 This is to certify that Penelope Treadwell has successfully completed the first three years of a course prescribed for post primary schools at a school approved for the purpose director of education Back the candidate has completed a course of study in the following subjects with results as indicated English pass, algebra pass, geometry pass, geography pass, general science pass agricultural science, French credit pass , German, Latin, history pass, social studies , musical appreciation, art credit pass, shorthand, home management including cookery, needle work credit pass, crafts, woodwork, metalwork, blacksmithing, mechanical drawing, physical education pass. education, penelope treadwell, proficiency certificate -
The Beechworth Burke Museum
Postcard
The photograph on the obverse side of the postcard was taken some time between 1914-1918. Depicted are five unidentified Australian soldiers. They are all dressed in military uniforms. It is believed that these soldiers were part of The Australian Imperial Force during World War I. This can be inferred by the 'Rising Sun' collar badges on their coats. Australia, unlike most other Commonwealth countries, did not adopt metal regimental badges during the First World War. All units were issued with the Australian Army General Service Badge, better known as the 'Rising Sun’ badge. This insignia is almost always identified with the Australian Imperial Force. Another characteristic of the Australian Imperial Force uniform are rectangular colour patches. One is visible on the soldier in the front row, first from the left on this postcard. In March 1915, a new scheme of unit identification was devised to replace the wearing of unit titles. This consisted of cloth colour patches on the right arms of a soldier’s tunic. The sepia nature of the record means that we cannot determine the colour, and therefore cannot establish which battalion this soldier was part of. Furthermore, the man seated in the middle of the front row has an Overseas Service chevron patch on his coat. In January 1918, the Australian Imperial Force approved the wearing of the overseas service chevrons which had been adopted by the British Army. These were embroidered or woven inverted chevrons worn above the cuff on the right arm. Due to a shortage of supply, some men had chevrons privately made. For each year of war service, a blue chevron was awarded, and those men who had embarked in 1914 received a red chevron to indicate that year’s service; however, the sepia nature of the postcard makes it difficult to determine what colours are on this man's patch.The record is historically significant due to its connection to World War I. This conflict is integral to Australian culture as it was the single greatest loss of life and the greatest repatriation of casualties in the country's history. Australia’s involvement in the First World War began when the Australian government established the Australian Imperial Force (AIF) in August 1914. Immediately, men were recruited to serve the British Empire in the Middle East and on the Western Front. The first significant Australian action of the war was the Australian Naval and Military Expeditionary Force’s (ANMEF) landing on Rabaul on 11 September 1914. The ANMEF took possession of German New Guinea at Toma on 17 September 1914 and of the neighbouring islands of the Bismarck Archipelago in October 1914. On 25 April 1915, members of the AIF landed on Gallipoli in Turkey with troops from New Zealand, Britain, and France. This specific event holds very strong significance within Australian history. The record has strong research potential. This is due to the ongoing public and scholarly interest in war, history, and especially the ANZAC legend, which is commemorated annually on 25 April, known as ANZAC Day.Sepia rectangular postcard printed on paper.Reverse: CARTE POSTALE / hyossest (?) / 6538 /military album, army, aif, australian imperial force, postcard, wwi, world war i, portrait, soldiers -
Glen Eira Historical Society
Album - Album page, Balaclava Road Tram Shelter, Circa 1972
This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. From Victorian Heritage Database citation H0174 TRAM VERANDAH SHELTER CORNER BALACLAVA AND ORRONG ROADS CAULFIELD NORTH - Vic Heritage Register https://vhd.heritagecouncil.vic.gov.au/places/2721 (as at 28/10/2020) The waiting shelter at the corner of Balaclava Road and Orrong Road, Caulfield was constructed in 1916/17 for the Prahran and Malvern Tramways Trust and is one of only three remaining tram shelters in Melbourne designed in the form of a verandah. The shelter has a corrugated iron roof fixed to an angle iron roof frame. The roof, which extends in the form of a skillion over the pavement, is supported on three squared, chamfered timber posts at the rear and three cast iron reeded columns with round bases and Corinthian capitals at the front. (The columns are hollow and function as downpipes, with rainwater discharging from the verandah roof, through the columns and under the ground). The shelter has a rinceau pattern frieze along the road frontage with centrally placed shield motif (which does not contain a coat of arms). The side and rear panels are lined with ripple iron and the upper panel at the rear is lattice work. The shelter has two timber slatted bench seats.From Victorian Heritage Database citation for H0174 TRAM VERANDAH SHELTER CORNER BALACLAVA AND ORRONG ROADS CAULFIELD NORTH - Vic Heritage Register https://vhd.heritagecouncil.vic.gov.au/places/2721 (as at 28/10/2020) How is it significant? The waiting shelter at the corner of Balaclava Road and Orrong Road, Caulfield is of historical and architectural significance to the State of Victoria. Why is it significant? The waiting shelter is of historical significance for its association with the development of the suburban (electric) tram network which assisted the expansion of Melbourne as a suburban metropolis. It is also of historical significance for its connection with the Prahran & Malvern Tramways Trust. The Prahran & Malvern Tramways Trust (1907-1920) was the first municipal electric tramway in Melbourne, becoming the largest and most successful of all the municipal tramway trusts. Its services played a key role in facilitating suburban expansion and the development of the southern and eastern suburbs. The growth of tramways was one of the greatest municipal developments in Victoria during the first decade of the twentieth century. The waiting shelter is an important remnant of this period of Melbourne's transport history and a tangible reminder of the Prahran & Malvern Tramways Trust. The shelter indicates the extent of the Prahran & Malvern tram network. The waiting shelter at corner of Balaclava Road and Orrong Road, Caulfield is one of only three remaining tram shelters in Melbourne designed in the form of a verandah. The waiting shelter is of architectural significance for the distinctive design and construction which is unique to the Prahran & Malvern Tramway Trust tram network. The shelter was designed by notable Melbourne architect Leonard J. Flannagan (1864-1946). Flannagan was responsible for a number of buildings for the Prahran and Malvern Tramways Trust including the early waiting shelter at the junction of Dandenong Road and Hawthorn Road, Caulfield, and sections of the tram depot at Malvern, and also designed a depot for the Hawthorn Tramways Trust. The waiting shelter, a conservative design influenced by Victorian architecture, is based on the Melbourne City Council late 19th century standard cast iron verandah. It is of significance as an intact example of the cast iron type shelter and for its detail, including Corinthian columns and a 'rinceau' pattern cast-iron frieze. The shelter is largely in keeping with the original design and retains its integrity. The cast iron waiting shelter is also of significance as an unusual example of early twentieth century street architecture. Page 155 of Photograph Album with one landscape photograph of a tram shelter on Balaclava Road.Handwritten: BALACLAVA ROAD TRAM SHELTER [top] / 155 [bottom left]trevor hart, verandah, garden, grimwade house, grimwade, orrong road, balaclava road, melbourne grammar, melbourne grammar junior school, mgs, m.g.s, school, tram shelter, waiting shelter, prahran & malvern tramway trust, leonard j. flannagan, cast iron verandah, cast iron type shelter, corinthian columns, 'rinceau' pattern cast-iron frieze, rinceau, cast iron frieze, victorian style, caulfield north, leonard flanagan, cast iron work, prahran and malvern tramways trust, trams -
Bendigo Military Museum
Banner - BADGE COLLECTION MOUNTED, C.WW2
Items in the collection re Ian McLeod RWAFF, refer Cat No 2262.2 for service details.1 Badge silver inscription and crowned eagle. gold anchor and chain in centre. 2 Badge silver bottom half is a shield top half is a crowned eagle with wings outstretched. 3 Badge gold square on a gold square off set 45 degrees in centre is a lion the rear surrounds are two crossed swords. 4 Copper badge of an eagle with large crown there is an enamel white cross in centre of a red enamelled oval the birds claws are holding a lanyard. 5 Copper shield with cross rifles in it there is numbers 64 in red enamel circle in centre a crown is between. 6 Plain star 5 point 3 cm wide 7 grey cloth silver engine the bottom has British coat of arms. 10 cm x 5 cm. 8 Uniform. Black cloth rad binding has gold 3 pips, crown with red cross. crown gold thread. copper button. 9 Cloth rosette green centre white red surrounds 5 pointed brass star number 9 in centre surmounted with a crown.badges, collection, foreign -
Bendigo Historical Society Inc.
Document - FOSTER AND WILSON COLLECTION: PIANO CERTIFICATE
Large cream & green certificate awarded to K. Foster & H. Skewes for 2nd prize in the under 16 Piano Duet at the Eaglehawk Branch A. N. A. Annual Competitions in 1906. No. 10 is printed on the bottom left corner. Certificate has Australian Coat of Arms at the top and a lady playing a harp at the bottom. Beside her is a broad leaf plant and Music printed under it. On the right is a lady holding an artist's board. She is standing on a pedestal with Art engraved on it. On the left is a man holding a scroll. He is standing on a pedestal with Oratory engraved on it. All three people are wearing Roman type garments. Certificate is decorated with a geographic border, leaves & scroll work. It is framed in a large green, gold and cream frame with a narrow gold inner frame.The frame has raised, gold highlighted flowers and leaves. No glass. On the back is a label: From D. G. Coope & Son, Picture Frame Manufacturers, The Fine Art Gallery. Mitchell Street, Bendigo. Established 1871. R. F. Willis, President and John Trevean, Secretary.document, certificate, music, foster & wilson collection, piano certificate, k foster, h skewes, eaglehawk branch a. n. a., r. f. willis, john trevean -
Bendigo Historical Society Inc.
Container - C.J. Clover Soda Bottle
.A clear glass bottle with eight one centimetre wide vertical groves in most of its length. Painted on the bottle in white is, C.J.GLOVER ,TRADE MARK PROGRESS REGISTERED, which has a coat of arms over it, BENDIGO, BRITISH SYPHON CO, LTD LONDON, REGNO 762. The bottle is 10.5 centimetres diameter at its base and tapers to eight and a half diameter, in the next 20 centimetres, the next eight centimetres tapers to three and a half centimetres the last eight centimetres to two and a half centimetres, the next three centimetres it rounds off to three centimetres. There is a red metal cap on top which is three centimetres diameter for two centimetres then tapers for two centimetres to one and a half centimetres which continues for two and a half centimetres with a slight flair at the top There is a small wooden cap on the top and a four by one centimetre curved wooden handle is attached near the top. On the tapered part of the cap there is metal tube protruding down at a 45-degree angle and is four centimetres long and one centimetre diameter. The bottle has a small amount of liquid in it.bottle, c.j.glover, soda bottle -
Bendigo Historical Society Inc.
Clothing - MARONG MUNICIPAL BAND BLAZER, 1980's -2000
Clothing. Pointed lapel collar, with underside of collar lined with felt. Two brass metal badges in a Leidertafel style - one on each side of collar. Cloth circular badges at the top of each sleeve are embroidered with a coat-of-arms, below which are two shields, one blue, and embroidered with a bunch of grapes, one red embroidered with a sheaf of wheat, a sheep, and perhaps a symbol of the landscape. Two breast pockets, rectangular with rounded lower corners and a shield shaped flap, closed with a 2 cm brass button impressed with a laurel wreath, and horn, suspended by a cord, and triple loop-a replica of British Light Infantry buttons. Two lower ''pockets'' are flaps only, giving the impression of a pocket only. Jacket lined with blue taffeta-like fabric-possibly polyester. One internal bound pocket inside right front. Four 2.5cm brass buttons (as on pockets) at centre front opening. All buttons have a metal back, and metal loop, which enables the buttons to be pinned to the garment, enabling removal for cleaning purposes.On inside breast pocket: A Quality Garment by Australian Government Clothing Factory. On back of buttons : Stokes Australia.costume, male ceremonial, marong municipal band blazer -
Bendigo Historical Society Inc.
Award - MEDAL COLLECTION: TOURNAMENT BADGES - 2ND PRIZE AGRICULTURAL SHOW 1885, 1885
Object. Oval shaped silver medal with suspension ring. Obverse: 19th Century City of Bendigo -Coat of Arms. Reverse: Around edge ''COUNTY OF BENDIGO AGRICULTURAL AND HORTICULTURAL SOCIETY''. Across the top: ''AWARDED TO''. Engraved below: ''2nd PRIZE POST & HEAD PRACTICE MILITARY TOURNAMENT 1885''. Ian Nunn received the medal from Miss Code when he was 12 years old, believing it belonged to her father Colonel Code who lived at Longlea. Miss Code lived on the family farm on the bankd of the Axe Creek.Ian used to collect the mail and newspaper for Miss Code, who paid him two shillings a week. She gave the medal to Ian as a thnk you. Ian believes that Miss Code's father was in charge of the military escorts between Bendigo and Heathcote. OBITUARY. DEATH OF MR. B. CODE. Article - Bendigonian (Bendigo, Vic. : 1914 - 1918)Tuesday 15 December 1914 - Page 20 Obituary. Article - The McIvor Times and Rodney Advertiser (Heathcote, Vic. : 1863 - 1918)Thursday 10 December 1914 - Page 2numismatics, badges-civil, 19th century city of bendigo -
Ballarat Tramway Museum
Document - Report, Dave Macartney, "Horse Tram No. 1 Photo", c1985
Yields information about the people around the photograph of the Horse Tram at the depot with the Duncan and Fraser name board in front and has a strong association with the people named in the document.Piece of torn paper headed "Horse Tram No. 1 Photo" listing details of the men around the photograph of Horse Tram No. 1 at the depot with the Duncan and Fraser name board in the front. Handwritten by Dave Macartney c1985 as advised by Norman Fraser (a relation to Farser of the Duncan and Fraser family) See Reg Item 765. "Man in doorway with arms folded is George Fraser Snr, father of Norman Fraser. The manager Peter Hodgetts, seated on top of tram, lived at 1163 Gregory St. Company had 13 cottages for employees building along south side of Gregory St. The Frasers lived next door to the sheds. Norman Fraser remembers a horse named Nobby which could not be shod unless its legs were tied. Big George Barnett did the job. He is pictured standing in from of Mr Fraser Senior along with blacksmiths Moyce and Lang. The drivers were Nicholls, Gaston, Buckley, big George Armstrong (lying on the ground) and John Cameron. Si Barker and W. Skewes were the carpenters." trams, tramways, horse trams, duncan fraser, depot -
Bendigo Historical Society Inc.
Book - BOOK: JUBILEE CELEBRATIONS, 5th November, 1924
Light blue/grey book titled Jubilee Celebrations of the Brunswick St. John's Lodge No. 78 formerly known as St. John the Baptist Lodge No 1518. Celebrations were on Wednesday, 5th November, 1924. The book is a short history of the Brunswick St. John's Lodge, No. 78. Some photos in the book are: Cornish Arms Hotel, Wor Bro William Dods, Wor Bro P F Donald, Wor Bro John Bedford, Wor Bro F G Manchester, Rt Wor Bro F G Manchester, Wor Bro E L Hayden, Wor Bro O R Snowball, Wor Bro Robert Bugg, Wor Bro D H Hogan, Very Wor Bro F W Seekamp, Wor Bro Edward Saunders, Wor Bro F W Murphy, Wor Bro Robert Yorke and the Brunswick United Masonic Temple, Printed at the Office of 'The Victorian Craftsman' by g. A. Sharman, 23 Wright's Lane, Melbourne. Hand written on the first page 'With Compliments W Jones P.J.G.D. 5/11/24.Printed at the Office of 'The Victorian Craftsman,' by G.A. Sharman, 23 Wright's Lane, Melbourne.event, social, jubilee celebration, masonic society events (various) - jubilee celebrations of the brunswick st. john's lodge no. 78 1924, st john the baptist lodge no 1518, brunswick united masonic temple, wor bro w jones, cornish arms hotel, wor bro william dods, wor bro p f donald, wor bro john bedford, wor bro f g manchester, rt wor bro f g manchester, wor bro e l hayden, wor bro o r snowball, wor bro robert bugg, wor bro d h hogan, very wor bro f w seekamp, wor bro edward saunders, wor bro f w murphy, wor bro robert yorke, brunswick united masonic temple -
Bendigo Historical Society Inc.
Document - GERMAN HERITAGE SOCIETY COLLECTION: MAPS OF GERMANY (PERIODS OF CHANGE)
Item 21. Maps of Germany (Periods of Change) held in two buff coloured commerce folders. Name written on the front in purple. Three loose copies of the Thirty Years War Map 21a, 21c and 21d. Maps of the Thirty Years War,Europe at the End of the 15th Century, The Reformation in Europe (16th Century), /Europe in the Time of Charles II & James II, The Domination of France 1660 - 85, Europe in the Time of Henry VIII, Germany in 1807 after reconstruction by Napoleon, German Federation 1815, The German Federation 1815, The German Empire of 1871, The Growth of the German Zollverein, Boundaries Before 1918 showing Kingdoms, Duchies, Provinces, etc., of the Former German Empire, the German Empire (1871 - 1918), and Boundaries before 1918 showing Kingdoms, Duchies, Provinces, etc., of the Former German Empire. The last page has a small map of Europe, a small map showing East and West Berlin, German Coats of Arms, Comparative International Figures of Population and a short article titled 'Do You Know Germany'.document, certificate, maps of germany, german heritage society collection - maps of germany (periods of change) -
Royal District Nursing Service (now known as Bolton Clarke)
Photograph - Photograph, black and white, Barry Sutton, 1973
The photograph is taken in the car park at Royal District Nursing Service ( RDNS) Headquarters, 452 St. Kilda Rd, Melbourne. Sr. Harris is assisting to load the bassinet and the other nursing equipment into the RDNS Van for Mr. Pincher to deliver to the appropriate RDNS Centre or to patient's homes. In 1971 the Commission shop donated a Van to Royal District Nursing Service (RDNS), to be used by the Maintenance crew for delivery of equipment and transporting goods and documents between RDNS Centres and Headquarters. It was also used for transporting Maintenance staff, and the equipment they required, to do maintenance work at RDNS Centres as needed. The Commission Van was kept at the RDNS Service Centre at Chessell Street, South Melbourne. From the founding of the Melbourne District Nursing Society (MDNS), in 1885, known as the Royal District Nursing Service (RDNS) from 1966, equipment was loaned and demonstrated to patients, and their family members, to enable them to care for their loved ones in their home. In the 1970s RDNS employed a Physiotherapist who taught RDNS staff the correct transferring techniques, including the use of a hoist when this became available. RDNS staff taught and used these techniques in patient’s homes to undertake safe transfer of the patient and to reduce physical strain on RDNS Sisters and family members. Each RDNS Centre had a room or shed where equipment for loan was kept, and Headquarters also kept additional equipment which could be transported to Centres as required.On the left of the black and white photograph is Royal District Nursing (RDNS), Sister Betty Harris, who is standing side-on in front of the open door of a white Van. She wears glasses, has dark curled hair, and is smiling, as she has her arms outstretched with her right hand under a white bassinet as she passes it to Mr. Pincher who is standing in and leaning out of the opening of the Van. Mr. Pincher has wavy light colour hair and is smiling at Sr. Harris as he is holding the other end of the bassinet. He is wearing a dark cardigan over a white shirt. On the far left of the photograph, part of an RDNS car is seen and in front of this part of a walking frame. A pair of wooden crutches lean against the open Van door and a wheelchair and a 4 pronged stick are to the right of Sr. Harris. Behind them part of the Van with part of a window in its upper area are seen. Sr. Harris is wearing her RDNS uniform of a light grey skivvie under a darker V neck tunic style frock.rdns, royal district nursing service, rdns equipment, rdns uniform, sister betty harris, mr pincher -
Bendigo Historical Society Inc.
Book - JOAN O'SHEA COLLECTION: 150TH ANNIVERSARY OF BENDIGO BOOKLET, 1850 - 1950's
Joan O'Shea Collection. Buff Coloured Booklet City of Bendigo. 150th anniversary of Bendigo 1850s to 1950s. Image on cover coat of arms for City of Bendigo underneath word progress, left hand side horse, right hand side bullock. History of Bendigo: From Sheep Run to Provincial City in 100 years. Map of Bendigo and Surrounds Railways, Water Courses & Storage, Power, Municipal Boundaries & Land Available for Industry. Municipal District Creation 1855, Borough Proclamation 1863, Proclaimed City 1871, Area: 7992 Acres Population as of last census City of Bendigo 28,722, City of Bendigo and adjacent Urban Areas 36,909. City of Bendigo Map, The Past Prior to 1850. Icons of Bendigo The Bendigo base Hospital,Law Courts & Post Office, Primary Schools, Housing, Industry including Butter Production, Poultry Farming, Livestock Sales & Tomato Growing, Slaughter House & ordnance factory. The Present Recreation Photos: Bendigo Bowling Club, Queen Elizabeth Oval, Municipal Lawn Tennis Courts The Future of Bendigo, Bendigo Photographs From The 1950s,Cambridge Press Bendigobendigo, history, progress of bendigo 1850s on. -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Equipment - Multiload CU250 IUDs associated with Dr Lachlan Hardy-Wilson, Multilan S.A, 1984
Multiload is an IUD, an intrauterine device used for contraception. The plastic used in this IUD is a mixture of high density polyethylene, ethylene vinyl acetate copolymer and barium sulphate in a weight ratio 44/36/20. (MIMS, October 2013)This is one of a collection of items received from the practice of Dr Lachlan Hardy-Wilson, FRCOG, Launceston, Tasmania.Two flat boxes containing Multiload CU250 intrauterine devices. Front of each box carries an image of a hand holding an IUD inserter, with the Multiload IUD at the top of the inserter, above a blue background on which an image of a vagina has been superimposed. Text printed on the front of the box reads 'MULTILOAD/CU250/intra-uterine/device/Attention:/the enclosed instructions should be followed carefully before insertion of the MULTILOAD-cu250'. Manufacturer's information is printed on the bottom section of the front of the box. Back of each box is printed with distributor information. One box is sealed, and one box is unsealed. Unsealed box contains one IUD, sealed inside a sterile plastic pocket. Back of sterile pocket is printed with an expiration date of 06-12-1984. The IUD is in the form of a small plastic rod, or stem, with two small flexible side-arms. Each side arm has five small protrusions. A copper wire is wound around the stem. A nylon thread with two ends is attached to the bottom end of the stem. Back of sealed box carries a sticker which reads 'Date of manufacture: /12-08-1984'.intrauterine device -
Southern Sherbrooke Historical Society Inc.
Photograph - Two women on a motorcycle
B&W photo shows Cissy Johns and friend on a motorbike at Glen Park Farm, Selby. The photo shows two women in their 20s or 30s, sitting on a motorbike with the registration number 12169. The woman on the right who is most likely Cissie, is sitting astride the bike, holding the handlebars. She is possibly wearing a peaked cap. She has a long knitted jacket over a pale blouse, and a medium coloured skirt which is rucked up by the bike's petrol tank, showing her right leg from the knee down. She has dark stockings and what appear to be medium-heeled, laced shoes with a high shine. The woman on the left is sitting sideways on the pillion seat, with her arms loosely around the first woman's waist. She is wearing a cloche-style hat, a dark knitted v-necked cardigan or jumper, a light-coloured, mid-calf-length skirt, dark stockings and dark shoes with large buckles. Her legs are crossed at the ankles. Both women are smiling at the camera. The windscreen of a sidecar is visible. They are in a cleared paddock with a wire fence and trees in the background. n.d.