It was common for ladies to embroider household textiles in the early 20th century. These could be made from purchased kits or pattern books. They may form part of a trousseau Circular knitted white doily with petit point embroidered on net centre. doilys, household textiles

It was common for ladies to embroider household textiles in the early 20th century. These could be made from purchased kits or pattern books. They may form part of a trousseau Circular, white cotton doily with applied netted lace and embroidered border. doilys, household textiles

It was common for ladies to embroider household textiles in the early 20th century. These could be made from purchased kits or pattern books. They may form part of a trousseau Circular white cotton doily. With applied lace.household textiles, doilys

Soft drink came in bottles owned by the manufacturer for re use and bought at the local grocery store or at a large city store on a shopping expedition. The shape of the bottles changed as did the stopper used to seal it.Historical: Change of bottles - shape, glass, stopper, embossing, use Aesthetic: Display showing embossing and shape.Clear glass lemonade bottle with straight sides four fifths of the way up then tapering sharply in to form a neck and then the opening. At top of sides there is large embossed writing around the circumference. There are 3 rows of embossed writing towards the base on one side and some on the base. A bakelite stopper is screwed in. This has a rectangular shape to assist a grip for turning.W. Woodroofe Ltd. Norwood S.A. at the top. This bottle is not sold / It remains the Property / Of W. Woodroofe Ltd. and opposite this an embossed pattern that looks like an ice-cream followed by the word Mark On the base: '2418'soft drink bottle

Metal Sword and Leather scabard, On blade written-By Warrant-Henry Wilkinson Pall Mall London. Scabard is Leather stitched over wood with a Brass neck at the entry. A.C.Fisken. Artillary Gun.Opposite side highly patterned with the words Royal Artillery

Knobkerrie are clubs used as weapons mainly in South and East Africa. The club end can be used to throw at an animal or to club an enemy's head in. Usually these would be carved from a protruding tree branch. The name is Afrikaans and comes from 'Knop', meaning knot or ball and 'Kierie', meaning cane.Accessioned into the museum collection in 1913 and donated by a Mrs Newcome, there is not much other information on its provenance. However, the museum collection holds several artefacts from this region of South Africa and much of it was collected during the Boer Wars of 1880-1881 and 1899-1902.A wooden club type object. It has a narrow cylindrical handle with a large wooden sphere at the top. The wood is shiny and smooth with a polished effect. The handle is 31.5cm long with a 2cm diameter and the head or knob has a height of 9.5cm and a circumference of 27cm.This would have been hand carved from a protruding tree branch. Towards the end of the handle is a 13.9cm section of zig-zag patterning. Further down towards the 'knob' there looks to be carved into the wood 'Jud'.knobkerrie, boer war, zulu, south africa, ethnography, weapon

Identifying Personnel...Historic Aesthetic Interpretive.Oblong portrait.....Brown/gold frame....green paper background....Masonite backboard....Insignia.pieces.Top centre COAT OF ARMS ‘’AUSTRALIA’’.Lapel badgeROYAL NAVY AUSTRALIA......THE AUSTRALIAN ARMY 1901/2001.....ROYAL AUSTRALIAN AIRFORCE .....all PETTY OFFICERS.Centre row... PETTY OFFICERS l/r Royal Blue Crown&Anchor....AUSTRALIAN COMMONWEALTH MILITARY FORCES3rd pattern/Rising Sun.Lower row CHIEF PETTY OFFICERS.....Laurel Wreath ,Crown &anchor ....THE AUSTRALIAN ARMY CROWN&RISING SUN. 7th Pattern....Cap badge RAAFCROWN&WATTLE. badge, military, australian

The Type 62 is a re-badged British Pattern 1907 bayonet. Siam purchased 10,000 SMLE rifles and Pattern 1907 bayonets from Britain in 1919 to equip the "Wild Tiger Corps," royal bodyguard of Vajiravudh, King Rama VI (reigned 1910–1925). The tiger figural on the ricasso is representative of the Wild Tiger Corps. Year 2462 on the Buddhist Calendar corresponds to 1919. SMLE rifles and Pattern 1907 bayonets were taken from British stocks, refurbished by Birmingham Small Arms (BSA), and remarked with Siamese markings. The bayonets were shipped with standard steel-mounted leather scabbards. However, the leather rapidly deteriorated in the tropical climate, so the Siamese made a replacement steel scabbard body to which the original steel mounts were brazed. Sword bayonet for use with the .303 caliber Short, Magazine, Lee-Enfield No. I Mk. III (SMLE) rifle.A tiger head on the left side with some symbolsww2, world war 2, bayonet

The Type 62 is a re-badged British Pattern 1907 bayonet. Siam purchased 10,000 SMLE rifles and Pattern 1907 bayonets from Britain in 1919 to equip the "Wild Tiger Corps," royal bodyguard of Vajiravudh, King Rama VI (reigned 1910–1925). The tiger figural on the ricasso is representative of the Wild Tiger Corps. Year 2462 on the Buddhist Calendar corresponds to 1919. SMLE rifles and Pattern 1907 bayonets were taken from British stocks, refurbished by Birmingham Small Arms (BSA), and remarked with Siamese markings. The bayonets were shipped with standard steel-mounted leather scabbards. However, the leather rapidly deteriorated in the tropical climate, so the Siamese made a replacement steel scabbard body to which the original steel mounts were brazed. Scabbard bayonet metallic slightly tapered rectangular with rounded edges; oval belt nob on blazed steel top of the bayonet and a blazed steel bottom; the body is steel with dents and a wear holes on one side.ww2, world war 2, bayonet

Proudly worn by soldiers of the 1st and 2nd Australian Imperial Force in both World Wars, the 'Rising Sun' badge has become an integral part of the digger tradition. The distinctive shape of the badge, worn on the upturned side of a slouch hat, is commonly identified with the spirit of Anzac.The Third Pattern - May 1904 The third pattern Rising Sun badge carried a scroll inscribed with the words ‘Australian Commonwealth Military Forces’ and was worn throughout both World Wars. There were, however, a number of variations of the badge; a special version was struck for the coronation of King Edward VII in 1902 and there were badges of the Commonwealth Horse and the Australian Instructional Corps, each with its respective title on the scrolls. This pattern badge formed the template for all subsequent General Service badges.Rising sun collar badge circa 1940s with words in scroll across bottom of badge 'Australian Commonwealth Military Forces'Australian Commonwealth Military Forces embossed on scroll at bottom of the badgebadge, rsing sun badge, third pattern rising sun badge, badge hat

One of a collection of 56 knitting pattern books donated by Mrs Hilma Carruthers. These books had been used by Mrs Carruthers, her mother and her two daughters. This book was written by Evelyn Bellamy and is number 2 in the series. It contains knitting patterns for mens, womens and childrens garments. (NB: the National Library of Australia holds two similar books and gives the place of publication as Elwood, Victoria and the date for a later number in the series as c.1940s.)Knitwear Classics / No. 2 / OF THE / SERIES / By / Evelyn Bellamyhandicrafts - history knitting, bellamy, evelyn, handicrafts - history, knitting

This book, edited by Donald MacLeod, was given in 1883 as a prize to Annie Egerton by the Rev. W.H. Scott for Bible Knowledge. Annie Egerton was a pupil at the Allansford State School. John Jones was the Head Master at this school from 1867 to 1891. The school was opened in December 1856 as a National School and is still operating. No other details concerning Annie Egerton have been found.This book is of importance as it is a 19th century book given as a prize to a pupil of the Allansford School in 1883 for her Bible knowledge. It is particularly interesting that a prize for religious knowledge was given in the 1880s to a pupil at a secular State School. It is also interesting to note the type of book given to a primary school girl in the 19th century – a book with strong moral overtones and some heavy instructional articles. This is a hard cover book of 836 pages. It has a dark green and black cover patterned with an ornamental pattern and gold lettering contained within a square box on both the cover and the spine. The inside front and back pages have a mottled green flower pattern. The edges of the pages have a gilt finish. The book has a bookplate on the inside cover and the book contains an Index of Contents, short stories, articles on various topics and an Index of Authors. There are many black and white illustrations and sketches throughout the text. The first illustration has a piece of tissue paper in front of it. The cover is a little frayed at the edges and somewhat blotched. ‘Allansford State School No.3, 1st Prize given by the Rev. W. H. Scott awarded to Annie Egerton, Bible Class, Senior Division, for Bible Knowledge, 21st December 1883, J.E. Jones Head Teacher’. allansford state school, education in the warrnambool area, annie egerton, john jones, rev. w. h. scott

Crochet books used by donor's mother, Molly Myers who lived in Blackburn.1 Coates Mercer- crochet design leaflet 741 No. 29 . Mostly black cover with top yellow band with picture of 7 designs. Patterns inside 15c recommended price. .2 Paragon No 103 crochet edgings book, price 35c. Mostly black cover with blue corner with Paragon No 103 on. Black has the designs shown. Full working instructions inside. Patterns inside. Back page has Needlecraft Productions other booklets and publish details. .3 34 Semco crochet edges box 22. Mostly gold with black bands of designs. Back cover gold with lace pattern.As above detailshandcrafts, crocheting or crochet work

Cream wool hand knitted square necked dress. Small balloon sleeves, short cream satin ribbon tie at waist. Yolk has an open pattern, while skirt is stocking stitch, with a band of diamond shaped patterning 13 cms wide, and a bottom band of garter stitch. This collection of knitted and sewn garments were made in the early 1940s and were intended for a baby that was stillborn.costume, children's, baby dress

Hand knitted salmon pink coloured ladies woollen bed jacket with set in long sleeves. All over feather and fan pattern with rib pattern on yolk. Fold over collar. Front opening. Pink satin ribbon tie at neck. Apricot coloured ribbon ties at cuff.This collection of knitted and sewn garments were made in the early 1940s and were intended for a baby that was stillborn.costume, female, ladies bed jacket

Document. Greeting Cards. White card with pale blue edges. Patterned 23mm around the edges. Card has a celluloid vase of flowers attatched to the front with two bifurcated pins. The vase is a gold patterned one with large purple and small blue flowers and green leaves. Best Wishes in white is across the front of the vase. Card and insert held together with a pale blue ribbon.person, greeting cards, malone collection, malone collection, greeting cards

Textiles, lingerie or stocking bag. Cream coloured tapestry fabric on both sides. All over pulled thread work to form lattice pattern. All over cross stitch pattern on lattice with cream coloured thread. Cream coloured 5 cm gathered lace edging on four sides. 12 cm opening on one side. Lined with pink cotton fabric. Hand made.textiles, domestic, lingerie bag.

Made by the Returned Soldiers & Sailors Mill in Geelong, post-1924. Rug was given to NWM from another museum in Western AustraliaTartan rug with cream base, featuring pattern with blue, black, green, yellow and red believed to be the Dress Stewart tartan pattern. RS&S label stitched on back of one corner. Label has stitched signature of John Monash. Two of the ends are tasseled. Appears used with several stains and small holes. Reverse of rug is free of design with solitary light brown colour Bottom left front corner has label which reads "THE/ Dress Stewart" On rear of same corner has label which reads "THE GEELONG R.S & S WOOLLEN MILLS/ PURE/ WOOL/ THE John Monash RUG wool, rs&s, reutrned soldiers and sailors mill, rug, quilt, blanket, john monash, the dress stewart, world war one, world war two, tartan

Woman's Weekly is an English magazine circulated in many English speaking countries. It contains short stories, patterns and general interest stories. This historic edition is from 1960.60 p., text and illus.magazines, women's magazines

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Patons and Baldwins and contains patterns for baby clothes.Patons / KNITTING BOOK / NO. 191 / "HELEN" / See page 9 / 6d.knitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Patons and Baldwins and contains knitting patterns for children.Patons / KNITTING BOOK / No. 402 / P&B / WOOLS / PATONS / DOUBLE QUICK / KNITTING / ALL PURE WOOL / 1'3d.knitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Coats Patons and contains patterns for baby clothes.Book 518 / PATONS / BABY YARNS / 3 & 4 Ply / 85cknitting handicrafts - history crochet, coats patons (australia) limited, knitting, handicrafts - history, crochet

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Paragon and contains knitting patterns for womens garments.1'3 / Modella / KNITTING BOOK No. 502 / M / A PARAGON PUBLICATIONknitting handicrafts - history, paragon art needlecraft, knitting, handicrafts - history

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Sirdar and contains knitting patterns for womens hats.Candytwist / HATS FOR HER / SIRDAR / 2171 / 15 / CENTS / 1'6knitting handicrafts - history, harrap bros. (sirdar wools) ltd, knitting, handicrafts - history

The doiley was worked by Betty Harrison, wife of Don Harrison. It is a sample of cutwork embroidery. The doiley was worked and when finished the pattern was cut out, leaving the centre uncutThe doiley is a part of a handcraft kit sold by Fautleys fancy work shops, and Needlework shops. Needle work such as embroidery was a very popular social activity during that era.Unfinished piece of cutwork in shape of oblong doiley. Brown cotton thread has been worked to shape star-shaped flowers at each end as well as the bordersFautley's Linen-Weft 5 x 11 No. 1863handcrafts, embroidery

Early school bus 4 boys in short pants, 1 in overalls with patterned jumper holding (unidentified), middle boy with cap and buttoned coat has mittens B/W Landscape Group Portrait 8 Children 6 Boyys, 2 Girls ( 4 Boys in uniform 2 with caps) In front of School bus Paddock behind bus Stawell Bus Servicetransport, education, stawell bus service

This clear, green tinged, Half Whirley (or Whirly) salad oil bottle has been handmade by a glassblower from 1870s-1910s. A bottle with such elaborate decoration would have been sought after as there was no need to decant the sauce into another jug or bottle to make it acceptable for table service. It is possible that this bottle was recovered from the Loch Ard, wrecked in 1878. A diver found the bottle on a shipwreck in the coastal waters of Victoria about 100 years from when it was made. The diver who found this bottle has recovered objects from several different shipwrecks between the late 1950s and early 1970s. A sizeable proportion of those objects was from the wreck of the famous clipper ship Loch Ard. This salad oil bottle may very well have been amongst that ship’s cargo. It is part of the John Chance Collection. A paper titled ‘Glass Bottles from the Loch Ard Shipwreck (1878): A Preliminary Study’ by Iain Stuart, (published in Australian Historical Archaeology, 9, 1991) included a study of twelve salad oil bottles from the wreck of the Loch Ard. The bottles were of this same Half Whirley design (half meaning that it was Whirley on the upper half but not on the lower half of the body), as well as the same colour and size. A diagram of one of these twelve bottles matches the bottle in our collection. The paper mentions that eleven of the twelve bottles have a number on their base, just as this one has. It is estimated that foreign and salad oil bottles totalled four percent of all of the bottles carried as cargo on the ship. The Half Whirley bottle has side seams from below the lip to the base, indicating that the bottle was made in a two-piece mould that included the heel, body, shoulder and neck. The fancy ‘whirly’ twist pattern and panelled sides would have been cut into the mould’s inner surface. The uneven thickness of the ridge around the base comes from adding a separately moulded and embossed base after the bottle was removed from the mould. The applied finish (mouth and lip) was also added to the bottle. The elongated bubbles in the glass are evidence of the glass being mouth blown into the mould, thus forming the shape and pattern from the inside shape of the mould. The bottle probably had a glass stopper with a round top and wedge-shaped shank with a ground surface, allowing the bottle to be re-sealed. The ring between upper and lower lip allows the closure to be sealed and anchored. The embossed numbers are either “133” or “833” and may represent a particular bottle pattern, manufacturer or filler. Although the bottle is not currently linked to a particular shipwreck, it is recognised as being historically significant as an example of bottles imported for use in Colonial Victoria in the mid-to-late 19th century. This whirley salad oil bottle is matches the whirley salad oil bottles recovered from the Loch Ard in the 1990s, adding depth of interpretation to the array of salvaged Loch Ard artefacts in Flagstaff Hill’s collection. The salad oil bottle is an example of the type of food condiment containers that were used in Victoria’s early days. The bottle is also significant as it was recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks, including the Loch Ard, have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. Bottle; glass Half Whirley salad oil bottle, green-tinged, with some opalescence. Handmade, elaborately decorated bottle with round neck and base, and five-sided body. Applied double lip; straight upper, flared lower. The lower neck and shoulder have twisted spiral whirley patterns in the glass. The body tapers slightly inwards towards the base. It has five plain panels, one wider than the others. Side seams run from below the lip to the heel. The heel of the bottle is uneven in width, height and density where it joins the body of the bottle. The base is not level. Embossed characters on base. Glass has elongated bubbles towards the base and orange-brown sediment inside, on one side. Embossed "133" or “833” (the first character may be an “8”) flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, handmade, mouth blown, blown bottle, 19th century bottle, collectable, bottle, green glass, tinged green, two piece mould, food bottle, oil bottle, salad oil bottle, whirley, whirly, half whirley, condiment bottle

This dress belonged to Ethel Nina Blundell (1876-1949), having been first made for her mother Jane Blundell (nee Burkitt, 1845-1878). Born in Dublin, Jane married James John Blundell Jr at the Black Street Congregational Church in Brighton on 16 March 1874. The Blundells were a socially prominent Brighton family who played an important role in the development of the area. James' father, publisher and bookseller James John Blundell Sr, served as a Brighton Borough Councillor between 1862 and 1867 when the local government was still in its formative years, including holding the position of Mayor in 1864. He was involved in the foundation of the Brighton Volunteer Rifle Corps and was also a strong supporter of the Brighton Ladies Benevolent Society. The Blundell family were active members of the Brighton Congregational Church and supported the construction of the Black Street church, where James Jr served as a deacon for sixty years, in addition to his work in the Crown Land and Survey Department. The dress is believed to have been made for Jane in 1875 or 1876 during her early pregnancy, likely by a local dressmaker. Jane died in 1878 when Ethel was very young, and Ethel was then raised by her father and paternal grandmother. As she never married, Ethel remained living in the family home of 'Eumana', 164 Church Street, and as an adult she assumed the role of hostess whenever she or her father had guests. On these occasions, she reportedly wore her mother's dress. The family home was sold on James Jr’s death in 1924 and Ethel was living at 52 Black Street Brighton when she died in 1949. In the 1930s, Ethel gifted the dress to a close family friend, Dr Jean Kelly. She told Jean that the garment held precious memories, perhaps due to the connection it provided to the mother she had never known. Jean donated the dress to the Merimbula Old School Museum in NSW in 1987, where it was on display for many years. The Museum donated the dress to Brighton Historical Society in 2023.This is a good example of a late nineteenth century day dress, made from two different patterns of russet brown silk brocade and featuring a lobster tail style bustle. The lack of boning combined with waist and hip measurements indicates it may have been made as a maternity dress. It is lined with beige leaf pattern cotton fabric. The princess line fitted bodice of herringbone pattern brocade has a high round neck with small 'mandarin' style collar and buttons down the front to below the waist where it forms an overskirt which is bordered with a band of coffee bean patterned brocade. The overskirt drops down to hem length at the back but from the centre front it is draped up to the back to a point below the waist level. Here it is sewn to the edge of the lobster tail style bustle which is also bordered by the coffee bean fabric. There is a concealed pocket with the opening under the right edge of the bustle. The buttons on the front of the dress have a decorative circlet of small blue flowers around a russet silk covered dome. The long sleeves are set in and slightly full with a contrasting three pleat band of coffee bean fabric with an ornamental turn back from the pleats sewn just above the wrist. The skirt section of the dress is in four 20 cm bands of alternate fabric patterns with the top and third band of coffee bean pattern slightly gathered and the second and fourth bands of herringbone forming pleated ruffles.1870s, ethel nina blundell, jane blundell, jane burkitt, eumana

These inkwells would have been used in a household or business during the first half of the 20th century. By the 1950s fountain pens were in common use and, by the 1960s, ballpoint pens were used, making the use of ink obsolete in most situations. These inkwells have no known local provenance but are of interest as examples of a common household item over 100 years ago. These are two inkwells made of glass with black bakelite tops. One of the tops is broken on the side. The bases of the inkwells have an embedded star-shaped pattern with eight points. ‘Velos product’ household items, inkwells, history of warrnambool