Yields information about Ballarat's trams in the early 1960's and the Carlton St area.Digital image from the Wal Jack Ballarat Album of trams 38 and 21 crossing at Carlton St loop 4-9-1963, with Lake Wendouree in the background. See image i2 for rear of photograph.On rear in ink "2724A-H622H-V613A SEC Ballarat 4-9-63, 38 and 21"trams, tramways, carlton st, wendouree parade, lake wendouree, tram 38, tram 21

Small glass bottle used for cream or milksed for creamPlain glass bottle, originally with cardboard seal, 1/4 pint"Contents 1/4 pint" L8 (moulded)cream, glass bottle

General use of milk bottles is usually associated with the 20th century , with occasional late 19th century. Initially, milk was delivered in cans stacked upright in a wagon At each stop, someone, usually the wife of the house, would bring a pitcher or a pail to the wagon, and the milk man would ladle out the desired amount of milk. Needless to say, this practice was hazardous and unhealthy. The New York State Tuberculosis Association condemned the practice of selling “loose milk,” still being conducted in New York City in 1922, as a major cause for the spread of tuberculosis (Glass Container1922:8). It is probable that the delivery of milk in glass containers became universal shortly thereafter. General use of milk bottles is usually associated with the 20th century , with occasional late 19th century. Initially, milk was delivered in cans stacked upright in a wagon. At each stop, someone, usually the wife of the house, would bring a pitcher or a pail to the wagon, and the milk man would ladle out the desired amount of milk. Needless to say, this practice was hazardous and unhealthy. The New York State Tuberculosis Association condemned the practice of selling “loose milk,” still being conducted in New York City in 1922, as a major cause for the spread of tuberculosis (Glass Container1922:8). It is probable that the delivery of milk in glass containers became universal shortly thereafter. Melbourne Glass Bottle Works Spotswood 1880 - 1990. made bottles for various companies. Milk cartons first came to Australia in 1958, when the Model Dairy in Melbourne began packaging milk in 150 ml and 500 ml cartons. At the time, 160,000 new glass bottles were needed in Melbourne alone every week to keep up the delivery of 1.3 million bottles of milk a day. In 1970, the blow-moulded disposable plastic milk bottle was introduced. In 1987, only about 2% of milk was still being sold in glass bottles. Glass milk bottles are now rare. A clear glass milk or cream bottle 'Imperial' 1/4 Pintaround base : IMPERIAL 1/4 PINTmelbourne, early settlers, market gardeners, moorabbin, bentleigh, cheltenham, manufactured glass, milk bottles, dairy farmers, dairies

Lieutenant Colonel J.M. Allard was Commanding Officer of 8th/13th Victorian Mounted Rifles 1959 - 1962. He had served with 2/4th Armoured Regiment in World War Two. In the post WWII Citizen Military Force, he was a squadron Commander in 4/19 Prince of Wales's Light Horse before being promoted to command 8/13 Victorian Mounted Rifles. The 8th/13th Victorian Mounted Rifles was raised as a regiment of the Royal Australian Armoured Corps on 1 May 1948 with Headquarters in Melbourne and squadrons in Sale, Benalla/Wangaratta and Albury. In 1955 Regimental Headquarters moved to Wangaratta and a second squadron was located at Albury. The Sale squadron transferred to 4th/19th Prince of Wales’s Light Horse. In 1977 8/13 VMR Regiment was reduced to an independent squadron A Squadron 8th/13th Victorian Mounted Rifles and in 1991 was linked with 4th/19th Prince of Wales’s Light Horse forming the VMR Squadron of that regiment.Pewter tankard with 4/19 Prince of Wales's Light Horse badge and engraving on side. Tankard has a glass base.Presented to / Lt Col J M Allard / by the officers of / 4/19 Prince of Wales's Light Horseallard, vmr

Andrew John BALSILLIE MBE, JP. Jack as he was known enlisted in the Australian Army near the end of WWII No 31224 age 16 years. He then served in Malaya 1959 - 1961then Vietnam with the rank of Captain with 1st Aust Task Force HQ Light Aid Detachment (LAD) 7.5.1969 - 7.11.1969, HQ Aust Force Vietnam Army component 8.11.1969 - 7.5.1970. He retired with the rank of Major in 1985 after 40 years plus. He was awarded an MBE in 1969 for his services to the Australian War Memorial. Elected to Committee Bendigo RSL 1988 - 1993 with Snr Vice President 1989 - 1993, re-elected 1999 - 2000. Re-elected again in 2002 as Snr Vice President. He was elected to Bendigo City Council 1990 - 1993 serving as Mayor in 1993. .1) Bush hat, floppy, khaki canvas, belonged to Major J BALSILLIE. .2) - .4) Gauze wound dressing in brown cotton pack, 2 rolls per pack. .5) Neck cloth, green cotton..1) Inside hat: Maj J Balsillie. .2) - .4) Labelled: First Field Dressings.headwear, medical dressings

4 x Receipts Connelly & Tatchell: The fronts have a green one penny stamp a. receipt Kiegan/M. Gabbedy (?) 6 July 1889 19 pounds , b. Edmond Kennedy re Anderson Invest 4 July 1889 c. Renwick & Co re Delbridge & Osborne July 11 1889 d. James Armstrong 30 July 1889. 17 pounds 10 shillingsbusiness, legal, connelly & tatchell

John Ash succeeded Thomas Harrison as the Australian Note Printer in 1927 and oversaw the printing of a new series of banknotes, known as the Ash Series. First issued between 1933 and 1934, the new banknotes sought to improve the currency's resistance to counterfeiting. A special watermark was created to increase the security of the new series. Shaped as a medallion, the watermark showed the profile of Edward, the Prince of Wales. A new portrait of the King was also introduced, depicting him frontally rather than in profile as he had appeared in the prior banknotes of the Harrison Series (1923-1925). The back of each denomination contained an individual vignette that reflected a sector of the country's economy. The wool and agricultural industries were represented, as they had been in the first series of the nation's banknotes (1913-1914), and they were joined by manufacturing and commerce. The prominent British sculptor, Paul Montford, contributed to the design of the new series. Recognised for his sculptural works on the exterior of Melbourne's Shrine of Remembrance, Montford was commissioned to produce relief sculptures that formed the basis of the banknotes' vignettes. His sculptures were translated into wash drawings by Frank Manley, the artist and engraver for the Commonwealth Bank's Note Printing Branch. Manley accentuated the sculpture's three-dimensional qualities with deep shadows and touches of illusionism. A sheep in Montford's pastoral scene, for example, stands forward from the frame as if entering the viewer's space to escape branding and Manley preserves this visual conceit in his drawing. Whereas the printing of the previous series of Australian banknotes had been criticised for its poor definition, the sculptural basis of the Ash Series clarified the banknotes' imagery. During a period of record unemployment, the scenes emphasised the strength of the human figure in gestures of labour, evoking classical, heroic qualities in their poses. The sculptural forms suggested stability in the turbulence of the Great Depression and imparted a sense of solidity to paper currency. - museum.rba.gov.auCommonwealth of Australia paper one pound note in green and white tones depicting graphics and text. The obverse has a framed design with a blank portal to the left and King George VI in the right portal. The centre shows the Australian Coat of Arms, serial number, and detail over one pound symbol on a mosaic background, with signatories below. The reverse features a framed pastoral scene with farmers tending sheep, with a blank portal to the right.Obverse: ONE / 1 / 1 / ONE / COMMONWEALTH OF AUSTRALIA / K / 58 / 790230 / K / 58 / 790230 / This Note is legal tender for / ONE POUND / in the Commonwealth and in all / Territories under the control of the / Commonwealth. / [signature] / GOVERNOR / COMMONWEALTH BANK ON AUSTRALIA / [signature] / SECRETARY TO THE TREASURY Reverse: 1 /1 / 1 / 1 / PASTORALcurrency, money, pound note, pastoral scene, industry, commonwealth of australia, paul montford, king george vi, frank manly, john ash

John Ash succeeded Thomas Harrison as the Australian Note Printer in 1927 and oversaw the printing of a new series of banknotes, known as the Ash Series. First issued between 1933 and 1934, the new banknotes sought to improve the currency's resistance to counterfeiting. A special watermark was created to increase the security of the new series. Shaped as a medallion, the watermark showed the profile of Edward, the Prince of Wales. A new portrait of the King was also introduced, depicting him frontally rather than in profile as he had appeared in the prior banknotes of the Harrison Series (1923-1925). The back of each denomination contained an individual vignette that reflected a sector of the country's economy. The wool and agricultural industries were represented, as they had been in the first series of the nation's banknotes (1913-1914), and they were joined by manufacturing and commerce. The prominent British sculptor, Paul Montford, contributed to the design of the new series. Recognised for his sculptural works on the exterior of Melbourne's Shrine of Remembrance, Montford was commissioned to produce relief sculptures that formed the basis of the banknotes' vignettes. His sculptures were translated into wash drawings by Frank Manley, the artist and engraver for the Commonwealth Bank's Note Printing Branch. Manley accentuated the sculpture's three-dimensional qualities with deep shadows and touches of illusionism. A sheep in Montford's pastoral scene, for example, stands forward from the frame as if entering the viewer's space to escape branding and Manley preserves this visual conceit in his drawing. Whereas the printing of the previous series of Australian banknotes had been criticised for its poor definition, the sculptural basis of the Ash Series clarified the banknotes' imagery. During a period of record unemployment, the scenes emphasised the strength of the human figure in gestures of labour, evoking classical, heroic qualities in their poses. The sculptural forms suggested stability in the turbulence of the Great Depression and imparted a sense of solidity to paper currency. - museum.rba.gov.auCommonwealth of Australia paper one pound note in green and white tones depicting graphics and text. The obverse has a framed design with a blank portal to the left and King George VI in the right portal. The centre shows the Australian Coat of Arms, serial number, and detail over one pound symbol on a mosaic background, with signatories below. The reverse features a framed pastoral scene with farmers tending sheep, with a blank portal to the right.Obverse: ONE / 1 / 1 / ONE / COMMONWEALTH OF AUSTRALIA / K / 58 / 790230 / K / 58 / 790230 / This Note is legal tender for / ONE POUND / in the Commonwealth and in all / Territories under the control of the / Commonwealth. / [signature] / GOVERNOR / COMMONWEALTH BANK ON AUSTRALIA / [signature] / SECRETARY TO THE TREASURY Reverse: 1 /1 / 1 / 1 / PASTORALcurrency, money, pound note, pastoral scene, industry, commonwealth of australia, paul montford, king george vi, frank manly, john ash

.1) & .2) PERCY MCIVOR MM No 749 enlisted in the AIF in B Coy 38th Batt on 20.2.1915 age 21 years 5 months. Embarked for England 20.6.1916, embark for France 22.11.1916, awarded the Military Medal 26.2.1917 in the Armentieres Raid, WIA 21.5.1917 GSW left forearm, returned to Australia and was discharged medically unfit on 16.11.1917. .3) ARTHUR THOMAS HALL No 744 enlisted in the AIF in B Coy 38th Batt 0n 22.2.1915 age 32 years 5 months. Embark for England 20.6.1916, embark for France 22.11.1916, hospital 24.12.1916 with Diarrehoea, discharged from the AIF on 27.7.1919. .4) WILLIAM PETER MOWAT No 748 enlisted in the AIF in B Coy 38th Batt on 8.2.1915 age 20 years. Embark for England 20.6.1916, embark for France 22.11.1916, WIA 8.12.1916 GSW’s legs and fractured right tibia, discharged medically unfit 2.7.1917. All 3 were from the small town of Tragowel near Kerang Vic..1) Black & white photo of WW1 private in uniform, full body shot. .2) Black & white photo WW1 in uniform. .3) Sepia tone photo WW1 in uniform. .4) Sepia tone photo WW1 full body shot in uniform..3) “Arthur Hall” on the back. .4) “Will Mowat”photo, ww1, soldiers

John Brownless No 6317 enlisted in the 10th Battery 4th Field Artillery Brigade on 12.8.1915 aged 25 years. Embarked 18.11.1915 for Eygpt. He was awarded the "Military Medal" for actions in the field. He was discharged from the AIF on 16.3.1919 medically unfit not due to misconduct. He served 1170 days overseas. His records are not available online for full details.Refer Cat No’s 38.2P, 39, 598.Medals, court mounted, set of (4) re J Brownless. 1. Military Medal. 2. 1914-15 Star. 3. War medal 1914-19. 4. Victory medal. "6317 PTE J BROWNLESS 4 F.A.B AIF"numismatics, medals-military, metalcraft

4 page insert of program guide, activities and information and advertisementsNewsprint insert, 4 pages3d paint city, 1994, alistair knox park, classic fireplaces & bbqs, doncal heating & cooling, edendale community farm, eltham art award, eltham arts council, eltham festival, eltham hotel, eltham leisure centre, eltham library, friends of the eltham copper butterfly, integrity diamond valley, integrity paint company, leslie avril, mgs eltham, montsalvat, pauline toner reserve, rugby oval, society syncopaters

The photo shows Geelong tram No. 3 at the railway station with the destination of Newtown. Photo by Ken McCarthy 4-2-1948Yields information about the Geelong railway station terminus and tram 3.Black and white photograph with stamped details on rear.Typed on rear "No. 3 car SEC Geelong 4 Feb 1948, copyright K McCarthy, Photo No. 76". Ken Magor stamp as well" tramways, trams, geelong, tram 3, railway, railway station

Sketch from which carpet manufacturing pattern is graphed out, prior to preparation at Jacquard card. Genoese (Axminster) 4/4187.Genoese 4/4187. Consists of large gouache paint sketch and charcoal sketch.Sketch from which carpet manufacturing pattern is graphed out, prior to preparation at Jacquard card. Genoese (Axminster) 4/4187.Genoese 4/4187. Consists of large gouache paint sketch and charcoal sketch. Sketch from which carpet manufacturing pattern is graphed out, prior to preparation at Jacquard card. Genoese (Axminster) 4/4187.Genoese 4/4187. Sketch from which carpet manufacturing pattern is graphed out, prior to preparation at Jacquard card. Genoese (Axminster) 4/4187.Genoese 4/4187. Sketch from which carpet manufacturing pattern is graphed out, prior to preparation at Jacquard card. Genoese (Axminster) 4/4187.Genoese 4/4187. Consists of large gouache paint sketch and charcoal sketch.Genoese 4225weaving, carpet

Uniform issue badges..1) & .2) "AUSTRALIA" badges, copper. .3) & .4) Rising Sun badges, copper. No means of fastening..3) & .4) “AUSTRALIAN MILITARY FORCES"numismatics - insignia, australia, military history

The tins were used by the Colonial Sugar Refining Co. to store and sell treacle which is a by-product of cane sugar and molasses. The tin is labelled with the imperial pound measurement so it preceded metric weights and measures.A green, red and gold tin used to sell and store treacle. Two stick of sugar cane decorate the front and the back of the round tin. The tin lid on the top of the tin needs to be levered open. The tin's capacity is 2 pounds. The word 'treacle' is written in bold red capital letters.THE COLONIAL SUGAR REFINING CO. LTD / TREACLE / 2 LB NET / MADE FROM CANE SUGAR ONLYcolonial sugar refining co., treacle, sugar cane, food, canning, sugar mills, george evans collection, commercial packaging

This Sandhurst gold mine was registered in 1864 although its head office was in Melbourne. The first manager was Edwin Chaplin. It had an initial nominal capital of 11,200 pounds raised through 224 shares of 50 pounds each. It was liquidated and delisted on the stock exchange in 1951.Two typewritten letters, one dated 8th May 1925 and the other 22nd June 1925. Both letters are addressed to Mr. M. Kelly, Beehive chambers, Bendigo. The first one advising that enclosed is a statutory declaration in connection with the scrip certificates for 200 shares that have been lost. The second one advising of two cheques for 25 pounds enclosed as payment of dividends. Both letters are signed by the manager of the Hercules Gold Mining Company Mr. Stanfield.hercules gold mining company, shares

4 photographs of the proposed site for the Eltham Leisure Centre 1978, taken by Peter Graham, a Shire of Eltham Councillor. 4 colour photographs.peter graham, eltham, eltham leisure centre

Newspaper covering The Invasion of Poland by GermanyThe Invasion of Poland by GermanyLocal Newspaper with Articles of The Sun dated 4/9/1939Newspaper Articles from The Sun dated 4/9/1939 commencement of worlld war 2 - invasion of poland

Light cardboard folder in mainly mustard colour with woman on cover. Opens to hold pockets for negatives and printed photosKodak 20,000 pound world competition. You may win 3300 pound with one simple snapshot.phpotograph folder, kodak

McColl Rankin & Stanistreet, North Virginia Gold Mining Co NL, State Accident Insurance Office, Mines Policy. a/ Mines Policy No. M. 41883. Estimated amount of wages 265 pounds, Premium, 10 pounds 9 pence. Mining at Fry Street Sailor's Gully, Eaglehawk. Dated 1/11/1939. b/ Mines Policy No. M. 42487. Estimated amount of wages 468 pounds, Premium, 18 pounds 4 shillings. Gold Mining at Eaglehawk. Dated 21/2/1940. c/ Mines Policy No. M. 51808. Estimated amount of wages 300 pounds, Premium, 15 pounds 2 shillings 6 pence. Gold Mining at Fry Street, Eaglehawk. Dated 18/3/1947. Inscriptions/Markings: McColl Rankin & Stanistreet Stamporganization, business, gold mine, mccoll rankin & stanistreet, north virginia gold mining co nl, state accident insurance office, mines policy mining at fry street sailor's gully, eaglehawk

Program of events for Greensborough Festival 1988, with articles on preparation of banners and the local Boys' BrigadeLinks: 00529:05543 Black and white, lift-out guide, 4 p.Published in Diiamond Valley News 4 October 1988grensborough festival 1988

Stable holder for 4 candlesCandle holder - Cast iron - 4 candle capacityNiliron, household lighting, candles

The intersection of Arthur Street and Main Road Eltham, January 4, 1968. The Eltham Shire Council hall and offices on the right hand side. The Hall was also a cinema and operated as the Plaza Theatre from 1943 to about 1968. A truck with a water tank is on the left of the street, possibly cleaning the street. Note Cinema sign on hall. Copied from an original document produced by Ian McDonald (Eltham Shire Council) 1970. During the period 1969-1971 photos were being collected for a proposed publication on the history of the Shire of Eltham as part of its centenary celebrations in 1971 (managed by the Shire of Eltham Historical Society and Alan Marshall). The publication was Pioneers & Painters (1971), edited by Alan Marshall. The document titled "Shows area sold to Woolworths" consisted of a panorama of three B&W photo prints creating a panorama of the frontage along Main Road (SEPP_0744) and a single B&W photo print of the Shire of Eltham offices and Hall on the corner of Arthur Street and Main Road (SEPP_0737) along with typed and hand written notes by Ian McDonald. The panorama (SEPP_0744) was captioned in typewritten text "Old Shire Office and Hall, etc - Frontage of 285 feet along Main Road" and in pencil the date "4-1-68" The single image of the shire offices (SEPP_0737) was captioned in typewritten text "Main Road and Arthur Street Corner" In addition, the following handwritten notes in pencil: " I took these photos from the new fire station - the building in the middle is the old fire station - Moved to Research for the Scouts 1970" and signed "IMcD"This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image 4 x 5 inch B&W Negsepp, shire of eltham pioneers photograph collection, eltham, arthur street, cinema, eltham hall, main road, shire hall, motion picture theartre, plaza theatre

Used for fruit packing labelling.4 Metal Stencils.1. W. Henderson Seville 2. Chapman Silvan 3. A J C H.B. 4. VPC MAC stencils

Newspaper clipping from The Courier, Ballarat, Friday 4/1/2008 titled "Tramway book in on track", written by Marcus Power about the forthcoming release of a new book titled "Last tram at 11", written on the Provincial tramway systems. Quotes Richard Gilbert. Features Richard in the front cab of No. 40, photo by Lachlan Bence."The Courier Ballarat" and "Friday 4/1/2008" in ink along the bottom of the cutting.book, provincial tramways

These scales would have been used for weighing small items (e.g. letters and packages) in a home or business. These scales have no known local provenance but are retained for display purposes.1 The beam balance scales have a brown wooden rectangular base with four metal screws and indents for weights. The scale mechanism has a round metal dish for weights and a rectangular metal dish to hold the object to be weighed. .2 A circular metal weight 8 oz. .3 A circular metal weight 4 oz. .4 A circular metal weight 2 oz. .5 A circular metal weight 1 oz. .6 A circular metal weight ½ oz. .7 A circular metal weight with a smaller top for ease of holding ½ oz. .8 A circular metal weight 4 drams .2 8 oz. .3 4 oz .4 2 oz. .5 1 oz. .6 ½ oz. .7 ½ oz. .8 4 drams weights and measures, history of warrnambool

On 1 April 1991, ‘A’ Squadron 8/13 Victorian Mounted Rifles linked with 4/19 Prince of Wales’s Light Horse Regiment to form a new regiment of two squadrons: VMR Squadron and PWLH Squadron. The 4/19 Prince of Wales’s Light Horse title was retained, but the VMR Squadron continued to wear the VMR hat badge.Black and white photograph photograph of 15 soldiers of VMR Squadron 4/19 Prince of Wales's Light Horse at Camp, Puckapunyal September 1992. Figures are numbered for identification.1. Sgt Burke, 2.Tpr Ray, 3. Tpr King, 4. Tpr Read, 5. Tpr Rolfe, 6. Cpl Collihole, 7. Tpr Fabik, 8. L/Cpl Hale, 9. Lt Burvill, 10. Tpr Ellison, 11. [Tpr] Sargeson, 12. Tpr Lees, 13. Cpl Lehmann, 14. Cpl Ludeman, 15. Tpr Stamp.military, vmr, puckapunyal, training, armour, uniform