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Clunes Museum
Photograph
EBERHARD CORDIAL FACTORY OPERATED FOR MANY YEARS IN CLUNES..1 SEPIA COPY PHOTOGRAPH OF CLUNES AERATED WATERS & CORDIAL FACTORY- E. EBERHARD .2 BLACK AND WHITE COPY OF THE ABOVE PRINTED ON MATTE PHOTOGRAPHIC PAPERlocal history, photography, photographs, shops- eberhardt's cordial factory., eberhard & co labels -
Clunes Museum
Photograph, 1944 [COPY]
ORIGINAL PHOTO OWNED BY MR. WILLIAM HARRIS OF SUTHERLAND STREET , CLUNES.1 & .2 BLACK & WHITE PHOTOGRAPH OF "BACK TO CLUNES". HELD IN EITHER GEELONG OR MELBOURNE. TAKEN IN THE MID 1930? CENTRE FRONT ROW IS CLUNES CITIZEN, MAYOR OF CLUNES, MR. WILLIAM BARKELL. PROFESSIONALLY MOUNTED ON CARD .3.4 SEPIA COPIES OF ABOVE .5.6.7 BLACK AND WHITE COPIES OF ABOVEPRINTED ON MATT BOARD OXFORD PHOTOS COMO STREET ALPHINGTON NORTHCOTE (PH.)1656 HANDWRITTEN NOTE ("RSL HALL?)local history, photography, photographs, events and celebrations, back to clunes -
Clunes Museum
Photograph, ROGER PURCELL, 1994
ORIGINAL PHOTOGRAPH OWNED BY MR. WILLIAM HARRIS OF SUTHERLAND STREET, CLUNES. THE BUILDING OF THE CHURCH WAS COMPLETED IN 1870.BLACK & WHITE PHOTOGRAPH (COPY) OF THE WESLEYAN (METHODIST) CHURCH, CLUNES. BUILDING ON RIGHT OLD POST OFFICE?TANNER PHOTO . (HANDWRITTEN NOTE "ORIGINAL CLUNES PO)local history, photography, photographs, churches, wesley -
Clunes Museum
Photograph, ROGER PURCELL, BURNS CLUB HOTEL, 1994 [COPY]
PHOTO OF BURNS CLUB HOTEL FRASER STREET, CLUNES. ORIGINAL PHOTO OWNED BY MR. WILLIAM HARRIS OF SUTHERLAND STREET, CLUNES..1 SEPIA COPY OF "BURNS" CLUB HOTEL CLUNES. CIRCA 1900, PEOPLE ON FOOTPATH AND HORSE DRAWN VEHICLE IN FOREGROUND. .2 .3 BLACK AND WHITE COPY OF THE ABOVE PHOTOGRAPH PRINTED ON MATTE PAPER .4 BLACK AND WHITE COPY OF THE ABOVE PHOTOGRAPH LAMINATEDlocal history, photography, photographs, hotels, club -
Clunes Museum
Photograph, ROGER PURCELL, 1994 [COPY]
ORIGINAL PHOTOGRAPH OWNED BY MR. WILLIAM HARRIS OF SUTHERLAND STREET ,CLUNES.BLACK & WHITE PHOTOGRAPH [COPY] CLUNES BOWLING CLUB MEMBERS C1900.local history, photography, photographs, sport, bowling club clunes -
Clunes Museum
Photograph, 1920
A PHOTOGRAPH OF A GROUP WHO ATTENDED "BACK TO CLUNES" ABOUT 1920THE LADY 3RD FROM RIGHT IS A MRS. HUDSON WHO LIVED TO 106 YEARS OF AGElocal history, photography, photographs, events and celebrations, back to clunes -
Clunes Museum
Photograph - PHOTOGRAPH PRESBYTERIAN MANSE GARDEN, HORNBY CLUNES, 1916
THE PHOTOGRAPH WAS TAKEN ON THE 23RD AUGUST 1916 IN THE MANSE GARDEN.ORIGINAL PHOTOGRAPH TAKEN IN THE MANSE GARDEN OF 14 MEMBERS OF THE PRESBYTERIAN GUILD.AUGUST 23RD 1916 MANSE GARDEN PREBYTERIAN GUILD MR. AND MRS. LEGGE. LEFT FOR PRESTON AUGUST 30TH 1916.local history, photography, photographs, churches, presbyterian -
Clunes Museum
Photograph
THE FAMILY OF SIR JOHN LONGSTAFF MOVED TO CLUNES IN 1862. THE ORIGINAL HOME WAS NEXT DOOR TO ST-THOMAS ACQUININS CHURCH - CORNER OF BAILEY STREET AND TEMPLETON STREET, CLUNES.1 COPY PHOTOGRAPH LONGSTAFF HOME AND FAMILY .2 - .4 COPIES OF .1local history, photography, photographs, longstaff, sir john -
Clunes Museum
Photograph
COPY OF PHOTOGRAPH OF THE MINING EXCHANGE - SALKELD'S BUILDING, GROUP OF PEOPLE STANDING IN FRONT OF BUILDING.local history, photography, photographs, shops- mining exchange- salkeld's building, buildings -
Clunes Museum
Photograph
MEMBERS OF THE FORD FAMILY, TAKEN IN FRONT OF TOTTY TREMBATH'S HOUSE IN 1910, FROM LEFT VIV, NELL, NELLIE, (MOTHER) DULCIE, FRONT ROW - ESME, HARRY, AND TOM WITH THOMAS (FATHER) SITTING IN CART, VIV IS HOLDING A WHALE'S BACK BONE, THEY HAD PICKED UP IN PORT FAIRY.1 FRAMED WITH GLASS PHOTOGRAPH OF THE FORD FAMILY IN 1910, WITH HORSE AND BUGGY. .2 HANDWRITTEN NOTE OF THE PEOPLE IDENTIFIED IN THIS PHOTOGRAPH, SEE BELOWTHIS PHOTO WAS TAKEN OF THE FORD FAMILY IN 1910. THEY CAME FROM DUNACH NEAR TALBOTlocal history, photography, photographs, trembath, perry -
Clunes Museum
Photograph
THE BULL & MOUTH HOTEL WAS IN FRASER STREET, CLUNES..1 SEPIA COPY OF PHOTOGRAPH OF J. BRAY'S BULL & MOUTH HOTEL, HORSE AND WAGON WITH TWO HORSES, FIVE PEOPLE STANDING IN FRONT OF BUILDING. .2 BLACK AND WHITE COPY OF ABOVE PRINTED ON MATTE PHOTOGRAPHIC PAPERlocal history, photography, photographs, hotels, the bull & mouth -
Clunes Museum
Photograph
BLACK AND WHITE COPY OF PHOTOGRAPH OF SERVICE STREET, CLUNES, GROUP OF SHOPS ON RIGHT WITH OLD POST OFFICE IN BACKGROUND.SERVICE STREET CLUNESlocal history, photography, photographs, group of shops & old post office, buildings -
Clunes Museum
Photograph, PRESBYTERIAN SUNDAY SCHOOL
.1 GROUP OF PRESBYTERIAN SUNDAY SCHOOL PUPILS WITH SOME ADULTS, OUTSIDE KINDERGARTEN SUNDAY SCHOOL. .2 COPYlocal history, photography, photographs, churches, presbyterian -
Clunes Museum
Photograph
.1 SEPIA PHOTOGRAPH MOUNTED ON CARDBOARD OF THE NATIONAL HOTEL FRASER STREET IS STILL IN USE AS A HOTEL AS AT 2019 .2 BLACK AND WHITE COPY, LAMINATED OF THE ABOVE PHOTOGRAPH.1 ORIGINAL PHOTOGRAPH OF BURN'S LIVERY STABLES .2 COPY OF PHOTOGRAPH OF BURN'S LIVERY STABLES. HORSE DRAWN BUGGY - SOME SPECTATORS - NATIONAL HOTEL, IN FRASER STREET, CLUNESHANDWRITTEN ON FRONT NATIONAL HOTEL CLUNES ABOUT 1900local history, photography, photographs, hotels, national -
Clunes Museum
Photograph
CLUNES POST OFFICE BUILDING NO LONGER IN USE AS POST OFFICE. TOWN HALL BUILDING NOW OWNED BY HEPBURN SHIRE, SINCE AMALGAMATION OF COUNCILS..1 PHOTOGRAPH (REPRINT) OF CLUNES POST OFFICE AND TOWN HALL, BAILEY STREET, CLUNES. BUGGY AND PEOPLE IN FRONT OF POST OFFICE. INCLUDING ST THOMAS AQUINAS CHURCH .2 NEGATIVE OF IMAGEBAILEY ST CLUNESlocal history, photography, photographs, town hall, post office -
Clunes Museum
Photograph, OCT. 1922
GROUP OF PRESBYTARIAN SUNDAY SCHOOL PUPILS AT 60 YEARS JUBILEE 1922.ORIGINAL PHOTOGRAPH AND COPY OF PRESBYTERIAN CHURCH SUNDAY SCHOOL, OCT. 1922JUBILEE OF PRESBYTERIAN CHURCH SUNDAY SCHOOL. 60 YEARS. OCT. 1922.local history, photography, photographs, churches, presbyterian -
Clunes Museum
Photograph
COPIES OF LITHOGRAPH OF CHINESE RIOT 1873local history, photography, photographs, mining, chinese riot -
Clunes Museum
Photograph
.1 BLACK AND WHITE PHOTOGRAPH OF GIRLS CLASS AT CLUNES STATE SCHOOL 1552 GRADE 3-6 .2 COPY IN POOR CONDITION, WITH PORTION CUT OUTlocal history, photography, photographs, schools, 1552 -
Clunes Museum
Photograph, S.FISHER JOHNSON, CNR. OF STURT & CAMP STREETS,BALLARAT
SMALL OVAL BLACK AND WHITE PHOTOGRAPH OF FRANCES FORD - SQUARE DARK GREY SURROUND. LEFT ARM LEANING ON PEDESTAL- WIDE BLACK COLLAR WITH WHITE TRIMMING.RICHARDS AND COlocal history, photography, photographs, early citizens, richard ford -
Clunes Museum
Mixed media - COMPACT DISC
COMPACT DISC OF VARIOUS PHOTOGRAPHS OF EVENTS INVOLVING MUSEUM VOLUNTEERSlocal history, photography, photographs, cds, -
Clunes Museum
Photograph
.1 & .2 FADED, BLURRED BLACK & WHITE PHOTOGRAPH 3RD CLASS STUDENTS CLUNES STATE SCHOOL 1552.local history, photography, photographs, schools, 1552 -
Clunes Museum
Photograph, 1902
PRESBYTERIAN SUNDAY SCHOOL PICNIC AT MT. BECKWORTH IN APRIL 1902. .1 SEPIA PHOTOGRAPH MOUNTED ON PALE GREY MATT BOARD, LARGE GATHERING OF ADULTS AND CHILDREN AT MOUNT BECKWORTH, IN APRIL 1902. .2 AS ABOVE.1 On Reverse; APRIL 1902. MOUNT BECKWORTH On Front; BAWDEN, PHOTOGRAPHER, CLUNES .2 On Reverse; M Harris Mount Beckworth April 1902 On Front; BAWDEN, PHOTOGRAPHER, CLUNES - Handwritten in pencil names of some attendees, Mrs Weickhardt, Ethel Harris, Jack Campbell bag pipes, Miss Roberts small face, Ernest Harris with beard, Mrs. Fraser?, Alice Harris, Amelia Harris, Olive Cowan, Janet Frazer, Eva Robinsonlocal history, photography, photographs, churches, presbyterian -
Federation University Art Collection
Photograph, Clayton Keefe, 'Uncanny Valley #2' buy Clayton Keefe, 2023
Human Archetypes, The Uncanny Valley, and Inorganic Human Forms The work interrogates the recurring concept of humankind’s fascination with replicating herself in her own image. Just as the Judeo-Christian God is said to have created humans in his own image, we replicate ourselves in art and then science. We seek to make an artificial intelligence that may well be fraught with our own survival as a species, and we refine these creations until we can no longer tell if they are human or facsimilie. Even when this is impractical; when a non-human robotic form may well be better suited to the task, we persist in making our new companions in human form. So much so that when our creations develop their own ability to create human forms, they inherently seek perfection of human characteristic when no such thing exists, and all humans are flawed. My work takes the human and reverses this process, seeking to see how dehumanising one can make the subject of portraiture before it becomes ‘the other’. In doing so, I look for what makes us human, and how we portray or present various aspects of humanity and human endeavour as stereotypical archetypes. I have used, as a paying subscriber, the artificial intelligence presented in the Adobe Creative Suite, which is ethically sourced from Adobe’s own stock collection which itself has been purchased from artists, as a launchpad for this exploration, thus invoking concepts of meta - where the AI works on a project that attempts to dissect the very reasons and underlying foundations of humankind’s desire to create AI in the first place. Some of the work touches on the idea of a human/AI connection, extending to the concepts of an interspecies symbiosis, and whether a human could experience a genuine love of a non-organic human form, and vice versa. Clayton KEEFE Completed a Bachelor of Visual Art at Federation University Arts Academy in 2023.Colour photograph of metal arm and hand holding a wine glass, in front of a window.clayton keefe, available, photography, ai, alumni -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - All Saints Catholic Church & Loreto Convent, Portland, n.d
Con Kroker Private CollectionBlack & white photo showing the spire of All Saints Church in Portland on the left and the top section and spire of Loreto Convent, Portland.con kroker, kroker, photography, loreto, all saints church -
Federation University Historical Collection
Booklet, Ballarat School of Mines Calendar, 1908-9
In 1908-9 Andrew Anderson was President of the Ballarat School of Mines. Contents of this booklet are: Asssociatesjip Final Certificates, Calendar, Classification of Subjects, Departmental Regulations, Discipline, Discipline Board, Examination Results Nov-Dec 1907, Fees, Full Certificates Issued, General Regulations, Introduction, Notices, Officer Bearers, Professors and Lecturers, Subjects of Instruction - Department of Chemistry and Metallurgy, Geological Department, Engineering Department, Electrical Engineering Department, Department of Mathematics and Physics, Practical, Plane and Solid Geometry, Photography, Subscriptions and Donations 1907, Technical Art and Trade Schools, Time Table, Photos of Buildings and GroundsPale blue covered 74 page booklet relating to the Ballarat School of Mines in the year 1908-9. ballarat school of mines, andrew anderson, j. m. bickett, hon. r. t. vale, james millhinch bickett, james oddie, r. maddern, charles kent, robert lambert, fred j. martell, professor a. mica smith, daniel walker, hubert r. murphy, charles a. deane, arthur garrard, t. s. hart, a. d. gilchrist, a. e. c. kerr, j. brittain, e. j. a. mcconnon, john m. sutherland, bertram whitington, h. j. hall, j. f. usher, charles e. campbell, sir roderick murchison, sir redmond barry, judge rogers, r. m. sergeant, thomas bath, dr james stewart, general regulations, discipline, discipline board, associateship and final certificates, mining engineering, metullurgy, geology, electrical engineering, plans of buildings and grounds, certificate courses, departmental regulations respecting order of study and examinations in chemistry, assaying and metallurgy, fees, time table 1908, department of chemistry and metullurgy, chemistry, metallurgy, assaying, geological department, mining, engineering department, electrical engineering department, department of mathematics and physics, practical, plane and solid geometry, photography, full certificates issued, examination results nov-dec 1907, subscriptions and donations 1907, technical, art and trade schools, full courses, classification of subjects and fees per term -
Federation University Historical Collection
Book, Marvels of Heat, Light and Sound
Blue hard covered book with gold writing and illustrations on front cover, illustrations, 196 pages. Targetted to the general reader of the scientific principles of heat, light and sound topics include heat; light (including reflection and refraction); vision (including vision and optical illusions, the eye, chromatic aberration, spinning tops); optical illusions (including occular estimation, zollner's designs, the thaumatrope, phenakistoscope, zootrope, praxinoscope, the dazzling top); optical illusions cont. (including the talking head, ghost illusions); optical apparatus (including the eye, the streoscope, spectrum analysis, the spectroscope, the telescope and microscope, photography, dissolving views, luminous paint); spectral illusions (including a spectre, ghosts); acoustics (including the harmonograph); acoustics cont (including the topophone, the megaphone, the autophone, the audiphone, the telephone, the phonograph, the microphone). non-fictionscience, science class, scientific recreation series, light, heat, sound, ballarat ironworkers & polytechnic association -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s - set of 4, 1890
Demonstrates part of the evolution of Ballarat's trams when they were drawn from cable trailers of North Sydney for use as the central section of ESCo's Ballarat trams.4373 - Black and White sepia coloured reproduction (copy by scanning and reprinting) of a image of "The Sandhurst & Eaglehawk Electric Tramway" battery tram, with five men (two in uniform) standing alongside. Cans see the letters "No." Note the unpaved streets. Company operated the battery tram during 1890. 4373.1 - Black and white print - copied by Harris House of Photography - 3 prints and 1 negative - N526 - with tear in image removed. 4373.2 - Negative only - N524 - no people but with one of the battery doors only - negative only - see image. Envelope and other paperwork with the 4373.1 and 4373.2 - with the worksheet file. 3 - Black and White copy print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Added 1/7/2013 .0 In pencil "Basil W Miller Collection" .3 - "PWD" in bottom right hand corner in ink.trams, tramways, bendigo, battery trams, eaglehawk -
Federation University Historical Collection
Photograph - Photograph (Black & White), Senior Members of the Ballarat School of Mines Staff, 1900
Staff Members of the Ballarat School of MinesA black and white photograph showing 18 men. Standing L-R: S.B. Vial (Chemistry); W. Doepel (Clerk); Alfred E.C. Kerr (Mechanical Engineering); Arthur Garrard (Battery Manager); Henry Hall (Drawing); W. Kerr Grant (Mathematics); C.E. Campbell (Photography); J.M. Sutherland (Electricity); H.R. Murphy (Assayer); Charles A. Dean (Cyanide Works). Sitting: Daniel Walker (Chemistry); Thomas S. Hart (Mineralogy & Curator); Fred. J. Martell (Registrar); Alfred Mica Smith, Senior Professor (Chemistry, Metallurgy, etc); J.S. Dawburn (Engineering & Surveying); Dr J.F. Usher (Materia Medica). Seating (Front): P.A. Osborne (Assistant Assayer); Godfrey Hart (Museum). .2) is a framed copy of the photograph in a carved timber from from Peake's BallaratFramer's plate 'Peake's Ballarat' Framed mount 'The Ballarat School of Mines, Staff 1900'ballarat school of mines, alfred mica smith, daniel walker, thomas hart, s.b. vial, w doepel, alfred kerr, arthur garrard, henry hall, w kerr grant, ce campbell, john sutherland, hr murphy, charles dean, fred martel, j.s. dawburn, j.f. usher, p.a. osborne, godfrey hart, c.e. campbell, w. kerr grant, kerr grant -
Orbost & District Historical Society
film wallets, Early 20th century
These photograph wallets were use in the first half of the 20th century when films were sent away to be processed. Kodak used these packaging items to promote their brand. Images of women were very popular on these wallets, with the ‘Kodak Girl’ positioned by Kodak as an important mascot or symbol to suggest the ease and accessibility of photography to the masses – a symbol which drew on traditional understandings of gender roles.They are colourful reminders of a time period when people eagerly awaited the arrival of their processed prints. The most striking examples date from the 1930s and demonstrate how Kodak used these packaging items to promote their brand. . (ref.KODAK HERITAGE COLLECTION newsletter) Three envelopes for holding photographs. They are cardboard envelopes with sewn edges. They have advertising for Kodak film, prices of printing. On 1504.2 - Record Photographical Service East Malvern U5549.Hanwritten in ink: 1504.1 -Miss Cameron 1504.2-H.P. Cameron 1504.3 Mr H.P. Cameron 1504.1 and 1504.3 stamped Gough Chemist Orbostphotography kodak -
Glen Eira Historical Society
Photograph - Alma, Will
This file contains five items. Black and white photograph of the Magic Circle dinner in 1945, location unknown, taken by Morton Photography. Black and white photograph of attendees at the Magic Circle’s welcome dinner for New Zealand magician Ces Morris in 1946, location and photographer unknown. Two copies of a black and white photograph of the Magic Circle dinner of either 1947 or 1949, location unknown, taken by Morton Photography. Black and White photograph of magician THE AMAZING W. BROOKLYN at the Melbourne Tivoli Theatre in 1945, photographer unknown, autographed to Dick Ballantine. Five black and white photographs of Will Alma, photographer unknown, copies from the ALMA CONJURING COLLECTION in the State Library of Victoria, three dated 1961, and two dated 1943. Two photocopies in black and white of photographs of an elderly man. One is labelled 'Will Alma Conjuring Memorabilia Collection Melbourne Australia'. The other is not labelled but appears to be same man. Date taken and photographer unknown.alma will, magic circle, alma conjuring collection