Showing 7025 items
matching 1980-2020
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Buninyong & District Historical Society
Photograph - Original Colour Photograph, Building, Dr. Longden's home, Learmonth St. west, 1982
Record of Victorian era house in 1980's.Colour photo, Dr. Longden's house, Learmonth St. West.house, longden, surgery, doctor, learmonth st. -
Buninyong & District Historical Society
Photograph - Original Colour Photograph, Buninyong Uniting Church (formerly Presbyterian, 1860), north side, from Learmonth St, 1982
Record of Victorian era church in 1980's. Colour photo, Buninyong Uniting Church (formerly Presbyterian, 1860), north side, from Learmonth St. Viewed through trees that are coming into leaf, lawn carpeted in white flowers.uniting church, presbyterian church, learmonth st., trees, flowers -
Mont De Lancey
Hat
Worn by Olive Sebire during the 1980's.Raspberry straw sun hat in 3 pieces.hat, hat, sun hat -
National Wool Museum
Textile - Quilt, Judith Oke et al, Isolation Quilt, 2020-2021
In 2020 during the period of lockdown due to COVID the National Wool Museum asked their volunteers to make and donate blocks made from a variety of materials found in their homes, for an ISO quilt. The NWM reached out to the patchwork and quilter community to find a local quilter to sew the donated blocks together. The quilt is sewn together and quilted by Judith Oke, 2020-2021. Judith is a local patchwork and quilter and a member of Geelong Patchwork & Quilters Guild. Through the process she was inspired by the tradition of wagga quilts, where bits and pieces are stitched together, sometimes lined with whatever the sewer found available, such as clothing and sacking, to provide warmth. In construction of the finished quilt the challenge was combining 10 inch blocks made from a variety of materials, with uneven sizing. The aim was to combine these very different blocks into a harmonious whole. To this end a light and dark pattern was planned, with the blocks to be sewn onto a blanket. The choice to layer the blocks over each other, rather than sew an even seam was aimed at emphasizing the make do nature of these ISO blocks. Due to the weight of the blanket a decision was made to sew the blocks onto a base before the whole was stitched onto the blanket. The blanket was sourced from NWM donations. The rich, red of the blanket provides a bright, warm background for the colourful squares. Some of the light weight blocks were backed with iron-on interfacing to strengthen them for sewing. The edges of two of the woven squares were blanket stitched with knitting wool. The 10 inch donated blocks/squares were machine sewn to a cotton sheet base, with liberal use of blanket stitching, as the blanket was too heavy to sew the blocks directly onto the blanket. The base with squares was then machine sewn onto the red blanket backing.Various multi coloured and designed patchwork squares sewn onto a red woollen blanket. isolation, covid, quilt, wool -
Merri-bek City Council
Hand printed vintage black and white silver print, Stephen Wickham, Untitled 2, c. 1980
Stephen Wickham is an Australian photographer and painter who has been actively exhibiting his works since the 1980s. A long standing preoccupation with Mt Buffalo since the 1980's has seen the artist produce a number of photographic suites and exhibitions that have been likened to German Romantic iconography and associated heavily with the European migrant experience (Robert Nelson, The Age 16 June 2001). Born to Viennese parents, hiking in the mountains for Wickham represents a traditional European family pastime. This series of work is comprised of expeditionary photographs taken between 1980 and 1985. Charles Green describes Wickham's landscape photographs as sublime, transcendental, spiritual and symbolic (Art in Australia Spring 1988). Set in Victoria’s Mount Buffalo National Park, the Mount Buffalo series captures the mountain plateau during winter. Rather than focusing on a lush green landscape, Wickham presents the viewer with close-ups of the snow-covered flaura and fauna of the alpine region.Donated through the Australian Government's Cultural Gifts Program by Miriam Kenter in memory of Master George Willibrord Kenter -
Merri-bek City Council
Hand printed vintage black and white silver print, Stephen Wickham, Untitled 5, c. 1980
Stephen Wickham is an Australian photographer and painter who has been actively exhibiting his works since the 1980s. A long standing preoccupation with Mt Buffalo since the 1980's has seen the artist produce a number of photographic suites and exhibitions that have been likened to German Romantic iconography and associated heavily with the European migrant experience (Robert Nelson, The Age 16 June 2001). Born to Viennese parents, hiking in the mountains for Wickham represents a traditional European family pastime. This series of work is comprised of expeditionary photographs taken between 1980 and 1985. Charles Green describes Wickham's landscape photographs as sublime, transcendental, spiritual and symbolic (Art in Australia Spring 1988). Set in Victoria’s Mount Buffalo National Park, the Mount Buffalo series captures the mountain plateau during winter. Rather than focusing on a lush green landscape, Wickham presents the viewer with close-ups of the snow-covered flaura and fauna of the alpine region.Donated through the Australian Government's Cultural Gifts Program by Miriam Kenter in memory of Master George Willibrord Kenter -
Merri-bek City Council
Hand printed vintage black and white silver print, Stephen Wickham, Untitled 6, c. 1980
Stephen Wickham is an Australian photographer and painter who has been actively exhibiting his works since the 1980s. A long standing preoccupation with Mt Buffalo since the 1980's has seen the artist produce a number of photographic suites and exhibitions that have been likened to German Romantic iconography and associated heavily with the European migrant experience (Robert Nelson, The Age 16 June 2001). Born to Viennese parents, hiking in the mountains for Wickham represents a traditional European family pastime. This series of work is comprised of expeditionary photographs taken between 1980 and 1985. Charles Green describes Wickham's landscape photographs as sublime, transcendental, spiritual and symbolic (Art in Australia Spring 1988). Set in Victoria’s Mount Buffalo National Park, the Mount Buffalo series captures the mountain plateau during winter. Rather than focusing on a lush green landscape, Wickham presents the viewer with close-ups of the snow-covered flaura and fauna of the alpine region.Donated through the Australian Government's Cultural Gifts Program by Miriam Kenter in memory of Master George Willibrord Kenter -
Merri-bek City Council
Hand printed vintage black and white silver print, Stephen Wickham, Untitled 7, c. 1980
Stephen Wickham is an Australian photographer and painter who has been actively exhibiting his works since the 1980s. A long standing preoccupation with Mt Buffalo since the 1980's has seen the artist produce a number of photographic suites and exhibitions that have been likened to German Romantic iconography and associated heavily with the European migrant experience (Robert Nelson, The Age 16 June 2001). Born to Viennese parents, hiking in the mountains for Wickham represents a traditional European family pastime. This series of work is comprised of expeditionary photographs taken between 1980 and 1985. Charles Green describes Wickham's landscape photographs as sublime, transcendental, spiritual and symbolic (Art in Australia Spring 1988). Set in Victoria’s Mount Buffalo National Park, the Mount Buffalo series captures the mountain plateau during winter. Rather than focusing on a lush green landscape, Wickham presents the viewer with close-ups of the snow-covered flaura and fauna of the alpine region.Donated through the Australian Government's Cultural Gifts Program by Miriam Kenter in memory of Master George Willibrord Kenter -
Merri-bek City Council
Hand printed vintage black and white silver print, Stephen Wickham, Untitled 8, c. 1980
Stephen Wickham is an Australian photographer and painter who has been actively exhibiting his works since the 1980s. A long standing preoccupation with Mt Buffalo since the 1980's has seen the artist produce a number of photographic suites and exhibitions that have been likened to German Romantic iconography and associated heavily with the European migrant experience (Robert Nelson, The Age 16 June 2001). Born to Viennese parents, hiking in the mountains for Wickham represents a traditional European family pastime. This series of work is comprised of expeditionary photographs taken between 1980 and 1985. Charles Green describes Wickham's landscape photographs as sublime, transcendental, spiritual and symbolic (Art in Australia Spring 1988). Set in Victoria’s Mount Buffalo National Park, the Mount Buffalo series captures the mountain plateau during winter. Rather than focusing on a lush green landscape, Wickham presents the viewer with close-ups of the snow-covered flaura and fauna of the alpine region.Donated through the Australian Government's Cultural Gifts Program by Miriam Kenter in memory of Master George Willibrord Kenter -
Merri-bek City Council
Hand printed vintage black and white silver print, Stephen Wickham, Untitled 9, c. 1980
Stephen Wickham is an Australian photographer and painter who has been actively exhibiting his works since the 1980s. A long standing preoccupation with Mt Buffalo since the 1980's has seen the artist produce a number of photographic suites and exhibitions that have been likened to German Romantic iconography and associated heavily with the European migrant experience (Robert Nelson, The Age 16 June 2001). Born to Viennese parents, hiking in the mountains for Wickham represents a traditional European family pastime. This series of work is comprised of expeditionary photographs taken between 1980 and 1985. Charles Green describes Wickham's landscape photographs as sublime, transcendental, spiritual and symbolic (Art in Australia Spring 1988). Set in Victoria’s Mount Buffalo National Park, the Mount Buffalo series captures the mountain plateau during winter. Rather than focusing on a lush green landscape, Wickham presents the viewer with close-ups of the snow-covered flaura and fauna of the alpine region.Donated through the Australian Government's Cultural Gifts Program by Miriam Kenter in memory of Master George Willibrord Kenter -
Merri-bek City Council
Hand printed vintage black and white silver print, Stephen Wickham, Untitled 10, c. 1980
Stephen Wickham is an Australian photographer and painter who has been actively exhibiting his works since the 1980s. A long standing preoccupation with Mt Buffalo since the 1980's has seen the artist produce a number of photographic suites and exhibitions that have been likened to German Romantic iconography and associated heavily with the European migrant experience (Robert Nelson, The Age 16 June 2001). Born to Viennese parents, hiking in the mountains for Wickham represents a traditional European family pastime. This series of work is comprised of expeditionary photographs taken between 1980 and 1985. Charles Green describes Wickham's landscape photographs as sublime, transcendental, spiritual and symbolic (Art in Australia Spring 1988). Set in Victoria’s Mount Buffalo National Park, the Mount Buffalo series captures the mountain plateau during winter. Rather than focusing on a lush green landscape, Wickham presents the viewer with close-ups of the snow-covered flaura and fauna of the alpine region.Donated through the Australian Government's Cultural Gifts Program by Miriam Kenter in memory of Master George Willibrord Kenter -
Bendigo Historical Society Inc.
Document - KELLY AND ALLSOP COLLECTION: COLLECTION OF PAY IN (CREDIT) SLIPS - ACCOUNT OF MICHAEL KELLY, 1881/1883
Pay In (Credit) Slips - Account of Michael Kelly with the Commercial Bank of Australia limited, Sandhurst. Cheques and details on reverse of each slip. Dated 1883 (16 slips; dated 1881 (6 slips). 23/01/2020 Record missing from folder -AVorganization, business, bendigo businesses -
Ballarat Tramway Museum
Administrative record - Memorandum, State Electricity Commission of Victoria (SEC) and The Courier Ballarat, cutting from The Courier re possible closure, Aug. 1962
Yields information about the method of advising SEC Management of letters to the Editor concerning the possible closure of the SEC Ballarat system., Yields information about the method of advising SEC Management of letters to the Editor concerning the possible closure of the SEC Ballarat system.Memorandum to the Engineer & Manager, from the Manager Ballarat Branch: Enclosing cuttings from The Courier, 15/8, 17/8 and 18/8 (Memo dated 22/8/2020) See Reg Item 7895 and 7897 for these items. Sheet has rounded corners.trams, tramways, closure, letter to the editor, editorial -
Ballarat Tramway Museum
Negative - Set of 2, Geoff Grant, 7/05/1955 12:00:00 AM
Negatives No. 288 and 289 and colour print made by colour laser printer (stored in folder ) of Q190 on the depot access track at Camberwell Depot on 7/5/1955. Photo by Geoff Grant. Hi res scan of negative and image updated 19/5/2020.trams, tramways, melbourne, camberwell depot, tram q190 -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, Wal Jack, 11/01/1945 12:00:00 AM
Yields information about the appearance of SEC single truck trams during 1945 and a photograph of a tramcar that later ran in Bendigo. Has a strong association with Wal Jack.Black and white photograph of No. 25, at the depot, taken on 11/1/1945. Photo by Wal Jack - details on rear in his hand writing. Has part of depot building in background. Original negative scanned at hi res and image updated 1/6/2020.On rear in blue ink "No 25, Depot Ballarat / Jan 11th, 1945" and in brackets "ex MMTB".tramways, trams, depot, secv, tram 25 -
Melbourne Tram Museum
Photograph - Colour Print/s, Historic Electric Traction, Jan. 2006
Colour print from the "Historic Electric Traction" collection of former MMTB SW6 918 as Bendigo Vintage Talking tram No. 34, c2006. In a Bendigo tourist colour scheme. Has a W2 behind. Historic Electric Traction - www.het.org.au - accessed 23/7/2020.On rear is the "Historic Electric Traction" stamp.trams, tramways, bendigo, advertising trams, sw6 class, tram 918, tram 34 -
Expression Australia
Newsletter, John Pierce Centre
In 1935 the Catholic Deaf met as Australian Deaf and Dumb Association Victorian Branch. Bro P J O’Farrell was the president; The John Pierce Centre (Prahran) opened unofficially in March 1980 and in August 1980 it was officially opened and blessed.Significant as a newsletter for the Deaf Community.White A4 Binder containing various newsletters of the John Pierce Centre Including: Newsletter of Catholic Association of Deaf and Hearing Impaired People (Victoria) Vol 8 Issue 3, 4 1988, Vol 8 Issue 5 1989; Vol 9 Issue 7 1989; Vol 11 Issue 9 1990; Vol 12 Issue 10, 11 1990; Vol 13 Issue 12 1990, 21.5cmHx1 4.5cmW, 24 pages; Newsletter Catholic Deaf Community of Victoria May, August, October, December 1991, April, July, September, December 1992 (2 copies), 29.5cmHx21cmW, 12 pages; June 1994, 29.5cmHx21cmW, 8 pages; Newsletter for and by Deaf Community of Victoria September 2006 (4 copies), July 2007, March 2008, 29.5cmHx21cmW, 12 pages; Newsletter July 2008, December 2008, March 2009, December 2010, 29.5cmHx21cmW, 12 pages -
Greensborough Historical Society
Article - Article, Newsletter, Watsonia ambulance station officially open, March 2021
The official opening of Watsonia Ambulance Statiion took place in 2021, although it had been open since October 2020.Printed article from Brooksy's Briefing, colour imagewatsonia, ambulance -
Bialik College
Letter (series) - Communications relating to the impact of COVID-19, 2020
2020s2020s -
Melbourne Tram Museum
Badge - Travel Pass, Swan & Hudson, "World War 1 Veterans", 1980
Set of two badges or medallions issued to first world war veterans or widows. 1 - black background, with the words "World War 1 Veterans Travel Pass 1980" in gold and the number "4707", stamped in a gold background. 2 - yellow background with the words "Widow of World War 1 Veteran" and the number "1.12.51" stamped into a gold background. See item 852 for a example issued to wifes and 811 for other examples.Demonstrates a travel pass issued to World War 1 veterans or their widows.Set of two Round cast brass badges or medallions, with a small lug or eyelet or attachment point on the top, finished with a high gloss lacquered finish. Rear finished with a slight stippled finish, with the words "Not Transferable" and the name of the manufacturer, "Swan & Hudson" cast in. tramways, trams, badges, world war 1, veterans, tickets, travel pass -
Warrnambool and District Historical Society Inc.
Souvenir - School Ribbon, Second half of the 20th Century
Both these ribbons have been produced to celebrate anniversaries of two Warrnambool State Schools. Allansford State School celebrated its 125th Anniversary in 1981. This school was opened in 1855 as a National School and is still operating. It has the distinction of being State School No. 3 in Victoria. Warrnambool State School celebrated its centenary in 1976. It opened in 1876 following the closure of the four Common Schools in Warrnambool This school is still operating.These ribbons are school souvenirs and may have been intended as book marks..1 Green cloth ribbon with gold printing. The edges at both ends are serrated. There are some scroll patterns on the sides. .2 Gold coloured ribbon with brown printing and serrated edges at both ends..1 ALLLANSFORD STATE SCHOOL NO 3 125th ANNIVERSARY 1855 -1980 1856- 1981 .2 Warrnambool Primary School No. 1743 Centenary Year 1976warrnambool schools -
Melbourne Legacy
Booklet, Poems, 1980s
A booklet of poems penned by unknown Legatees up until 1984. This booklet was probably produced as a fund raiser for Legacy. One Legatee frequently published in the Bulletin was 'LJ' - which is Legatee Leigh Johns.One of the many ways in which Legacy raised funds and it captured the poems written by Legatees.Bound book of poems with yellow cover and white pages. Legacy logo, 'Poems, The original works of legatees up to mid 1980, Published by the Comradeship Committee of Melbourne Legacy. $1.50'. All printed in black ink.fundraising, comradeship, poems -
Melbourne Tram Museum
Slide - Set of 3, Roy Mitchell, late 1970s
Set of 3 Pakon white plastic mount slides of a visit to the TMSV Bylands, late 1970's, prior to the start of electric tram operations. Photos by Roy Mitchell. .1 - X1 467 on display with a W2 behind. Tram has destination of "Glenhtly Depot" .2 - Horse tram - Zoo - No. 263 with Rebekah standing alongside. .3 - Ballarat 42 on blocks, possibly soon after delivery given its position on the site..1 - "circa 1980's (photo taken) by Roy Mitchell .2 - "1983 tram - unknown adult and Rebekah" .3 - "Tram 1983 by Roy Mitchell"trams, tramways, tmsv, bylands, x1 class, tram 467 -
Bendigo Military Museum
Souvenir - SHERRY GLASS, Rats of Tobruk Association
Dean collection, refer Cat No 4575PPlain glass with stem. It has the Rats of Tobruk Association logo on one side. On the other side are the words "Rats of Tobruk Association - Melbourne Sub branch - 39th Anniversary - World Reunion 1980".The logo and writing are in gold.rats of tobruk association, ww2 -
Victoria Police Museum
Photograph (police motorcycle)
Honda CB 750 F2 in a driveway with a high fence and number "8" on the fence. Rider is Warwick Lesson and he is wearing a helmet, leather jacket, elbow length gloves, jodphur pants and riding boots. Circa 1980police vehicles; wireless patrol; motor transport branch; motor transport section; police motorcycles; honda motorcycle; lesson, warwick -
Bendigo Historical Society Inc.
Magazine - ST. MARY'S COLLEGE, BENDIGO - SCHOOL MAGAZINES, 1978,1979,1980
Magazines - Three school magazines for St Mary's College, Bendigo for 1978, 1979 and 1980. Includes class photographs of Years 7 to 12 with teaching staff. In 1983 St Mary's College amalgamated with Marist Brothers Collegemagazine, organization, st marys college, st mary's college, school magazine -
Clunes Museum
Booklet - SCRAPBOOK
.1 SCRAPBOOK FROM CRESWICK FIELD NATURALISTS CLUB WITH NEWSPAPER CLIPPINGS ABOUT NATURE-BIRDS-ANIMALS-CLUNES 1860'S .2 NEWSPAPER CLIPPING 27.2.1980 CRESWICK ADVERTISER .3 NEWSPAPER CLIPPING 13.3. 1980.1 ON COVER: SCRAPBOOK TOM GILCHRIST CUTTINGS PLUS F.N. CUTTINGScreswick field naturalists, tom gilchrist, enid steart -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Land Conservation Council Victoria, Final Recommendations Gippsland Lakes hinterland Area, 1983
1980 report and recommendations of the Victorian Land Conservation Council, for the balanced use of public land in teh gippsland Lakes Hinterland includes reserves schools forests rivers foreshores and other public sites. Map and diagrams added.topography, parks, waterways -
8th/13th Victorian Mounted Rifles Regimental Collection
Photograph - Soldier beside armoured vehicle
In this exercise A Squadron 8/13 VMR operated under command of 2nd Cavalry Regiment. Trooper MacDonald later was commissioned as a Lieutenant commanding 2 Troop ( Cobram ).Colour photograph of soldier standing in front of M577 Armoured Command Vehicle ( ACV ) of 8/13 Victorian Mounted Rifles during annual exercise in Ivanhoe NSW area, 1980. Trooper David Macdonald was the ACV driver.military, vehicle, soldier -
8th/13th Victorian Mounted Rifles Regimental Collection
Album - Cobram Troop photos
Photograph album with heavy card and plastic cover. Contains newspaper cuttings relating to Cobram Troop, 8/13 Victorian Mounted Rifles in early 1980's. Also has loose leaves from another album.newspaper, cobram, armour, vmr, light horse