This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007. We are seeking information on this artist who studied at the Ballarat Technical Art School in the 1930s. If you are able to assist please make contact via the comments link below. art, artwork, s.j. allan, colpin avenue, posters, ballarat technical art school

This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007. We are seeking information on this artist who studied at the Ballarat Technical Art School in the 1930s. If you are able to assist please make contact via the comments link below.art, artwork, keith, posters, colpin avenue

Barbara Weir (b. 1945-03/01/2023) Born: In the region of Utopia, North East of Alice Springs, formerly known as Derry Downs Station Language: Anmatyerre and Alywarr Country: Atnwengerrp, Utopia Region, North East of Alice Springs, Northern Territory One of the Stolen Generation, Barbara Weir was removed from her Aboriginal family at the age of nine, and she was raised in a series of foster homes. Reuniting with her mother, Minnie Pwerle, in the 1960s, Weir eventually returned to her family territory of Utopia, 300 kilometres northeast of Alice Springs. Active in the local land rights movement of the 1970s Barbara Weir was elected the first woman president of the Indigenous Urapunta Council in 1985. Barbara’s career as an artist was inspired by the dynamic community of artists at Utopia and the work of her adopted auntie Emily Kame Kngwarreye. Highly experimental in her approach, Barabara Weir tried many mediums before travelling to Indonesia in 1994 with other artists to explore batik technique. She returned full of ideas on how to develop her own style which has since evolved to a more expressive abstract form. Grass Seed is part of her Dreamings and is associated with women’s ceremony and the activity of food gathering of local seeds, grasses, berries, potato, plum, banana, flowers and yams. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Barbara Weir's paintings include representations of particular plants and "dreamings". Inspired by a small grass found in Utopia called Lyaw, Munyeroo or Pigsweed, Barbara's Grass Seed paintings consist of a series of small brush strokes that overlap and weave to create a swaying effect. This Dreaming tells the story of grass seed that is part of the bush tucker found in the region of Utopia. This seed is collected, crushed to a fine powder and is then used to make a bread, very similar to damper. The people of Utopia were still using this seed as late as the 1950s. During that time the seed grew in abundance but as the years passed there were very few good seeds to be found due to bullocks roaming the land and eating the grasses. The people then began to eat a substitute that the white man provided, and today very few Aboriginal people collect these seeds. art, artwork, barbara weir, aboriginal, dreaming, stolen generation, acrylic on linen

Phil BERRY (1963 - ) Born Ballarat Completing a Master of Arts at the University of Ballarat (now Federation) in 2012, he workes as a sessional staff member for the Arts Academy. Artist Phil Berry recalled ‘As a child I spent the majority of my holidays at my uncle and auntie’s. Uncle Jack was a prisoner of War at Changi during World War 2. Repatriated to Australia he was emaciated and clutched his prize possession, an old spoon. Part of his daily life during the extreme hardship of the camp, the spoon was a symbol of his survival, a constant in extreme uncertainty.’ ‘Home again Jack married, started a family and embraced peace. A kind and gentle man, I was fortunate to have known him. The coming of peace had given back what war had nearly taken away.’ This item won the Lucato Peace Prize and is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed painted canvas depicting a spoon. Phil Berry studied at the University of Ballarat Arts Academy (later Federation University) and undertook sessional lecturing at the Arts Academy.art, artwork, berry, phil berry, philip berry, lucato peace prize, prisoner of war, available, spoon, cutlery, war, arts academy, alumni

Lyn COOKE An artist specialising in wildlife, Lyn Cooke draws from the rich heritage of wildlife art in Australia beginning with the natural history illustrations of John William Lewin and John and Elizabeth Gould. Her aim is to accurately depict the natural environment and this is reflected in her highly detailed paintings. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed painting of a frog in landscape.Signed lrs 'L. Cooke'art, artwork, lyn cooke, frog, available, rainforest

Peter CLARKE (1969- ) Gunditjamara (Lake Condah) Born Heywood, Victoria At two months old Peter Clarke was removed from his parents and placed in a Catholic boy's orphanage in Ballarat. The orphanage was closed and Peter was moved to a public orphanage where he discovered 'manners were not a necessity and you often had to take before you were ever given in this orphanage. ... This new orphanage was not a home for me but a prison of sadness and despair.' Disconnected from his country and lore Peter Clarke chose "my own path to land, county and water". Although his childhood memories are dark and bleak, he uses vibrant colours. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Mallee Wood didgeridoo with vibrant colours. A natural wood imperfections have been used to emphasise what is recognisable as a frog. This work was purchased from the "My Art, My Life, My Colours' exhibition at the Federation University Post Office Gallery, May 2008.art, artwork, aboriginal, peter clarke, didgeridoo, stolen generation, st joseph's orphanage, sebastopol, my art, my life, my colours' exhibition, federation university post office gallery

This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007. We are seeking information on this artist who attended the Ballarat Technical School in the 1930s. If you are able to assist please make contact via the comment link below.art, artwork, j. hopwood, colpin avenue, posters, ballarat technical art school

This artwork was found among items associated with the Ballarat School of Mines. Although its purpose remains unknown, it was possibly painted by a staff member or student for use on Wattle Day. Wattle Day originated in October 1889 by the Wattle Blossom League, and was associated with the Australian Natives Association during the lead up to the Federation of Australian States. The first 'national' Wattle Day was celebrated on 1 September 1910. Early Wattle Days involved planting wattle trees in school grounds, street decorations of wattle blossom, and wearing sprigs of wattle. As public support for Wattle Day peaked, World War I broke out. Wattle took on a new significance during the war years, symbolising home for military personnel serving overseas. Beautifully designed Wattle Day badges, as well as wattle sprigs, were sold as a means of raising money for organisations such as the Red Cross. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.The Australian coat of arms with wattle, painted onto canvas.art, artwork, emu, kangaroo, crest, advance australia, wattle day, wattle, coat of arms, patriotic, australian coar of arms, national symbol

Turning of the first sod for the Association for the Blind's Ballarat home for the elderly, later known as Kelaston.1 x black and white photographassociation for the blind, kelaston home (ballarat)

Don Dunstan (Kelaston manager), John Wicking (AFB President), Councillor Hitchcock (Branch Committee member) and Councillor Flynn at the opening of the Low Vision Clinic and Day Centre extension on 18 July 1983.1 x black and white photographassociation for the blind, john wicking, kelaston home (ballarat)

Rex Hollioake, Appeal Chairman, turns the sod for the redevelopment of Kelaston, whilst long-term resident Mary Tiernan and her family look on. A workman pulls down a fence post bordering the site for the redevelopment.7 x colour photographs of the first sod turningMary Tiernan - resident with daughter + 2 granddaughters Sara (6) and Olivia (4) Rex Hollioake - Appeal Chairman turing the sod.association for the blind, rex hollioake, mary tiernan, kelaston home (ballarat)

Katharine Rose with Mrs Delacombe and Sir Rohan Delacombe, Governor of Victoria, at the opening of the new wing at Mirridong, named in her honour.1 x black and white photograph of four peopleMrs Katharine Rose meets Lady Delacombe & Gov. of Victoria Sir Rohan Delacombe prior to opening of K. Rose Wing.association for the blind, mirridong home (bendigo), katharine (kitty) rose, sir rohan delacombe

Sir Rohan Delacombe opens the new wing of Mirridong Nursing home, named in honour of long-time and tireless worker, Katharine Rose. Pictures show Sir Rohan meeting residents, addressing the crowd, unveiling the plaque, walking through the wing and signing the visitors book, accompanied by his wife, Mrs Delacombe, Katharine Rose and a man in military dress. The last image is of Katharine Rose addressing the crowd under the 'Mirridong Home for the Blind' sign.10 x Black and White photographs of people at the openingE.P Cameronassociation for the blind, mirridong home (bendigo), katharine (kitty) rose, sir rohan delacombe

Street view of 1 ceremony held at Mirridong. No individuals are identified, however decorations and the large crowd indicate that it could be the opening of the centre or later extensions.1 x Black and White photograph of crowd outside MirridongBendigo 5123association for the blind, mirridong home (bendigo)

Images of bedrooms, dinning table and unnamed individuals on the day of the opening ceremony for the Katharine Rose wing.8 x black and white photographs of people at openingassociation for the blind, mirridong home (bendigo)

Ella Vicars-Foote, John Wilson and Kitty Rose at the opening of the Ella Vicars Foote Day Room at Mirridong.1 x B/W photograph and 1 x colour photographB/W - 62,57, 0755, 6, Page 3 Colour - Ella Vicars Foote & John Wilson & Kitty Rose at opening of Ella Vicars Foote Day Room, 1986association for the blind, ella vicars-foote, john wilson, mirridong home (bendigo), katharine (kitty) rose

James Thompson and Rachel Beer look at a display in the Katharine Rose wing at Mirridong Nursing home.4 x colour photographs of man and woman Rose (2)james thompson, rachel beer, vision australia foundation, mirridong home (bendigo)

Residents sit under sun umbrellas in the grounds of Mirridong. Date unknown, but possibly they are waiting for a parade as they face outwards, and flags of the world (with an Australian flag most predominant) are up as decorations on the building.1 x B/W photograph of Mirridong residentsassociation for the blind, mirridong home (bendigo)

Images of people celebrating Vision Victoria week during May 1-7, 1989 at various events, or taking part in publicity shots to promote the week. School children receive Vision Victoria balloons from clowns at a carnival, a volunteer reads the Bendigo Advertiser to two Mirridong residents, a baby is held by a Mirridong resident whilst others look on, a game of chess is played, staff and residents enjoy a laugh in the gardens, plants are displayed and presentations are made.10 x black and white photographsassociation for the blind, mirridong home (bendigo)

Photographs taken of various activities that occurred at the Association for the Blind's nursing home in Bendigo - Mirridong. These include clients sitting outside (for possibly the opening of a new wing or a street parade), staff participating at a local fete, volunteers/staff playing games with residents, reading newspapers, receiving visitors and awards for gardening activities.8 B/W photographs of clients, staff and volunteers at Mirridongassociation for the blind, mirridong home (bendigo)

A woman smiles as she places a cup of tea in front of a nursing home resident at the Association for the Blind's Ballarat home.1 B/W photograph of resident and staff at Kelaston Nursing Homeassociation for the blind, kelaston home (ballarat)

The gardens of Mirridong were well maintained as these certificates for First Prize in the Bendigo District Garden Competition acknowledge in 1992 and 1993.2 x A4 certificates of appreciationmirridong home (bendigo), bendigo district garden competition, association for the blind

Basket weaving and brush making was a source of income for those who worked in the workshops at RVIB and other institutions in New South Wales and Queensland. A diverse range products could be produced with cane, such as cane chairs, cots, washing baskets and trolleys, and the Institution sought to highlight these in the annual report. Over time the demand for, and supply of, cane changed - particularly during World War 2 when Asian sources were under attack or destroyed. At home, other materials such as plastics as well as the ability to import cheaper pre-produced products further reduced the demand for workshop pieces. RVIB eventually closed down it's workshop production of materials in 2009 with the sale of the warehouse in High Street, Prahran and the movement of staff to Macaulay Road, Kensington.6 scanned images of basket making from RVIB annual reportsroyal victorian institute for the blind, employment

Three women sit by a piano, whilst another leans in, all wearing Easter Bonnets. A variety of items decorate their hats, including a soft toy, feathers, ribbon and flowers. At least two women are residents, whilst the woman standing is a staff member.Black and white photograph of four womenelanora home (brighton), association for the blind

Four people dressed up to help Elanora residents enjoy the Easter celebrations in 1994. Two clowns, a rabbit with a basket of Easter eggs and a staff member (Nicole) with an Easter Bonnet.1 coloured photograph of four people, three dressed in fancy dresselanora home (brighton), association for the blind

Nursing homes would celebrate Easter with special activities, including a Easter Bonnet parade. Residents were invited to buy or make their own entries into the field.Group of people wearing Easter hatsbrighton nursing home, celebrations

Residents enjoying the Easter Bonnet parade at Elanora home in Brighton.2 coloured photographs of Elanora residents during an Easter Bonnet paradeelanora home (brighton), recreation

Plaque commemorating the support of Alfred E. Clarke. A passionate supporter of Blind Cricket for 20 years, he was taken ill whilst umpiring a match and passed away at his Middle Park home on November 28th, 1950. Mr Clarke was one of South Melbourne's best cricketers in his youth, and after retirement continued his involvement in the sport he loved through committee and various management roles. He continued to watch matches with his friend Sam Morris - a fellow South Melbourne player who have gone blind - and became involved with the Blind Cricket Association, spending most weekends umpiring matches. Source: Record (Emerald Hill), Sat 2 Dec 1950, p4 "The Final Call" http://nla.gov.au/nla.news-article164499137Metal plaque attached to woodIn Memory Of Alfred E. Clarke Obit. November 28th 1950 A True Friend of the Blindassociation for the advancement of the blind, nameplates, victorian blind cricket association

This agreement between the Association for the Blind and Emma Irene Parkins lays out the terms and conditions of a fund-raising initiative to be driven by E.I. Parkins, with the aim of selling entry tokens for a "Name the Home" competition at 2 shillings apiece. The first prize was a Ford Falcon Sedan. The agreement is Dated 1st day of July 1962, but Signed and Dated by CEO J. W. Wilson and E. I. Parkins on 28/03/1962. There are 2 copies of the agreement, one containing hand-written annotations in pencil. 4 typed pages of legal agreementassociation for the blind, emma parkins, john wilson, fundraising