Showing 37644 items
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Eltham District Historical Society Inc
Photograph, Ezra Goulter, Unidentified Shillinglaw Family Child, c.1885
Photographer Ezra Goulter operated from 23 Chapel St. Prahran between 1878-1890 CARTE-DE-VISITE (cdv) 1857-1890 Cartes-de-visite (cdv's) are the most common form of photograph from the nineteenth century, generally measuring two and a half inches by four and an eighth inches (6.3 x 10.5 cm) when mounted, sepia toned, mounted on a card which was generally printed with the photographer's name and address on the back or beneath the portrait. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991marg ball collection, shillinglaw family photo album 2, unknown, 1878-1890, 1885, goulter photographer chapel st prahan, shillinglaw baby -
Stawell Historical Society Inc
Photograph, Coke Hopper at the Gas Supply Company with bagged Coke on back of truck, 1945-50
Coke Hopper Gas Supply Co. Stawell. Two trucks parked on roadway. Bagged Coke on platform and on back of truck.B/W. Photgraph of Coke hopper - two trucks parked on a roadway unloading bagged coke onto a platform. Four Persons in the picture.stawell industry, gas company -
Melbourne Tram Museum
Photograph - Black & White Photograph/s, "Flinders Street Railway Station, World War 1 Era", 1980's?
Reproduced photograph, sepia toned of "Flinders St Railway Station, World War 1 Era, taken from St Paul's Cathedral steps. Has part of the Princes Bridge Station building on the left hand side. The Swanston St canopy of Flinders St station has the words "Enlist and Fight for the Dear Old Flag". Two Richmond line cable trams in Flinders St along with horse drawn vehicles. One of a series of four photographs produced by an unknown person/company. Two sizes of prints held, one large, two small. See also Reg Item 1883 for a 1944 photograph.On the rear of 587 "Cable Tram prints $10/set"trams, tramways, melbourne, flinders st station, world war 1, cable trams -
Kiewa Valley Historical Society
Telephone Handset Field, early 1900s
This field telephone was developed primary for military purposes (World War I) and other wars/military interventions there after. It was the first "mobile" telephone which had a prime objective of providing isolated or "hard" to connect with locations instant communication links. Like a lot of "new" technologies it evolved from a war environment. This handset was used to connect offices and workshops, which due to their functions could not be co-located with their prime office(external workshops).The evolution from the early 1900s to the mid 1980s when mobile communication technology progressed in leaps and bounds from hard wire telephone communication to mobile digital receivers. This handset was manufactured by a subcontracted Australian company under the Australian Post Office mandate.This handset is significant in that it was donated by the Mount Beauty Timber yards and formed an integrated part of its communication system with its out lying work yards and buildings, before the mobile handset evolution. This handset was located in an environment which required a rugged and reliable day to day communications linkage as a vital part of its logistical (business) survival. As progress demands it, the faster that customers are satisfied with the service they obtain from suppliers the longer those services will be asked for and the longer and more profitable the supplier will be. This edict is as true for rural companies as it is for small or large city businesses. The customer is "always" right.This sturdy field telephone has a shell housing made in black bakelite material with a "U" form housing the major components (wiring, magneto and batteries). The main housing has two metal bells, with a central ringer between both, on the top part (to notify incoming calls). In front of the main structure is a box with the telephone hand piece (ear and mouth receptacles) nestled on two cradles. An on/off switch is activated when handset is removed from its cradle. On the front of the control box is a winder handle(to ring off) and in a field situation to activate/deactivate the magneto. To the left of the winder but on the the main body are two wind up connection buttons for the connection of operational wires (power)On the main right hand front body and next to two chrome switches is a plate with "L (next to the top switch) and below this "L2" and underneath this are "or" "EARTH". There is a plate fastened to the front of the handset and behind the winder with "REPLACE HANDSET WHEN FINISHED" and below the winder 'SERIAL NUMBER 5116"field telephone, world war ii field telephone f mk i -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Zwanke stem pessary associated with Dr Frank Forster
The wings of the pessary are controlled by two small hinges and the screw at the base of the metal stem. These wings can be opened or closed by turning the screw clockwise or anticlockwise.Zwanke's intrauterine stem pessary. Consists of two black vulcanite wings, a stem, and a screw. Each wing has a 2cm hole in it. Wings are divided by two small metal screws and at the base of each wing are three metal studs. Stem is made up of three curved metal prongs. Screw is made of bone.intrauterine device, pessary -
Inglewood & District Historical Society
Catto Family Book, Cambridge Press, Pioneers of Progress - Jennifer Lovell & Norma Catto, 2007
Relating the story of two branches of the Catto family who emigrated to Australia in the early 19th century. John Catto (1802-1872) and John Catto (1830-1918) Detailed history of the early settlement and continued residence of the Loddon district by the Catto family (many references to other families also)Soft cover book. 266 pages. Red and white photographic cover. History of two Catto families in Loddon District.ISBN 9780646476766. Limited Edition 2007 / Dedicated to the memory of Norma and Graeme Catto.catto early history in loddon -
Vision Australia
Photograph - Image, Matilda Aston and Miss Lawson
Tilly Aston and her live-in companion Miss Lawson. The two stand in a garden, probably in a backyard, and appear relaxed. Miss Lawson wears a patterned jacket with a white high collar blouse, whilst Miss Aston wears a high white collar under-blouse over a dark jacket with a pin on the front.B/W photograph in various shades of two older woman standing in a gardentilly aston, miss lawson -
Dandenong/Cranbourne RSL Sub Branch
Equipment - Mess Kit, S&H Ltd, 1938
This mess tin belonged to MELIA JAMES HENRY : Service Number - VX18960 : Date of birth - 08 Oct 1900 : Place of birth - WARRINGTON ENGLAND : Place of enlistment - CAULFIELD VIC : Next of Kin - CHURTON MARGARET The mess tin was manufactured by Sellman & Hill (S&H) Ltd from Wolverhampton. British aluminum mess tins were used by most of the Empire early in the war. A new pattern of mess tin was developed for the Web Equipment 1937 Pattern, which was a nested, two-piece rectangular mess tin with long, folding handles. Mess tins were used to prepare or heat food but they were also used as a container from which to eat and drink. The tins were lightweight and sturdy but they became hot very quickly when heated. Mess kit consisting of two pieces: One rectangular aluminium mess tin from WWII with multiple hand-carved inscriptions on outside indicating owner and locations he was stationed in 1940 and 1941. Welded handle attachment, although handle itself is missing. There is also a small, flat bottomed aluminium cup.Multiple hand-carved inscriptions on three external sides of the mess tin: Side one: "1940 Palestine / Egypt / VX18960 / Dvr Melia. J / AASC / 1941 Libya" Side two: " BARDIA / GREECE / TOBRUK" Side three: " Gaza / Beit Jerga / Kfar Vitkin / jaff / TEL-AVIV / Jerusalem / Nazareth / Haifa" Manufacturer's hallmark stamped on side four: "S.&H. LTD / 1938" and below that a stamp of an arrow pointing upmess tin, aluminium mess tin, wwii, wwii mess tin, sellman & hill, british mess tin -
Melbourne Legacy
Photograph, Widows Craft Exhibition, c.2000
Two widows beside an exhibit of craft work at Legacy House, possibly 1999 or 2000. The widows would complete craft items for sale at the widows stall in badge week and also for competition in the Widows Craft Exhibitions. On the left is Sue Sargent and on the right is Vera Lang. Both ladies participated in many events and may have been on the widows committee at the time. A record of the type of activities Legacy provided as a social outlet for widows. Colour photo x 2 of two ladies looking at the craft exhibition.Printing on the back " -
Warrnambool and District Historical Society Inc.
Book, Warrnambool Standard Almanac 1914, 1913
This booklet was given to subscribers to the Warrnambool Standard newspaper as an almanac for the year 1914. The Warrnambool Standard Almanacs were produced annually from 1875 to 1930. They contain much local information on Warrnambool and district about businesses, government officials, harbour management, large landowners, banks, churches, schools, societies and organizations etc. The Warrnambool Standard newspaper was established in 1872 and continues to this day. This booklet is of high significance as it contains valuable information about Warrnambool and district for the year 1914. It is an important research tool for those studying and writing the history of Warrnambool and district. This copy has the name ‘Mr Cameron’ on the front over but no details have been found on him and it is not known if he was the original owner of this booklet. This is a soft cover booklet of 115 pages. It has several advertisements at the front and the back of the booklet. The back cover is missing and the front cover has a yellow background with black lettering and a black and white photograph of the Warrnambool Breakwater. The covering on the spine is partly torn away. The booklet is bound with metal staples and contains some photographs in blue tonings and some in black and grey tonings. There are also other illustrations. The writing on the front cover is handwritten in black ink. ‘(When the wild geese come)’ ‘Mr Cameron’ warrnambool standard newspaper, history of warrnambool, standard almanac 1914 -
Glen Eira Historical Society
Album - Album page, Labassa, 4 Manor Grove, Circa 1972
This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. HISTORY:-- From Victorian Heritage Database citation for Labassa https://vhd.heritagecouncil.vic.gov.au/places/278 as at (26/10/2020) Labassa, Caulfield is one of Melbourne's most lavishly decorated nineteenth century mansions. It resulted from the extensive remodelling in 1890, of an earlier house, known as Sylliott Hill, which was begun in 1862-3 for lawyer, Richard A. Billing. The land at the corner of Balaclava and Orrong Roads was first acquired in 1854 by William Lyall, transferred to his partner, John Mickle, in 1859, who also acquired the adjoining allotment in Balaclava Road, and the three allotments were conveyed to Billing. His first eight-roomed house was extended significantly in 1873 into a twenty-roomed house by architects Crouch and Wilson, who were possibly also responsible for the first house. This reflected Billing's success as a barrister, and he resided at this property until his death in 1882. In 1883 prominent Melbourne businessman, Alexander William Robertson, leased the Sylliott Hill property from Billing's widow, and in 1885 he purchased the adjoining allotment in Balaclava Road. He purchased the Billing's property in 1887 and renamed the 6.31 hectare property, Ontario. In 1889-90, Robertson commissioned the German born architect, John A. B. Koch, to extensively remodel the house into a thirty-five roomed mansion. The existing house was extended and altered, largely resulting in the nineteenth century mansion as it now appears. After Robertson's death in 1896, the house was tenanted until it was eventually sold to the mining millionaire, John Boyd Watson, in 1904. He renamed the property Labassa and carried out repair and re-decoration work to the house. In the early twentieth century, many large estates were subdivided into smaller allotments as the demand for land grew and it became difficult to maintain such large estates. After Watson's death in 1911, portions of the Labassa estate were offered for sale, with Mrs Watson retaining a 1.73 hectare portion containing the house. In 1913 forty-six allotments were auctioned at Labassa Estate, with the formation of Labassa Grove and Ontario Street to the east of the property. Labassa was first recorded as containing flats in 1923 and in the late 1920s, the owner, Robert Hannon, built a red brick block of flats adjacent to the house. Subdivision continued, until the National Trust of Australia (Victoria) purchased the house in 1980 and subsequently purchased adjoining sites, one to the south-east in 1984 (house demolished in 1988) and to the west in 1988. Labassa as it now stands is substantially as it appeared when Koch completed the work in 1890. The original two storey house was transformed into a French Renaissance style mansion, with the addition of a two level L-shaped arcaded verandah and two prominent terminating bays to the south and the east. The building is of unpainted cement render with dressed bluestone plinths, balustraded parapet and steep, slate covered, flat topped mansard roofs behind. A truncated conical roof is a feature of the south bay and a helmeted head is incorporated in the parapet over the east bay. The main south and east facades incorporate many cast cement details, including sculptures, elaborate cornices, swagged Corinthian columns and caryatid consoles flanking the entrance porch, as well as pink marble panels and imitation marble, or scagliola, on curved surfaces. At the rear of the building is a two storey wing and a single storey cottage, the former being connected to the main house by a tower. This section of the house was constructed in 1873. The estate at its peak included stables (1873), conservatory (probably 1890) and a tennis pavilion (probably 1890). All of these outbuildings survive, with the stables and conservatory being converted for residential use after 1922. Internally a range of decorative treatments remain from the late nineteenth century and the early twentieth century, both from the Robertson and Watson periods of occupancy. These include wallpapers, ceiling decoration, chimney pieces, mouldings, joinery and decorative glass. From Victorian Heritage Database citation for H0135 Labassa 2/2A Manor Grove Caulfield North https://vhd.heritagecouncil.vic.gov.au/places/278 as at (26/10/2020) HOW IS IT SIGNIFICANT? Labassa, Caulfield is of architectural, aesthetic and historical significance to the State of Victoria. WHY IS IT SIGNIFICANT? Labassa, Caulfield is of architectural significance as the most prominent example of a small number of houses built in Australia in the French Renaissance style. It is of further note due to the German interpretation of the style and the use of Hellenistic sources, via Germany. It is exceptional for its lavish treatment externally, including marble, scagliola, caryatids, swagged columns, mansard roofs and ornamental cresting. Labassa is of architectural significance as the most important surviving example of German architect, John Koch's domestic work. He undertook a large variety of work in Melbourne, including a number of houses, however Labassa is the most lavish example of his work. Labassa is of aesthetic significance for its outstanding assemblage of late nineteenth and early twentieth century European style interior decoration, which remain remarkably intact. These include a trompe l'oeil ceiling, painted ceilings, embossed imitation leather and other papers, chimney pieces, ceramic tilework, oak parquetry and stained glass, including a tripartite window by Ferguson and Urie, probably dating from the 1873 period. Labassa is of historical significance as an illustrative example of the wealth acquired by a number of prominent Victorian families in the second half of the 19th century. The early development of the property, Sylliott Hill, was due to the wealth acquired by Richard Billing, barrister and fifth Victorian to be appointed Queen's Counsel in 1878. The significant development in 1890 of Ontario, is illustrative of the wealth of Alexander Robertson, a partner in Cobb and Co., a director of Goldsborough Mort & Co., and a pastoral speculator. John B. Watson, whose father had acquired great wealth from the goldfields of Bendigo and subsequently invested in city and country properties, was the third resident to impact on the house, particularly the interiors. The Labassa estate is of historical significance as an illustrative example of the development that occurred in such suburbs as Caulfield in the 1880s due to the land boom, its proximity to Melbourne and the establishment of the Melbourne to Gippsland railway in 1879. It is also illustrative of an estate which succumbed to the pressures of subdividing in the early twentieth century, as properties became difficult to maintain and demand for land close to the city grew. It was typically divided into flats in the 1920s and was used as such for about sixty years. It is of historical significance for its associations with the remnants of the earlier estate which remain extant. These include the stables, conservatory (H2005) and tennis pavilion which all remain on separate sites. Also significant are the remains of early electrical wiring and fittings. Labassa was one of the first houses in Caulfield to be electrified and some of the original wires remain. [Online Data Upgrade Project 2004]Page 128 of Photograph Album with four photographs (two portrait and two landscape) of Labassa.Handwritten: "Labassa" 4 Manor Grove [top right] / Neg 232 8 Oct 1966 [under bottom right photo] / 128 [bottom right]trevor hart, bracketed eaves, slate roof, bay windows, decorative brackets, caulfield north, labassa, richard a. billing, balaclava road, orrong road, sylliott hill, william lyall, crouch and wilson, alexander william robertson, ontario, 1880's, john a. b. koch, mansion, john boyd watson, labassa grove, french renaissance style, l-shaped arcaded verandah, bluestone plinths, balustraded parapet, flat topped mansard roofs, conical roof, elaborate cornices, corinthian columns, caryatid consoles, marble panels, imitation marble, scagliola, tower, conservatory, stables, tennis pavilion, mouldings, decorative glass, caryatids, swagged columns, ornamental cresting, trompe l'oeil ceiling, embossed imitation leather, oak parquetry, stained glass, tripartite window, triple window, ferguson and urie, 1870's, flats, 1920's, electric wiring, 1860's, verandahs, curved windows, arched windows, italianate, terraces, gargoyles, ornamentation, ornate entrance, la bassa, manor grove, st kilda east, victorian, cast iron work, john koch, richard billing, architects, electrification, john mickle, land subdivision, mrs watson, labassa estate, robert hannon, national trust of australia (victoria), sculpture -
Stawell Historical Society Inc
Photograph, 2 "R" Class Steam Engines passing by Stawell Station
Two "R" Class Steam Train Engines with passenger carriages passing Stawell Railway Station.Black and White photo of "R" Class Steam Engines passing Stawell Railway Station. The two Steam engines Locos with Passenger carriages. c 1940. stawell, railway, transport -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Postcard, 1950c
Two other copies same sizeBlack and white small format postcard of the western Boat Harbour, showing vessels including two fishing boats moored at jetties. Roofed shelters on each wing of the quay. Lakes Entrance VictoriaThe Quay Lakes Entrancejetties, boats and boating, waterfront -
Mission to Seafarers Victoria
Painting, Madeline M.Ravenna Lewellin, Start Point Light, Devonshire, 1875
This painting was inspired by an original painting by Wilhelm Melby held at the National Gallery of Victoria. Melby is a Danish artist (1824-1882). It depicts a famous Devonshire coastal region famous now for its lighthouse and the pick up point for the pilot when entering waters approaching Dartmouth. The sailing vessels pre-date the construction of the famous lighthouse. Over the centuries the view would have been familiar to many sailors as they left or approached the English mainland and south coast ports in the English Channel. Madeline Mary Ravenna Lewellin (1854 – 24 November 1944) was born in Victoria to Dr John Henry Hill Lewellin, a physician, and Grace Elizabeth (née Danneby). She was one of five daughters, and the family lived in Prahran. Lewellin's brother, Captain Herbert Gordon Hill Lewellin, was a commander in the P. and O. fleet (apprentice on the Romanoff, Lieutenant RNR on the HMS Arethusa in 1899, RMS Mongolia in 1913 sunk in 1917, Naldera in 1920). She studied painting at the National Gallery School in 1879 under Eugene von Guerard. She's also known for collecting and painting specimens, and became a member of the Field Naturalists Club of Victoria in 1885. In 1884 she won a silver medal for her studies of fungi. She collected plants for Australian botanist Ferdinand von Mueller, and the variety of Dicrastylis lewellinii (Purple sand-sage) is named after her. Miss Lewellin, who had a love of the sea and ships as subject matter is listed in 1910 as a donor as a 10/6 member donating to the motor launch fund and in 1918 as a working member of the Ladies Harbour Lights Guild which involved regular volunteer shifts at the Mission to Seamen on canteen and other duties.The donor of this highly regarded painting at the Mission , Miss Madeline R. Lewellin (1854-1944), the artist of this version was actively painting in Victoria between 1877 and 1910, was a silver medallist for studies of fungi. She liaised with Von Mueller and studied under Eugene Von Guerard at the National Gallery, School of Painting in 1879. Her works are represented in the State Library Victoria and a silver medal awarded in 1884 is held by Museum Victoria. This painting represents a tangible link with one of the ladies who interfaced with the seafarers. She had a connection with the sea thanks to her brother, Captain Herbert Gordon Hill Lewellin, who was a commander of the RMS Mongolia during WWI, and became the commodore of the P.&O. Fleet.This oil painting has a dark polished wood and gold leaf slip. The painting depicts two masted boats. The choppy sea takes up the lower-third of the painting, and the other two-thirds of the image of made up of stormy grey clouds. A rocky cliff face can be seen on the right-hand side of the painting. A small church can be seen on the hillside. The ship on the left third of the painting sits on the horizon line of the sea. The centre ship with two masts appears to be leaning to the right and its deck is exposed to the viewer showing four men attempting to handle the masts and rigging. The left-hand ship with three masts is surrounded by two grey distant silhouetted mast ships. There are three seagulls at the upper left-centre of the image. There are another three gulls down on the lower-left of the image. Front: ENGRAVED PLAQUE: Start Point Light. Devonshire. SIGNATURE: After W. Melby / M.M.R Lewellin. 1875. Reverse: IN BLACK MARKER PEN: * Hang from two points * WHITE STICKER WITH CONSERVATOR DETAILS: Art Conservation Frames / 118 Bridport Street, Albert Park, VIC, 3206 / 9696 9066 / artconservationframers.com.aupainting, ships, mast, church, sea, storm, oil painting, seagulls, madeline r. lewellin, artwork-paintings, ngv, wilhelm melby, eugene von guerard, botanist, rms mongolia, captain herbert gordon hill lewellin (1862-1935), paddy lewellin -
Tatura Irrigation & Wartime Camps Museum
Photograph, Klink and Kazenwadel at Museum, c.1997
Photo taken by A. Knee. Photo of ex Camp 3 internees c.1997 visiting Museum. Walter & Marianne Klink & Gerda Kazenwadel. Gerda was the first donor to the Wartime Camps section of the Museum, donating the two large theatre posters "William Tell" & "The Broken Jug".Colour photograph of a man and two ladies outside the Museum. Photograph has been laminated.walter klink, marianne klink, gerda kazenwadel, camp 3 internees ww2 -
Mt Dandenong & District Historical Society Inc.
Photograph, Visitors Arriving by Wagon at Mountjoy c1920, c1920
Two unnamed, well dressed men, oriental in appearance, preparing to alight from wagon at Mountjoy Guest-houseBlack and white photograph showing two well dressed men in suits standing on a wagon . Part of another man can be seen behind them.guest house, mountjoy, wagon -
Old Gippstown
Building - Loren Iron House
'Loren' (formerly James Hogg's house) is a two-storey gabled prefabricated house, constructed using broad-gauge corrugated iron and was originally erected at 60-62 Curzon Street, North Melbourne in 1853 for builder, James Hogg. By 1968 the building had deteriorated and it was dismantled and moved to Old Gippstown where it was re-erected and restored. The building's external framing system consists of exposed metal columns with Gothic panel motifs at the corners. Internally the timber framed walls have been finished with new papers over new Hessian. The corrugated iron roof has an unusual concave form and the windows, floors and doors are of moulded softwood. State historic significance as a rare type of iron prefab. house. Listed on the Victorian Heritage Register and covered by a Heritage Overlay, Latrobe City Planning Scheme. It is also listed on the Register of the National Estate.Tall square-shaped two-storey corrugated iron building with a curved corrugated iron roof with two outside brick chimneys. prefabricated iron houses, old gippstown, west gippsland, gippsland, gippsland heritage park, city of latrobe council, goldfields, coal mine, victorian era, moe, historical village, city of melbourne, north melbourne, curzon street, james hogg, prefabricated house, two-storey gabled prefabricated house, old gippstown heritage park, latrobe valley, loren -
Orbost & District Historical Society
black and white photograph/ poscards, Vogt. W.S, C1890 - 1920
Edward James Pardew died in 26/9/1927 aged 92. He came to Orbost from New Zealand in 1886 and selected 720 acres of hill land in the Brodribb area. He was a member of the first Orbost Shire Council. His daughter had a fruit & meat shop in McLeod Street. He was an inaugural vestryman of St James Church of England. One of the most prominent farmers on the Snowy was John Gilbert, a large landowner. His breeding establishment was at Tullagoota, about two and a half kilometres down the river from Orbost.Dairying in the Orbost district was once a mainstay of the farming community. Today the properties are fewer and smaller.Two black / white photographs of dairy herds. 3188.1 - on front - printed -"ORBOST EAST GIPPSLAND"; hand-written - :PARDEWS DAIRY & BARN" 3188.2 - on front - printed - " W. S. VOGT"; hand-written - "DAIRY HERD TALLAGOOTA< ORBOST"dairying-orbost agriculture-orbost pardew-dairy tallagoota-dairy -
Ballarat Clarendon College
Trophy
From 1884 College Cups were donated by the Old Collegians Association for the outstanding athlete amongst ‘present boys’ and ‘past boys’. It is obvious from written records Two cups were awarded to students – a Junior Cup and a Senior Cup. One cup was awarded to the outstanding Old Collegian athlete each year. Son of W Bradby, 32 Main St Ballarat East, Daniel Bradby (BD 7/10/1895) attended Ballarat College 1910 - 1912. Large silver two-handled cup on silver standInscribed on face of cup: Old Collegians Cup / Won by / D Bradby / 1913 Inscribed on rear of cup: Ballarat College crestdaniel-bradby, old-collegians-cup, old-collegians-association, ballarat-college, athletics -
Robin Boyd Foundation
Newspaper - Clipping, No PR firm at Opera House
Robin Boyd’s desk cupboard contained two exercise books (item D482.1-D482.2) and assorted articles, essays and other material regarding the building of the Sydney Opera House, inserted inside the front cover of Walkabout magazine, July 1966 (item P1377). This publication is one of those inserts. Many of these were collected by Boyd’s eldest daughter, Mandie, who recalls that her father was writing a book, but was very disillusioned with the way the entire Opera House saga unfolded.Two letters to the editor, referring to letters April 4,5sydney opera house, utzon, sydney opera house project, walsh st library -
Vision Australia
Functional object - Object, PSB Engineering, Yellow liquid sensor
The Liquid 2 Level Sensor is an aid for people with vision impairment to fill cups and glasses with 2 levels of liquid. The unit simply hangs over the side of a cup or glass with the probes on the inside. Ideal for making a cup of tea or coffee with milk. Simply pour in your hot water stopping when a pulsating tone is heard. Pour in milk stopping when a continuous tone is heard. Your cup is now filled to approximately 15mm from the top and ready to drink. Can also be used as a single level sensor such as for non-mixed drinks. Handy magnets on the back of the unit allow for easy storage on fridge or other metal object.Yellow plastic round container with blue base and four yellow wiresassistive devices, equipment -
Flagstaff Hill Maritime Museum and Village
Container, late 19th to early 20th century
This jardinière is one of many 19th and early 20th century items donated to Flagstaff Hill Maritime Village by the Giles Family. It would have been used to contain a pot plant or similar foliage to decorate a room. Donated to Flagstaff Hill Maritime Village by, Vera and Aurelin Giles this item is associated with Warrnambool and the Giles Family history. Many items have been donated by the family and have come to be known as the “Giles Collection”. Many items in the Lighthouse Keeper’s Cottage that were donated by Vera and Aurelin Giles mostly came from the home of Vera’s parents-in-law, Henry Giles and his wife Mary Jane (nee Freckleton) who married in 1880 and whose photos are on display in the parlour. Henry was born at Tower Hill in 1858, and was a labourer on the construction of the Warrnambool Breakwater before leaving in 1895 for around seven years to build bridges in NSW. Mary Jane was born in 1860 at Cooramook and she attended Mailor’s Flat State School and where she eventually was to become a student teacher. After which she became a governess at “Injemiara” where her grandfather, Francis Freckleton, had once owned land. Henry and Mary’s family consisted of six, some of the children were born at Mailor’s Flat and later some children at Wangoom. They lived with their parents at Wangoom and Purnim west, and this is where Henry died in 1933 and Mary Jane in 1940. The Giles family collection has social significance at a local level, because it illustrates the level of material support the Warrnambool community gave to Flagstaff Hill when the Museum was established. It also represents typical furniture and household goods owned by settlers in the Warrnambool District in the late 19th and early 20th century. The Jardinière is a good example of late Victorian memorabilia that was to be found in many homes of the period.Plant container, brass & copper jardinière flower ornamental pattern with three short paw feet to base. Pressed floral pattern around sides with copper toning's with braised seam joins.Handwritten on white sticker on base $ 85 (Giles Collection)flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, flagstaff hill maritime village, great ocean road, emigrants from ireland, giles collection, henry giles, tower hill, cooramook, warrnambool breakwater, mailor’s flat, wangoom, 19th century household goods, brass jardinière, plant pot -
Victoria Police Museum
Carte de visite (Search Party), Carte de visite search party
Sepia toned photograph of four mounted police and their horses. One man is mounted on his horse while the other three are holding theirs by the reins. Each man is also holding a rifle."...Kelly" (majority of inscription has been torn away)kelly gang, search party, ned kelly, edward kelly, police murders, mounted police -
Bendigo Historical Society Inc.
Photograph - CARWARDINE COLLECTION: SOLDIERS MEMORIAL HALL, BENDIGO, 1929
Sepia toned photograph, of Soldiers Memorial Hall, encased in a Christmas greeting card inscribed on front 'Greetings from Bendigo', inside 'to Dear Bess from Jack & Lizzie Xmas 1929.'Real photo seriesphotograph, building, memorial, bendigo-history-buildings-memorials -
Port Melbourne Historical & Preservation Society
Book, Ian McFarlane et al, "My Heart is Breaking", 1993
"My Heart is Breaking" - A Joint Guide to Records about Aboriginal People" in the PROV and the Australian Archives. A4, earth tones, with photo of Susan from the Gippsland tribe, with baby. 192 pagesaustralian aborigines, public record office victoria, australian archives -
Hume City Civic Collection
Photograph, c 1907
This came as part of a large collection of photos from Eric Boardman. Originally catalogued by R Waters on 12.02.1988. There are 3 copies of the original in black & white 20.5 cm x 25.5 cm format. According to information in the supplementary file from Bob Cahill who is the grandson of JF Cahill and son of Malachi Cahill, the identification of the photo is as follows: L to R (standing): James, John Francis (father), John, Malachi; L to R (seated): Mary / Margaret nee Ryan (mother), Polly (Mary), Michael (Mick) and ? (not specified) Margaret. NB/ Nora (Annie) who ran the Ball Court Hotel is missing from the photo. Other details: John Francis Cahill was a blacksmith & bootmaker and thought to be English; he married Mary or Margaret Ryan prior to coming to Sunbury. He built the Ball Court Hotel in 1854. (See 'Bulla Bulla'.) Nora (Annie) married a McGrath; Margaret married a Breen; James did not marry; Mary (Polly) married Justin Ford, Shire President in 1917. Malachi (born in 1878) married Mary Jane English. She was aged forty at the time of marriage & was originally from Ballarat. She worked at 'The Hill'. Malachi was a railway worker & died travelling on a train. There is also information about the Bulla Cahill family in the supplementary file.Mounted black & white photograph of the family of John Francis Cahill. It portrays 5 males and 3 females seated formally in front of a building. The photo is in sepia tonings mounted on a grey mount."Cahill Family" written in blue biro on the centre front of the mount below the photo; "Eric Boardman" handwritten in red pencil on the back of the mount.pioneers, cahill family, cahill, john francis, mary, ryan, john, malachi, polly, michael, ball court hotel, boardman, eric, ford, justin, matson & frazer, george evans collection -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Postcard, 1910 c
given to donor by family of a woman who worked there before 1920Sepia toned post card showing early photograph of Merrangbaur House when it was run by Mrs McGuiness showing original hip roof with additional guest accommodation Lakes Entrance Victoriabridges, township -
Clunes Museum
Photograph
COPY OF PHOTOGRAPH OF CONCERT PARTY - HOOP SONG. .1 ONE BLACK AND WHITE PHOTOGRAPH, .2 ONE SEPIA TONED PHOTOGRAPH. FOURTEEN LADIES AND YOUNG GIRLS HOLDING DECORATED HOOPS.HOOP SONGlocal history, photography, photographs, choirs -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1880 c
John Carpenter was contractor for building artificial entrance Lakes Entrance VictoriaSepia toned photograph of John Carpenter showing a middle aged man with grey hair and trimmed beard wearing white shirt with narrow bow tie waistcoat and suitcoat Melbourne Victoriacelebrations, clubs -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1899
Men are wearing three piece suits, variety of collars and ties. Sarahs dress has short bodice, folds at waistline extending up to shoulder cape over full sleeve, ribbons at neckline tiny bonnet with stiffened upright ribbons on top.A sepia toned photograph of Sarah Grant and sons Edward, Walter and George Price believed to be taken after the death of her husband and father George. Taken in photographic studio Bairnsdale Victoriacollections, genealogy