Cable trams operated in Melbourne from 1885 to 1940. Initially by the Melbourne Tramway & Omnibus Co (a private operator) then the "Tramway Board" from 1916 to 1919 until the Melbourne & Metropolitan Tramways Board took over. These four tickets would have been a set of pre-purchased ticket in a lot of eight (8) tickets (1/- worth). Priced 1 1/2d each. On the rear lists the Melbourne CBD lines available for use on. Issued by the Melbourne and Metropolitan Tramways Board. Demonstrates a Melbourne cable tram ticket issued by the MMTB.Set of four MMMTB 1 1/2d tickets. Have perforation marks on top and bottom. Light brown - lettered K, brown, lettered L.tickets, mmtb, cable trams

Framed rubbing on paper with brown wood frame. Brown wax seal at rear bottom right corner. A plaque made by a patient who appreciated the doctor. chinese medicine, patients, rmit chinese medicine collection

Belonged to Top Hunter of TaturaRound blue enamel hinged compact. Mirror on inside top. Fabric pad on bottom side. Gold trim on edges. Rising sun insignia on lid.Rising sun badgepowder compact, hunter, tatura, rising sun

BHS CollectionCollection Castlemaine Gas & Fuel. Colour photo overhead of display (foggy), bottom right box with great savings printed on side, other items not distinguishable.business, retail, gas and fuel

A souvenir from Egypt. It contains a central image of the Sphinx, the Great Pyramids and man seated on camel. There are flags and images of military leaders. The date is unknown but assumed to be from the first World War period. Flags around the central image are from countries allied in World War One, clockwise from bottom left: Sultanate of Egypt (red flag used 1914-1918) ; flag of Belgium ; Russian flag and image of Tsar Nicholas II in top left ; a form of the UK flag with King George V ; French flag ; Italian flag ; and the Serbian flag in bottom right. The connection with Legacy is not known. The founders of Legacy were all returned servicemen who returned from overseas service in World War One so would be familiar with similar sentimental souvenirs that were purchased in Egypt and sent home to loved ones.A record of a type of souvenir from Egypt at the end of World War I. Founding Legatees would have been familiar with Egyptian souvenirs from World War 1.Square printed cloth (possibly silk) with gold lace outer edge, machine stitched possibly at a later date. Printed section contains central image of Egyptian Sphinx, pyramids and man seated on camel (facing right) Surrounding main picture is a series of portraits of leaders of various countries with respective national flags either side.Souvenir of Egyptsouvenir, world war one

Anna Robbins (pictured here) was the manager of the Burke Museum in the early 2000s, starting in around 2003 and leaving her position in July 2007. This photograph is significant because it depicts a prominent staff member of the museum, most likely at an important event.A black and white circular photograph printed on rectangular paper.Top right text: 7306 Bottom left text: Anna Robins.museum, burke museum, beechworth, museum staff, manager, photos, nametag, anna, robbins

This was a display item at the Slab Hut- Orbost Visitor Information Centre.A green tinted glass bottle with straight sides and a tall fluted neck. It has a thread on the top and would have had a screw cap seal.PARKE DAVIS & Co. (manuf.) on bottom of one side 525 on baseparke-davis bottle pharmaceuticals

Small AGEE glass jar with detachable lid and metal clips.Front - AGEE ; Victory Bottom - M88, AGM ; Top AGEE Victorystorage jar preserving agee food-preparation

This bottle is an example of a local commonly used glass container of the first half of the 20th century.Large brown vinegar bottle with original cork and label.Front - label vinegar John Cook & Co Bottom F1278 17236bottle container vinegar john-cook glass

Large rectangular shaped tea tin with round lid inset. Kassa Tea . Painted pictures are in Indian style.Bottom left - Union is Strength Printed - Wilson Bros North Melbournetin wilson-bros kassa-tea james-service

The first hotel built in Orbost was the Club in 1885 an old wooden place on the corner built for J. A. Petersen of the Mitchell Hotel Bairnsdale, with the licence in the name of Mr Thomas Maguire (stepson of Petersen). In June 1889 there was a rush to Mackenzie River, about 28 miles from Orbost, on Twelve Mile Creek. An estimated 80 men rushed the ground, but yields were patchy and large numbers eventually left. They were coming and going almost daily.The Club Hotel was the first hotel built in Orbost and remains a significant building in the town. It was an important hub for the township with many whole town meetings held there.A yellowed black / white newspaper clipping of a photograph of people with a horse and cart outside a one-storey hotel building. It is glued onto a piece of cardboard.Caption at bottom - "View taken in 1889 of the Old Orbost Club Hotel"orbost-club-hotel

Colour photographWritten on back of photo: "Bottom End of Eastland 15/4/95"

Colour photographWritten on back of photo: "Bottom End of Eastland 15/4/95"

This extraordinary record of the student cohort in 1908 reveals many aspects of school life in the early 1900's. The fashions, hair coiffure and accessories and added costuming are fascinating. The sport detail from the basketball hoop is significant. This photograph has social significance because of its detail regarding female school activities in the early 1900s. Black and white photograph mounted on grey card of Clarendon Ladies College student cohort in 1908. The students are arranged in five tiered rows. The photograph is taken against wall of a timber building. There is a basketball net fixed to the wall above the last row. Many of the girls are wearing fancy hats, some decorated with birds. Two young girls in the front row wear poster boards over their clothing advertising an event not to be missed; something to do with a menagerie. All the students are dressed in white, some in dresses, some n skirts and blouses and many have aprons over their skirts. The photograph is accompanied with a typed list of namesPrinted on front righthand bottom corner of mount: 'Richards & Co/Ballarat'1908, uniform, richardson, clarendon ladies college, costume, menagerie, hilda farmer, avenel halls, sylvia eyres, ella morrow, florence sides, gertie owen, laela williams, lorna dowler, emma buchanan, phyllis doepel, daisy llewellyn, adeline purser, sophie anderson, helen mathieson, d brophy, lily wright, margaret dowler, dulce deardon, gladys small, marjory howe, jessie kelsall, erica mckay, pearl eyres, iris llewellyn, edith bishop, marjorie walker, violet howard, hazel wlls, effie white, mimi murphy, carrie miners, edith murphy, irene palamountain, miss allan, marjorie salmon, dollie snow, naomi franklin, elsie powell, rachael kennedy, rose paull, sylvia barnett, esther, lilah emblling, trixie kliender, chrissie anderson, agnes wheen, kitty dawbarn, hazel clements, m serjeant, dolly gill, beryl bach, dorothy nicholas, frances gill, meg moore, jessie eyres, blanche murphy, merle booth, melba mcconnel, edna clark, betty lester, bessie hoad, madge dearden, kate cameron, olive mathews, grace nicholas, mollie souter, isabel mctaggart, madge llewellyn, mollie mary buley, alice ralph, ruth tyler, rebecca abraham, joyce eyres, nellie salmon

Etching created in 1928 by Donald H Refshauge, Principal of Ballarat High School 1910-1923 and given to Miss Kathleen Vernon (CPLC 1929); passed to Mrs Delma Buchholz (CPLC 1951)Black and white etching of Clarendon Presbyterian Ladies' College buildings in Mair Street, BallaratSigned by artist on bottom right corner of etching: Donald H Refshauge

See Addlem Collection Cat 432.2Sheet of Paper, Black Printing. It has a list of seven (7) medals, description of ribbons, clasp - description and conditions of awardAt the bottom of the page is written:- Total Awards (5). No. VX142253. F.E. Addlem.paperwork, medals

The Shrine was nearing completion when this photograph was taken. The Hellenistic sculpures on the portico are not complete which supports that this is a photograph of the Shrine just prior to being completed.A rare example of the Shrine just prior to being complete.Photograph of Melbourne Cenotaph (The Shrine of Remembrance)Bottom left hand side of the photo is a mark that states " Copyright OMEGA" the shrine of remberance, photograph, coyright "omega"

Black & white photo of a group of uniformed personel probably National Servicemen.Handwritten at bottom: “Sgt Coles, Me (with an arrow), Thread WOII (believed to be)”photographs, national service

This is a reply to F.G.Davey’s application to join the RAAF as an Aircrew member. His call up for training was likely to be December 1941 or later. Part of the Frederick Gardner Davey DFC No 410533 RAAF collection. Refer Cat No 3536P for his service details.Letter typed in black ink on paper designed to be folded to form an envelope, envelope seal attached above the Commonwealth of Australia letter head, recipients name and address on the back under “On His Majesty’s Service”Bottom right hand corner, “Hand written signature in black ink.”enlistment, aircrew member

Black & white photo taken October 1917 of unknown hospital group from Bradford, England during WWI. Mounted on green background, brown wooden frame with glass front, white cardboard backing & wire hanging strap.Written in white at bottom of photo: “The War Hospital, Bradford, October 1917”photograph, bradford, hospital

Items in items re James Edgar KOCH No 2096 AIF. Refer Reg No 1256 for his service history.Copy of original sepia photo showing a camp with tents in the background & new recruits in civilian clothes in the foreground.Printed in white at bottom: SEYMOUR CAMP NEW RECRUITS ARRIVE 24photograph, seymour camp

Tin contains large quantity of RAF, RAAF badges of rank. Trade badges. Buttons, brass & dark. Belt buckles plain brass, British coat of arms, darkened. Stored in a biscuit tin, rectangular shaped with corners flattened to make an octagonal. The lid has a still life scene of 6 tomatoes & a blue patterned, gold topped jug. Sides have a wavy mesh appearance of two tone blue.Printed in small black letters on lid near bottom edge: “Persimmons”numismatics-badges-military, containers - domestic, metalcraft, raf, raaf

Tan wooden frame, glass front, brown paper backing, photo mounted on green border. Sepia photo of unknown battalion, band members with instruments in front.Donation info LHS bottom front Stamped on rear: Bethany Galleryphotography- photographs, frame accessories, military history

Brownn wooden frame, glass front, ply wood backing. Coloured photo of Her Majesty Queen Elizabeth II in long white robe, hands together in front, watch on L wrist, necklace & tiara. Brown settee in background, portrait of Captain Cook on wall.Printed on bottom on white mounting: Her Majesty Queen Elizabeth II.photography - photgraphs, frame accessories, royal souveniers

MEDIUM: Acrylic on canvas. DESCRIPTION: Blue and black, no external frame. A figurative nude, the close up takes most of the canvas. It sits on a dark background in undefined surroundings. The blue woman sits flat as many of Matisse’s works do, favouring this style over the illusionistic depth to achieve his aim, here we see this replicated. Matisse is also noted for his use of colour as a means of expression rather than description. Here we have a woman painted all in blue, with this knowledge we could say the artist has painted his subject as someone who has been captured in a very relaxed, very calm version of herself, an ocean onto herself, mysterious and captivating in this moment. Her arm slung confidently above and around her head, her view directly facing the viewer provocatively. The only other colour on her other than the thick black lines which outline and shadow her contours, is the circular red of her earring -mirroring the generous sweeping curves of the work. The presence of visible brushstrokes produces a sense of movement and energy as well as providing a decorative quality to the painting.Signed and dated on bottom proper left of center of image (on reverse of canvas).acrylic, darvall, matisse

Art Collection Previously located in History HouseThe painting depicts the Portland Port from an aerial perspective. The perspective is taken from the ocean looking down across the Port and into the town of Portland. Within the foreground is the ocean beyond the Main Breakwater, the Main Breakwater and the Port. Within the Port nine large ships are docked and another is being brought into the Port by two tugboats. The background features a distant view of the town of Portland and the landscape beyond the township. The work has a white wooden frame and glass.Front: TROMPF (white paint, bottom right corner) Back: (no inscriptions)