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Port Melbourne Historical & Preservation Society
Container - Box, Standard Rosin Types, Department of Agriculture, USA, c. 1920
Linen-like moss green box containing 12 cubes of different types of rosin. Each cube wrapped in cream paper. Colours range from pale to dark amber. Letters on top in vertical rows (D, E, F, G, H, I,, K,M, N, WG, WW, X)"Standard Rosin types"industry - manufacturing, j kitchen & sons pty ltd, m king harris, the savanah board of trade -
Bendigo Historical Society Inc.
Plaque - BENDIGO NORTH P.S. COLLECTION: BRASS PLAQUE 125 YEARS
Brass Plaque. This plaque was unveiled on the 29th June. 1998 by Mr. I. H. Stevens. B.sc., B.ED. Regional General Manager of D.O.E. To commemorate the celebrations of 125 years of education 1873 - 1998. School Council President Mr. G.J. Campbell M.B.B.S.. Principle Mr. B. M. Barras B.ED. T.P.T.C.education, primary, bendigo north primary school 1267. -
National Vietnam Veterans Museum (NVVM)
Photograph, Lorrae On A Flat Bed Trailer
A black and white photograph of the lead act with the ABC Dance Band Concert Party, Lorrae Desmond, opens the show with her version of "I Wish You Love".The back of a flat bed trailer used as a stage parked in a quarry at 1 ATF, Nui Dat (note text is missing from the bttom of the photograph)photograph, abc dance band concert party, 1 atf, nui dat, entertainers, lorrae desmond, gibbons collection catalogue, digger -
Whitehorse Historical Society Inc.
Domestic object - Tea Towel, c. 2001
Reproduced for Centenary of Federation 1901-2001Tea Towel. Reproduction of a World War I poster titled 'A Call from the Dardanelles' featuring a uniformed soldier with the words 'Coo-ee-Won't YOU Come?' Across the landscape behind his legs 'Gulf of Saro Sea of Marmara'. Across the bottom 'ENLIST NOW'. Colours are predominantly blue, green and khaki.(C) Australian War Memorial 2001manchester, work cloths, domestic items, cleaning -
Ballarat Tramway Museum
Photograph - Colour Print, Lilian Butler, Sep. 1971
Has a strong association with SEC Ballarat tram crews.Colour print of I Wallis? standing alongside the tram stop and end of section sign pole at the intersection of Sturt and Lydiard Streets. See also Reg Item 6581.1 for a colour slide of this photograph. Photo printed on Kodak Paper. Photograph by Lilian Butler? Names based on list given in Reg Item 3425 in ink on rear "August 20th 1971, Cnr Sturt and Lydiard St Ballarat. With my compliments Lilian Butler".trams, tramways, crews, motormen, conductors, lydiard st nth, signs, tram stop -
Bendigo Historical Society Inc.
Slide - DIGGERS & MINING. DIGGERS AND MINERS, c1861
Diggers & Mining. Diggers and miners. Quartz gold mine, Clunes, c. 1861- - - and in the quartz reefs. Slide shows that mining is done on a much grander scale than a pan by the river of shallow mines. It could now be a large industry for its times. Markings: 29 994:LIF I. Used as a teaching aid.hanimounteducation, tertiary, goldfields -
Federation University Art Collection
Painting - Artwork - Painting, Duncan Lannan, 'Self Portrait at Home' by Duncan Lannan, c2006
‘Self portrait at home’ This artwork was conceived after a series of paintings depicting the interior of my home in Ballarat. Those paintings began as glimpses around the house, mostly captured at night, of hallways, darkened corners, and ominous entrances into bedrooms. Later on I began to fill these spaces with a figure, that of my girlfriend (now wife), and conducted portraits of her placed amongst the shadows in a deliberate attempt to conjure up associations of Baroque painting as well as still images from horror films. I wanted to see what was sinister in this house, to imagine it, as well as observing it directly. ‘Self portrait at home’ is an attempt at summarising the combination of imagination and observation, of wandering through interior spaces as well as being absorbed in it: that what we see is then also taken into our consciousness, or in the case of this painting what we see is about to be swallowed. This concept of combining what is observed with what is imagined and using references to the physical body as a kind of mediator of this process is expressed in Kenneth Slessor’s poem ‘South Country’, a poem that partly inspired my approach to this painting. The following verses provide an example: And over the flat earth of empty farms The monstrous continent of air floats back Coloured with rotting sunlight and the black, Bruised flesh of thunderstorms: Air arched, enormous, pounding the bony ridge, Ditches and hutches, with a drench of light, So huge, from such infinities of height, You walk on the sky’s beach ‘Self portrait at home’ may not express itself as seriously as Slessor’s poem does but I hope it shows the impact as well as the texture and flavour that houses of the Ballarat landscape, and those of the imagination, can have. Duncan LannanDuncan LANNAN (1972- ) Duncan Lannan undertook a Diploma of Arts (Visual Arts) at RMIT between 1995 and 1996. A further two years study at the University of Ballarat (now Federation University Australia) saw Duncan Lannan awarded a Bachelor of Arts (Visual Arts) in 2000. He completed a Graduate Diploma of Education at the University of Melbourne in 2001. Duncan Lannan's exhibition 'Young, Dumb and Full of Ambition!' was held at the Art Gallery of Ballarat from 13 July to 11 September 2014.ContemporarySelf portrait of the artist with mouth open, and a house on the tongue. This piece was exhibited at the Art Gallery of Ballarat in 2007 in the "Eye to I" exhibition which was curated by former Federation University Art theory lecturer Geoff Wallis. The exhibition was a survey of self portraits by Australian contemporary artists. Gift of Geoff and Nola Wallis, 2017duncan lannan, painting, portrait, alumni, available -
Melbourne Tram Museum
Pamphlet, M>Tram, "Fringe Festival Information Booklet", Sep. 2003
Pamphlet - DL size, three fold full colour printed on gloss paper titled "Fringe Festival Information Booklet", giving details of the festival, what's on, how do I get there, a map of the Melbourne tram network, use of Metcards. Published by M>Tram for the festival - 26/9 to 12/10/2003.trams, tramways, festival, m>tram, tickets -
Eltham District Historical Society Inc
Negative - Photograph, Mary Jane Smart (nee Bailey) ouside the Smart family home in Bridge Street, Eltham, c.1915
Located on the north side of Bridge Street at the intersection with Bolton Street, facing Bolton Street (now part of present day Brisbane Street and occupied by the Kitchen Design Centre). Show's an original early settler's cottage in Bridge Street. The cottage was built by Mrs Mary Jane Smart's parents, Edwin Bailey and Jane (nee Matthews). Mary Jane Smart was born in the cottage. She married an Englishman, Alexander Wilson Smart who disappeared to Western Australia in the early 1900s in search of gold. He ultimately married again in W.A., committing bigamy and then committed murder and was hung in 1911. This photo was taken c.1903 not long before both Mrs Bailey and her grand daughter both passed away. Jane Bailey died 2 Dec. 1904 and Mary Jane Smart and Ruby Jane Bertha Smart died July 1903 are all buried in Eltham Cemetery. SMART'S HOME AT ELTHAM. HIS WIFE AND SONS. In a little bush cottage surrounded by tall gum trees, through which appear glimpses of a willow fringed creek, of road ways hedged by masses of snowy flowering hawthorn, of growing crops and vividly green grazing paddocks, lives Mrs. Smart, the lawful wife of the man who is now in the hands of the police of Western Australia on suspicion of having committed a dreadful crime. Here, about half a mile out of the picturesque village of Eltham, she was born, and has lived her whole life — about 50 years. Smart himself lived here till the time when many years ago, the "lure of gold" got into his blood and he cleared out to Western Australia, to follow the digging rushes, gradually becom ing more and more estranged, till at length all communication ceased and be became lost to his wife and children. "I did not want him to go away," said Mrs. Smart, "because I had heard of so many men who had forgotten their homes in the excite ment of gold seeking, and of many others who died unknown and uncared for. But he would go, and when I saw his mind was set on it I placed no obstacles in his way. My parents built and lived in this cottage, where I was born, and they died in it. When I grew up I met my husband, a young Englishman, and married him. His name is Alexander, not Alfred, and his age is 52. We were very happy here, and although we were not well off we were comfortable, for he was a steady, sober, industrious man and had constant employment. He was just a manual worker, but could turn his hand to anything. We had five children, but one died. Four sons grew up in this little cottage. Thus three generations lived in it, somewhat unusual in an Australian bush home, I think. My eldest son is married and has a family; one is in Western Australia— not with his father— another is away working for him self, and one (indicating a young man by her side) has always stuck to his mother. He is my sole support, and he is as good to me now as his father once was. Yes, his father was a good, home-loving man in our younger days. He was fond of his children and was highly respected in these parts.' "It is fifteen years since my husband went away first. He had then been work ing for the Metropolitan Board of Works, and was engaged in the tunnel under the Yarra near Queen's-bridge when it col-lapsed. After he went to the West he sent me money regularly and wrote constantly. He came home three times — twice for a week or two at a time, the third time, eight years ago, when the Eitham railway was nearing completion. I induced him to stay till the railway opened, and he re-mained with me several months. I tried to get him to leave the West and settle down in his home, but he would not; he seemed restless and anxious to be off. One day when we were in Collingwood together he left me, saying he wanted to see what boats were going West. I implored him not to go away, and he said he would see. However, he returned to me soon after wards and said he had taken his ticket and would go by the next boat, and he went. For a year he wrote at irregular intervals, and then his letters ceased and I heard no more of him. For seven years I have not known whether he was alive or dead. Before that time my two sons in Western Australian used to see him some times, though they did not live with him; they used to tell me in their letters that he was well. It was a hard blow to be forgotten by him, but as my sons grew up I became more reconciled, and now I seem to look back at my life with him as some thing that happened a long time ago and is only a memory. Of his life and doings in Western Australia I know nothing. The last time I heard of him he was working in a foundry at Midland Junction. He was at Cue working on the railway when it opened there, and he caught the fever, but all that time he sent me money. When he returned the first time he took our eldest son with him, and the other boy followed later. They did not stay with him, how ever, and as far as I know they did not know how he lived." 'Mrs. Smart is a quiet, toil worn woman who has the respect of everyone who knows her.Roll of 35mm colour negative film, 3 strips Associated print from negative (Copy of original print)Fuji 100bridge street, cottage, smart home, houses, mary jane smart (nee bailey), smart family home, alexander wilson smart, bigamy, bush cottage, early settlers, eltham, jane bailey (nee matthews), murder, ruby jane bertha smart -
Eltham District Historical Society Inc
Negative - Photograph, Smart family home in Bridge Street, Eltham, c.1903
Believed to be Mrs Jane Bailey (nee Matthews) (d. 1904) and her grand-daughter Ruby Jane Bertha Smart (1890-1903) in front of the Smart family cottage in Bridge Street, Eltham, c.1903 Located on the north side of Bridge Street at the intersection with Bolton Street, facing Bolton Street (now part of present day Brisbane Street and occupied by the Kitchen Design Centre). Ruby Jane Bertha Smart born abt 1890 died in 1903 in Eltham. Her brother Alfred Francis Smart was born abt 1887 and died 1966 in Mont Albert, Vic. (Accessed via Ancestry.com) Show's an original early settler's cottage in Bridge Street. The cottage was built by Mrs Mary Jane Smart's parents, Edwin Bailey and Jane (nee Matthews). Mary Jane Smart was born in the cottage. She married an Englishman, Alexander Wilson Smart who disappeared to Western Australia in the early 1900s in search of gold. He ultimately married again in W.A., committing bigamy and then committed murder and was hung in 1911. This photo was taken c.1903 not long before both Mrs Bailey and her grand daughter both passed away. Jane Bailey died 2 Dec. 1904 and Mary Jane Smart and Ruby Jane Bertha Smart died July 1903 are all buried in Eltham Cemetery. SMART'S HOME AT ELTHAM. HIS WIFE AND SONS. In a little bush cottage surrounded by tall gum trees, through which appear glimpses of a willow fringed creek, of road ways hedged by masses of snowy flowering hawthorn, of growing crops and vividly green grazing paddocks, lives Mrs. Smart, the lawful wife of the man who is now in the hands of the police of Western Australia on suspicion of having committed a dreadful crime. Here, about half a mile out of the picturesque village of Eltham, she was born, and has lived her whole life — about 50 years. Smart himself lived here till the time when many years ago, the "lure of gold" got into his blood and he cleared out to Western Australia, to follow the digging rushes, gradually becom ing more and more estranged, till at length all communication ceased and be became lost to his wife and children. "I did not want him to go away," said Mrs. Smart, "because I had heard of so many men who had forgotten their homes in the excite ment of gold seeking, and of many others who died unknown and uncared for. But he would go, and when I saw his mind was set on it I placed no obstacles in his way. My parents built and lived in this cottage, where I was born, and they died in it. When I grew up I met my husband, a young Englishman, and married him. His name is Alexander, not Alfred, and his age is 52. We were very happy here, and although we were not well off we were comfortable, for he was a steady, sober, industrious man and had constant employment. He was just a manual worker, but could turn his hand to anything. We had five children, but one died. Four sons grew up in this little cottage. Thus three generations lived in it, somewhat unusual in an Australian bush home, I think. My eldest son is married and has a family; one is in Western Australia— not with his father— another is away working for him self, and one (indicating a young man by her side) has always stuck to his mother. He is my sole support, and he is as good to me now as his father once was. Yes, his father was a good, home-loving man in our younger days. He was fond of his children and was highly respected in these parts.' "It is fifteen years since my husband went away first. He had then been work ing for the Metropolitan Board of Works, and was engaged in the tunnel under the Yarra near Queen's-bridge when it col-lapsed. After he went to the West he sent me money regularly and wrote constantly. He came home three times — twice for a week or two at a time, the third time, eight years ago, when the Eitham railway was nearing completion. I induced him to stay till the railway opened, and he re-mained with me several months. I tried to get him to leave the West and settle down in his home, but he would not; he seemed restless and anxious to be off. One day when we were in Collingwood together he left me, saying he wanted to see what boats were going West. I implored him not to go away, and he said he would see. However, he returned to me soon after wards and said he had taken his ticket and would go by the next boat, and he went. For a year he wrote at irregular intervals, and then his letters ceased and I heard no more of him. For seven years I have not known whether he was alive or dead. Before that time my two sons in Western Australian used to see him some times, though they did not live with him; they used to tell me in their letters that he was well. It was a hard blow to be forgotten by him, but as my sons grew up I became more reconciled, and now I seem to look back at my life with him as some thing that happened a long time ago and is only a memory. Of his life and doings in Western Australia I know nothing. The last time I heard of him he was working in a foundry at Midland Junction. He was at Cue working on the railway when it opened there, and he caught the fever, but all that time he sent me money. When he returned the first time he took our eldest son with him, and the other boy followed later. They did not stay with him, how ever, and as far as I know they did not know how he lived." 'Mrs. Smart is a quiet, toil worn woman who has the respect of everyone who knows her.This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image 4 x 5 inch B&W Neg Original print 10.5 x 16.5 cmFor postcard print: Inscribed on envelope: "Return to Mrs H. Butherway, 22 Bridge St, Eltham." Also "Photo Mrs Clark Hampton (nee Smart), original Smart's house - Bridge Street, 95 years ago." Also "Right - Mrs Clark's grandmother Mrs J Smart Left - Her daughter Ruby dies soon after photo taken. Brother Alf Smart died about 6 years ago." Inscribed on back of photo "247 Vincent St, Leederville" It is believed that this inscription may be somewhat mixed up.sepp, shire of eltham pioneers photograph collection, eltham, bridge street, alexander wilson smart, bigamy, bush cottage, early settlers, houses, jane bailey (nee matthews), mary jane smart (nee bailey), murder, ruby jane bertha smart, smart family home, smart home -
Victorian Harness Racing Heritage Collection at Lord's Raceway Bendigo
Clothing - Race Colours, Kevin Innes
KEVIN ‘BOOFA’ INNES By Lucy McCormick Kevin was a member of the celebrated Innes clan from Inglewood, in Central Victoria. “I think the first Innes’ came to Inglewood in 1851. My daughter used to say she can’t marry anyone from Inglewood, because she’s related to them all,” says Kevin. ‘Boofa’ is enjoying some well-earned relaxation on the couch after breaking a kneecap six or seven months ago in a track work incident. Not that it seems to be bothering him too much; he’s got plenty of time to keep up with the trots on television. “I do follow them,” Kevin says. “I don’t miss many, and I do have a bet. I like to sit in the chair and drive a race as much as anyone.” With an illustrious career both as a trainer and in the sulky, it’s a safe bet that Kevin Innes is a more than handy ‘grandstand driver’. His name is associated as a trainer/driver with many handy horses, including Lea Sands, Imatoff and Stormy Morn to name a few. Kevin is typically circumspect about his bigger triumphs, however that doesn’t seem to be what interests him the most. “I’ll tell you something,” he declares, doing just that, “I like winning with the horses that were no good. Some people never get a good horse. Imagine that. Luck is a very, very important thing. You have to have luck to buy a good horse at the sales, to get it going, keep it sound, find a race for it, find and owner and get a draw. And they still make a liar of you.” Funny, interesting or quirky stories seem to be of greater interest to Kevin, such as the time he had a strong chance in a standing start race – the favourite in the race being his only worry. “I told the owner it only had a 20-metre handicap – I couldn’t beat it off that,” he remembers. “So I was leading, waiting for the favourite to run past me. Toward the finish, I heard it coming, and it ran straight past all right – minus the driver. He’d fallen out of the cart and I won the race. Just lucky.” The Innes family have always been heavily involved in one sporting pursuit or another – Kevin himself being a champion bike rider of his time. “My Uncle Roy was a good bike rider, so he dared me to have a go. It turned out I was quite good at it as well.” So good, in fact that for many years Kevin was able to make a living from bike riding, riding the ‘board track’ for many years. “We trained hard. Bike riding was very big back then, we’d train and ride three or four times a week.” Kevin’s riding career spanned four Herald Sun Tours, a Warrnambool to Melbourne and a Sydney to Melbourne race, to name a few. “It definitely gets you in – it was long hours,” he muses. “But like anything, horse racing included, you only get back what you put in. We trained hard. I never drank, and I still don’t. I’ve seen that many athletes, great ones too, brought down by alcohol.” Lucky with injury too, Kevin can only remember a sore ankle – as well as the requisite scrapes and abrasions from tumbles on the wooden boards of the velodromes. He still enjoys watching all the big bike races when he can. “You can watch them race all over the world – France, Sweden, Germany. “To be honest I sit up and watch them with my son and we get just as much of a kick looking at the countryside than anything else. It’s so different to when I was racing.” Betting on the bike racing was big in Kevin’s day as well, and some of the bookies Kevin saw betting on the bike racing, he saw at the Showgrounds betting on the trots on a Friday or Saturday night. “Racing was different back then. There would be twelve thousand people at the showgrounds – they don’t have to come anymore, it’s just as easy to watch it on the TV.” Kevin remembers in those days that drivers had to ‘weigh in’ as well – everyone who drove needed to weigh ten stone (just under 65 kilograms). It’s something he remembers fondly. “I know not everyone will.” Kevin won’t be drawn on the subject of favourite drivers, either. “Look. Driving is different now. No disrespect to current drivers, but you had to think a lot more on a three furlong track than they do now on the bigger tracks. You had to drive with brains. And I really believe that good horses make good drivers. The horses are very good these days. Today’s drivers – your Gavin Langs, Chris Alfords – they’re thinkers, and brains will beat brawn every time. The girls are just as good now too. You only have to look at Kerryn Manning.” A garrulous and popular character, Kevin has trained horses for the likes of legendary Richmond player Jack Dyer, and also spent his fair share of time hosting sportsman’s nights, holding his own with the likes of Ron Barassi. On one such night, they had flown in a light aircraft to their destination. During their show, Kevin noticed their pilot, sitting in the front row, laughing appreciatively. There was one problem. He had a beer in his hand, and was consuming it with some enthusiasm. As the night wore on, the pilot became more and more inebriated, and Kevin became more and more disturbed, knowing that this was the same pilot who was to fly them home when they finished. Unbeknownst to Kevin, however, the flight had been cancelled and the pilot hadn’t told anyone, instead deciding to take full advantage of his client’s hospitality. For now, Kevin is happy living in Inglewood with partner Barbara. Son Grant and daughter Carla aren’t far away (both work at the Bendigo Harness track, and Carla has held both a trainer and driver’s licence). His granddaughter, Barclay Sands, was born on the same day of the demise of their star performer, Lea Sands, and may give the biggest hint yet just how important the world of harness racing is to Kevin ‘Boofa’ Innes. Blue with white yolkKevin Innes embroidered on left side chestkevin innes, k innes, bendigo harness racing club, bhrc, bendigo, horses, race colours, trotting, pacing, harness racing -
Greensborough Historical Society
Advertisement - Digital Image, AMP 1985, 20/07/1985
Advertisement for AMP (Australian Mutual Provident Society) of Greensborough Shopping Centre, representative Peter Phillips. Copied from a Diamond Valley Football League football record from 1985. I Digital copy of advertisement from booklet.diamond valley football league, australian mutual provident society amp, peter phillips -
Greensborough Historical Society
Newspaper clipping, Spruce up for streets (in Macleod), 21/10/2014
The Victoria Cross estate in Macleod honours Victoria Cross winners from World War I and World War 2. In this article ideas for improving the streets during the Anzac Centenary is discussed.News clipping, black text, colour images.Heidelberg Leader and date written on page.victoria cross, victoria cross estate macleod, macleod, war memorials -
Kiewa Valley Historical Society
Book - Maths, C.V.DURELL & R.M.WRIGHT, Elementary Trigonometry - Part 1, April 1938
This text-book is divided into three parts: I. The Right-Angled Triangle; II. The General Triangle and Mensuration; III. The General Angle and Compound Angles. This corresponds to the Matriculation and School Certificate stage.This text-book is significant as it was the book used by Mount Beauty High School students in the mid 1900's. It is also significant as it was used by I.Davies a member of a local family. And it also has good interpretive capacity.Red cover, black lettering, embossed around a triangle, CAMBRIDGE MATHEMATICAL SERIES, with trademark in centre of triangle.Pencilled name inside front cover looks like I.Davies.book, maths, trigonometry, mount-beauty-high-school, school, students, elementary, c.v.-durell, r.m.-wright -
Flagstaff Hill Maritime Museum and Village
Functional object - Plumbing Fitting, Late 19th to early 20th century
The plumbing fitting has been recovered from the sea, as shown by the encrustations on its surface. The source of the fitting is unknown but i is likely to have been part of the fittings of a shipwreck, probably a urinal.The plumbing fitting is an example of a fitting from a ship, late 19th to early 20th century.Plumbing fitting, metal, from an unknown shipwreck. Top of fitting is bowl-shaped with a narrow inlet pipe. Wide pipe attaches to the centre of the bowl and to a threaded fitting at its base. There is a bar across the inside of the threaded fitting and a bolt joined to the bar's centre.flagstaff hill maritime museum and village, shipwreck artefact, great ocean road, flagstaff maritime museum, plumbing, ship's plumbing, urinal -
St Kilda Historical Society
Ephemera - Flyer, Great Carnival, 1918
Flyer for a Great Carnival held at St Kilda Town Hall during World War I to aid the State War Council's Appeal. The dates are not given in full but they correlate with dates in 1918.White paper, discoloured with age, printed in blue on one side.wwi fund-raising, st kilda carnivals -
Stawell Historical Society Inc
Book - Family History, Lyn Lea, Middleton
Dear S.H.S. I have recently sent you charts, Stories and history of my Middleton ad other ancestors, by email. Hope the files came through OK. Lyn LeaWhite 4 ring Binder -
Bialik College
Document (Item) - Memos regarding Melton classes, 2004
Memos regarding Melton classes at Bialik in 2004. See I/00697 for information on Bialik's partnership with the Melton Centre for Jewish Education. Please contact [email protected] to request access to this record.2000s, professional development -
Bialik College
Photograph (item) - Pesach Model Seder, 1976, 1976
Students and teachers celebrating Pesach/Passover with a Model Seder, 1976. The General Secretary of the Zionist Federation is the guest featured in I/00886.4. Please contact [email protected] to request access to this record.1970s, celebration, judaism, event -
Vision Australia
Letter - Text, Letter from Mrs Emma Parkins suggesting 'Last Line' competition, 6/3/1961
Letter to the Association for the Advancement of the Blind from Mrs Emma I Parkins (of 1498 Malvern Road, Glen Iris) suggesting a way to raise funds. The original handwritten letter is also held.1 brown envelope, 4 pages of handwritten letter and 2 typed page transcript of handwritten letterassociation for the blind, fundraising -
Ballarat Clarendon College
Book, T Nelson and Sons, Pen and pencil pictures of the holy land, Prior to the book prize given at Christmas, (1890s?)
The person to which this book prize has been awarded has been erased from the book plate.Presbyterian educators placed great value on a classical education matched with diligence in study. Book prizes were highly regarded and academic success admired. In the school’s early years prizes were ordered direct from London and had the school crest embossed in gold on the front or back cover. Many of the prizes given in early years were returned to the school to equip the Weatherly Library when it opened in 1936.Bound in blue cloth with gilt decoration and script on the front cover and spine. Gilt edges on paper, black and white illustrations throughout with one fold out color illustration. Slight detached spine with several detached pages.330 p.Book plate inside front cover: Clarendon Ladies' College,/ BALLARAT,/ First PRIZE./ Bible-Class I/ AWARDED TO/ R. KENNEDY,/ Principal/ December.book-prize, clarendon-ladies'-college -
Phillip Island and District Historical Society Inc.
Document, Bayview Dinner Menu, 23/09/1932
Bay View Guesthouse was located on The Esplanade between Thompson Avenue and Warley Avenue, Cowes, Phillip Island Typed menu for dinner on 23/9/1932 at "Bay View", guesthouse, Cowes. Small round photo of a koala on the Menu.Above the koala - Welcome to "Bay View". Below: "I hope you'll enjoy your stay." Followed by the menu of Soup: Fish: Joints: Vegetables: Sweets:bay view guest house, bay view cowes phillip island, guesthouses cowes phillip island, j west, dinner menu -
Glenelg Shire Council Cultural Collection
Photograph, n.d
Port of Portland Authority archivesFront: (no inscriptions) Back: Page 3 (i) (black pen, upper left) 8.9/8.5 (black pen, centre) "/1.4 (blue pen, centre)port of portland archives -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
WW1 Medal for Women relatives of serving soldiers, c1914 - 1918
Female Relative Badges were issued to the nearest female relative (usually wives or mothers) of those who engaged in active service overseas during the First and Second World Wars. Two Female Relative Badges were issued during the First World War. One was issued to the nearest female relative of soldiers, airmen, nurses, and masseuses who left Australia for active service abroad; the other to the nearest female relative of members of the Royal Australian Navy (RAN) who had enlisted for general naval sea service for at least a period of the war, and who performed service outside Australian waters. A bar was suspended below the badge to indicate additional relatives involved in the war effort. The Female Relatives Badge was promulgated under Military Order 280 of 1917 and superseded by Military Order 1818 of 1918. (Australian War Memorial )So many Moorabbin Shire young men volunteered to serve in 1st AIF during WW1 . This caused great hardship for farming families especially due to the heavy manual labour that the Women had to undertake to maintain food production for Australia and overseas . This medal may be associated with Alonzo Sheldrake Box who served at Gallipoli and France Circular Silver medal with Crown , Blue engraving and pin clasp on back . A silver bar is attached Around edge ; Issued by Dept. of Defence to Women of Australia Centre cut out : A I F On Bar : For Duty Done On Back : Stokes & Sons 57691world war 1914-18, moorabbin shire, early settlers, pioneers, box alonzo, box william, australian military medals, anzac, gallipoli, sheldrake martha, box elizabeth, box mary louisa, closter mary, war memorials, a -
Uniting Church Archives - Synod of Victoria
Photograph, undated
The foundation stone of the Wellington St. Methodist Church Collingwood was laid on December 13 1886, by W.R. Bennett J.P.Sepia photograph of the Wellington St. Methodist Church Clifton Hill."Wellington St. Clifton Hill where I was appointed to preach and minister during 2nd World War 1943-4." Gift of Rev. N. Mapperson.wellington st. methodist clifton hill, collingwood, rev. n. mapperson, w.r. bennett -
Uniting Church Archives - Synod of Victoria
Silver Commemorative Trowel, c1957
Oblong dark blue leather box with cream satin lining containing an engraved EPNS commemorative trowel with a turned wood handle."Presented to Deaconess I. M Boughen on the occasion of the laying of the foundation stone St Marks Presbyterian Church Hall Kindergarden Jordanville 6-4-1957"st marks presbyterian church hall kindergarden jordanville -
Wangaratta High School
2nd/24th Batallion Shield, 1945
In July 1940 the 2/24th Battalion was formed. They set off from Caulfield for the still-being-built Bonegilla camp, stopping off at Wangaratta where they camped at the showgrounds. They were welcomed with open arms by the local community as they rapidly built up their numbers. The people of Wangaratta adopted the Battalion and they became known as ‘Wangaratta’s Own’. Presented with a 14 foot pennant the Battalion marched through the streets of Wangaratta on 27 September 1940 on the way to Bonegilla. Training continued in Bonegilla until the soldiers sailed on HMT Strathmore for the Middle East on 16 November. The Battalion was eventually attached to the 9th Australian Division, one of the most famous army fighting formations in World War 2. They served in Tobruk (1941) Tel el Eisa (1942), El Alemain (1942), New Guinea (1943) and Tarakan (1945).During the Tobruk siege the 9th Division was called the ‘The Rats of Tobruk’ by William Joyce, the German propagandist. The 2/24th Battalion suffered more casualties than any other 2nd AIF Battalion – 360 killed and 900 wounded. Brown lacquered wood shield with a silver metal 2/24 symbol on it.2/24 AUSTRALIAN INFANTRY BATALLION TOBRUK . THE SALIENT . TEL EL EISA . EL ALAMEIN . LAE . NADZAB . WAREO . TARAKAN I HOLD FAST -
Bendigo Historical Society Inc.
Document - The Rebellion in Dublin, April, 1916
The Easter Rising also known as the Easter Rebellion, was an armed insurrection in Ireland during Easter Week in April 1916. The Rising was launched by Irish republicans against British rule in Ireland with the aim of establishing an independent Irish Republic while the United Kingdom was fighting the First World War. It was the most significant uprising in Ireland since the rebellion of 1798 and the first armed conflict of the Irish revolutionary period. Sixteen of the Rising's leaders were executed starting in May 1916. The nature of the executions, and subsequent political developments, ultimately contributed to an increase in popular support for Irish independence.The Six Days' of Rebellion in Dublin - Photo album type book with story of the rebellions and original photos of the damage inflicted on the streets of Dublin. Published by Eason and Sons Ltd., Dublin and Belfast.Inside the front cover: To Pa love from ??. The buildings are shown just as they are at present - I have seen them all. Ireland 1/11/18history, irish rebellion, rebellion in dublin -
Kew Historical Society Inc
Photograph, The "Q" Theatre Guild, Maritana, 1958
The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of performers in Vincent Wallace's opera Maritana. The performance was produced by Beatrice Oakley for The "Q" Theatre Guild in 1958. Music was provided by the Kew Philharmonic Society conducted by John Trotter. Marion Tilley, the creator of the scrapbook in which the photo is pasted is given credit for designing and making the costumes. Set design was by R. Jewell. An annotation underneath the photo identifies two of the leads: Carla Jeffries and Alan Wilson. The photograph was taken on the night of 21 or 27 June when Jeffries performed the title role, a role she shared with Val Breen. Stan Wilson played Don Jose on these same nights.Marion Tilley, the creator of the scrapbook, wrote the following underneath the photograph: "Carla Jeffries, Stan Wilson - I made the men's and women's costumes including hats".performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, musical comedy -- melbourne -- victoria -
Kew Historical Society Inc
Photograph, The "Q" Theatre Guild, Maritana, 1958
The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Marion Tilley, the creator of the scrapbook, wrote the following underneath the photograph: "Stan Wilson, Carla Jeffries". Tilley also records that: "Carla sang a solo at Joan's Wedding".Marion Tilley, the creator of the scrapbook, wrote the following underneath the photograph: "Carla Jeffries, Stan Wilson - I made the men's and women's costumes including hats".marion tilley, kew recreation hall -- wellington street -- kew (vic.), performing arts -- kew (vic.), theatre memorabilia, "q" theatre guild