Leopoldine Mimovich was born in 1920, in Neumarkt in the Italian Tyrol. In 1940, aged 20, she moved to Vienna where she studied clay modelling and drawing. From 1943 she attended the School of Wood Sculpture in Hallstatt, graduating in 1947. Following her marriage to Ljubisa Mimovich, the couple migrated to Australia in 1949 travelling on MV Skaugum. After an initial period at Bonegilla and Royal Park Migrant Hostels the couple moved to Yarraville and then to 33 Miller Road, Kew, where she established her studio. A wood sculptor, painter and etcher, she was awarded an OAM for services to the arts in 1985. Examples of her sculptures in Kew can be found in the Kew Library and in the Alexandra Gardens.Black and white photograph of sculpture or sculptures by Leopoldine Mimovich photographed in her home at 31 Miller Grove, Kewartists - kew (vic), leopoldine (poldi) mimovich

Leopoldine Mimovich was born in 1920, in Neumarkt in the Italian Tyrol. In 1940, aged 20, she moved to Vienna where she studied clay modelling and drawing. From 1943 she attended the School of Wood Sculpture in Hallstatt, graduating in 1947. Following her marriage to Ljubisa Mimovich, the couple migrated to Australia in 1949 travelling on MV Skaugum. After an initial period at Bonegilla and Royal Park Migrant Hostels the couple moved to Yarraville and then to 33 Miller Road, Kew, where she established her studio. A wood sculptor, painter and etcher, she was awarded an OAM for services to the arts in 1985. Examples of her sculptures in Kew can be found in the Kew Library and in the Alexandra Gardens.Black and white photograph of sculpture or sculptures by Leopoldine Mimovich photographed in her home at 31 Miller Grove, Kewartists - kew (vic), leopoldine (poldi) mimovich

Leopoldine Mimovich was born in 1920, in Neumarkt in the Italian Tyrol. In 1940, aged 20, she moved to Vienna where she studied clay modelling and drawing. From 1943 she attended the School of Wood Sculpture in Hallstatt, graduating in 1947. Following her marriage to Ljubisa Mimovich, the couple migrated to Australia in 1949 travelling on MV Skaugum. After an initial period at Bonegilla and Royal Park Migrant Hostels the couple moved to Yarraville and then to 33 Miller Road, Kew, where she established her studio. A wood sculptor, painter and etcher, she was awarded an OAM for services to the arts in 1985. Examples of her sculptures in Kew can be found in the Kew Library and in the Alexandra Gardens.Black and white photograph of sculpture or sculptures by Leopoldine Mimovich photographed in her home at 31 Miller Grove, Kewartists - kew (vic), leopoldine (poldi) mimovich

Leopoldine Mimovich was born in 1920, in Neumarkt in the Italian Tyrol. In 1940, aged 20, she moved to Vienna where she studied clay modelling and drawing. From 1943 she attended the School of Wood Sculpture in Hallstatt, graduating in 1947. Following her marriage to Ljubisa Mimovich, the couple migrated to Australia in 1949 travelling on MV Skaugum. After an initial period at Bonegilla and Royal Park Migrant Hostels the couple moved to Yarraville and then to 33 Miller Road, Kew, where she established her studio. A wood sculptor, painter and etcher, she was awarded an OAM for services to the arts in 1985. Examples of her sculptures in Kew can be found in the Kew Library and in the Alexandra Gardens.Black and white photograph of sculpture or sculptures by Leopoldine Mimovich photographed in her home at 31 Miller Grove, Kewartists - kew (vic), leopoldine (poldi) mimovich

Leopoldine Mimovich was born in 1920, in Neumarkt in the Italian Tyrol. In 1940, aged 20, she moved to Vienna where she studied clay modelling and drawing. From 1943 she attended the School of Wood Sculpture in Hallstatt, graduating in 1947. Following her marriage to Ljubisa Mimovich, the couple migrated to Australia in 1949 travelling on MV Skaugum. After an initial period at Bonegilla and Royal Park Migrant Hostels the couple moved to Yarraville and then to 33 Miller Road, Kew, where she established her studio. A wood sculptor, painter and etcher, she was awarded an OAM for services to the arts in 1985. Examples of her sculptures in Kew can be found in the Kew Library and in the Alexandra Gardens.Black and white photograph of sculpture or sculptures by Leopoldine Mimovich photographed in her home at 31 Miller Grove, Kewartists - kew (vic), leopoldine (poldi) mimovich

Leopoldine Mimovich was born in 1920, in Neumarkt in the Italian Tyrol. In 1940, aged 20, she moved to Vienna where she studied clay modelling and drawing. From 1943 she attended the School of Wood Sculpture in Hallstatt, graduating in 1947. Following her marriage to Ljubisa Mimovich, the couple migrated to Australia in 1949 travelling on MV Skaugum. After an initial period at Bonegilla and Royal Park Migrant Hostels the couple moved to Yarraville and then to 33 Miller Road, Kew, where she established her studio. A wood sculptor, painter and etcher, she was awarded an OAM for services to the arts in 1985. Examples of her sculptures in Kew can be found in the Kew Library and in the Alexandra Gardens.Black and white photograph of sculpture or sculptures by Leopoldine Mimovich photographed in her home at 31 Miller Grove, Kewartists - kew (vic), leopoldine (poldi) mimovich

Leopoldine Mimovich was born in 1920, in Neumarkt in the Italian Tyrol. In 1940, aged 20, she moved to Vienna where she studied clay modelling and drawing. From 1943 she attended the School of Wood Sculpture in Hallstatt, graduating in 1947. Following her marriage to Ljubisa Mimovich, the couple migrated to Australia in 1949 travelling on MV Skaugum. After an initial period at Bonegilla and Royal Park Migrant Hostels the couple moved to Yarraville and then to 33 Miller Road, Kew, where she established her studio. A wood sculptor, painter and etcher, she was awarded an OAM for services to the arts in 1985. Examples of her sculptures in Kew can be found in the Kew Library and in the Alexandra Gardens.Black and white photograph of sculpture or sculptures by Leopoldine Mimovich photographed in her home at 31 Miller Grove, Kewartists - kew (vic), leopoldine (poldi) mimovich

160 p. : ill. (some col. ) ; 29 cm.non-fictionarchitecture -- domestic -- australia -- conservation and restoration, interior decoration -- australia

A commemorative magazine published by R.S.S.I.L.A. for Anzac Day 1919. It contains black and white photos from World War 1. Was with other World War 1 memorabilia that has come from Private John Basil McLean, 2nd Reinforcements, 37th Battalion, A.I.F. J.B. McLean (Service No. 13824) was from near Maffra, Victoria and enlisted on 22 January 1916. He embarked on 16 December 1916 for Europe. His full war record is available from AWM. He spent time with the Australian Field Artillery (Pack Section). At the end of the war he worked for a year at the A.I.F. Headquarters in London before returning to Australia on the 'Ceramic', arriving Portsea in 1920.A record of a publication made to commemorate World War 1.A publication to commemorate ANZAC Day in 1919, a colour printed cover with a wrap around tissue protective cover.world war one, souvenir

A photo of a group of soldiers by a military vehicle, the group is assumed to include Private J.B. McLean as it has his name on the reverse. Was with other World War 1 memorabilia that has come from Private John Basil McLean, 2nd Reinforcements, 37th Battalion, A.I.F. J.B. McLean (Service No. 13824) was from near Maffra, Victoria and enlisted on 22 January 1916. He embarked on 16 December 1916 for Europe. His full war record is available from AWM. He spent time with the Australian Field Artillery (Pack Section). At the end of the war he worked for a year at the A.I.F. Headquarters in London before returning to Australia on the 'Ceramic', arriving Portsea in 1920.A photo of a group of soldiers in World War 1.Black and white photo of 25 soldiers in front of a military vehicle, mounted on brown cardboard.On the back 'J.B. McLean / 16 Bleazby St / Bentleigh SE14' in blue penworld war one, soldiers, souvenir, truck, uniforms

A booklet of songs for the troops in World War 1. Including 'Till the stew in the dixie grows cold', 'The beloved MP', and 'Two brown biscuits'. Was with other World War 1 memorabilia that has come from Private John Basil McLean, 2nd Reinforcements, 37th Battalion, A.I.F. J.B. McLean (Service No. 13824) was from near Maffra, Victoria and enlisted on 22 January 1916. He embarked on 16 December 1916 for Europe. His full war record is available from AWM. He spent time with the Australian Field Artillery (Pack Section). At the end of the war he worked for a year at the A.I.F. Headquarters in London before returning to Australia on the 'Ceramic', arriving in Portsea in 1920.A record of publications made for the troops in World War 1 or made of material that came from soldiers.Booklet of songs for soldiers in World War 1.Handwritten in black ink on corner 'J.B.M McLean A Coy. Seymour'world war one, songs

The Album was compiled by Nancy McHaffie late 1990's, with the assistance of Edith Jeffery's, with her book "Garden of Memories" and extensive knowledge of Phillip Island. The Cemetery lies back from the road and is surrounded by Manna Gums, rare Peppermint Gums, Blackwoods and other native trees. In all 25 acres of land were set aside as Crown Land in the land settlement of 1868. There are 6.2 acres of wetlands near the cemetery entrance.466-38: Rev Alexander Robb, DD. Rev Robb had been a missionary in Old Calabar and Jamaica and was the first minister of the Cowes Presbyterian Church from 1890-1901. Services were also held in the Public Hall at Rhyll. A daughter, Kathleen, like her parents, is buried in the cemetery. Kathleen was married to Harry West. 466-39: James Hill. Jimmy, as he was fondly called, came to Phillip Island in 1920 and purchased the Hotel, known as Woods Family Hotel (later the Phillip Island Hotel in Walpole Street). A milestone occurred whilst in his capable hands he installed an electric light plant, (32 volts), the first on the Island. He also made hundreds of cement bricks with which he built his own home. He died in 1937 aged 68. His only child Dorothy Edhouse aged 98, is also buried with her father.phillip island cemetery, james hill, rev alexander robb, nancy mchaffie, edith jeffery

Book. ALEC H CHISHOLM COLLECTION. 160 page hardcover book of verse by William H Davies. Portrait of author opposite title page from a pencil sketch by Will Rothenstein. Facsimiles of author's script. Published (c.1920) by A.C. Fifield, London and printed by Mayflower Press, Plymouth, England. Catalogue sticker ''2021 DAV'' on spine. Handwritten in green ink on the flyleaf ''This was a wedding present to me from Ted & Bertha Banfield of 'the Fortunate Isle'. E.J.B. sent the inscription and I bought the book in Sydney. A.H.C. '' Handwritten in ink and pasted on the back of the flyleaf ''To A.H.C. and C.H. with benedictions from the Fortunate Isle. ?? B.B. May 1923'' A B & W photo is pasted on the page after the flyleaf with handwritten in ink ''The Fortunate Isle photo taken Nov. 1921 looking from E.J.B.'s garden (Dunk Island) towards Purtaboi Isle and the mainland of North Queensland.'' There is a small flower pressing between pages 104 and 105.William H Daviesbooks, collections, poetry, alec h chisholm collection, william h davies, ted & bertha banfield, poetry

Coloured picture of an elderly man & lady. The man is wearing a grey suit. He has grey hair and beard. He is sitting at a table with a red cloth on it. He is reading a book and has some others on the table. The lady is wearing a black dress and a gold medallion necklace. She is wearing a lace cap which extends past the medallion. She has an open photo album on her lap. She is sitting in a green armchair with a brown cushion. Beside her is a brown table and in front of her is a small table with a green cloth. It has two large books and a tall green vase of pink roses on it. The view outside the window is of a stream with two people in it. One man is standing up and using a pole to guide the boat. At the top is printed 'Horner's Penny Stories 'River of Life' Series No 4. 5. 2. 1920. The picture is titled 'Threescore Years and Ten'. On the back is written 'MP277.MP277personal effects, greeting cards, malone collection, malone collection, greeting cards, horner's penny stories 'river of life' series no 4

Black and white postcard. On top LH corner 'Town Hall, Bendigo'. Image shows two storey Town Hall building with clock tower. Corner of Market Building on LH side. Early motor vehicle ( 1920's) in front of building. Written on back of card ' 1926, Dear Alf, just a line to say that we were very pleased hearing that you got back safely. The flowers arrived in good order. I was very pleased to get them. We were surprised to see that you had such a variety of carnations, sweet peas and marguerites also were very (illegible) Mother does not seem nearly so well she is certainly getting weaker, doctor was up again today, he said he could not prescribe anything different to what she is taking to keep up her strength' Card not signed. Receipt number 355/16bendigo, business, carwardine soap and candle

Newspaper clipping from The Courier, Ballarat 13/9/1997. Page 23 - two postcards from the past, sent in by people seeking details of the photographs. Top postcard - sent in by Deborah Hetherington, shows a parade in Sturt St. near Grenville St. with the top of a horse tram in the bottom left hand corner - see btm1665i1. Lower postcard - sent in by Colin Holmes at the corner of Sturt and Doveton St. of a Jelbart Company field day, possibly about 1920. Has an ESCo tram in the background. See btm1665i2. Page 24 - item "For the Record" column, written by Danny Roberts about the closure of the tramways in 1991, giving details of the last tram (No. 40), the history of trams in Ballarat, the crew on the "last" tram, and short notes on the possible return of trams to Ballarat. See the June 2010 issue of Fares Please! for an article written by Colin Holmes on Jelbart and the Ballarat roller.closure, last tram, parades, jelbart

Digital copy of a paper or research report by John Hargreaves, titled "Ballarat Hotels - Past and Present", dated January 1943 looks at the history of Ballarat's hotel from a licensing viewpoint and their closure as a result of various referendums held in 1888, 1891, 1920, 1930 and 1938. Document lists the hotels closed, the amounts of compensation paid, the results of the polls and has sketches of some of the hotels, including the Vine Hotel, Royal Mail Hotel, Redan Club Hotel, Provincial Hotel, Bucks Head Hotel. Part of a larger document. Has on the last page a copy of a story in The Herald 14/5/1943, about the author, a teetotaller and his work that was passed over to the Ballarat Historical Society. Reports on the votes taken at the various dates. The original of the work is held by the Gold Museum. Copied by Alan Bradley - see Reg item 6380. See digital documents btm6379e.pdf for the image file.hotels, ballarat, alcohol

Legal document. On front dated 19th September 1904. Mrs. Anne Penistan to Sir John Quick, William Beebe & John Beall Young. Document details loan to Anne Penistan, widow, from Sandhurst Branch Number 5 of the Australian Natives Association. Quick, Beebe and Young being ' Trustees for the time being ..) Land located in the (formerly unnamed) County of Bendigo Parish of Sandhurst Allotment 10 of Section 80. 33 perches and 7/10 of a perch. Mortgage for the sum of 150 pounds. Connelly Tatchell & dunlop, solicitors Bendigo on bottom of form. In centre of folded document: 'form of receipt under seal on discharge of a mortgage' Mortgage discharged by Annie Westland Hardman Patterson, formerly of Swan Hill and now of 607 Ligar St Ballarat, Mary McNair formerly Mary Penistan. Dated 17 March 1920. Signed by Quick, Beebe and Young. On back of form dated 17.3.1920 reconveyance details.bendigo, hospital

Previous owners: T. H. Smith, T. W. SmithNo. of volumes: 294 Volume range: 1866-2014 (Years with 2 parts: 1891-1911, 1916-1919, 1921, 1924-1942, 1948-1972, 1990-1991) (Years with 3 parts: 1912-1915, 1920, 1922-1923) (2009-2014 unbound parts) Editors: Bulwer, J. R. (Vol. 1866-1886) Stone, A. P. (Vol. 1886-1894) Pollock, F. (Vol. 1895-1936) Topham, A. F. (Vol. 1936-1939) Williams, R. E. L. V. (Vol. 1940) Sutton, R. (Vol. 1941-1953) Colinvaux, R. P. (Vol. 1953- 1968) Lamb, J. F. (Vol. 1969) Ellis, C. J. (Vol. 1970-1995) Williams, R. (Vol. 1996-2007) Scowen, C. (Vol. 2008) Queen's Bench 1866-1900 & 1952 (Part 2)-2008 King's Bench 1901-1952 (Part 1)ISSN: 02641127law reports: digests: etc. -- great britain

Set of two agreements dated 23/4/1920 between the MMTB and the Australian Tramway Employees Association .1 - two foolscap pages - pinned in top left hand corner - sets out that the MMTB has taken over from the Tramway Board, annual leave, wages, continuous service, pay rates, car repair sheds, variations, employees and signature block - Alex Cameron, H. Bell and W. O Strangward for the MMTB and John Abfalter and T. Jewell for the ATEA. .2 - three foolscap pages - pinned in top left hand corner - refers to the various Acts that formed the Board and Arbitration Act, the PMTT, Northcote council, MBCTT, carrying past agreements forward, minimum wages for cable trams workers, juniors, cost of living adjustments and application of the agreement. Signature block - Alex Cameron, Ernest Willis, and W. O Strangward for the MMTB and John Abfalter and T. Jewell for the ATEA.trams, tramways, mmtb, unions, agreements, legal agreements, tramway board, workshops, cable trams

Jessie Irene ROWE, daughter of John ROWE and Annie (nee PATERSON), married Joseph McKay ABERDEEN (a Technical School teacher) at Orbost in 1918. Her father was one of the first vestrymen of St James Church of England and her mother was a prominent church worker. It would seem an appropriate time of her marriage for Jessie to receive such a badge at the time of her marriage. John Rowe died 28-9-1920 and it is noted that Annie left Orbost in 1922. (ref. John Phillips) This badge was presented to Miss Rowe by pupils and staff of St Andrew's Church Kindergarten on April 9 1918. Miss Rowe was a Sunday school Teacher and pianist / organist? at the church. The Presbyterian Church in Orbost was officially opened in 1898. For many years the Presbyterian people of Orbost enjoyed the fellowship of the church and the children, in particular, were socially and spiritually involved. This item is reminiscent of that time.An oval shaped badge made of copper metal. It has a square washer and screw on the back.In block letters: Presented to Miss Rowe by the Pupils and Staff of the St Andrew's Presbyterian Church Orbost April 9 1918st-andrew's-church-presbyterian-orbost

It is presumed that the 'A.C.F.' on two of these badges stands for 'Australian Comforts Fund'. The Australian Comforts Fund was one of two wartime welfare groups recognized by the Australian Government. The other was the Australian Red Cross. The Australian Comforts Fund was established in 1916 to co-ordinate the welfare efforts to assist Australian servicemen and women in World War One. It was dissolved in 1920 and re-established in 1939. It was staffed largely by women volunteers and supplied such articles as singlets, socks, pyjamas, toiletries, writing materials, tobacco and Christmas hampers to servicemen and women. It also offered recreational facilities and rest rooms etc in Australia for service personnel. It was closed in 1946. These badges were issued, two in 1941, as part of fund-raising for the Australian Comforts Fund.These badges are interesting mementos of the welfare work undertaken in World War Two by the Australian Comforts Fund. Two six pointed star badges which are enamelled in red and have plain metal edge..1 ACF 1940 with P J King on the reverse. .2 ACF 1941 with P J King on the reverse.australian comforts fund, australian red cross

Photographer: American and Australian Photographic Company, 57 Bourke St East, Melbourne According to Sands & McDougall Melbourne Directory, the American and Australian Photographic Company was active at 57 Bourke St East, Melbourne from 1871-1876 CARTE-DE-VISITE (cdv) 1857-1890 Cartes-de-visite (cdv's) are the most common form of photograph from the nineteenth century, generally measuring two and a half inches by four and an eighth inches (6.3 x 10.5 cm) when mounted, sepia toned, mounted on a card which was generally printed with the photographer's name and address on the back or beneath the portrait. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 19911875, american & australian photographic company 57 bourke st east melbourne, jean shillinglaw (nee blemner 1819-1906), marg ball collection, shillinglaw family photo album 1, 1871-1876

Photographer: A.W. Burman, Artist Photographer, 209 Bourke Street East, Melbourne According to Sands & McDougall Melbourne Directory, Arthur W. Burman was active 209 Bourke St East, Melbourne from 1878 to circa 1885-1890 CARTE-DE-VISITE (cdv) 1857-1890 Cartes-de-visite (cdv's) are the most common form of photograph from the nineteenth century, generally measuring two and a half inches by four and an eighth inches (6.3 x 10.5 cm) when mounted, sepia toned, mounted on a card which was generally printed with the photographer's name and address on the back or beneath the portrait. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991a.w. burman photographer 209 bourke st east, marg ball collection, shillinglaw family photo album 1, 1878-1885, ann shillinglaw (1861-1940), elizabeth docherty (nee shillinglaw 1861-1942)

Photographer: A.W. Burman, Artist Photographer, 209 Bourke Street East, Melbourne According to Sands & McDougall Melbourne Directory, Arthur W. Burman was active 209 Bourke St East, Melbourne from 1878 to circa 1885-1890 CARTE-DE-VISITE (cdv) 1857-1890 Cartes-de-visite (cdv's) are the most common form of photograph from the nineteenth century, generally measuring two and a half inches by four and an eighth inches (6.3 x 10.5 cm) when mounted, sepia toned, mounted on a card which was generally printed with the photographer's name and address on the back or beneath the portrait. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991a.w. burman photographer 209 bourke st east, marg ball collection, shillinglaw family photo album 1, 1878-1885, ann shillinglaw (1861-1940), elizabeth docherty (nee shillinglaw 1861-1942)

Photographer: A.W. Burman, Artist Photographer, 209 Bourke Street East, Melbourne According to Sands & McDougall Melbourne Directory, Arthur W. Burman was active 209 Bourke St East, Melbourne from 1878 to circa 1885-1890 CARTE-DE-VISITE (cdv) 1857-1890 Cartes-de-visite (cdv's) are the most common form of photograph from the nineteenth century, generally measuring two and a half inches by four and an eighth inches (6.3 x 10.5 cm) when mounted, sepia toned, mounted on a card which was generally printed with the photographer's name and address on the back or beneath the portrait. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991a.w. burman photographer 209 bourke st east, marg ball collection, shillinglaw family photo album 1, 1878-1885, 1885, female shillinglaw 9, unknown

A.W. Burman, Artist Photographer, 209 Bourke Street East, Melbourne According to Sands & McDougall Melbourne Directory, Arthur W. Burman was active 209 Bourke St East, Melbourne from 1878 to circa 1885-1890 CARTE-DE-VISITE (cdv) 1857-1890 Cartes-de-visite (cdv's) are the most common form of photograph from the nineteenth century, generally measuring two and a half inches by four and an eighth inches (6.3 x 10.5 cm) when mounted, sepia toned, mounted on a card which was generally printed with the photographer's name and address on the back or beneath the portrait. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991a.w. burman photographer 209 bourke st east, marg ball collection, shillinglaw family photo album 1, 1878-1885, unknown, 1885, male shillinglaw 3

A.W. Burman, Artist Photographer, 209 Bourke Street East, Melbourne According to Sands & McDougall Melbourne Directory, Arthur W. Burman was active 209 Bourke St East, Melbourne from 1878 to circa 1885-1890 CARTE-DE-VISITE (cdv) 1857-1890 Cartes-de-visite (cdv's) are the most common form of photograph from the nineteenth century, generally measuring two and a half inches by four and an eighth inches (6.3 x 10.5 cm) when mounted, sepia toned, mounted on a card which was generally printed with the photographer's name and address on the back or beneath the portrait. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991a.w. burman photographer 209 bourke st east, marg ball collection, shillinglaw family photo album 1, 1878-1885, unknown, 1885, male shillinglaw 3

Photographer Grant & Co. operated from 125 Swanston Street, melborune from 1891-1895 (Sands McDougall Melbourne Directory) CABINET 1866-1905 The Cabinet photo was introduced in 1866 in answer to a demand for a larger format photograph which could be mounted for a cabinet or on the wall. They were 4.5 inches by 6.5 inches (11.5 x 16.5 cm), more than twice the size of the cdv. They cost about twice as much as a cdv but eventually displaced them. They were not extensively produced until 1880 and had ceased by 1905. Coloured mounts, especially maroon or green, indicate a date between 1880 and 1890. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 19911891-1895, cabinet photo, female shillinglaw 3, grant & co photographers 125 swanston st melbourne, marg ball collection, shillinglaw family photo album 3, unknown, 1893

Photographers Yeoman & Co operated briefly from 107 Swan Street Richmond from 1890 to 1891. CABINET 1866-1905 The Cabinet photo was introduced in 1866 in answer to a demand for a larger format photograph which could be mounted for a cabinet or on the wall. They were 4.5 inches by 6.5 inches (11.5 x 16.5 cm), more than twice the size of the cdv. They cost about twice as much as a cdv but eventually displaced them. They were not extensively produced until 1880 and had ceased by 1905. Coloured mounts, especially maroon or green, indicate a date between 1880 and 1890. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991cabinet photo, marg ball collection, shillinglaw family photo album 3, caroline (carrie) watson (nee shillinglaw) 1876-1956, 1890, 1890-1891, yeoman & co photographer 107 swan st richmond