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Bialik College
Photograph (Item) - Junior School photographs. Students 5-7 years (approx) no date, class room and school ground activities
Junior School, colour photographs. Students appear to be 5-7 years (approx.). No names, no date. Images show students partaking in various class room and school ground activities. Students often appear eating as a group, or dressed up in costume. For inquiries or access contact [email protected], jewish school, bialik college, photographs -
Melbourne Legacy
Photograph - Photo, Widows function, Widows Lunch, 1998
A special luncheon was held for World War 1 widows as a lead up to "Legacy Week". Legatees dressed up as waiters to add a bit of humour to the day. Due to its success it was held for a number of years. Kitchen helpers were photographed (from the same roll of film as 00933), including Joan Miller. The WWI group would meet on the 2nd Thursday of each month at 11am at Legacy House for many years until their numbers dwindled.A record of the type of activities Legacy provided as a social outlet for the widows.Colour photo of kitchen helpers preparing a World War 1 widows' luncheon.widows, function -
Bendigo Historical Society Inc.
Photograph - PORTRAIT OF A LADY AND BABY
Small portrait of a lady and a baby. The lady is seated on a chair and holding the baby on her knee. She is wearing a long dress with a pleated hemline and a frill at the shoulder. The dress has a high neckline with a short lace collar. The baby is wearing a longish dress and shoes. Photographer's name and address printed on the back and front (in gold with a gold border around the photo).Johnstone, O'Shannessy & Co., 3 Bourke St. East, Melbournephotograph, portrait, lady & child, portrait of a lady and baby, johnstone o'shannessy & co. -
Bendigo Historical Society Inc.
Photograph - FAMILY PHOTO, 1890's ?
black and white photo: seated male and female with three girls ( daughters ? ) in foreground. Seated outside, in background paling fence, longish grass surrounds group. Male dressed in black coat, white shirt, bow tie. Female - long dark dress, hat, holding fern frond in hand. Three girls, dark dresses, large hats.Mac Korumburraperson, family -
Bendigo Historical Society Inc.
Photograph - PHOTOGRAPH COLLECTION: TWO CHILDREN
Photograph 3 - Sepia photo of 2 female children, standing, both dressed the same, black shoes, white knee high socks, dark coloured dress with a motif on dress, centre front. Both with white ribbons in hair. Next to the taller female, sits a small dog, black and white in colour. Picket fence (unpainted) behind them.Coopers, Bendigophotograph, portrait, group, photograph, portrait, 2 young children (female), burrowes st., golden square. -
8th/13th Victorian Mounted Rifles Regimental Collection
Photograph - Flame Warfare Training
The 8th Light Horse Regiment AIF was raised at Broadmeadows Victoria in September 1914 under the command of Lieutenant Colonel Alexander White and formed part of the 3rd Light Horse Brigade. The regiment served at Gallipoli where in a courageous but ill-fated charge at the Nek on 7 August 1915 it suffered horrendous casualties including Lieutenant Colonel White. Rebuilt in Egypt under the command of Lieutenant Colonel Leslie Maygar VC the regiment went on the serve throughout the Middle East Campaign. Colonel Maygar died of wounds at Beersheba when the regiment was attacked by enemy aircraft while waiting to follow up the successful charge of the 4th LH Brigade on 30 October 1917. The 8th Light Horse AIF was disbanded in 1919, but soon after re-raised as the 8th (Indi) Light Horse in the Citizen Military Forces, superseding 16th (Indi) Light Horse. It had its headquarters at Benalla with sub-units throughout the Upper Murray and Northeast Victoria. In December 1941, the regiment converted from horse to mechanised, initially as 8th Reconnaissance Battalion then in July 1942 it became 8th Cavalry Regiment and served in Northern Territory. As Japanese threat to the mainland declined the regiment was disbanded and men transferred to a variety of other units. A small number were trained in the use of Flame thrower equipment in preparation for service in the landings at Balikpapan and Tarakan .Black and white photograph of 12 soldiers dressed in khaki drill uniforms and wearing slouch hats and peak caps posed with two flame thrower devices. LHQ Flame Warfare Training Team. Taken at Ravenshoe Atherton Tablelands QLD. Includes Sgt George Wiltshire and seven sgts all with service through 8th Light Horse Regiment, 8 Recce Bn, and finally 8 Cav Regt A.I.F.military, 8 light horse, flame thrower, flame warfare, wwii, world war two -
Federation University Historical Collection
Photograph - Black and White, Frank Wright and two others in front of a large stone wall, 1950s - 1960s?
Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of two men dressed in suits and a woman dressed in a skirt and long sleeved top. They are standing beside a very high stone wall. The man on the right is Frank Wright and his companions are elderly.frank wright, conductor, stone wall -
Bendigo Historical Society Inc.
Photograph - PORTRAIT OF A LADY
Small, head and shoulder portrait of a lady. She is wearing a high neck dress with a frilled lace collar with a brooch at the neck. She has a lace cap on her head. Her dress has embroidery on the front.Richard Keene, Repository of Arts Derby.photograph, portrait, female, portrait of a lady -
Stawell Historical Society Inc
Photograph, Kit Richards from Grampians Community Health Centre
B/W copy of Kit Richards from Grampians Community Health Centre Book Kit is sitting in a chair dressed in a dress and cardigan with pearls around her neck. Holding a photograph. Floral curtains in background. -
Stawell Historical Society Inc
Photograph, Ian McCann, Parades
Two women on back of Ute, one in Brides dress, the other in blue dress and white gloves. both are holding oversized cutlery. also on float is a canteen of cutlery. text on float reads Devlin Jewellers for trophies.parades -
Whitehorse Historical Society Inc.
Photograph, Joyce Suto - Bridesmaid, 8/04/1947
Black and white photograph of Joyce Suto ( nee Baker) on left. Bridesmaid dress is of gold nylon with olive green sash. Worn at wedding in Gloucestshire, England on 8th April 1947.|See NA2823.1-2 for dresssuto, joyce -
Whitehorse Historical Society Inc.
Clothing - 1960's Dress, 1960s
Worn by sister of Cecilia during the 1960s. Nylon fabric was a popular option to cotton.1960s Black dress for day wear. Dress has w2white stripes and a wide border of paisley design and three smaller bands of floral design. A zip fastener extends from neck edge to below the waist.Osti Australia Arnelcostume, female -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Lakes Post Newspaper, 1993
see page 4 Lakes Post Newspaper 30 August 1995Black and white photograph VW Combi Van dressed as Melbourne Tram, man dressed as Tram Conductor, entry in Variety Club Bash, parked at Apex Park. Kalimna escarpment in background. Lakes Entrance Victoriacharities, clubs -
Bendigo Historical Society Inc.
Photograph - LAUREL STREET PRIMARY SCHOOL COLLECTION: BOYS CRICKET TEAM 1971
black and white photo of boys cricket team 1971. Male teacher in centre of front row, dressed in suit. Boys dressed in white shorts and tops. Sign in front ' golden Square Primary School 1971'bendigo, education, laurel street primary school -
Kew Historical Society Inc
Clothing, White Cotton & Lace Petticoat, 1870s
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.White cotton petticoat with bands of inserts of lace. Th petticoat was donated at the same time as a white cotton day dress. Probably of Tasmanian origin, and of a similar period to the dress, the petticoat was donated by a local Kew resident.women's clothing, petticoats, underwear, coralie coulston -
Hamilton Pastoral Museum
mouse trap, 1870-1900
possibly made by an early Lutheran settler who farmed in these districts. there is another one that exists in the private Burger museum at Penshurst Vichome made mouse trap of two large blocks of wood suspended vertically by trip lever arrangement connected by strings and chocked up by wooden pegs when set up as a trapwood, trap, german, mouse trap, vermin control, lutheran -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Henty Beach Yacht club, n.d
Port of Porltand Authority Archivesport of portland archives, portland harbour, henty beach, yacht club -
Surrey Hills Historical Society Collection
Photograph, Nick Pote, Medlow in 1990, 1990
Built in 1889. Was known as 'Willcyrus' during the occupancy of Lieutenant Colonel (Lt Col) William McGregor Cairncross and family. It was named after two of his sons - Sergeant William McGregor Cairncross and Trooper Cyrus Hay Cairncross, who served with the 2nd Scottish Horse during the Boer War and in British units in the First World War. Lt Col Cairncross served at the Victoria Barracks in Melbourne for 25 years. During the Boer War he was controller of stores at Victoria Barracks. It was renamed 'Medlow' when it became the home of Dr Richard Joseph Bull (1874-1927) and his wife Catherine Grace, nee Perrier (1884-1972) in 1911. Richard Joseph Bull was the Director of Bacteriology at Melbourne University. Norma was a noted artist and was born in Hawthorn in 1906; her brother Ronald Richard was born in Surrey Hills in 1912. Fundraising events were held there during the First World War. The property was left to the National Trust of Victoria but the costs of maintenance forced the Trust to sell it and it has returned to private ownership.A coloured photograph taken up the driveway of 'Medlow'. It is covered with what appears to be pine needles and some weeds up the centre. There are large trees overhanging the drive and the garden appears to be somewhat overgrown. medlow, house names, warrigal road, surrey hills, (mrs) catherine bull, (miss) norma bull, house styles, late victorian boom style, (miss) catherine perrier, (mr) (dr) richard joseph bull, (mr) ronald joseph bull, (lt) (col) (mr) william mcgregor cairncross, (mr) william mcgregor cairncross, (mr) cyrus hay cairncross, willcyrus, garden parties, fundraising, world war, 1914-1918 -
National Wool Museum
Textile - Dress, Tina Knitwear, 1980-2000
Part of a selection of garments knitted by ‘Tina Knitwear’. Tina Knitwear was a successful made to order knitwear business in Brighton from the mid-1960s to around 2010, run by Assunta and Franco Liburti. Daughter Melissa Persi writes: Our parents Assunta (Mum) and Franco (Dad) Liburti ran a successful made to order knitwear business in Brighton from the mid-1960s to around 2010. Assunta was affectionately known to her family as Assuntina, therefore the business was named "Tina Knitwear" after her. Assunta and Franco were born in the beautiful seaside town of Terracina in Italy in 1933 and 1930 respectively. As was so common in Italy in the 1950s, Assunta who was in her late teens and early twenties learnt the intricate skills of machine knitting, dressmaking and pattern making. Franco on the other hand, learnt the building trade with his 2 brothers and specialised in bricklaying and tiling. As was so common after the war, Assunta and Franco yearned for a better life so they decided that they would get engaged and then migrate to Australia to be married and raise their family in Australia, a land of much opportunity which they no longer felt their beloved Italy held for them. Assunta migrated to Australia first in 1957 and later Franco joined her in 1958 where they were married. For the first few years, Franco (also known as Frank) worked as bricklayer /tiler on buildings such as the Robert Menzies building at Monash University in Clayton and various buildings in the Melbourne CBD. Assunta on the other hand put her machine knitting skills to use working in factories doing piece machine knitting for various knitwear companies. The hours were long, the conditions were difficult, and travel was onerous without a car. After their 2 older children were born, it was decided that dad would leave the building trade and they would start their own made to order knitwear business. That way they could work from home and raise their family together. Mum taught dad everything he needed to know so he could operate the knitwear machinery. They purchased COPPO knitting machines from Italy and a Linking machine from Germany. Initially they had a knitwear shopfront in Bay Street Brighton where a store assistant would take the orders and client’s measurements and Assunta would then make the garments from a small workshop in their home. Unfortunately, the assistants were not skilled dressmakers and often measurements and orders were incorrectly taken. Assunta being the perfectionist and highly skilled machinist that she was, decided that she needed to oversee the entire process from meeting the client, to taking their order, right thru to the fittings and completion of the garment. It therefore made sense that they should close the shop front and run their business from their own home in Brighton and hence “Tina Knitwear” was born. Together, for more than 40 years they ran their very respected and successful business and were well known in the Bayside area. They specialised in made to order knitwear for both men and women using mainly pure wool (from Patons, Wangaratta Mills, Japan and Italy) but also lurex and estacel. Over those years, many of their clients became their close friends. It wasn't unusual for clients to come to order garments and then end up in the kitchen chatting over a cup of Italian espresso coffee and homemade biscuits. Some of their clients were especially memorable and became lifelong friends. Mrs Connell was a dear friend of mum’s, each year she would buy tickets for the “Gown of the Year” fashion show. She would insist on taking Assunta and her 2 daughters so that we could see the latest fashions. Then there was their dear friend Ms Griffiths. She had been a Matron nurse at the Queen Victoria Hospital when she met my parents in the 1970s. She returned to live in New Zealand in the 1980s but came back to Melbourne every year to stay for 2 weeks with the sole purpose of visiting my parents (she adored them) and order garments. For those 2 solid weeks, mum and dad would only knit for Ms Griffiths and she would go back to New Zealand with at least 5 or 6 new outfits. I actually think she enjoyed mum’s homemade pasta almost as much as her new clothes! Over the years, my parents learnt to speak English very well given that majority of their clients were not Italian speaking. Their oldest child John born in 1960 learnt to speak English with the help of those clients who were such a big part of our childhood. Mum and dad always went above and beyond to ensure their clients were satisfied. Mum was an absolute perfectionist and it showed in her attention to detail and the quality of their beautiful work. You only need to look at the garments that have stood the test of time or speak to their clients to know that this is true. Their clients would always comment on how well their clothes would last and much of their clients came via word of mouth and recommendations. Occasionally there would be disagreements because mum had found an error in dad's knitting (either a wrong stitch or a sizing mistake mainly) and would ask him to redo a piece, he would argue back saying that it was fine, but we always knew who would win the argument and that the piece would get remade! Similarly, we recall discussions where mum would ask dad to find a particular colour of wool in the garage where the stock was kept. He would try to convince her that they were out of stock of that colour and that the client should choose a different colour. She would insist they had it and then after hours of searching, he would return into the house sheepishly holding the wool! Our childhood is full of beautiful memories of mum and dad always being present, clients coming and going, mum humming her favourite songs as she worked often late into the night and sometimes, we even fell asleep to the hum of the machinery. They put their heart and soul into "Tina Knitwear" and took pride in providing only the best quality garments for their clients. In Italian there is a saying “lei ha le mani d’oro” which literally translated means “she has hands of gold”. Franco enjoyed his work but for Assunta, it was more than just work and there is no better way to describe her skills, passion and dedication to her machine knitting… she truly did have “hands of gold”. We will forever be grateful that our parents’ life journey gave us the opportunity to live in a home filled with creativity, dedication and passion, amazing work ethic and mutual respect, lifelong friendships and a lifetime of love. Grey marle princess seam dress with v neck, centre back zip and long sleeves. knitwear, clothing, italy, migrants, brighton, knitting machine, linking machine, garments, business, family, community -
Kiewa Valley Historical Society
Photograph - Tawonga Sports Day
Tawonga is in the Kiewa Valley, where local farmers lived with their families. The Ryder and Briggs families have been prominent farming families in the local area since early settlement. Vera Ryder and Alli Briggs were pupils at Tawonga Primary School in the early 1920's. Their families were prominent in the settlement of the Kiewa ValleyCopy of black and white photograph of 3 legged race at Tawonga Sports Day circa 1920's (estimate only) Vera Ryder & Allie Briggs racing in the foreground. Various adults and children standing in the background.Printed label attached to rear. Tawonga Sports Day. Vera Ryder and Allie Briggs - 3 legged race. Girls have white aprons over their dresses.tawonga, sports day, kiewa valley farmers -
National Wool Museum
Photograph, Views of the Collins Bros Mills
Views of the Collins Bros Mills.COLLINS BROS PTY LTD / WOOLLEN MANUFACTURERS GEELONG/ VIEWS OF THE WEAVING AND FINISHING MILLS/ MAKERS OF THE FAMOUS PHYSICIAN BRAND/ BLANKETS, FLANNELS, LADIES' DRESS MATERIALStextile mills - history, collins bros mill pty ltd -
National Wool Museum
Book, Knitting, The Complete Home Knitting Illustrated
This knitting pattern book was published by the Melbourne 'Herald' newspaper, and contains knitting patterns for womens garments.The Complete Home / knitting / Illustrated / Jumpers and Cardigans / Twin Sets: Gloves / Man's Pullover / Ski Cap and Gloves / Teenager's Dress / THE HERALD, MELBOURNE / ONE AND SIXPENCEknitting handicrafts - history, herald and weekly times ltd, knitting, handicrafts - history -
Frankston RSL Sub Branch
Webbing, Belt, No maker discernible, Unknown
Used with dress uniform for ceremonious purposes.An example of the standard issue webbing belt used by Australian service personnel. The name "Bretterecker" and the number 360053, (possibly a post World War 2 service number) is written in black ink on the inside surface of the belt. The belt has been "blackened" for ceremonial use and has brass fittings, the 2 angled buckles normally located on the rear of the belt have been removed. The 1937 pattern equipment (also known as '37 webbing') was an item of military load-carrying equipment. Pattern 37 replaced the 1908 Pattern and 1925 Pattern—on which it was based—and was standard issue for British and Commonwealth troops from its introduction in 1937, throughout World War II, and in the post-war period until it was superseded by 58 pattern webbing. The design was confirmed on 8 June 1938 and wide-scale issue began in 1939. Towards the end of World War II, some 37 Webbing was produced in jungle green for troops fighting in the Pacific Theatre, although purpose-made 44 Pattern Webbing was then introduced for the humid jungle conditions, being lighter in weight, quicker drying, and rot-proofed.[ Although 44 Pattern continued in use with the British Army for jungle warfare in its various post-World War II colonial conflicts, it did not replace 37 Pattern in general service, which was in use up until the introduction of 58 Pattern. However, 37 Pattern was used for ceremonial purposes and still issued to Cadets in the 1990s. 1937 Pattern Webbing was made from cotton webbing, which was waterproofed and dyed before being woven. The fittings were made of stamped brass and it was produced by various manufacturers.Written in black ink on the inside "Bretterecker" and the number 360053, possibly a post World War 2 service number.webbing belt, dress webbing -
Kiewa Valley Historical Society
Papers - 'Operation Key Hold', June 1994
'Operation Key Hold' was set up in June 1994 to establish a security network whereby (with written permission) members of the public could leave their house key at the Hospital in a safely, locked cupboard to be assessed by approved authority in case of emergency. This is similar to the emergency button (hung around the neck) which sounds an alarm at a central location and alerts appointed acquaintances for assistance - used currently (2015) Operation Key Hold was initiated in Mt Beauty for people at risk of being unable to call for assistance. The letters and notices are examples of setting up a community organisation which began in 1994 locally and became State wide later in the form of a distress alarm which worked by radio contact to a central location. Typed and hand written papers including letters and notices of varying sizes referring to the setting up of 'security network' whereby a house key is left (with written permission) at the Hospital in a safely locked cupboard. This would enable appropriate authorities to render assistance if required.operation-key-hold. community assistance. jan burnett.mt beauty. -
Bendigo Historical Society Inc.
Photograph - ALEXANDRA FOUNTAIN, BENDIGO
Sepia image: image, mounted on board, Alexandra Fountain at Charing Cross, looking north up Pall Mall. On LH side of image, Post Office tower visible, hansom cabs in forefront. Shops along Pall Mall on RH side: Emery & Gibson, Henderson & Goodisson, Beehive, Furniture and Drapery. People in image - women wearing long dresses, hats, men in suits.bendigo, streetscape, alexandra fountain, bendigo, sandhurst, alexandra fountain, hansom cab, post office, henderson & dodisson -
Bendigo Historical Society Inc.
Document - MALONE COLLECTION: GREETING CARDS
Single white card with red line border.Picture of a boy dressed in a white sailor suit with a blue collar and a red band on his left arm. He is wearing a cream straw hat with an up turned brim with blue edging and ribbon at the back. He is fishing from a grey stone pier. There is a tin and 2 fish behind him. Over the water is a building and some boats.person, greeting cards, malone collection, malone collection, greeting cards -
Hume City Civic Collection
Photograph, c1907
A close-up sepia photo of the Neil Nicholls and family. Mr Nicholls, his wife, daughter and infant are posed in a garden setting, seated in cane chairs. The dress is consistent with a date of late 19th century.The photo is mounted on a grey cardboard matt. The matt is foxed and has 2 black ink stains, 3 pin holes and an area of staining from residual sticking tape.Matson and Frazer Mr Neil Nicholls and family 264 Little Collins St Melbourne Back: Eric Boardmaneric boardman collection, nicholls, mr neil, matson and frazer, photographers, george evans collection -
Wodonga & District Historical Society Inc
Photograph - Fred Rochow Railways Collection - John Wortmann, 15th October 1988
The Fred Rochow Railways Collection incorporates photos related to the operation of the Wodonga Railway Station including different types of trains and railways staff C. 1930 – 1990. It was donated to the Wodonga Historical Society by Fred Rochow, a railwayman who spent many years based in Wodonga. He joined the Victorian Railways on 17th June l947 and retired in 1988. For some time, he was a member of the Australian Federated Union of Locomotive Enginemen and served a term as a member of the Trades Hall Council. He had an extensive knowledge of the struggles that took place to achieve better conditions for railway workers. Fred worked for many years as a fireman and then worked his way up the ranks to driver, experiencing many changes from the days of steam locomotives through to diesel trains, locomotives and even the modern XPT train. He worked throughout Victoria at different stages of his career, with his final working years focused on the northeast of Victoria and the Albury to Melbourne line. After his retirement, Fred continued to share his love of steam miniature trains with the community. R761 - The R761 arrived in Victoria on the 28th February 1952 upon the ship ‘Helenus’ and entered service on the 9th April 1952. R761 spent long periods in storage and occasionally saw service until it was withdrawn. In 1970 R761 was overhauled and was made available for use on special trains. It became the final R class to run in VR service on the 5th September 1974, ending 120 years of mainline steam operation in Victoria. After years of debate about its future, on the 30th March 1985 the loco was officially returned to service, hauling special trains to celebrate the years of steam locomotives.This collection has local and statewide significance as it captures images of trains, locomotives and personnel who operated the railway services in Wodonga and throughout Northeast Victoria. The railways played a critical role in opening up Victoria and connecting Australia for trade, business, social communication and transport.Photo of John Wortmann, with a group of people in the background, John lit up an attended the R761 on its special run in October 1888. railways wodonga, fred rochow, r761 locomotive -
Mission to Seafarers Victoria
Photograph - Photograph, Sepia, Allan Studio, 18 July 1925
Moira Bird Oliver (nee Good) daughter of Rev Good of St Jude's Carlton first met Frank Oliver circa 1915. They were engaged for some 7 years while Frank did wartime service and then on return to Melbourne completed a Theology degree at Trinity College and was then ordained. They married on the 18th of July 1925 at St Jude's Church in Carlton. Frank Oliver was then naval chaplain on the HMAS Platypus. After various postings the married couple eventually arrived and were appointed to the Chaplaincy to the Mission to Seamen based at 717 Flinders St from 1930-1960. The Olivers weathered many significant issues between 1930 and 1960, a depression, WW2, strikes and waterfront unrest in the 1950s and financial struggles resulting from changed shipping patterns. This photograph was gifted by a descendant who told us that Mrs Oliver was a very enthusiastic photographer. Mrs Oliver was a well loved and respected woman and is memorialised by a window in the Mission Chapel. It is possible she is one of the many anonymous photographers who contributed various photographs especially of the 1930s and forties that make up a substantial part of the Mission Heritage Collection. Mrs Oliver died in 1969 see elsewhere this database for memorial plaque and window.Mounted studio b & w photograph portrait of a bride in white dress and trainpadre oliver, reverend good, st. jude's church, reverend frank leslie oliver, moira bird good, moira oliver, hmas platypus, royal australian navy, r.a.n. chaplain -
Seaworks Maritime Museum
Doll
Seated japanese doll with traditional dress and black hair and purple bow in hair. "PMA 0121"