Miniature wood cricket bat and stumps, carved from an original cricket stumpJ.F. Scott Trophy for Inter-house Cricket

A Legacy torch emblem painted on a wooden panel mounted on a stick for carrying in demonstrations or parades. It is seen in some photos of annual demonstrations with the children marching behind it. In particular one at the Glasshouse in 1961. It is painted in black and gold paint.A prop that was used for many years in the Annual Demonstrations.Gold painted Legacy Torch emblem painted on wood mounted on a wooden pole.torch, prop

the symbol contains a crocodile is in the centre of the plaque, its fixed onto a wood plaque

Wood and metal plaque. Army apprentices possibly from Balcombe Army Camp

6 Bottles in total, 3 with black lids, 2 with wood and 1 that is DamagedSoft Drinks MARCHANT & Co THE PROPERTY OF MARCHANT & Co ITS USE BY OTHERS IS ILLEGEL TRADE MARK, AUSTRIALIA

Professor Alan Merry commissioned the work from New Zealand artist Heke Collier as a gift to the College at his retirement from Council. This artwork was carved by Heke Collier in May-July 2016. It is made from native New Zealand Rimu timber. Heke named this carving Mauri Ora which translates to vitality, well-being or the healing life-force. Tihei Mauri Ora (breath of life) is a well-known Māori saying that was uttered by the first human being. Māori believe that all people and all things have mauri. This carving symbolises the many shapes and forms of mauri with reference to the Māori creation story, and the spiritual and natural worlds. Māori refer to the heavens as Ranginui the sky-father and according to the Māori creation story, Ranginui was pressed against Papatūānuku the earth mother. Their children did not like living in the cramped, dark space between them. One of their sons Tāne separated Ranginui and Papatūānuku to allow light and life into the world. The central male figure carved into Mauri Ora (above) is Tāne. To his right (far right) is his mother Papatūānuku and to his left (far left) is his father Ranginui. Papatūānuku gives birth to all things including human kind and provides the physical and spiritual basis for life. The takarangi (spiral) design in the carving (to the left of Tāne) symbolises the life cycle. Whenua, the word for land also means placenta - organ that nourishes the baby in the womb. Women are associated with the land (whenua) because the land gives birth to people and so do women. In tribal history women have had influence over land and men. Papatūānuku is depicted in the carving to the right of Tāne. Ranginui played a pivotal role in the birth of the sun, moon, planets, stars and constellations – collectively called Te Whānau Mārama (the family of light). Human life and knowledge were said to originate in the realm of Ranginui. Tāne ascended the heavens to retrieve three baskets of knowledge: te kete-tuatea (basket of light), te kete-tuauri (basket of darkness) and te kete-aronui (basket of pursuit). Ranginui is depicted in the carving to the left of Tāne. Tāne had many different roles, and he was given different names to reflect these roles. He is called Tāne-mahuta as god of the forest, Tāne-te-wānanga as the bringer of knowledge, and Tāne-te-waiora as the bringer of life, prosperity, and welfare. His teachings and knowledge are relevant in contemporary times, and the cell-phone carved into his left hand represents this. Tuatara feature in the Māori creation story and some tribes view Tuatara as kaitiaki (guardians) of knowledge. Given that they have lived for more than 220million years. There are birds or manu surrounding Tāne in the carving, who represent Tane’s voice or the voice of the forest. The flax or harakeke depicted in the carving represent the family unit and reinforce the importance of kinship ties. There are plants, ferns, and birds carved into Mauri Ora play an integral role in the life-cycle which represent rongoa Māori or Māori medicine. Traditional Māori carving in Rimu, a native New Zealand wood, with paua insets.merry, alan, anzca council, collier, heke, kaiwhakairo, master carver, rimu

W E Coward builder came to Stawell around 1919 and had a workshop in Campbell Street Stawell. Tools kept by his son Frank Coward. Donated by grandsons Ron and Jeff Coward of Stawell. Ten Moulding Planes, Wooden Mallet, Woodworking Drills, Three rounded Chisels, Counter sink Auger, Scouring Tool, Spoke Shave, Sawblade Tooth setting tool, simple Caliper, Wooden Plane, Hand Drill, Moulding Plane with Offsets, Two Handled routing tool, Two flat Blade Screwdrivers Wood working tools including set of Moulding Planes, mullet drills etcSome tools have makers stamps on them

Sample menu from Union Castle line shipping line 1900 - 1990Printed single sheet cream/yellow paper/card A5 size / printed breakfast menu / top has two swirls printed in blue above the company flag printed in red and blue colours in the centre. printed in red below "Union Castle Line" / printed below and to the right "SS Braemar Castle" / full extensive breakfast menu Tuesday 25 January 1955/ printed in red upper case at the bottom edge is a request " not to smoke in the salon".union castle line, menu, ss braemar castle, 1955, nick garlick

Cloth sample book produced by John Bennett, Leeds University, 1914-15.J. Bennett (underlined)weaving, cloth - worsted, bennett, mr graeme s.

Wool samples in a range of counts (thicknesses). Probably part of a student of woolclassing's work.RANGE OF COUNTS / 50's - 32's / 50's / 48's / 46's / 44's / 40's / 36's / 32'swoolclassing, wool measurement, wool - measurement

Wool samples in a range of counts (thicknesses). Probably part of a student of woolclassing's work.RANGE OF COUNTS / 80's - 54's / 80s / 70s / 64s / 60s / 58s / 56s / 54swoolclassing, wool measurement, wool - measurement

First Research Samples from Melb. Uni. Chem Dept.From the work of J.B.Kirkland

Possibly a sample pocket from 1958 - 1983 Found in Quad classroom 2018Unused black wool cloth blazer pocket with college logo embroidered (backing of cotton) in white and green. (Note a mistake in the colour of the H is grey)HORTICULTURAL COLLEGE * BURNLEY *uniform, burnley college, blazer, student uniform

The bosun’s chair is a typical piece of equipment included on board a vessel in the late 19th and early 20th century. The nautical word 'bosun' is an abbreviation of the word 'boatswain' who is the person responsible for the repair and maintenance of the vessel. It could be used when rigging the sails and for rescue at sea, along with a thick rope anchored on shore or a rope between ships. It could also be used to move passengers to and from a ship as well as cargo on, to and from the vessel. A bosun's chair is a simple piece of equipment made from a short plank of wood and a sturdy piece of rope. It looks a little like a child's swing but usually has a pulley system that allows the user to adjust the length of the hanging piece of rope, and in so-doing adjusts the height above the floor or ground or sea. In modern times a harness would also be worn by the bosun’s chair user for safety reasons. Bosun's chairs are also used by window cleaners, construction workers and painters. The bosun’s chair is sometimes just a short plank, or even a canvas sling. The bosun's chair is significant for its association with maritime equipment carried on board a vessel in the late 19th and early 20th century for maintenance and safety purposes. It was occasionally used to save lives. The bosun's chair is also significant as an early version of equipment still used today. Since its invention there have been many safety features added in certain industries such as window cleaning and painting.Bosuns chair; flat smooth rectangular piece of wood, with rope passing through two holes at each end of plank and looped together above plank to form a suspended seat swing. Loops a are joined with knot work and ends are spliced together under the seat.flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, bosun's chair, bosuns chair, boatswains chair, rigging, maritime equipment, bosun's seat, life saving, marine technology, ship rigging

Adzes are used for smoothing or carving wood in hand woodworking. It is similar to an axe but with the cutting edge perpendicular to the handle. It is used chiefly for shaping wood.A square ended adze that has a thin arched blade set at right angles to the wooden handle. The handle is not original.wood-working-tool adze carpentry

Most likely collected and donated by Dr Frank Forster.Blunt hook and crochet, with central hand grip of mahogany wood inlaid on either side. Maufacturer's stamp "MAW LONDON". MAW stamped at one end near the central wood inlay handle and LONDON at the other end.obstetric delivery, blunt hook, destructive instrument

Stereograph has been restoredStereograph made of wood. Two windows with magnifying glass in each. Wood and metal stand to hold picture card to be viewed. Three picture cards of siege guns, Duke of York Celebrations, Hobart; Pay day DelhiOn siege guns card, The Rose Stereographs Melbourne, Sydney, Wellington & London.audio-visual technology, audio - visual accessories, audio - visual appliances

Rubber stamp and wood stamp holder for stamping the words "Ballarat Tramways" on letters and other documents. Consists of red painted wood stamp holder and black plastic handle with black "drawing pin" to indicate the top of the stamp. trams, tramways, btps, letters, btm

A Dunlop Junior Professional, wood/composite squash racquet, with string whipping around shoulders, and cotton handle grip. Materials: Wood, Composite Materials, Nylon, Ink, String, Adhesive tape, Cotton, Plastic, Lacquer, Gluetennis

A children's tennis racquet, featuring slightly lobbed head, solid convex throat, wood/cardboard laminated frame and shaft, and paper collar and end wrap. Materials: Wood, Twine, Paper, Glue, Lacquer, Metal, Cardboardtennis

Found at Point Hicks. Probably part of the root of the tree. This is a type of petrified wood that has had all of the wood cells replaced with calcite mineral. After exposure to the ultraviolet light of the sun for a few years, the petrified wood has turned dark. Inspected by George Rawlings 6.2.2013.One piece of fossil of a calcified tea tree.fossil tea-tree petrified-wood calcification

Also known as a froe (or frow), shake axe or paling knife, this tool is used for cleaving wood by splitting it along the grain. The L-shaped tool is hammered on the top edge of its blade into the end of a piece of wood in the direction of the grain, then twisting the blade in the wood by rotating the haft (handle).Shingle knife or paling splitter Metal knife with short wooden handletimber tools

Sold as a souvenir of Mt Buffalo. 'Souvenirs in relation to the Chalet and Mount Buffalo were first mention in December 1912... A large range of souvenirs has since been associated with the Chalet and Mount Buffalo from crafted wooden items, silver spoons, cups etc... The collection includes a broad selection of products that have been sold throughout much of the Chalet's history, each representative of the transient fashions of their period.' (Pg. 114. Historica) "Souvenirs in relation to the chalet were perhaps first mentioned in December 1912, when enterprising locals, Mr J Pass of Porepunkah and Mr C Walker asked for permission to use timber on the mountain for making ornamental souvenirs . The government was agreeable to the ide and soon afterwards PWD chief architect George Austin went to Mount buffalo to make arrangements for supply of the timber, They proposed to make wooden egg cups, small boxes and photograph frames to sell to tourists, small items that' will serve as an advertising medium of the famous mount'" (Pg. 113.Historica) ' Fig 123. Bookends MBC0319,serviette rings MBC0217.2,eggcup MBC0218 and ashtray MBC0205 made of mulga, a wood from particular types of wattle tree that grow in arid climates. Souvenirs crafted from mulga became popular in the post WW2 years' (Pg 117. Historica) Purchased in a second hand shop and donated to MBC. Listed in Draft Inventory of Significant Collection Items . Appendix A.3. Souvenirs. (Pg 168. Historica).Two matching mulga wood book ends. They form a sphere when placed together. Hand painted motif and inscription on each. Painting of a skier dressed in colourful clothing on each and "From Mt Buffalo" painted at the base. "From Mt Buffalo"

Made in 2016 for the Australian Sheep and Wool Show. It was entered into the needle felting section and won. Emu and Kangaroo made from Ultra fine Merino from a sheep called Ninja with a micron count between 14-15 from Casalana fine wool.Woolen Coat of Arms on round metal frame. Kangaroo and Emu made of Ultra fine Merino and real Emu feathers. Coat of Arms felted together by hand. Winning sash, judges scorecard, wool sample and Certificate Included.

A baleen whale has hard bristly baleen that hangs from its upper jaw inside its mouth instead of teeth. Baleen is made from a protein called keratin, just like human hair and fingernails, and its colour can vary between species, from black to yellow or white. The whale uses the tough, flexible baleen like a sieve to catch its food, filtering the small sea creatures out of the sea water it releases from its mouth. In the19th Century, whales were hunted for the products that could be made from their bodies, such as oil for lubricating machinery, soap making, lamps, heaters and fuel for the lighthouse lights. The flexible baleen was used for whip handles, carriage springs and umbrella ribs. It was also used for the skirt hoops, hat ribs, and rigid ‘stays’ in tightly fitting bodices to enhance their figures. The Southern Right Whales, as well as Blue Whales and Humpback Whales, are baleen whales. The Southern Rights annually visit the ocean off the southwest coast during the breeding season. In the early 1800s whalers hunted along this coastline in their dangerous pursuit of money for the precious cargoes of whale oil and bones. The population of these large animals dwindled quickly and by the late 1840s the whaling industry dwindled. Whaling recommenced from the 1940s to the 1980s when the whale products were used to make margarine and dog food. The baleen sample has been used to educate people about whaling and about the properties of baleen. The baleen sample is significant for its association with 19th century women's fashion. It helps to understand how garments were supported to shape a woman's figure. The baleen sample represents a period when whales were hunted and killed to provide income and products for for the local settlers and for the export industry.Baleen sample from a whale's jaw. Its black shiny hard yet flexible surface is slightly rippled and textured. One end is fringed and the other and a smooth cut edge. The colour varies in places, with stripy brown colouring. flagstaff hill maritime museum and village, great ocean road, shipwreck coast, baleen, whalebone, baleen whale, keratin, 19th century, whaling industry, women's fashion, stays, bodice, women's figures, fashion, clothing, whale oil, baleen colour, whale hunting, whale products, southern right whale, blue whale, humpback whale, southwest victoria, whalers, whale bones

Large Bound Accounting Ledger, with Index to various Ledger accounts for the period 1924 - 1931, including Commission, Cash Sales, Horse Shoeing and FeedStock, Plant, Donations, P&L and Balance Sheet. Only a sample of pages scanned.