“The Squadron’s Most Prestigious Trophy” THE CACTUS STORY Years ago a story was told of a Donkey which lived in the desert. The standard of living was poor, and the main course on the menu when things were tough was cactus. The Donkey accepted the good with the bad, and in bad seasons it was always cactus. One day during his wanderings he came to a high fence. On the other side of the fence was lush grass and all sorts of vegetation and animals in prime condition. The Donkey said to a horse, “things look good in there, how does one get in”. The horse said “go down to the end of this fence, and you will come to a gate, there will be someone at the get, ask to get in”. The Donkey went to the end of the fence, found the gate and asked to get in. The horse at the gate said, “what do you want to come in for, all of us are geldings?”. The Donkey said “if that is the case, it is back to the cactus for me”. It was during the early stages of the great depression of 1929-1932, that this story was simulated to the conditions at the then Royal St. Kilda Yacht Club, when during the yachting season there were very few trophies due to the lack of money. A lot of members were out of work, and each Monday many would front up for the jobs that were offering or those who missed out went back to the dole or as many put it “Back to the Cactus”. The “Cactus Cup” race, to be free of entrance fees, was an idea conceived by H.A. (Toby) Armstrong, soon to be backed by Bert Bryant, Ivor Bowles and Jim Thorpe. It was First sailed March 25, 1922, when 9 yachts on sealed handicaps, raced over a 5 mile rectangular course for a small Trophy donated by Jim E. Thorpe and the winning crew of the yacht Helen, skippered by D.Dowse, entertained at a café after the race by the instigators of the race. The next contest was April 12, 1930, for another small trophy also donated by Jim Thorpe, and the crew of the winning yacht Petrel, skippered by Stan Gamble, later on having to arrange for a mussel supper to the extent of Trophy money at an informal musical evening held in the spar room. From then on races for the Cactus Cup became an annual event. In time the format was changed to result in the crew of the first winning yacht having to collect mussels from the pier on the first Saturday of July, cook and prepare them for a no charge informal supper and entertainment evening held in the spar room, towards which the Club provided a keg of Beer. Member Bob Ellis had a special song for the occasion, “Up at Tumba Bloody Rumba shooting Kanga Bloody Roos”. Jim Thorpe then agreed to purchase a Perpetual Cup to be named the Cactus Cup. As guest of honor at the Cactus Supper Evening, May 1940, a dinner suit function in the Spar room, he presented the Cup along with Replica to Barney Snider who won with Eun-Na-Mara. Soon entries became few, for reason nobody wanted to win because of the penalty of having to collect, cook and prepare the mussels. In the interest of the contest and its revival, it was decided that the crew of the last yacht to finish had to collect, cook and prepare the mussels. On the death of Jim E Thorpe in 1944, the trophy, along with its annual replicas, were then provided for by Ivor Bowles until his death in 1970. In time for reason of pollution, the collecting of mussels from the pier was discontinued, so Otto Meik the new provider decided that the format be changed and be replaced by a supper on the day of the race, consisting of bottle mussels, beer and frankfurts. Following the death of Otto Meik in 1979, with no provider for the trophy of replicas, the Squadron in the early 80’s broke tradition by introducing race entry fees. In 2006 the Cactus Cup Tradition was reinstituted by a donation from J.H. (Bert) Ferris – RMYS historian. The Cactus Cup is now free to enter once again for all. The race is run early and a late afternoon feast of mussels and frankfurts is eaten afterwards.Deep sectioned Silver Cup, 300mm high to lip, tapering to thick plain stem flaring out to stepped footing, has two shaped handles. Silver Lid with Donkey positioned on shaped dome. Overall height 110mm. Cup stands on 145mm high round black base with stepped footing, surrounded with Silver winner inscription band.ROYAL ST. KILDA YACHT CLUB PERPETUAL CACTUS CUP INAUGURATED 1922 INSTIGATED BY H.A. ARMSTRONG ESQ. ORIGINAL CUP PRESENTED BY J.E. THORPE ESQ.cactus cup, trophy

Made pre WW2, could have been used in WW2 and KoreaWooden Grips are attached to a single edge blade by four screws. Bayonet locking section has a clearing hole. The right hand grip is stamped with the number "2" indicating it is from the second Military District (N.S.W.) The blade curves up to a point. The blade is made of steel and has a full length fuller. It is complete with a leather and steel scabbard marked Mangovite 41. It is a Pattern 1907 Bayonet. The ricasso R.H.S. is marked with 24, broad arrow, and an X, which indicates sold out of service. The Ricasso L.H.S. is marked with a Kings Crown, 1907,and 39 RE

From the inscription "V.G. 259" it would appear that this copy was made by the Victorian Government. It is a photo of Wonderland Peak.The photo shows a rocky range rising behind eucalyptus trees. There is a fallen log in the left foreground."Wonderland Peak, The Grampians, Victoria" inscribed on top left, and "V.G. 259" inscibed on lower left, of copy 1. These have been cropped out on copy 2.scenery, wonderland range

This book provides in chronological order the development of the Kiewa Hydro-electricity scheme from the first concept (1911) to final construction work (1961). It covers the first attempt to utilise the power of the Victorian Alps water system. It started from a private syndicate and developed to the current State Electricity Commission of Victoria. The incentive for the Hydro scheme was to make money and not as an alternative to the carbon producing coal fired power plants. These coal fired power plants were increasing in numbers to service an ever increasing demand made by population expansion, especially in cities and large rural settlements. This demand spiraled up after World War II when there was a tremendous spike in immigration numbers due to refugees and displaced persons in Europe. The ability to utilise the untapped water provided by the winter snow fields, for a higher yield in electricity, was a powerful incentive to overcome the physical hardships in this remote Alpine region. Future power requirements may initiate the re-installation of the other two power stations(Pretty Valley and Big Hill) covered in original Scheme. This publication not only covers the development of the Kiewa Valley region with respect to population (within a socio-economical framework) but also the subtle but yet strong physical changes of a relatively pristine alpine region. The demands that an ever growing regional population places on the environment is clearly documented in print and black and white photographs. The working and living conditions of those who constructed and gave life to this hydro scheme is well documented in this book. It may be viewed as spartan now but was relevantly good at that moment in time, especially for those workers fleeing a devastated European environment. The successful planning and consideration to minimising any intrusion upon the natural alpine forests and high plains can viewed as an example (compared to the Tasmanian Hydro schemes) of how future hydro schemes (an inevitable requirement) will proceed. Most rural towns (in the early 1900s) were built by unencumbered rural based citizens, with the exception of Mount Beauty and Falls Creek. These two settlements were brought into life by a State (Victorian) Authority for a specific function and program. They were a gated community, that is, only open to construction workers involved with the hydro scheme. All facilities within these communities were provided by the State Electricity Commission of Victoria. The impact on the social, financial and individual independency of the community, by the transition from the S.E.C .environment to one of local government (Shire of Bright), had in some cases a severe impact.This hard covered book has a green cover with pictures on the front and back covers. The front cover has a coloured picture of a snow covered Mount Bogong taken from the opposite mountain range. The valley between both ranges has a whisk of mist over it. At the bottom of this picture are three black and white photographs covering the construction of the Kiewa Hydro - Electricity Scheme. On the back cover is a photograph, (black and white) detailing the Bogong village and Junction dam containing lake Guy. The inside front cover is a black and white photograph which details the construction of the West Kiewa tailrace tunnel during April 1951. The inside back cover is a black and white photograph of the concrete pour at the Clover Dam circa 1952. All photographs and sketches are in black and white. The pages are approximately 160 g/m2 and those which have photographs are on gloss paper.Book spine: "The Kiewa Story Graham Napier Geoff Easdown" alongside this is a white framed circle with white spokes radiating out and underneath in white lettering SECkiewa valley, hydro scheme, victorian alpine region, electricity generators, graham napier, geoff easdown

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. Page 84 of Photograph Album with one portrait photograph of a house on Hobart Road. Handwritten: Hobart Street RD - the word Street has been crossed out [top right] / 40 HOBART ROAD [Under photo] / 84 [bottom right]trevor hart, 1880's, cast iron verandah, murrumbeena, hobart road, victorian, columns, cast iron frieze, decorative brackets, iron roof, cast iron work, houses, chimneys

The declaration was noticed in an antique shop by a Dutch antique dealer who purchased it and donated it to the DAHC.Official declaration establishing the Dutch Consulate in Melbourne. The framed declaration is signed by the Dutch Minister of Foreign Affairs and the Dutch Queen, Wilhemina of Orange, on 9 May 1924.Dated: 9 Mei negentien vier en twintig ( 9 May 1924 ) and signed by Queen Wilhelmina. Has creases that somebody tried to fix with white-out.

A sepia photograph of a young boy with a flock of sheep.Handwritten on back in red crayon: Eric Boardman and: A YOUNG SUNBURY SHEPHERD Handwritten on front: Horace Ford Handwritten on back: Horace Ford, Sunbury (and crossed out)ford, horace, sunbury, boardman, eric, farming, sheep farming, shepherd, george evans collection

The 8th/13th Victorian Mounted Rifles was raised as a regiment of the Royal Australian Armoured Corps on 1 May 1948 with Headquarters in Melbourne and squadrons in Sale, Benalla/Wangaratta and Albury. In 1955 Regimental Headquarters moved to Wangaratta and a second squadron was located at Albury. The Sale squadron transferred to 4th/19th Prince of Wales’s Light Horse. In 1977 8/13 VMR Regiment was reduced to an independent squadron A Squadron 8th/13th Victorian Mounted Rifles and in 1991 was linked with 4th/19th Prince of Wales’s Light Horse forming the VMR Squadron of that regiment.Shows soldiers on parade at annual camp.Colour photograph of soldiers marching past an officer on saluting dais." Hand-over parade Puckapunyal 1982. September Courses Camp March Past for out-going OC Major G f Cole ( D & S Course)military, uniform, parade, vmr, camp, citizen soldiers

Dugout Night is an annual event where Legatees gather and enjoy the company of fellow Legatees ("comradeship"), usually in April, close to Anzac Day. A dugout in wartime provides protection for soldiers from small arms fire, artillery bombardment and attack from the air. The sign could have been made to publicise Dugout night or most likely as a caption for photographs of the event displayed at Legacy House.Legatees supported each other by coming together for various events throughout the year. Dugout night was an annual gathering where Legatees could socialise together.White A4 poster for Dugout night.In black ink, 'Dugout Night / April 16th / Until the battery ran out ..........' Reverse side written in pencil 16/4/2008, (presumably the date of the event).comradeship, legatee event, dugout

Black and white photograph and negative of Ballarat No. 26 eastbound in Sturt St., Saturday 14 August 1971 at the corner of Doveton St. Has the George V statute adjacent. Tram has destination of Lydiard St. North. Has Walter Connell Chemist on left hand side of photo, with a BP display thermometer showing temperature - about 12 degrees and a finger board for the Mid City Motel on chemist building. Original print by David Endacott, duplicate print (1261A) by John Phillips 12/99. Second copy added 5/2001. Original neg scanned at hi res and updated 11/5/2020.On original print "Last week of full tram service before phasing out / from Cnr of Sturt and Doveton Sts. / Sat 14 August 1971" in pencil.trams, tramways, ballarat, sturt st., doveton st., tram 26

Yields information - Photo printed from a slide of Geelong No. 4 decorated for the last tram in Geelong.Colour print from a Agfachrome Professional plastic mount reproduction slide of a colour slide of Geelong No. 18 at East terminus on the last day of the first closures, 8.1.1956 Shows a young boy walking away from the tram and the driver closing the door. Tram has the destination of East. See also Reg Item 2676 for a the original slide of this photograph. Two copies held.On rear in ink on both copies: "Geelong Trmys SEC 4a) (crossed out) East terminus on last day of first closures 8.1.1956 - Ballarat Try Museum"trams, tramways, geelong, east, last tram, closure, tram 18

Yields information about Drummond St Sth and Ballarat trams during the mid 1940's.Digital image from the Wal Jack Ballarat Album of Ballarat No. 26 north bound in Wendouree Parade, nearing St Aidans Drive, with Fairly land in the background. Photo by Wal Jack 14-2-1944. See image i2 for rear of photograph.In ink on rear "No. 26, 14-2-44" and "W. Jack stamp " in bottom left hand corner with "Copyright" crossed out - may not be a Wal Jack photo.trams, tramways, wendouree parade, st aidans drive, tram 26

The State Savings Bank of Victoria passbook number 67563 running from October 1959 until mid 1982 has several features. (1) The cover is held in place by string. (2) The cover has the name of Colac printed on it. (3) Inside the front cover the SSB conditions relating to Depositors, and the Rules and Regulations of the SSB. (4) Inside the back cover the SSB branches and agencies are printed.. (5) On the inside back cover the withdrawl by depositors from branches other than their own. (6) Inside, the February 14 1966 decimal currency conversion.Beech Forest Progress Association passbook 67563, 29 October 1959 to 1 June 1981. The State Savings Bank of Victoria, Colac Branch. (1) Original passbook number crossed out and the number 67563 inserted. (2) re Estate of S.R. Cameron dec'd, from Clarke & Barwood. Memorandum included.beech forest progress association; passbook; state savings bank; dc conversion; state bank of victoria;

Hall Wedding 1930. John Alexander Hall & Margaret Mary Frawley 1930Shows a Bride and Groom in Studio SettingOn Rear: MARGARET MARY ( FRAWLEY) {13.12} with a line through the numbers. JACK { MAY } Ccrossed out (JOHN ALEXANDER) d. 13 /12/1980 Married 1930stawell portrait

Red-brown marbelled cover with brown leather spine and corners, worn at extremities, gilt writing on spine. Discolouration and foxing. Loose & torn illustration page between pp 202-3. Illus. 416 pp. Fair condition.Front flyleaf, '126' red ink & underlined/Kilmore Mechanics Institute stamp. Title page, 'John D. [undecipherable]/4th April 1872' Crossed out.cassell's, british magazine, kilmore mechanics institute library.

The 20th Light Horse (Victorian Mounted Rifles) was raised in 1920 as part of the 3rd Cavalry Brigade, 2nd Cavalry Division, Citizen Military Forces, with Headquarters at Seymour and depots along the Goulburn Valley from Mansfield to Tocumwal in southern NSW. In December 1941, 20th Light Horse (Victorian Mounted Rifles) converted from horse to mechanised, initially as 20th Motor Regiment. In 1943 the Regiment was deployed to Merauke, Dutch New Guinea. Upon its return in April 1945, the Regiment was redesignated 20th Pioneer Battalion. It was disbanded following the end of the war. 20th Light Horse was the only light horse regiment to serve overseas in WWII.This is one of a collection of photographs featuring a Light Horse regiment drawn from rural and regional Victoria in the period immediately prior to mobilisation for World War 2 (1939-1945).Black and white photograph of soldier mounted on horse. Part of 20th Light Horse collection." Warrant Officer V.G. Groutsch MM C Squadron 20th ALH. Served through ( out ) with Regt. to 20 Pnr Bn. until disbanded Captain on Discharge. "20lh, light horse, warrant officer v.g. groutsch mm

Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and coloured pencil landscape drawing on paper.Obverse: MARCUSE / B.worth (in pen) Reverse: BEECHWORTH NOSTALGIA / BW – 01 (crossed out) / B2 / CORNER CAMP + FORD STREET / (on masking tape) 001 (pencil) ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program

historic, social, familyIn Lal Lal forest, Hughes family in front of primitive bark miner's hut with shingle roof, rough stone chimney on left, parents and youngest daughter standing, two older daughters seated, scrubby grass in foreground, rough picket fence and a cow. incomplete label: "...diggings having been worked out, the inhabitantshave gradually left the locality, and Mr. and Mrs. Hughes only remain. They live in a remote part of the forest." lal lal, hughes family, miner's cottage

Yields information about the Eaglehawk terminus, tram 18 and the tram liveries in 1963.Black and white print of Ballarat 12, crossing Lydiard St, in Sturt St with the destination of Gardens via View Point. Has the Commonwealth Bank, Odeon theatre, Mechanics Institute, Ballarat Gas Co, Unicorn Hotel, and Colonial Mutual Life buildings in the background. A group of children with bicycles are on the corner and the newspaper seller stand. Photo Doug Colquhoun 23/3/1959. Photo print courtesy of Port Dock Railway Museum, now the National Railway Museum. See worksheet 4311 for letter and details of prints sent to Bill Scott, 19/10/2001. Any photo credit to mention NRM Collection.On rear of copy In top left hand corner "72) No . 71 withdrawn" a yellow label with "24" crossed out over a sticker "Photo No. Reduced to 82% 145x80 see photocopy for masking" and "22" crossed out in the top right hand corner. In the lower left hand corner "SEC Ballarat #12 / Sturt St @ Lydiard / 23/3/59 / Douglas A Colquhoun"trams, tramways, sturt st, lydiard st, tram 12

An old rare damaged brown heavily embossed patterned hardcover book, The Life of The Rev. John Wesley, A.M. by Richard Watson. The spine is missing. There are loose pages particularly at the front with pencil and ink inscriptions. A sewing pin is holding the black and white portrait of John Wesley to the endpaper. The spine edge inside has grey tape holding the endpapers together. There are dirty marks, severe tanning and foxing noted all through this 1851 edition. 485p. with a few pages at the back of further religious works by the publisher John Mason.non-fictionThe life of The Rev. John Wesley, A.M. sometime fellow of Lincoln College, Oxford and founder of the Methodist Societies.religion, biography, methodist church history

The Warrnambool Standard Centenary Issue, 1872 - 1972, summarises the local and world history highlights over 100 years. The pages in the images are a sample of the newspaper's contents. They show: - PAGE 1; sketches of two young women, one dressed in 1872 fashion, the other in 1972 fashion. PAGE 34; This page was dedicated to the Ponting Bros. The business celebrated its Centenary in 1972. There apr photographs of the original and the new building, and a photograph and names of the staff of 1972. PAGES 34-38: Lift out facsimile copy of the first edition of The Standard (no longer in 3096.01) PAGE 39; In January 1917 Mr Basil Watson flew the first aeroplane to visit the Warrnambool area. He entertained the crowds by performing aerobic acrobatics in the plane he'd built himself. Two months later he died in a plane accident. PAGE 70; In 1967 Australia's Prime Minister, Mr Harold Holt, goes missing, presumed drowned. PAGE 71; In 1970 the mystery of four bodies were found in a car that crashed over the cliff at Loch Ard Gorge, near Port Campbel, made headlines in the Standard. PAGE 72; The back page features a photograph and greetings from Fletcher Jones and Staff. There are many staff members in front of the Fletcher Jones factory in Warrnambool, which was established around 1924.The centennial edition of the Standard newspaper includes local social, economic and historical aspects of Warrnambool, Victoria, Australia and the World. It reflects the interests of the local community and the reactions to the events of the time.The Standard, Warrnambool, Centenary Issue 1872 – 1972 (Two copies).100 years of District Service. The issue includes World and Local History, Advertisements, Timeline, Facsimile of the First Issue, Shipwrecks, and Wars. The Centenary edition was printed on October 2, 1972, 72 pages. One copy (3096.02) includes the centre lift-out on pages 35 to 38 of a facsimile copy of the first edition published on October 1, 1872.Page 1: "The Standard Warrnambool" "Warrnambool Standard Centenary Issue October 2 1972, 72 pages" On illustration of building "1872 / Warrnambool Standard" Page 34: "On this site ... since 1924" [Ponting Bros} "Staff of Ponting Bros. 1972" Page 39: "Aviation history-maker" "RECORD TRIP BY FIRST PLANE TO VISIT CITY" "Thrilling display of aerial acrobatics" Page 70: "PM HOLT IS PRESUMED DROWNED" "GAVE GOVT. IMAGE OF YOUTH" Page 71: "Where death car crashed on ledge" "PT CAMPBELL MYSTERY: FOUR BODIES FOUND IN CAR AT BOTTOM OF CLIFF" "POLICE SEARCH SWINGS BACK TO MELBOURNE" Page 72: "Greetings to the"Standard"" "Fletcher Jones" flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, ladies fashion 1872, ladies fashion 1972, ponting bros. centenary 1872-1972, ponting bros. staff, basil watson, basil watson 1917, harold holt 1967, car crash at loch ard gorge, fletcher jones and staff 1972, the standard centenary 1872-1972, warrnambool newspaper, warrnambool standard, centenary edition, the standard

Item/s in collection re B.J. Ruler VX40780 refer cat NO 5790 for his service details.Small booklet calendar with tear out pages inside a grey cover. Pages start at June 1940- December 1940. Calendar printed in dark brown ink and have a sewing line at the top to keep them in. Front cover blue printed ink. “Calendar” Pages June 1940 - December 1940 some pages have a Red Cross. Back Cover “Wishing you a year of happy days”calendar, 1940, ww2

Equipment issued to operational staff to be used during active operations as a vessel for food and drink.Metal tin. two parts with handle. Silver in colour. Tin in two parts with base and lid. Half moon in shape. lid also can be used as a bowl. It has afold out handle to be used as a plate.passchendaele barracks trust, ration tin

Letter from POrt Pirie School of Mines asking the Ballarat School of Mines for advice on their experimental engineering course, in particular the practical component, "which I understand your School carries out very successfully."port pirie school of mines, ballarat school of mines, letterhead, engineering, experimental school of mines, whandu ohland

Ballarat College cohort in 1913 photographed standing and sitting on front verandah of Wanliss House. Second year of the school occupying buildings at this address. Fascinating insight into matters of uniform and deportment. Seven staff included - G R Crwother, R Williams, A Alston, A S M Polson, Miss C Gilbert, A R Orton, H P Levy; approximately 3/4 students named.Medium wooden frame with two cut-outs in mount featuring photograph at top and name card at bottom' mount is water-stained; back is sealed and two metal plates are attached to sides for fixing frame to wallHandwritten on back: Turnbull1913, ballarat college, wanliss house, teaching staff, uniform

Black & white photo of a group of Bendigo & District Returned Soldiers. Pte BOLITHO holding dog mascot in centre front row. Postcard with back set out for message only, address only & stamp here.Top of photo: "GROUP OF BENDIGO AND DISTRICT RETURNED SOLDIERS" Listed below photo: "Names of soldiers"photography, bendigo ww1, returned soldiers

Hand made teddy bear made out of two colours of cotton, metal buttons for eyes & nose both machine & Hand sewn. It has tufts of loose thread appled here & there over all surface.teddy bears, leisure

The badge is a type of Trench Art. Belonged to Billy Bird No VX113169, 2/14 Batt AIF. Refer Cat No 1601 for his service details.Badge made out of Perspex depicting the Rising Sun Badge. The back ground is black affixed to a copper plate silver crown with red lining. The crown has silver rising sun set of swords above it."Aust Commonwealth Military Forces"trench art, military., rising sun