Showing 2405 items
matching horsham campus collection
-
Federation University Art Collection
Document, Ballarat Teachers' College Ex-Students' Association, 1937, 01/07/1937
Typed letter with list of this ewho were attending a reunion to be held in Ballarat on 23 August 1937.ballarat teachers' college, ex-students' association, reunion, t.j. ryan, m.c. campbell, j.m. tomlinson, a.m. kerr, d. millman, j.c. warrick, c.v. merlin, k.s. clarke, l.e. krause, p.g. law, philip law, g.g. mitchell, a.h. bryant, r.r. watson, h.j. parker, r.p. warriner, e.o. jones, m. skene, j.h. mcnaughton, j. heard, e. mcinerney, w.i. young, l. merlin, n.v. cocks, g.c. ingpen, r. mclean, t.m. stuart, r.s. southwell, g.c. mcleaod, v.t. bellingham, r. row, a.m. giles, n. larkan -
Federation University Art Collection
Work on paper - Artwork - Bookplate, Ex Libris Michael Turner
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. The competition includes a design award for secondary schools students. printmaking, australian bookplate design award, keith wingrove memorial trust, drawing, computer -
Federation University Art Collection
Painting, [Abstract]
An abstract painting on canvas.horsham student collection, abstract, available -
Federation University Art Collection
Work on paper - Artwork - Bookplate, Peter McCann, Ex Libris, 2006
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. The competition includes a design award for secondary schools students. pencilled 14/100 PmcCannprintmaking, australian bookplate design award, keith wingrove memorial trust, drawing, computer -
Federation University Art Collection
Work on paper - Artwork - Bookplate, Ex Libris Charles Blackman
Irena Sibley -
Federation University Art Collection
Work on paper - Artwork - Bookplate, ex libris irena sibley
-
Federation University Art Collection
Work on paper - Artwork - Bookplate, Ex Libris Prue Acton
Signed in pencil Irena Sibley -
Federation University Art Collection
Work on paper - Artwork - Bookplate, Ex Libris Helen Garner
Signed Irena Sibley in pencil below print. -
Federation University Art Collection
Work on paper - Artwork - Bookplate, Ex Libris Lynne Strahan
Signed Irena Sibley in pencil lower right below print -
Federation University Art Collection
Work on paper - Artwork - Bookplate, A.J.Sibley
Signed Irena Sibley in pencil lower right beneath plate -
Federation University Art Collection
Work on paper - Artwork - Bookplate, Ex Libris Geoff Ricardo
Signed Irena Sibley in pencil lower right -
Federation University Art Collection
Work on paper - Artwork - Bookplate, Ex Libris Barry Jones
Signed Irena Sibley in pencil lower right beneath print.bookplate, printmaking, australian bookplate design award, keith wingrove memorial trust -
Federation University Art Collection
Work on paper - Artwork - Bookplate, Helen Elliott
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. The competition includes a design award for secondary schools students. Signed Irena Sibley in pencil lower right below print.bookplate, printmaking, australian bookplate design award, keith wingrove memorial trust -
Federation University Art Collection
Work on paper
-
Federation University Art Collection
Work on paper - Artwork - Bookplate, Ex Libris Jackie Yowell
honeyeater with gum leaves and flowers in oval liner framework with raindrops and plants external.Irena Sibleybookplate, printmaking, australian bookplate design award, keith wingrove memorial trust -
Federation University Art Collection
Work on paper - Artwork - Bookplate, Ex Libris Peter Garrett
-
Federation University Art Collection
Work on paper - Artwork - Bookplate, Mirka Mora
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. The competition includes a design award for secondary schools students. Signed Irena Sibley lower right below imagebookplate, printmaking, australian bookplate design award, keith wingrove memorial trust, mirka mora -
Federation University Art Collection
Katherine Douglas, 'The Sheer Scale'by Katherine Douglas, 2022
katherine douglas, landscape -
Federation University Art Collection
Painting
Abstract paintingabstract, available -
Federation University Art Collection
Work on paper, Georgina Ah Yee, 1987
horse, gippsland art collection -
Federation University Art CollectionWendy WHITFORD (1942- ) Born Ballarat, Victoria Wendy Whitford'swork has an Her emphasis is on texture and colour., and she paints in acrylic and produces limited edition prints on an etching press. She attended evening Life Drawing classes with Geoffrey Mainwaring at the Ballarat School of Mines, and undertook group srudies with artist Edward Heffernan. Undertaking full time formal art training inher thirties,, she completed a Diploma of Art at the Ballarat College of Advanced Education (later Federation University in the early 1980s. During this time she was introduced to Printmaking by Satish Sharma,and has alternated printmaking with painting until the present day. Wendy Whitford is a members of the Soldiers Hill Art Collective, a group of practicing artists who all live in the Ballarat suburn of Soldiers Hill.wendy whitford, printmaking, satish sharma
-
Federation University Art Collection
Photograph, E.J. Barker Library Plaque, 1989
This building was officially named the E.J. Barker Library by the Council of the Ballarat College of Advanced Education on 13th December 1989 In recognition of Mr E.J. Barker Principal School of Mines and Industries Ballarat'1964-76 Foundation Director Ballarat College of Advanced Education 1976-1987 President Director Mr E.T. Oppy Dr J.R. Sharpham e.j. barker library, library, ballarat college of advanced education, jack barker, e.t. oppy, john sharpham -
Federation University Art Collection
Ceramic, Sarah Mischker, 2023
Focusing on personal memories, the Creatures of Change series is a collection of sculptures and objects that depict and embody memories of change. The works are stylistically and thematically divided into two groupings: one focusing on memories of growth, the other on death. Utilising organic shapes and lines, the works aim to express the need for life, death and change within our lives as these natural forces shape and mould us into who we are. Influenced by organic shapes, textures and colours, the two groupings are characterised by specific physical attributes. The growth works exhibit shapes of seeds or blossoming flowers, they grow outwards representing the outward growing we experience throughout life. They exhibit signs of expansion and movement through cracked surfaces and exude life as signified by the colour green. The death shapes are represented by tree stumps, a common gravestone symbol. The dead shapes are textured with broken and crumbling edges and sharp corners, symbolic of the feelings those in mourning experience. The death works are decorated with a deep, moody blue, conjuring up sadness and thoughtfulness. Accompanied by small hanging pieces which represent fragmented memories, the two sets of sculptures share a sense of druid creation. These creatures, with jointed legs, have a sense of life and movement. Born of memory, they embody a sense of willingness to change and respect for nature. Change as brought by life and death is a force beyond our power, these works endeavour to show the grasp change has on us and the power of our memories. Sarah MISCHKER (1996- ) Born United States Arrived Australia 2017 In 2023 Sarah Mischker completed a Bachelor of Visual Arts at the Federation University Arts Academy. Her final folio focused on the 'Creatures of Change' series, a collection of sculptures and objects that depict and embody memories of changeceramics, dvc art award, alumni, sarah mischker -
Federation University Art Collection
Work on paper, [Footware] by Joyce Nowrungal, 2008
Etching of a high healed shoejoyce nowrungal, gippsland art collection -
Federation University Art Collection
Work on paper, 'The Dancers', 2000
gippsland art collection -
Federation University Art Collection
Work on paper, 'The True History of the Kelly-Gang" (Salote), Warby Ranges by Arlene TextaQueen, 2008
Arlene TEXTAQUEEN (1975= ) Born Perth, Western Australiagippsland campus art collection, ned kelly -
Federation University Art Collection
Work on paper, Snake Land, 2006
... (Churchill), Stawell and Horsham. goldfields Gippsland Campus Art ...gippsland campus art collection, printmaking -
Federation University Art Collection
Work on paper, Phillip Doggett-Williams, 'The Landing' by Phillip Doggett-Williams, 07/1988
... (Churchill), Stawell and Horsham. goldfields Gippsland Campus Art ...Lithographgippsland campus art collection, printmaking, phillip doggett-williams -
Federation University Art Collection
Drawing, 'Copse' by Tony Hanning, 2015
Tony HANNING (1950- ) Dr Tony Hanning is an internationally recognised glass artist whose work is represented in all major collections in Australia and many overseas collections including the V&A Museum in London and the Tacoma Art Museum in the USA. The imagery in Tony Hanning's work often is representative of the Gippsland landscape. He has a PhD from Mondash University (2008), a Master of Arts from Monash University (1998); and a Diploma, Visual Arts, Gippsland Institute of Advanced Education, Monash University, Melbourne (1971). From 1971-1980 Tony Hanning was the Director of Latrobe Valley Arts Centre (later Latrobe Regional Gallery, Morwell)Framed and mounted charcoal drawing depicting large trees (conifers and probably deciduous) in a field rendered with hatchingLower right, signed Tony Hanning '15tony hanning, staffmember, landscape, trees, treescape, alumni -
Federation University Art Collection
Painting - Artwork - oil and acrylic on wooden board, 'All Those Nasty Womanly Things' by Michelle Prezioso
One artwork comprising of 5 individual wooden board panels, oil and acrylic. Painted panels depicting one women in yellow coat with white pants on a purple background, each panel is a segment of the women's form.