Series of Black & White Photos Hill Family & Friends Life During The Final Years of The First World War. Hilda Hill and another, seated on steps , background building weatherboard construction and glass windows,girl at rear wearing dark dress with check scarf around her neck, girl at front wearing a lighter colour dress and white blouse, and medal on ribbon around her neck, S.H.L.C. November 1917. Jack & Frank, both dressed in dark suits white shirts and dark ties, man standing outside of vehicle with right arm resting on the car and one foot on the running board, with the family car, dark colour with wooden spoke wheels. Francie, wearing dark skirt and white blouse & the dog, kneeling in front of a netting fence with top rail, background is corrugated iron shed wall. Easter 1918. Man in dark suit white shirt and dark tie holding a tennis racquet over his head, brick wall to left and doorway, on the verandah of 'The Ranche' property. Horse & Gig, man and boy seated on the gig and boy standing behind all dressed dark clothing, man wearing a hat, boy at rear wearing shorts and long socks with boots, to right gable roof shed, 'Durvol' property Kyneton Victoria Australia. Frank & Sweep the dog up a ladder, high paling fence in right background. Six young ladies , three standing and three seated on a white wooden railing fence, all dressed in lightly coloured outer wear, some showing white blouses Kyneton Mineral Springs 27th September 1918. Group of four young ladies all dressed in white and wearing broad brimmed hats, two men one sitting and one lying on the ground, man at rear white shirt and dark tie with broad brimmed hat, man at front, dark trousers and white shirt with dark waistcoat, no person has been identified in this photo, In the shade Hanging Rock?Hilda Hill Personal Colllectionaustralia, history, post war life

Waterproof vinyl package (packet opened) rectangular in shape. Discoloured on outside olive green drab on inside. has a tear strip. Gauze bandage attached to stretch material bandage. Packet. on Front. 6510-66-108-4140 DRESSING,WOUND *sterile compressed for field use. CAPO 7830065AC Lot number B93433 Smith + Nephew * Inner Pack Contains Sterile Dressing Date stamped "2 May 1994" Packet on Back To open tear down here. DIRECTIONS FOR USE Retain outer bag. Remove dressing from inner bag. Grasp bandage and pull pad open. Place face of pad onto wound. Place outer bag on to the other face of pad and bandage. Wrap bandage around and tie or pin bandage as required. DO NOT HANDLE WOUND OR PAD. (Recorded on Dressing) OTHER SIDE TO WOUND.

This try-pot is one of a set of three. Whalers used large iron pots, called try-pots to liquefy large chunks of whale blubber down into oil. Early on in the history of whaling, small whaling boats had no means to process blubber at sea and had to bring it into whaling stations for processing at shore-based try-works. Later, when bay whaling evolved and large scale vessel were utilised for hunting whales, try pots were mounted onto the top deck. This advance had its benefits as the processing facilities were mobile, whalers could move operations to follow whales and discover new whaling grounds. The deceased whale would be tied up alongside the ship, the crewmen cut away the blubber, or outer fat layer, in long strips. They hauled the strips aboard, cut them into smaller pieces, and tossed them into boiling cauldrons on deck to render the fat into oil. The whale oil was stored in barrels in the cargo hold, and brought to put for sale. The oil was much sought after as a good quality fuel tor heating, light and lubrication. Try pots were used in the whaling industry, one of the very early industries in Colonial Australia, including here on the southwest coast of Victoria. The high grade oil was a much sought after product and used for essential services such as fuelling the lights of the lighthouses. Commercial whaling ceased in Australia in 1979.Try pot, one of a set of three. A large cast-iron cauldron of about 200 gallons in capacity. Round metal container with rounded base and flat extended lip. flagstaff hill, warrnambool, maritime museum, shipwreck coast, try pot, trypot, cauldron, whale oil, whaling, fuel

This try-pot is one of a set of three. Whalers used large iron pots, called try-pots to liquefy large chunks of whale blubber down into oil. Early on in the history of whaling, small whaling boats had no means to process blubber at sea and had to bring it into whaling stations for processing at shore-based try-works. Later, when bay whaling evolved and large scale vessel were utilised for hunting whales, try pots were mounted onto the top deck. This advance had its benefits as the processing facilities were mobile, whalers could move operations to follow whales and discover new whaling grounds. The deceased whale would be tied up alongside the ship, the crewmen cut away the blubber, or outer fat layer, in long strips. They hauled the strips aboard, cut them into smaller pieces, and tossed them into boiling cauldrons on deck to render the fat into oil. The whale oil was stored in barrels in the cargo hold, and brought to put for sale. The oil was much sought after as a good quality fuel tor heating, light and lubrication. Try pots were used in the whaling industry, one of the very early industries in Colonial Australia, including here on the southwest coast of Victoria. The high grade oil was a much sought after product and used for essential services such as fuelling the lights of the lighthouses. Commercial whaling ceased in Australia in 1979.Try pot, one of a set of three. A large cast-iron cauldron of about 200 gallons in capacity. Round metal container with rounded base and flat extended lip. It was used to heat whale blubber to remove the oil.flagstaff hill, warrnambool, maritime museum, shipwreck coast, try pot, trypot, cauldron, whale oil, whaling, fuel

This try-pot is one of a set of three. Whalers used large iron pots, called try-pots to liquefy large chunks of whale blubber down into oil. Early on in the history of whaling, small whaling boats had no means to process blubber at sea and had to bring it into whaling stations for processing at shore-based try-works. Later, when bay whaling evolved and large scale vessel were utilised for hunting whales, try pots were mounted onto the top deck. This advance had its benefits as the processing facilities were mobile, whalers could move operations to follow whales and discover new whaling grounds. The deceased whale would be tied up alongside the ship, the crewmen cut away the blubber, or outer fat layer, in long strips. They hauled the strips aboard, cut them into smaller pieces, and tossed them into boiling cauldrons on deck to render the fat into oil. The whale oil was stored in barrels in the cargo hold, and brought to put for sale. The oil was much sought after as a good quality fuel tor heating, light and lubrication. Try pots were used in the whaling industry, one of the very early industries in Colonial Australia, including here on the southwest coast of Victoria. The high grade oil was a much sought after product and used for essential services such as fuelling the lights of the lighthouses. Commercial whaling ceased in Australia in 1979.Try pot, one of a set of three. A large cast-iron cauldron of about 180 gallons in capacity. Round metal container with rounded base and flat extended lip. It was used to heat whale blubber to remove the oil.flagstaff hill, warrnambool, maritime museum, shipwreck coast, try pot, trypot, cauldron, whale oil, whaling, fuel

Grey Butcherbirds live in wooded habitats, including suburban areas, from the north of Western Australia, across different parts of the top of the country, through to mid-eastern Queensland, and then south along the eastern side of the country all the way down to Tasmania. They have a 'lovely, lilting song', and are fiercely protective of their nests and chicks, swooping at presumed attackers with enough strength to sometimes draw blood. Adult Grey Butcher Birds are typically a light grey colour with dark heads and white underparts. The brown colouring on this animal suggests that it is a young bird, with its grey adult feathers coming in. This bird appears thinner than most Grey Butcher Birds, but it is unclear if this is because of its age or because of inaccurate taxidermy. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. This specimen is particularly special in the Burke Museum Collection as it is part of a male/female pair (see Relationships). Many birds in the collection were originally donated in male/female pairs, but at least one specimen has been lost, leaving these as one of the few surviving sets.This Grey Butcher Bird (likely female, based on size) has a light grey and brown bill with a sharp hook. The majority of the feathers on its back and tail are an olive-brown colour. The feathers of its underparts, the patches on either side of its bill, and two stripes coming up either side of its neck are a yellow-white colour. There are some light grey feathers coming through in small patches, particularly across the back, the top of the underparts, and along the upper half of the legs. The eyes are brown. The bird stands on a brown, wooden perch with a circular bar, curved stand, and circular base. It has an identification tag tied around its right leg.18a. / Collared Crow. Shrike / See Catalogue; Page 10. /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, australian birds, butcher bird, butcherbird, grey butcher bird, collared crow-shrike, australian butcherbird, tasmanian butcherbird, tasmania, bird pair

Brauer College is situated in Caramut Road, Warrnambool . It's origins date back to 1913 when Warrnambool Technical School was established in Timor Street, Warrnambool. In 1972 this school was re located to Caramut Road and in 1990 was renamed Brauer College after Dr. Alfred Brauer , a noted doctor in Warrnambool closely connected to the development of the Technical School.These items are of interest as mementoes of Brauer College, a leading educational institution in Warrnambool today. .1 Circular metal tie pin with burgundy outer circle edged in golden lines and text, burgundy stylised sea horse with gold coloured outline, stylised green waves with gold coloured lines in centre. Pin and press clip on back roughened gold coloured metal . .2 Oval metal brooch with golden rim, top section is green, middle section is burgundy, lower section is pale yellow. A stylised pale yellow, golden edged sea horse is sited on the right hand side at the base of the middle section and extends into the upper area. There is text in the middle section. A pin clip on the roughened gold coloured back. .3 Identical to .2.1 BRAUER COLLEGE .2 BRAUER COLLEGE WARRNAMBOOL .3 BRAUER COLLEGE WARRNAMBOOL

Navy-black coloured peaked cap with red piping trim along peak. Red felt band encircles the band. Black patent leather chin strap is held in place with two gold buttons on either side, each depicting a crown above the map of Australia. Gold badge in centre depicts kangaroo in front of crossed rifles underneath a crown with oak leaves forming an arch eitehr side. Interior brim is green with black patent leather trim; brown leather sweatband with holes for air cirulation, tied at back with cream silk bow. Top of hat is covered with plastic layer, underneath which is the manufacturer’s label and a sticker for size.Sticker reads “6 7/8”, and manufacturer’s label reads “MELBOURNE 36 1218/EMERCO/REG TRADE MARK/THIS IS YOUR GUARANTEE FOR QUALITY/MADE IN AUSTRALIA”. Badge reads “DUTY FIRST/ROYAL AUSTRALIAN REGIMENT”.royal australian regiment, rar, army, uniform

This surgical kit of urethral silver sounds originally belonged to Dr T.F. Ryan of Nhill, Victoria, dated Dec. 1921. Urethral sounds are used by surgeons in diagnosis and treatment of urethral problems and come in various sizes and designs. This set contains two different designs. The kit was passed on to Dr W.R. Angus when he purchased Dr Ryan’s surgery in 1933, then donated to Flagstaff Hill Maritime Village by the family of Doctor William Roy Angus, Surgeon and Oculist. It is part of the “W.R. Angus Collection” that includes historical medical equipment, surgical instruments and material once belonging to Dr Edward Ryan and Dr Thomas Francis Ryan, (both of Nhill, Victoria) as well as Dr Angus’ own belongings. The Collection’s history spans the medical practices of the two Doctors Ryan, from 1885-1926 plus that of Dr Angus, up until 1969. ABOUT THE “W.R.ANGUS COLLECTION” Doctor William Roy Angus M.B., B.S., Adel., 1923, F.R.C.S. Edin.,1928 (also known as Dr Roy Angus) was born in Murrumbeena, Victoria in 1901 and lived until 1970. He qualified as a doctor in 1923 at University of Adelaide, was Resident Medical Officer at the Royal Adelaide Hospital in 1924 and for a period was house surgeon to Sir (then Mr.) Henry Simpson Newland. Dr Angus was briefly an Assistant to Dr Riddell of Kapunda, then commenced private practice at Curramulka, Yorke Peninsula, SA, where he was physician, surgeon and chemist. In 1926, he was appointed as new Medical Assistant to Dr Thomas Francis Ryan (T.F. Ryan, or Tom), in Nhill, Victoria, where his experiences included radiology and pharmacy. In 1927 he was Acting House Surgeon in Dr Tom Ryan’s absence. Dr Angus had become engaged to Gladys Forsyth and they decided he further his studies overseas in the UK in 1927. He studied at London University College Hospital and at Edinburgh Royal Infirmary and in 1928, was awarded FRCS (Fellow from the Royal College of Surgeons), Edinburgh. He worked his passage back to Australia as a Ship’s Surgeon on the on the Australian Commonwealth Line’s T.S.S. Largs Bay. Dr Angus married Gladys in 1929, in Ballarat. (They went on to have one son (Graham 1932, born in SA) and two daughters (Helen (died 12/07/1996) and Berenice (Berry), both born at Mira, Nhill ) According to Berry, her mother Gladys made a lot of their clothes. She was very talented and did some lovely embroidery including lingerie for her trousseau and beautifully handmade baby clothes. Dr Angus was a ‘flying doctor’ for the A.I.M. (Australian Inland Ministry) Aerial Medical Service in 1928 . Its first station was in the remote town of Oodnadatta, where Dr Angus was stationed. He was locum tenens there on North-South Railway at 21 Mile Camp. He took up this ‘flying doctor’ position in response to a call from Dr John Flynn; the organisation was later known as the Flying Doctor Service, then the Royal Flying Doctor Service. A lot of his work during this time involved dental surgery also. Between 1928-1932 he was surgeon at the Curramulka Hospital, Yorke Peninsula, South Australia. In 1933 Dr Angus returned to Nhill and purchased a share of the Nelson Street practice and Mira hospital (a 2 bed ward at the Nelson Street Practice) from Dr Les Middleton one of the Middleton Brothers, the current owners of what previously once Dr Tom Ryan’s practice. Dr Tom and his brother had worked as surgeons including eye surgery. Dr Tom Ryan performed many of his operations in the Mira private hospital on his premises. He had been House Surgeon at the Nhill Hospital 1902-1926. Dr Tom Ryan had one of the only two pieces of radiology equipment in Victoria during his practicing years – The Royal Melbourne Hospital had the other one. Over the years Dr Tom Ryan had gradually set up what was effectively a training school for country general-practitioner-surgeons. Each patient was carefully examined, including using the X-ray machine, and any surgery was discussed and planned with Dr Ryan’s assistants several days in advance. Dr Angus gained experience in using the X-ray machine there during his time as assistant to Dr Ryan. When Dr Angus bought into the Nelson Street premises in Nhill he was also appointed as the Nhill Hospital’s Honorary House Surgeon 1933-1938. His practitioner’s plate from his Nhill surgery is now mounted on the doorway to the Port Medical Office at Flagstaff Hill Maritime Village, Warrnambool. When Dr Angus took up practice in the Dr Edward and Dr Tom Ryan’s old premises he obtained their extensive collection of historical medical equipment and materials spanning 1884-1926. A large part of this collection is now on display at the Port Medical Office at Flagstaff Hill Maritime Village in Warrnambool. In 1939 Dr Angus and his family moved to Warrnambool where he purchased “Birchwood,” the 1852 home and medical practice of Dr John Hunter Henderson, at 214 Koroit Street. (This property was sold in1965 to the State Government and is now the site of the Warrnambool Police Station. and an ALDI sore is on the land that was once their tennis court). The Angus family was able to afford gardeners, cooks and maids; their home was a popular place for visiting dignitaries to stay whilst visiting Warrnambool. Dr Angus had his own silk worm farm at home in a Mulberry tree. His young daughter used his centrifuge for spinning the silk. Dr Angus was appointed on a part-time basis as Port Medical Officer (Health Officer) in Warrnambool and held this position until the 1940’s when the government no longer required the service of a Port Medical Officer in Warrnambool; he was thus Warrnambool’s last serving Port Medical Officer. (Masters of immigrant ships arriving in port reported incidents of diseases, illness and death and the Port Medical Officer made a decision on whether the ship required Quarantine and for how long, in this way preventing contagious illness from spreading from new immigrants to the residents already in the colony.) Dr Angus was a member of the Australian Medical Association, for 35 years and surgeon at the Warrnambool Base Hospital 1939-1942, He served with the Australian Department of Defence as a Surgeon Captain during WWII 1942-45, in Ballarat, Victoria, and in Bonegilla, N.S.W., completing his service just before the end of the war due to suffering from a heart attack. During his convalescence he carved an intricate and ‘most artistic’ chess set from the material that dentures were made from. He then studied ophthalmology at the Royal Melbourne Eye and Ear Hospital and created cosmetically superior artificial eyes by pioneering using the intrascleral cartilage. Angus received accolades from the Ophthalmological Society of Australasia for this work. He returned to Warrnambool to commence practice as an ophthalmologist, pioneering in artificial eye improvements. He was Honorary Consultant Ophthalmologist to Warrnambool Base Hospital for 31 years. He made monthly visits to Portland as a visiting surgeon, to perform eye surgery. He represented the Victorian South-West subdivision of the Australian Medical Association as its secretary between 1949 and 1956 and as chairman from 1956 to 1958. In 1968 Dr Angus was elected member of Spain’s Barraquer Institute of Barcelona after his research work in Intrasclearal cartilage grafting, becoming one of the few Australian ophthalmologists to receive this honour, and in the following year presented his final paper on Living Intrasclearal Cartilage Implants at the Inaugural Meeting of the Australian College of Ophthalmologists in Melbourne In his personal life Dr Angus was a Presbyterian and treated Sunday as a Sabbath, a day of rest. He would visit 3 or 4 country patients on a Sunday, taking his children along ‘for the ride’ and to visit with him. Sunday evenings he would play the pianola and sing Scottish songs to his family. One of Dr Angus’ patients was Margaret MacKenzie, author of a book on local shipwrecks that she’d seen as an eye witness from the late 1880’s in Peterborough, Victoria. In the early 1950’s Dr Angus, painted a picture of a shipwreck for the cover jacket of Margaret’s book, Shipwrecks and More Shipwrecks. She was blind in later life and her daughter wrote the actual book for her. Dr Angus and his wife Gladys were very involved in Warrnambool’s society with a strong interest in civic affairs. He had an interest in people and the community They were both involved in the creation of Flagstaff Hill, including the layout of the gardens. After his death (28th March 1970) his family requested his practitioner’s plate, medical instruments and some personal belongings be displayed in the Port Medical Office surgery at Flagstaff Hill Maritime Village, and be called the “W. R. Angus Collection”. The W.R. Angus Collection is significant for still being located at the site it is connected with, Doctor Angus being the last Port Medical Officer in Warrnambool. The collection of medical instruments and other equipment is culturally significant, being an historical example of medicine, administration, household equipment and clothing from late 19th to mid-20th century. Dr Angus assisted Dr Tom Ryan, a pioneer in the use of X-rays and in ocular surgery. Surgical kit of Urethral Silver Sounds, comprising white cotton fabric roll with internal pockets for instruments and cotton tape for tying closed. Part of the W.R. Angus Collection, originally belonging to Dr. T.F. Ryan, 1921. Instruments in kit are 8 male urethral silver sounds, various sizes (3, 8, 9, 10, 11, 12, 14, 15). The 5 smaller gauge sounds have teardrop shaped handle, the 3 larger have thick disc shaped handles. Handwritten black ink script "Silver Sounds, Dr. T.F. Ryan, Dec 1921" Inside pockets have numbers in black ink from 1 to 15.Handwritten black ink script "Silver Sounds, Dr. T.F. Ryan, Dec 1921" Inside pockets have numbers in black ink from 1 to 15. 3 - “3”, “WEISS LONDON” 8 - “8”, “WEISS LONDON”, “B” 9 - “9”, “MAYER & MELTZER” 10 - “10”, “WEISS LONDON” 11 - “11” , “MAYER & MELTZER, LONDON & MELBOURNE” 12 - “12 – 15” “MATRICK LONDON” 14 - “11 – 14” 15 - “15 – 18”flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, dr w r angus, dr t.f. ryan, surgical instrument, t.s.s. largs bay, warrnambool base hospital, nhill base hospital, mira hospital, flying doctor, medical treatment, medical history, medical education, medical text book, urethral silver sound, urethral sound, urethral treatment, urethral surgery, mayer & meltzer, weiss london, matrick london

This is a photo of Beth and Ida Johnson (now Ida Stanton).The photo shows two women posed for a photo. The woman on the right is standing; she is wearing what appears to be frilly, full length under-garments, a rough cloth jacket and a lace cap. She is wearing glasses, has blond wavy hair and is holding an open, folding fan. The woman on the left is seated; she is wearing a dark coloured dress or tunic with a frilly petticoat showing from the knees down. She also has a frilly cap on and is wearing glasses. She has long hair tied in two ponytails or plaits and she has a book on her knee. Behind them is a corrugated iron wall and a tree fern.people, johnson

This child's dress is one of several linen and clothing items that were made and belonged to Mrs. Eliza Towns and donated to Flagstaff Hill Maritime Museum and Village. Eliza was born Eliza Gould in 1857 in South Melbourne (Emerald Hill) and in 1879 married Charles Towns. In the early 1880's they moved to Nhill in western Victoria and remained there for the rest of their married life. Charles was a jeweller and later became an accountant and for many years was involved with the Shire Council, the local show committee (A & P Society), the Hospital Committee and the Board of the local newspaper (the Nhill Free Press). They had three children and lived a life that would be regarded as comfortably "middle class". Eliza probably had a treadle sewing machine and would have made many of her own clothes as well as clothes for her children - adding her own handmade embroidered or crocheted decorative trim. A photograph of their youngest child, Alice, taken in circa 1903 depicts her wearing the dress. The dress would have been only worn on special occasions (such as a formal family photographic portrait) as most young girls in that era would have smocks or pinafores for everyday wear. The age of the dress is in question as it may have been made by Eliza for her eldest daughter, Dorcus, who was born in 1884. This dress has some machine sewing at the neck, waistband and pintucks but much of the dress is handsewn and richly embroidered with Broderie anglaise. Broderie anglaise (also known as eyelet lace) is a form of cutwork embroidery. The foundation fabric is cut to make decorative holes which are sewn with overcast or buttonhole stitches to create a lace like effect. Designs often involve floral motives that are enhanced with simple embroidery stitches such as stem stitch and satin stitch and scalloped edges finished with buttonhole stitches. It was commonly used to trim baby clothes, dresses, nightclothes, underclothes and household linens - particularly in the Victorian and Edwardian eras. This item is an example of the needlework skills of women in the late 19th century - combining machine stitching with hand embroidery to personalise and embellish a child's special dress.Child's white dress made of cotton and lawn, with a skirt of hand embroidered circular cutwork (broderie anglaise), a scalloped hem edged in buttonhole stitch and a gathered waist. The lined bodice has three panels of hand embroidered broderie anglaise (eyelet lace) inserted in a V shape with pintucks and bordered with a broderie anglaise lace frill. The short sleeves also have an inserted broderie anglaise lace strip, three pintucks and a broderie anglaise lace frill. The skirt is semi lined with fine lawn. The dress has a back opening with one button and two ties. The neckline is decorated with two rows of hand embroidered broderie anglaise lace.flagstaff hill, flagstaff hill maritime museum & village, warrnambool, shipwreck coast, great ocean road, nhill, wimmera, eliza towns, dorcus towns, child's dress, machine sewing, hand sewing, broderie anglaise, cutwork, embroidery, eyelet lace, clothing, handmade, charles towns, alice towns

The cape is of a style from the Victorian or the Edwardian Era and so provides a good example of women's clothing from that time. The light colour, silk material and lace suggest a cape used for special occasions with the possibility of initially being a wedding cape.The item is of significance historically and socially as an example of women's clothing in the Victorian and Edwardian eras.Ladies cape consisting of two circular tiers and a collar. The inner tier is knee length with a thin lace insert around the hem. The outer tier is elbow length with a wide lace edge and the thin lace insert inside this. The collar has lace edging and a lace insert of the same width. The lace used is of a repeat flower pattern most likely made of a combination of silk and cotton. The cape material appears to be a cream ribbed silk with the lining being of a polished cotton or silk variety. Both materials have a silken sheen in the right light. A silk ribbon ties the cape at the neck. The lining and lace have been sewn with fine hand stitching.flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum and village, shipwreck coast, great ocean road, ladies cape, double cape, silk cape, layered cape, cape with lace collar, decorative lace edging, victorian era, edwardian era

This dressed doll was owned by the daughter of Dr William Roy Angus and his wife Gladys when the family came to Warrnambool in the late 1930s. It is part of the W.R. Angus collection, donated by the family of Dr W R Angus, surgeon and oculist. The doll was donated with another dress and a blanket. The doll has features similar to, but an earlier model than, Reliable's 1940s model Cuddlekins doll, which has an entirely composite body. ReliableToy Company was founded in Toronto, Canada, by Solomon Samuels in 1920. Samuels was later joined by his two brothers. The company had a reputation for products of good quality. In 1922 the company began making their own dolls from composition, where previously the parts were made elsewhere and assembled by Reliable. The company stopped making Reliable dolls in 1995. The W R Angus Collection spans from 1885 to the mid-1900s and includes historical medical and surgical equipment and instruments from the doctors Edward and Thomas Ryan of Nhill, Victoria. Dr Angus married Gladys in 1927 at Ballarat, the nearest big city to Nhill where he began as a Medical Assistant. He was also Acting House surgeon at the Nhill hospital where their two daughters were born. Dr Angus and his family moved to Warrnambool in 1939, where Dr Angus operated his own medical practice. He later added the part-time Port Medical Officer responsibility and was the last person appointed to that position. Dr Angus and his wife were very involved in the local community, including the planning stages of the new Flagstaff Hill and the layout of the gardens there. Dr Angus passed away in March 1970.This doll is connected to the history of Warrnambool, as it was owned by the daughter of Dr W. R. Angus and his wife Gladys, and is part of the W.R. Angus Collection, which is important for still being located at the site connected to Doctor Angus, Warrnambool’s last Port Medical Officer. Dr Angus and his wife brought their young family to Warrnambool in 1939 and he remained a resident until his death in 1970. Early in his profession in the town of Nhill, Dr Angus assisted Dr Tom Ryan in his pioneering use of X-rays and in ocular surgery, and Dr Angus later inherited these items. The W.R. Angus Collection includes these medical instruments and other related equipment and is culturally and historically significant as an example of the medical practice of the late 19th to the mid-20th century. Other items in the collection relate to Dr Angus’ service in the Flying Doctor Service and the Army. The doll is also significant as an example of toys imported into Australia in the 1930s and 1940s and used by children in the Warrnambool community.Doll with moulded composition head, neck, arms and legs, all attached to a fabric body. The doll’s head has brown moulded curls. The facial features include an open mouth showing two top teeth, green eyes, and sleeping, closing eyelids with eyelashes. The doll has a crier inside that makes a sound when the doll is turned over. It is clothed in a knitted pink singlet, modern pink underwear, and a cream flannel short-sleeved dress with pink smocking and embroidery, and ties at the rear. There is a moulded inscription on the back of the doll’s head. The doll was made by Reliable Toy Company Ltd, Canada. The doll is part of the W.R. Angus Collection.On the back of the head “RELIABLE / CANADA”flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, dr w r angus, dr roy angus, dr ryan, warrnambool oculist, port medical officer, mira hospital nhill, toy, nhill hospital, doll, baby doll, composition doll, reliable toy company, canada, solomon samuels, child's toy, w.r. angus collection

Bendigo Advertiser '' The way we were'' from 2002. All together now, smile: Huntly School (No306), gathers in 1937 for school photos. Back row: George Nan, Neil Hamilton, Alan Bacon, Kevin Hamilton, Alex Paul, Ronnie Strauch, Neil Rutherford, Keith Bacon and Mr. Rutherford. Middle row: Miss Scamel, Ruth Boldinston, Nancy Poulter, Jessie Spears, Pat Poulter, Gwen Brown, Elva Munro, Lorna Munro and Joan Hewett. Front row: Bryan Egan, Yvonne Paul, Linda Boldiston, Lexie Munro, Win Hamilton, Joyce Nan Tie, Edie Worcester and Alan Strauch. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Buff coloured document titled ' A New Link is Forged' : document outlines the history of the inception of a Bendigo Cenotaph, 'built to perpetuate the memory of Australian servicemen ,,,, and to cement 'the ties of Empire'. Sir George Lansell, World War 1 veteran and President of the RSL, conceived of the idea of erecting the Cenotaph. Written in italics on document: "In Bendigo's Charing Cross, a wide expanse in the heart of the city, this monument now stands completed. Constructed in Stawell stone, it is a faithfuly, impressive reproduction to scale of the magnificent London memorial; unique, in that it is the only replica of the Whitehall Cenotaph to be erected in any part of the world' Sir Edmund Herring unveiled the Cenotaph on Sunday, June 2 ( no year given)bendigo, buildings, cenotaph, george lansell, edmund herring, cenotaph, whitehall, charing cross bendigo, world wars 1 and 2.

Black and white photograph of Bennett's Arcade. Clock face up high at rear with policeman's face on dial., Taubmans paint sign under. Baskets, garbage bins, lawn mowers, enammelled cast iron pots. Various other hardware. Adult male in sports coats, jumper, shirt and tie holding hand of small girl in dark coat with beret, lace up shoes. Female in background with hat, overcoat. Female figure in foreground dressed in long coat with flower on collar, scarf, hat. Small boy in double breasted coat, cap and lace-up shoes. Patterned, tiled floor. C. Bennetts Arcade in ink on rear of photo.A. Doneyplace, arcade, bendigo

Clothing. Infant's cream coloured satin silk bonnet. Embroidered sheaf of flowers on the back of the crown. Back edge trimmed with one cm lace. Front edge of bonnet has two triangular fold back tabs edged with lace. A pleated fabric frill is stitched across the top of the bonnet underneath the stitched down tabs.The front edge of the bonnet is trimmed with a double frill of white silk fabric. A fabric bow is attached at each front corner above satin silk ties (38 cms X 5 cms). Fully lined with silk fabric gathered into centre back. Circular piece of fabric stitched over gathering point.costume, children's, infant's baby bonnet

Hand knitted, short sleeved dress, with a tiny square neckline, with a two button opening on each shoulder. A dainty pattern, which repeats every 10 rows. A 3 cm moss stitch band on each of the short sleeves. A 2 cm band of stocking stitch defines the skirt and yoke. Stocking stitch also defines the neckline and shoulder openings. Two little 1 cm plastic pearl buttons fasten the shoulder openings. A 1.5 cm wide nylon ribbon passes through eyelets around yoke/skirt join, and ties in a bow .A picot crochet edge defines the neckline. Set-in sleeves. Matches jacket 11400.657.costume, children's, baby dress

Black and white photo - photo has been cut from larger image. Image shows Alfred Deakin sitting at a desk, writing with a pen ( quill ? ) He is wearing a three piece suit, stand-up collar, tie. On back of photo ' P678' in pencil (frontispiece) Alfred Deakin 1907. In black pen ' this photograph. The one Mrs. Alfred Deakin always kept before her on her writing desk was presented to me by her daughter Mrs. Vera Deakin White 12/XI/35 as a memento of her father who was a beloved friend of mine as was Mrs. Deakin his wife' Signed ' Arthur T. Woodward 'person, government, alfred deakin, deakin, woodward

Clothing. Child's white linen waisted nightdress. Scooped round neckline with casing and lace trim. V shaped broiderie lace insert below neckline with 2 cm fabric trim on each side. open at waist. Skirt tightly gathered into casing at waist. Skirt has inverted V shaped insert at centre front from waist to hem. Overlay on each side with decorative stitching. Item is trimmed with two rows of 1.5cm lace. Double layer cap sleeves of broiderie lace with scalloped edges.Centre back opening (33cm) fastened with cotton tape ties at neckline and waist. Fold over collars at back neckline (12cmX 4cm).costume, children's, child's nightdress

B&W photo of Joy, Lynette and John Hermon at Menzies Creek on the occasion of Lynette's 2nd birthday. Photo shows the children sitting on the front door step. There is a wooden framed chicken wire fence to the left, a screen door behind them, and on the right is what appears to be a wooden display stand with two shelves and turned legs. Joy is wearing a dark skirt with shoulder straps over a light, collared blouse, and a bow in her hair. She is holding a doll in front of her. Lynette is dressed in a smocked patterned dress. John has a shirt and tie, and shorts with braces. A doll is also sitting on the ground in front of him. Dated 24th November 1952.

Yields information about the horse drawn tower wagon first used in Ballarat and has a strong association with some of the COTMA 1975 Conference participants.Colour slide, Kodak white cardboard mount, developed April 1975 of the first horse-drawn tower wagon at Sovereign Hill. This item was offered to the BTPS but declined as it did not have the storage space for it. Understood to have later been dismantled. Photo dated 24/4/1975. See also Reg item 7280 for another photo by David Verrier. The tall person in the photo is John Radcliffe, and standing next to him is Bill Kingsley, The person with his hands in his pockets is Peter Kahn, and behind him is Mal Macaulay and Rolf Jinks. Standing alongside Bill Kingsley is Noel Forster person with tie - Geoff Cargeeg.ballarat, tramways, trams, tower wagon, sovereign hill, cotma

Four wheel flat top track trolley- deck wood frame and sides on four fabricated/pressed wheels, with bearings, axles- Used to transport materials- hand pushed or towed. Metal tie rods in front over axles and metal has connecting tow/couplers. Relocated to Bungaree c2015 when 22 moved. Photographed at Bungaree 6-4-2020 by Neville Britton, see image btm18i1.jpg. Record updated 6-4-2020. See detailed information on back of sheet in folder for sketches, timber damaged, notes re a number plate and a note regarding work done 7/97 in replacing underside diagonal bracing supports.On underside in paint, "To Cargeeg, 50 Pasadena East Bentleigh, Melbourne"trams, tramways, commonwealth railways, maintenance equipment, railway trolley

Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Digital copy of a photograph from page 28 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. John Chapman has written in 'Bushwalking Clubs - A Brief History', about the establishment in Victoria of the first bushwalking club in 1888, and the popularisation of bushwalking during the interwar period. Henry Christian's 'walks' appear to have been undertaken solely or with a companion/s. This photo was taken on a trip trip between Cockatoo and Gembrook in Victoria and shows a man standing on a bush track to the left of the photo. He is wearing a suit, shirt and tie and hat."Cockatoo & Gembrook [illegible]henry beater christian (1886-1962), landscape photography, christian-washfold collection, photograph albums, bushwalking, cockatoo, gembrook

Album that once contained 17 black and white photographs of tennis players from the 1940s to 1970s. Sticker on front says 'Photos by D P Turnbull...Sundries'. Donald Paterson "Don" Turnbull (28 May 1909 - 30 January 1994) was a tennis player from Australia. He won the men's doubles title at the Australian Championships twice, in 1936 and 1937. Turnbull represented Australia in three Davis Cup ties, including the 1933 Europe Zone final against Great Britain. Photos include 1935 Davis Cup team. Album is now empty. Photographs have been catalgoued separately. Materials: Ink, Paper, Plastictennis

This photo is probably the oldest known photographic record of the Balliang Football Club, an Australian Rules football team in the Bacchus Marsh area. Australian Rules football was played in this area as early as the 1870s. An organized competition to play regular matches was formed in the early years of the twentieth century. This item has historic and social significance as an image of one of the early sporting teams of Bacchus Marsh and district. It is a typical example of team photographs of this era. It is evidence of the transition of football from a social informal setting to an organised activity and signals the growth of importance of sport, in this case Australian Rules football, as a cultural and social activity central to the Australian ethos.A sepia photograph print mounted on mounting board, showing a group of 20 men arranged in two rows with two men reclining in front. Fifteen men are wearing horizontally striped football guernseys, one wearing a guernsey which is vertically striped. Two men wear white guernseys with a diagonal sash, one man in the back row is dressed formally in suit, collar and tie. One man, identified as the umpire, is in a white polo-necked sweater and is holding a football. The photo is taken in a clearing in an outdoor setting. It is possible to see the figures of three women in the background, two looking on from under a tree, one walking along a footpath.Above the photo in red ink:"Balliang Football Team 1912." Beneath the photo in red ink with one alteration in blue ink the names: "J.Davie, C. Bissell, F. Dodemaide (these two names showing a reversal of position), J.Turnbull, G.Dodemaide, A. Phalp, A. Bissell, A. Cashmore, J.Sharkey. R.McArthur, J.Cashmore., W. Loats, C. Smith. Elliott (ump), B.Phalp. W.Cashmore, L. Beggs. Because the number of names given does not tally with the number of men in the photo, it is not possible to accurately ascribe a name to any individual player. Underneath the hand-written names, there is a circular professional stamp of the photographer, reading: PHOTO ARTIST BACCHUS MARSH. A.BESELERballiang football team, australian rules football

This set of photos is from a leather bound album bearing the inscription "HUME RESERVOIR AUSTRALIA" plus 'The Rt. Hon. L. C. M. S. Amery, P. C., M .P.' all inscribed in gold. It was presented to The Rt. Hon. L. C. M. S. Amery, P. C., M. P, Secretary of State for Dominion Affairs on the occasion of his visit to the Hume Reservoir on 2nd November 1927. This album is of local and national significance as it documents the planning and development of the Hume Reservoir up to 1927. It was the largest water reservoir in the British Empire. The album records the pioneering engineering work that went into its construction.DEPARTMENT OF PUBLIC WORKS, N.S.W. RIVER MURRAY WATERS SCHEME. HUME RESERVOIR. 19. Driving first row of piles for coffer dam across the river. New South Wales. December 1925. Cofferdams are temporary structures used where construction is being carried out in areas submerged in water. They are most commonly used to facilitate the construction or repair of dams, piers and bridges. To divert the river, a Coffer Dam was built across the old bed above and below the Dam site and tying into the end of the concrete wall built inside the levee bank. This completely surrounded the remainder of the site of the Dam and south wing wall, including an area of 12½ acres. hume reservoir australia, river murray waters scheme, hume reservoir construction

1. Card sent by "Alfred W. Baron" VX29810, 14th Anti Tank battery, A.I.F. to his mother. 2. Card sent by Alfred W. Baron, VX29810 to his mother. Part of the Cooper Collection.1. Illustrated Christmas/New Year card. Front cover has word "Greetings" in blue and red type. Below is a drawing of a cannon above a colour patch. Across the bottom 'Darwin 1941' are printed in black type. Inside type in blue below a red coloured Rising Sun badge. Card tied with blue and red cord on LHS. 2. Black and white illustrated Christmas/New Year card folded into four quarters. Front illustration features a Kangaroo and joey. Inside illustrations feature a soldier in uniform and two cannon crews. Text in black type. In unfolded section - hand drawn illustration and message in black ink.1. Handwritten on inside: "Your Loving son, Alf". 2. Handwritten illustration in black ink. Handwritten message in black ink: "To my Dear Mum from your ever loving son, Alf xxxxxxx"cooper collection, alfred w baron, christmas card, ww2, 14th anti-tank battery

Clock components - comprising two springs and part of the pendulum of the Bundy Clock in the Training Room during the refurbishment of the clock by Graeme Coates during 2019. Returned to the depot 4/9/2019. Found that the springs were too strong for the mechanism - they have been secured with plastic cable ties - do not undo they could cause serious injury. The pendulum was too long - shortened by 72mm, consists of an oval shaped piece of wood and sealed. Notes from Graeme: 1 - wind both springs at the same time 2 - always wind the hands forward to adjust the time 3 - the timing mechanism can be set by hand, the time is on the opposite side to that shown on the case.trams, tramways, bundy clock

A dead eye is a part of a vessel’s rig On board sailing ships, dead eyes were used in three different areas. Traditionally dead eyes are made of wood but they have different forms according to where they were used in the vessel rigging. The most common type of dead-eye is flat, with three holes and was used to tension the shrouds, the heavy lines which steadied the masts on each side. Each shroud had a dead eye at the lower end, which corresponded to a similar dead eye attached to the side of the ship. The two were connected with a rope called a lanyard, which was used to tighten the assembly. The stays, heavy lines running forward from the masts, were also tensioned with dead eyes. These are much larger and rectangular, with four or six holes. The third type of dead-eye was a two-holed version attached to an eye at the end of the parallel, which tied a yard to the mast. The loose ends of the parallel rope passed through the dead eye and then down to the deck, making it possible to tighten or slacken the parallel from the deck so that the yard could be more easily manoeuvred. It was especially important for the mizzen yard, which had to be shifted from one side of the mast to the other when tacking the ship.An item used on sailing ships rigging this item of ships equipment and its use has been used from the beginning of the invention of sailing ships going back to ancient times. Its use on sailing vessels had not changed in design or use until they went out of fashion and steamships took their place.Circular wooden ships rigging dead eye with three holes Noneflagstaff hill, warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, sailing vessel rigging, dead eye, sailing equipment