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Red Cliffs Military Museum
Certificate, Instrument of Surrender, post 1945
Copy of a very important document of an event on the 6th September 1945, that changed the course of the second World War. A copy of the Japanese Surrender Document, in a brown wooden frame, with ornate font in heading.Instrument of Surrender / of /Japanese Forces in New Guinea, New Britain,/ New Ireland, Bougainville / and adjacent Islands./ I, the commander in Chief of the Japanese Imperial/ Southeastern Army, hereby surrender to the General Officer/ Commanding First Australian Army all Japanese Imperial Armed Forces/ under my command in accordance with the instrument of/ Surrender issued by the Japanese Imperial General Headquarters and Government and// General Order No1 Military and Naval issued by the Japanese Imperial Headquarters./ I will henceforth and until otherwise/ directed by you or your successor carrry out the orders/ issued by you or your staff on your behalf to the best/ of my ability and I will take action to ensure that my/ subordinate commanders carry out the orders issued by/ your representatives./ (Japanese signature) General, Imperial jap... (indecipherable)/ Japanese Characters / Japanese Characters / Commander in Chief/ Japanese Imperial Southern Army/ Received on board H.M.S. Glory of Rabaul at/ 1130 hours sixth day of September 1945./ Signature Lieutenant General/ General Officer Commanding / First Australia Army. Caption on front of Document says "Copy of Surrender Document/ Donated by Mr. Clive Morgan/ of Mildura (formerly of Red Cliffs)ww2, surrender document, japanese, 6th september 1945 -
Red Cliffs Military Museum
Carved Stick
Note with Stick. Kairivu New Guinea This carved stick is Kunja cane of New Guinea. When the war ended my company was in Kairivu, the last outpost in the world to get official notification of the Peace. During the time of waiting for the word from Wewak, for something to do, Dagwood Williamson with the aid of a pen-knife and a nail file carved the names of the places we had been and the name of our Stretcher Bearer Unit - 2/7 Battalion. Next to the Doctor at Regimental Aide Post [R.A. P.]. I was Sgt. in Charge of Stretcher Bearers and when Dagwood Williamson asked me to accept the cane for safe keeping I was pleased to do so. Now most of the boys have gone, so now over to you to look after it, it is the only one in the -----WORLD. Stan Hair Red Cliffs. March 1999The carved stick is made from Kunja Cane of New Guinea. It was hand carved with the names and places the 2/7th Battalion Stretcher bearer unit. Carved by Dagwood Williamson, with the aid of a Penknife and a nail file.Highly decorated and has the names Aitape, Balif, Banyak, Maprik, Yamil, Kiarivu, Wewak, New Guinea, 1944-1945, 2/7th Btn, 6 Div, As a list. Stretcher bearers, Lofty, Stan, Norm, Bob, Jacko, Dagwood, Aussie, Mick, Lyle, Sam, Reg, Ocker, Hulla, Luppy, Stewy, Smithy, Harvey, Graham, Don, Dave, Mac x, Farmer, Vince, Farnell, Lightning. -
Ringwood and District Historical Society
Flyer, Land Sale Advertisement, Olive Grove Estate, Ringwood, Vic. - 1926
Further development of 9 shop sites took place along Whitehorse Road (later street numbers 58 to 64 Whitehorse Road) between New Street and Olive Grove around 1950 - See Victorian Collections reference 5227.Single sided page with red and blue print advertising Olive Grove Estate business and residential allotments, including subdivision plan and summary of local services.Subdivision includes Whitehorse Road, New Street, and Olive Grove. Agent - F.V. Parker, Telephone 131, Ringwood. -
The Beechworth Burke Museum
Animal specimen - Australasian Grebe, Trustees of the Australian Museum, 1860-1880
The Australasian Grebe is a small duck-like bird with a hyperactive nature. These birds reside in small, shallow, freshwater lakes and ponds, small waterways or sheltered caves and bays. They can be found throughout Australia and the Pacific region and New Zealand. The Australasian Grebe eat mainly small freshwater fish, crayfish, shellfish and leeches which they catch by diving underwater. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Australasian Grebe is in a standing position on a wooden platform with identification tags tied to the right leg. It has dark glass eyes and pale grey bill and legs. The plumage of this specimen consists of dark greys and browns on the rear with lighter colours on the underside. These colours align with those of the non-breeding season. This species has rufous red colouring on the chest and neck and darker colouring on the head during the breeding season. Paper tag: "34a Dabchick Catalogue, page, 64" Metal Tag: "4496"taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, grebe, australasian grebe, dabchick -
The Beechworth Burke Museum
Animal specimen - Crimson Rosella, Trustees of the Australian Museum, 1860-1880
This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. The Crimson Rosella is relatively easy to see as it forages on the ground or among the leaves of eucalypts, with its spectacular combination of deep-crimson, royal-blue and black plumage. However, not all Crimson Rosellas look the same. Along the Murray River, Crimson Rosellas aren’t crimson at all — they are yellow, black and blue, with the yellow feathering replacing the crimson plumage. In southern South Australia they differ again, being roughly intermediate between crimson and yellow, with varying amounts of red and yellow in their plumage. Research featured in the 'State of Australia's Birds 2015' headline and regional reports suggest that the Crimson Rosella may be declining in the East Coast. There are several populations of the Crimson Rosella. Red (crimson) birds occur in northern Queensland, in southern Queensland to south-eastern South Australia and on Kangaroo Island. Orange birds are restricted to the Flinders Ranges region of South Australia, while yellow ones are found along the Murray, Murrumbidgee and neighbouring rivers (where yellow birds meet red birds they hybridise, producing orange offspring). Red birds have been introduced to Norfolk Island and New Zealand.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.There are several colour forms of the Crimson Rosella. The form it is named for has mostly crimson (red) plumage and bright blue cheeks. The feathers of the back and wing coverts are black broadly edged with red. The flight feathers of the wings have broad blue edges and the tail is blue above and pale blue below and on the outer feathers. This particular specimen has lost some feathers in its plumage and its colour is not as bright as that of a live specimen.Label: 77a / Pennant's Parakeet / See catalogue, page 22taxidermy, crimson rosella, bird, australian bird, rosella, crimson -
The Beechworth Burke Museum
Animal specimen - Olive-Backed Oriole, Trustees of the Australian Museum, 1860-1880
The Olive-Backed Oriole are very common birds for northern and eastern Australia, as well as New Guinea. Similar to the Yellow Oriole, this species is more versatile yet less distinctive in colouring. The streaked underparts and red bill and eyes are easy identification features of this bird. Both sexes look very similar, with female colouring being slightly duller than males. This species frequents open forests and woodlands, and can tolerate dry climates. Most of this species breeds from September to January during the tropical wet season in northern Australia, but some are known to migrate south to breed in the summer. This species eats mainly native fruit, berries, and insects. This specimen is a good example of this species, but the colouring is very dull compared to living birds. This specimen has one red eye, which is a good example of a distinctive feature of this species. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Olive-Backed Oriole has a faint olive-green head and back, and a faint red-tinged beak. Its body is cream coloured with brown streaks. It has one red eye. This specimen appears to be immature and/or female, as it has a pale pill and a duller-olive green back, with streaks quite high up on it's chin, which is indicative of an immature female of this species. This specimen stands upon a wooden platform and has an identification tag tied around its leg.Swing-tag: 52a / Australian Oriole / See catalogue page 17. taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, oriole, olive-backed oriole, yellow oriole, australian birds -
The Beechworth Burke Museum
Animal specimen - Silver Gull, Trustees of the Australian Museum, 1860-1880
The Silver Gull is more commonly referred to as the 'Seagull'. Found all along the coast of mainland Australia and Tasmania, it can also be found in New Caledonia and New Zealand. These birds are a common nuisance at beaches and urban areas, such as shopping centres. Since the 1950s, humans have become increasingly wasteful, leading to an explosion of the Silver Gull population due to the availability of rubbish to scavenge. They feed mainly on small marine life, but they are a versatile scavenger. The population increase has impacted the breeding of other bird species, as Silver Gulls have dominated offshore island breeding grounds. Their breeding season is from August to December, when they nest on the ground, however mating can occur year-round. This species has a harsh, high-pitched call 'kwarwh', well known to all Australians. Although protected under Australian Environmental Law, there are many strategies in place to discourage increasing the numbers of Seagulls. This specimen is an inaccurate example of a Silver Gull, which although is in good condition and intact, does not look like an accurate representation of this species. The legs have been mounted too far towards the tail on this specimen, giving it an unbalanced appearance. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This adult Silver Gull has a white head, body, underpart and tail. Its wings are silver-grey, with black and white tips. It has an orange-red bill, feet and beak, indicative of its maturity. The irises are white. This specimen stands upon a wooden platform and has an identification tag tied around its leg.Swing-tag: 11a / Silver Gull / See catalogue, page, 40. taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, seagull, silver gull, australian bird, nuisance -
The Beechworth Burke Museum
Animal specimen - Regent Honeyeater, Trustees of the Australian Museum, 1860-1880
... Box-White Box-Blakely's Red Gum Woodlands in New South Wales ...Regent Honeyeaters get their name from their striking yellow-and-black plumage . Previously found across the south east of Australia far as Adelaide and Rockhampton in central Queensland, over the last thirty years their population has dwindled. Regent Honeyeaters are now only found between north-eastern Victoria and south-eastern Queensland, with only three known breeding grounds. Regent Honeyeaters typically live in eucalypt forests and woodlands. The yellow edging on the specimen's wings is duller than the bright yellow typical of most Regent Honeyeaters. The specimen is also stretched taller than most Regent Honeyeaters, resulting in a thinner neck and chest compared to the plumpness typically expected. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.The Regent Honeyeater is a critically endangered Australian bird due to the clearing of their natural habitat, particularly around the Yellow Box-White Box-Blakely's Red Gum Woodlands in New South Wales. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Regent Honeyeater has a dark brown/black crown with a distinct orange patch under each red-coloured eye. Its back and upper chest are also a dark brown but with a white scalloped pattern. At the lower are of its belly, the white colour dominates the brown. Its wings and tail are brown edged with yellow. Its beak is a short, dark brown curl and its legs are brown. The bird stands on a brown, wooden perch with a circular bar, curved stand, and circular base. It has an identification tag tied around its right leg.57a. / Warty-faced Honey-eater ./ See Catalogue, Page 18 ./taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, regent honeyeater, honeyeater, warty-faced honeyeater, australian birds, endangered birds, endangered animals -
The Beechworth Burke Museum
Animal specimen - Regent Honey-Eater, Trustees of the Australian Museum, 1860-1880
The Warty-faced honeyeater Formerly more widely distributed in south-eastern mainland Australia from Rockhampton, Queensland to Adelaide, South Australia, the Regent Honeyeater is now confined to Victoria and New South Wales, and is strongly associated with the western slopes of the Great Dividing Range. The Regent Honeyeater is found in eucalypt forests and woodlands, particularly in blossoming trees and mistletoe. It is also seen in orchards and urban gardens. This species is critically endangered. They are native to Southeastern Australia. Specimen is mounted accurately. Colour around the eyes is red whereas they are yellow normally. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The striking Regent Honeyeater (Warty-faced honeyeater) has a black head, neck and upper breast, a lemon yellow back and breast scaled black, with the underparts grading into a white rump, black wings with conspicuous yellow patches, and a black tail edged yellow. In males, the dark eye is surrounded by yellowish warty bare skin. Females are smaller, with a bare yellowish patch under the eye only, and have less black on the throat. Young birds resemble females, but are browner and have a paler bill. The colouring of this particular specimen helps identify it as male.Swing-tag: 56a. / Warty-Faced Honeyeater / See Catalogue, page 18taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian bird, honey-eater, warty-faced honey-eater, regent honeyeater, critically endangered, yellow -
The Beechworth Burke Museum
Animal specimen - Nankeen Kestrel, Trustees of the Australian Museum, 1860-1880
The Nankeen Kestrel is native to New Guinea, Indonesia and Australia, mostly mainland Australia and its coastline islands, but is occasionally seen in Tasmania and New Zealand. Seen in pairs, individually or in flocks of up to 30 birds, the kestrel’s numbers are considered ‘secure’. A non-migratory bird, the Nankeen kestrel is similar to other species of kestrel in appearance, (often being mistaken for other varieties), and is universally one of the smallest kestrels, comparable to the size of a pigeon. The kestrel’s diet consists of small reptiles and amphibians, insects and small birds, mammals and rodents. Rather than speed, this particular species of kestrel hunts by hovering and using wing suspension, one of the only two types of kestrels to do so. Fascinatingly, the kestrel’s wings have adapted to reduce turbulence. Their nesting places vary, depending on what is available and they may choose to use/recycle other birds’ old, unused nests. Nankeen Kestrels prefer to inhabit temperate grasslands, open woodlands and farmland. The contextual comparison of this taxidermy mount to live Nankeen Kestrels is a complex one. As discussed in the description, traditionally, Nankeen Kestrels have soft speckled and ochre red outer plumage with dark brown feathers at the tips of their wings and lighter greyish plumage on their head. This particular specimen however, has none of these defining features, but rather, seems to have more similarities with other hawk and falcon species, such as the Common Buzzard. Contextually, the choice of artificial eyes are slightly more enlarged than is seen on the species in the wild, and the top of the specimen’s head has been ruffed up, whereas for most of this species, their head plumage is smooth. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.One of the smaller falcon species, the Nankeen Kestrel is a slender bird of prey with dark brown speckles on soft ochre red outer plumage and dark brown feathers at its wing tips. It has lighter greyish plumage on its head with a small curved beak and yellow around its eyes and beak. Its tail reflects the same ochre colour of its outer plumage and is tipped with bands of dark brown/black and cream.Identification swing tag with catalogue page number reads: 4. / Nankeen Kestrel - / See Catalogue,/ Page 2. /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, falconidae, falco cenchroides, nankeen kestrel, australian kestrel, birds of prey, kestrels -
The Beechworth Burke Museum
Geological specimen - Granite
Gabo Island sits off the coast of East Gippsland in Victoria, with cliffs of granite in a relatively unique red/pink colour. Early attempts to build a lighthouse on the island were abandoned due to poor foundations, but when a ship ran aground on the nearby Tullaberga Island in 1853 and led to the death of 37 people, efforts were reignited. Construction of a new lighthouse was completed by 1858, using Gabo Island granite. The lighthouse is Australia's second tallest in Australia and continues to play an important role in guiding boats around the coast as they journey between Melbourne and Sydney. The distinct pink colour from the granite means the lighthouse continues to be a defining feature of the island. Gabo Island granite was also used to construct the Treasury Building at 117 Macquarie Street in Sydney, now the Intercontinental Hotel.Granite in the pink colour of this specimen is relatively rare. The connection to the lighthouse on Gabo Island also gives the specimen historic significance and social significance regarding the maritime history of Victoria. This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study.A solid palm-sized mineral, coloured by flecks of pink, red, and grey. Granite is formed by the slow crystallisation of magma below the earth's surface. It is typically composed of a mix of quartz, feldspar, and other minerals, though syenitic granite like this sample has a smaller amount of quartz than typical granite. This different mineral composition leads to the more distinct pink and red colouring.First sticker: [torn]logical survey / R........ S........ / Loc Gabo Island / 1/4 Sheet / Second Sticker: 15 Third Sticker: Syenitic Graniteburke museum, beechworth, indigo shire, beechworth museum, geological, geological specimen, mineralogy, gabo island, gabo island lighthouse, lighthouse, granite, coast, coastal, granite specimen, victoria, coastal cliffs -
Warrnambool and District Historical Society Inc.
Book, Hodder and Staughton, The New Testament, 1934
The new testament is the second part of the Bible and records the teachings of Christ through the four gospels as well as the Acts of the Apostles and letters of St Paul as well as book of Revelations. It is commonly used as a book of inspiration and study within all Christian Churches. This particular copy was presented to James Cook in 1940 by the Hamilton Church of Christ Sunday School. The Cook family was also connected with the Warrnambool Church of Christ.This item has only a tenuous connection to Warrnambool and its history but is retained because of its connection to the Cook family.Dark grey cloth covered card cover with symbol of lamp in circle on front cover. Title in red on spine of book.388 pagesPresented to James Cook from the Church of Christ Sunday School Hamilton February 1940warrnambool, church of christ sunday school, james cook, -
Warrnambool and District Historical Society Inc.
Document, Warrnambool New Brewery, 1870s
This is an invoice sent from the Warrnambool New Brewery (Walter Sheldrick & Co.) to Captain Selby. The Bill was for two dozen ales ordered on November 4th 1873 and for 6 dozen ales ordered on November 24th 1873 (cost £6-18-0). The bill was paid in February 1874. The Warrnambool New Brewery was established in 1868 by a company headed by a Warrnambool butcher and hotel proprietor, Walter Sheldrick. It was at the corner of Timor and Fairy Streets. After the first year the company was wound up and Walter Sheldrick and Thomas Price and, initially, two other partners, continued on the business. Sheldrick died in 1876 and his son Richard took over the business. By 1892 he had left the business and the brewery was operated by Edward Price, Edmund Hutton and William Trigg. In 1894 the brewery was sold and continued on until it was closed in 1922. The labels of Warrnambool Sheldricks ales had been known throughout the Western District for over 50 years. Captain Selby came to Warrnambool in the late 1860s and lived at ‘Clifton’ on the banks of the Hopkins River not far from the mouth if the river. He was a keen sportsman and was prominent in the Anglers Society, the Rowing Club (as President) and the Gun Club (pigeon shooting).As this is an original 1873 docket it is of considerable interest. It refers to the Warrnambool New Brewery, a prominent business in Warrnambool for over 50 years and to Captain Selby, well-known at the time in sporting circles. We have a good collection of other Captain Selby dockets. This is a buff-coloured piece of paper, an 1873 invoice sent from the Warrnambool New Brewery (Walter Sheldrick and Company) to Captain Selby of Warrnambool. The docket has printed red lines and both printed and handwritten material in black ink. The page has one small tear.warrnambool, walter sheldrick, captain selby, warrnambool new brewery, sheldrick ales -
Warrnambool and District Historical Society Inc.
Document, Dr Angus residence plans, 1939
These are plans for alterations to the residence and surgery of Dr Angus in Koroit Street, Warrnambool (Birchwood). Dr William Roy Angus (1901-1970), after several years practising as a doctor in South Australia and northern Victoria, came to Warrnambool in 1939, purchasing the practice of Dr John Hunter Henderson (Birchwood). Dr Angus was a dominant figure in medical and community circles in Warrnambool for 30 years, becoming an important ophthalmologist in his later years. Birchwood, with its beautiful gardens, lawns and tennis court was suitable for entertaining and many distinguished people, including Vice-Regal personnel and representatives of the Red Cross stayed at the house. It was also a meeting place for representatives of the many organizations with which Dr Angus was associated (over 20 groups including the Good Neighbour Council, the Boys’ Club, the Food For Britain appeal, the Historical Society, Rostrum and the National Fitness Council). Birchwood or earlier buildings on the site was used as a residence/surgery by many doctors in Warrnambool, going back to the 1860s and Dr Angus and his family lived there from 1939 to 1967. In 1998 Birchwood was demolished and a new Warrnambool Police Station was built on the site. These plans are of interest as they show the 1939 alterations to the building known as Birchwood in Koroit Street Warrnambool. We have a good floor plan and a drawing of the front of the building so we know what it looked like in the late 1930s. Both Birchwood and Dr Angus are important in Warrnambool’s history. These are four sheets showing alterations for the residence of Dr Angus (Birchwood) in Koroit Street Warrnambool. One sheet shows the front of the house in colour drawn in ink and pencil and paint and there is a copy of this in black and white. The other drawing is of the plans for the house drawn in pencil and ink and with some red and blue colouring. There is another exact copy of this sheet. dr william roy angus, birchwood, history of warrnambool -
Warrnambool and District Historical Society Inc.
Document Warrnambool Woollen Mill, Loose sheets Production analysis 1937-1938, 1937
In 1869, the Warrnambool Meat Preserving Company commenced their business on the site, where it operated until 1875 when it was sold to the directors of the Warrnambool Woolen Mill Company. After being destroyed by fire in 1882 it wasn’t until 1910 that the Warrnambool Chamber of Commerce was approached by Marcus Saltau and Peter McGennan to invest in a new mill. The original directors were James Dickson, P J McGennan, Robert Swinton, M Saltau, and J W Younger. In 1955 the Warrnambool Woollen Mill formed a partnership with the Wangaratta Woollen Mills. Dunlop bought the mill in 1968. From that time until its closure in 2000 it had a number of different owners, the last being the Smith Family Industries. These sheets provide data relating to sales of various different blankets in colours and sizes and where sales occurred . All the capital cities are listed with quantities and customer numbersThe woollen mill was one of the major industries of Warrnambool for nearly100 years. This document is one of many in the collection of the Warrnambool and district historical society which gives an insight into the scale and type of production during the 20th century.Rectangular bundle of loose pages with card on either side and held together with string. Pages are lined and typed with data and also have two small holes and one elongated hole stamped between the smaller ones.Analysis Season 1937-1938 written in red pencil on front card. 'These sheets stocked in 25 patterns by peacock Bros Pty Ltd Melbourne Sydney Adelaide Perth and Brisbane. When ordering this pattern specify No D5' printed on each of the paper sheets.warrnambool, warrnambool woollen mill, woolen mill, dunlop olympic, marcus saltau p j mcgennan james dickson, robert swinton j w younger, wangaratta, dreamspun -
Warrnambool RSL Sub Branch
RSL BADGE COLLECTION _ Returned Sailors & Soldiers Imperial League Australia Badge and Returned Sailors' Soldiers' & Airmen's Imperial League Australia, RSL Membership Badges, Manufacturer - Stokes & Sons Melbourne for four badges, (Stokes closed in 1962). Small badges No 48030 (wiith 67 year clasp) has the makers inscription of - Property of League, Swann & Hudson VIC
donation source and providence unknown - common item issued to individual RSL Members across VictoriaAs an historic RSL Badge from WW1 & WW2 membership periods It is also in very good condition. The 'First Field Dressing' has a khaki cotton cover with a single stitched opening flap on the right hand end of the cover. The 'Contents' and 'Directions for Use' are written on the front exterior as follows: FIRST FIELD DRESSING TO OPEN: Outer. Cotton Break thread holding flap Inner. Waterproof Covers Tear apart at the uncemented corner (indicated by arrow). CONTENTS: Two dressings in Waterproof Covers,each consisting of gauze stitched to a bandage and a safety pin. Directions for Use - Take the folded ends of the bandage in each hand, and, keeping the bandage taut, apply the gauze pad to the wound and fix the bandage. one dressing to be used for each wound. In each case of head wounds when respirators have to be worn, care should be taken to adjust the pad so that it does not interfere with the fit of the facepiece. DO NOT HANDLE THE GAUZE OR WOUND Three x Large Badges (30mm (W) x 40mm (H) - With membership numbered on the rear of 45147, 70848, 74487 & 74642 stamped on the rear These badges a brass with white blue and red enamel inlay. The badge is in the shape of shield with a regal crown on top. The shield is white enamel, with a blue enamel circle (containing the words - Returned Sailors & Soldiers Imperial League. Below the circle a red enamel ribbon is depicted with the word - Australia enclosed. The brass centre of the badge has the figures of a Sailor & Soldier each carrying a rifle. Two x Small Badges (18mm (W) x 24mm (H) - The smaller badge has the same material and colours but includes the third figure of an Airmen holding a rifle in the centre. The location of the organisation name has changed to Returned Sailors' soldiers' & Airmen's in the blue circle and red ribbon contains - Imperial League Australia. One of the small badges has a green 67 year clasp fastened with three clasps around the crown. In this period Financial members received a new clasp for each year of financial membership. -
Warrnambool and District Historical Society Inc.
Document, Certificate Mr H Goodall, 1944
This certificate was awarded in appreciation of 25 years service to the Nestle Company which operated a dairy factory at Dennington in Warrnambool. The company came to Warrnambool in 1907 and purchased 17 acres at Dennington and a new dairy plant was established by 1911. At its peak it employed 600 people and processed 55000 gallons daily in the milk condensery which is a process whereby much of the water content is drawn from the milk and sugar is added making a product which has a long shelf life and because it is processed at low temperature the milk maintains much of its vitamin content.A certificate which links a local person to a long and well known industry in Warrnambool and the Western district.Cream soft card certificate with red and black text.Mr H Goodall. Nestle and Anglo Swiss Condensed Milk Co Australasia Ltd. dated 1st December 1944. The signature of the Chairman of directors is unreadable.warrnambool, nestle dennington, h goodall -
Warrnambool and District Historical Society Inc.
Book, New Testament, Late 19th century
This is a New Testament in Chinese given to Thomas Wong Cheong on the occasion of his baptism in August 1886. Thomas Wong Cheong (also written Thomas Wong Tong) was a Christian Catechist appointed by the Foreign Missions Committee of the General Assembly of the Presbyterian Church in Victoria. He worked in Warrnambool, ministering to the local Chinese Christian community for 31 years. He died in 1923. A Chinese Church, under the auspices of the Presbyterian Church, was erected in Ryot Street, Warrnambool in 1892. By the 1930s the Chinese community in the Warrnambool area had dwindled to a very few in number and the Ryot Street building was demolished in 1979. This is a significant book because of its association with the Chinese community in Warrnambool and the catechist Thomas Wong Cheong. The Chinese Church and the work of Thomas Wong Cheong are of importance in Warrnambool’s history from the end of the 19th century to the early years of the 20th century and this book would have been well-used during this time. This is a hard cover book with a black cover and the words, ‘New Testament’ printed in gold lettering on the back page (probably the front page when being read in Chinese). The text is entirely in the Chinese language with the Chinese characters in columns ruled longways. The signature of Thomas Wong Cheong (Tong) is written four times in blue and red ink. There is an inscription on the back page (front of book) and a page with a yellow background and black printing. Some of the pages have been torn (silverfish damage) and the edges of some pages have been stained. Most of the pages have four or five holes on the inside edges, suggesting that the book has been re-bound from a previous binding. There is a pink sticker of the Castlemaine bookbinder on the inside front cover.‘Presented to Thomas Wong Tong on the occasion of his Baptism, Creswick, Victoria, August 1st 1886, T. Angwin, Wesleyan Minister.’ chinese in warrnambool, warrnambool, history of warrnambool -
Streatham and District Historical Society
Post Card, Circa 1914-1918
This Post card is an example of the skill that the men or women learned during the War time for relaxation or during recovery periods in hospitals.This item demonstrates the skills of those that were involved in the First World War and the hobbies that enlisted men participated in when Ill or having leave from combat.White card with hand stitched holly leaves and berries in green and red on fine cotton with light blue hand stitched trim. The words Merry Christmas stitched towards the bottomOn the front are the words Merry Christmas. On the back written in pencil are the words Belguim 1916-1917. "To Dear Bess Wishing her a Merry Xmas & a Happy New Year from Donald."ww1, hand, papercraft, crafts -
Eltham District Historical Society Inc
Photograph, Eltham Living and Learning Centre "Goat Shed" - unofficial opening by Claire Fitzpatrick, 3 December 1989, 03/12/1989
Background to the two openings of the "Goat Shed": Following a need to clean up some of the old L&L Centre buildings, in 1989 Council decided to enclose the remaining goat shed in a steel truss frame for use as a store room. Claire Fitzpatrick, who had run animal husbandry and goat classes on the site from the 1975 opening of the L&L Centre, was invited by the Committee to officiate at the naming of the new building on 3/12/1989. Following a fire of the stables/workshops on 8/5/1990 (which had to be cleared off the site) Council/Committee decided to use the $15000 insurance money to upgrade/refurbish the 1989 building to replace classrooms lost in the "stables fire". This refurbished Goat Shed was officially opened on 30/5/1991 by Cr. Peter Graham, Shire President. (Gleaned from Committee file, 1987-1992.) Photos show Claire Fitzpatrick (red jacket) and Gillian Barclay (white jacket). Colour photographeltham living and learning centre, 1989, claire fitzpatrick, goat shed, gillian barclay -
Eltham District Historical Society Inc
Document - Folder, Marshall, Robert
Robert Marshall grew up on a small farm in Panton Hills in the 1950s and became an architect, designing in an Australian style, sometimes working with Alistair Knox. Marshall first stood for local council in 1974, having to overcome a childhood stutter by relaxation techniques. He was active in the formation of Nillumbik shire; after 20 years as councillor, he was elected president for 1978 and 1979. In February 1997, his adopted son Stewart Anthony Marshall died as the result of a drug mix-up. He lived in St Andrews and his business was in Hurstbridge. Contents Newspaper article: "Rob Marshall: fist of steel in a glove of green", The Valley Voice, 24 January 1979, describing Robert Marshall's childhood and his thoughts about house design and conservation. Newspaper article: "Councillor marshals energy for next round", Diamond Valley News, no date, Robert Marshall plans to stand again for council after the amalgamation of council, describing. his vision for the district citing Alistair Knox and Don Maling as pioneers. Newspaper article: "...and your new shire president", Diamond Valley News, March 1997, Former Eltham councillor Robert Marshall elected Nillumbik Shire president. Newspaper article: "Drug mix-up led to death: court told", unknown newspaper, 28 May 1997, Report of Coroners Court hearing into death of Stewart Anthony Marshall, Robert Marshall's son. Newspaper article: "Shire chief set to pay outstanding rate bill", Diamond Valley News, 30 July 1997, Robert Marshall had not paid rates in protest during government-appointed commissioners were in power but was paying off the debt. Newspaper article: "An architect for a better way of life", Diamond Valley News, 11 August 1981, Describing Robert Marshall's travels after qualifying as an architect, his early life and his philosophy on conservation. Newspaper article: "He presides over the city's last green belt. But was does Robert Marshall make the State Government see red?" The Age, 10 January 1998, Describing dispute between Nillumbik Shire president Robert Marshall and CEO Barry Rochford, and Rochford's termination package and Marshall's environmental campaigns including the old Eltham Shire Office site. Newspaper letter: "For good governance", letter from Robert Marshall, following his defeat at recent council election after 25 years in local government, comments on his actions as president and wishes new councillors well. Newspaper clippings, A4 photocopies, etcrobert marshall, panton hills victoria, alistair knox, stewart anthony marshall, ross ray qc, vauclause hospital, benny monheit, adam bernhaut, geoff pittaway, metropolitan ambulance service, ambulance service victoria, eltham gateway action group, barry rochford, eltham shire offices site, frank lynch, eltham chamber of commerce, barry miller, rob maclellan planning minister, green wedge, don maling -
Warrnambool and District Historical Society Inc.
Domestic object - Sloan's family liniment bottle with Sticker Paterson Chemist, Warrnambool, Manufactured in late 1800s and early 20th century
Sloan's liniment was used in the late19th and early to mid 20th century. Originally used for horses but later advertised as good for Man and Beast.While the bottle of Sloan's liniment has historical value, the link with Warrnambool lies in the chemist's label of J Paterson who operated a business at 186 Timor Street, Warrnambool around the 1930s.Brown glass bottle with black metal screw-top lid. Bottle has a short neck. The indented rear has the maker's name imprinted. The black and white printed paper label has a picture of a man's head and wraps across the front and sides and has a red sticker with the Warrnambool retailer's name..Front: SLOAN'S/FAMILY/LINIMENT/(text obscured)/NEW YORK (obscured) ST LOUIS/NETT CONTENTS 2½ FL. OZS Left side: INSTRUCTIONS-Massage (obscured) gently with/fingers. Then (obscured) liberally with a soft/ flannel cloth or a piece of absorbent cotton. If skin is tender,/do not use./ CAUTION:-COMBUSTIBLE MIXTURE./Do not Use near Fire or Flame./Regd Vic 1173 Right side: EXTERNALLY: Recommended by us in the treatment of Muscu-/lar Congestion and Muscular Pain due to the exposure and fatigue or/of rheumatic origin, Lumbago, S--- and sc--- and s--- of/Muscles and Tendons, Neuralgia, (obscured), Stiff Neck, Backache, Bruises, Chilblains, Mosquito Bites and/stings of major non-poisonous insects. An Excellent Counter (obscured) Back: THIS BOTTLE ALWAYS REMAINS/ THE PROPERTY OF/CHAMBERLAIN'S PTY LTD/SYDNEY warrnambool, chemists, timor st, sloan's liniment, paterson j -
Warrnambool and District Historical Society Inc.
Document - HeritageWorks invitation 2014, Produced in-house by the Warrnambool & District Historical Society
The Warrnambool and District Historical Society was housed since the early 1970s in the old caretaker’s cottage in Gilles Street (called today History House). While History House was being renovated the Historical Society, in association with the Warrnambool Family History Group, was housed in the Mechanics Institute building at Flagstaff Hill Maritime Museum. In 2013 new buildings were placed at the rear of Mozart Hall next to History House and called Heritage Works. The two groups moved from Flagstaff Hill late in 2013 and the new facility was officially opened in March 2014 by the Premier of Victoria, Dr Denis Napthine. The Mozart Choral Group was also involved in the opening as this group shares some of our facilities.This invitation is of some historical importance as a record of the opening of HeritageWorks - a significant milestone in the history of both the Warrnambool and District Historical Society and the Warrnambool Family History GroupThis is an A4 sheet of thickened card. It has a cream-coloured background with the logo of Heritage Works in red and green print and the other printed material is in black print. There is an image in grey tonings of the old Sea Water Baths in Gilles Street at the bottom of the sheetwarrnambool and district historical society, heritage works -
Warrnambool and District Historical Society Inc.
Book, New Testament, 1883
This book contains a number of plates taken from paintings by Raphael, Poussin, Da Vinci Ferrari, Perugino and numerous engravers including J Cooper J L Williams W. Meason and H Shaw. As well as the large number of plates there is also much ornamentation on initial letters medallions and margins. It was a gift to George Rolfe who resided for many years in Warrnambool. He owned the property of Lyndoch and later purchased Shipley. A tangible link to one of the early citizens of Warrnambool.Light brown cover with red, blue and gold embellishments. Pages edged in gold. Numerous plates taken from engravings on wood, throughout the book. Bessie Wordsworth Xmas 1887from*****. George Rolfe with much love from his affectionate cousin * * Turner * 8th 1915. warrnambool, george rolfe, bessie wordsworth, new testament, wood engravings -
Warrnambool and District Historical Society Inc.
Document:, Postcard: Advance Australia embroidered,Wilfred R 27th Oct 1918, pre October 1918
Part of correspondence written to Gladys Holmes, Byaduck by local servicemen. Gladys Holmes was the daughter of Joseph, the Byaduk baker, and Agnes Brand. In 1924 she married Alexander George Anderson. Wilfred R possibly (Rentsch) enlisted for WW!1. Cited in 'Stories Untold & Forgotten Faces' "RENTSCH, Wilfred. Byaduk, Born 1898, farmer, aged 18 years, enlisted 29 August 1916, served as 6886 with 24th infantry Battalion - 19th Reinforcements(May 1917)Proceed to France 6th March 1918. Returned to Australia per' Shropshire' 1st April 1919. Photograph on Byaduk Hall Honour Board" Part of collection of letters, photographs and postcards received by Gladys Holmes during 1916-1919. 001801: Front of postcard has a white embossed mount frame with an embroidered insert of Australian symbols, Southern Cross constellation, Rising Sun. Kangaroo with Australian flag standing on ADVANCE AUSTRALIA banner and wattle and red flower springs.France/ 27th Oct 18/Dear Gladys/Wishing you a/very Merry Christmas/and a prosperous/New Year, from/your old friend/Wilfred.Rgladys holmes, embroidered postcard, ww1, wilfred r(entsch), byaduk, tuck's post cards, rachel tuck -
Warrnambool and District Historical Society Inc.
Document, The New Warrnambool Theatre, 1930
This is an original programme issued when the Warrnambool Theatre was opened in 1930 in Kepler Street. The programme for the premiere of the picture theatre included an ‘all talking’ feature, ‘Hollywood Revue’ and all of the 1150 seats were filled. The building replaced the Palais de Danse and the Mansions Theatre, part of the Hotel Mansions destroyed by fire in 1929. The architects for the new theatre were Bohringer, Taylor and Johnson in association with R.A. Le Poer Terry and H. Mervyn Thompson. The Warrnambool Theatre, one of six cinemas in Victoria built in the Spanish Mission style, was renamed the Capitol Theatre in 1935. In 1994 the Capitol Theatre interior was renovated and the rare original design features (only 3 remaining in Victoria at the time) were covered up.This programme has considerable interest as it concerns the opening of the Warrnambool Theatre (later the Capitol Theatre) in Warrnambool. This is a significant building in Warrnambool because of its architecture.This is a programme with a cover and one insert sheet folded into two. The cover is blue with red printing and has an image of the Warrnambool Picture Theatre on the front. The insert pages are buff-coloured with red printing and several advertisements. A blue piece of string holds the programme together. ‘The New Warrnambool Theatre. Direction Civic Pictures’ ‘Premiere Saturday 12th April 1930 Souvenir Programme’ capitol theatre warrnambool -
Warrnambool and District Historical Society Inc.
Certificate, Loyal Victoria Lodge, mid 1940s
The Loyal Victoria Lodge was established in Warrnambool in1862. It was a Lodge connected with the Friendly Society Manchester Unity Independent Order of Oddfellows. Friendly Societies were established to give members assistance in times of illness and hardship and to offer insurance against such events. The MUIOOF had its origins in Manchester, England. The Warrnambool Lodge built the Oddfellows Hall in Koroit Street in 1869 and in 1872 it joined with other friendly societies and established the Friendly Societies Park in Koroit Street. The MUIOOF joined with the Australian Natives Association and today the new name in Australian Unity. No details are available on W. A. McLean but the certificate indicates that he served his country during World War Two.This certificate is of considerable interest as the Loyal Victoria Lodge was a pioneer friendly society in Warrnambool with its history going back to 1862. It is also a good example of the certificates given to Warrnambool residents who had rendered significant war time service in World War Two.Framed Certificate featuring text and a coloured picture. The picture includes: a dove, five scrolls, a laurel wreath surrounding a globe, three women in long dresses, three young children, two stylised flower beds, rays of light, a hill and four coats of arms. It is covered with clear plastic with a metal back and metal prop. WARRNAMBOOL DISTRICT INDEPENDENT ORDER OF ODDFELLOWS IN VICTORIA MANCHESTER UNITY FRIENDLY SOCIETY. The Officers and Members of the Loyal Victoria Lodge No. 4835 express grateful recognition and sincere appreciation to Bro. W. A. McLean for services rendered to God, King and Empire in Great War, 1939- 1945. N.G.Chas Gerock V.G. F.J. Toogood Rob Fairbridge Secretary. a circular red seal. -
Warrnambool and District Historical Society Inc.
Label, Youngers, Early 20th century
John Younger came to Warrnambool from Yackandandah in 1888 originally with a partner John Jeffrey and opened a store selling general merchandise. In 1914 a new company known as Younger PTY LTD. was formed. The business grew into a large department store in Liebig Street. In 1958 the business was sold to Charles Moore and continued trading as Youngers. The store closed in 1980This label is an important memento of one of the key businesses in Liebig Street, Warrnambool in the 20th century. Younger stores are credited with making Liebig Street the main street in this city.White paper label with red and green printing adhered to a piece of grey cardboard. There is another label on the same card.Youngers THE HEART OF WARRNAMBOOL YOUNGER PTY. LTD.,LIEBIG STREET,WARRNAMBOOL M date 'PHONE 8021 youngers warrnambool -
Warrnambool and District Historical Society Inc.
Administrative record - Bank Cash Book, Early 20th century
This cash book comes from the National Bank of Warrnambool and the entries date from 1909 to 1911.The Warrnambool National Bank opened in 1867. The bank opened in temporary premises in Timor Street and in 1869 it moved to a new stone building on the corner of Timor and Kepler Streets which it occupied until 1975. The National Australia Bank still operates today in Koroit Street.This cash book is of considerable interest mostly because of the listing of local names in the early 20th Century.This is a ledger used as a cash book. It has printed red lines and hand written entries in black and red ink. It also has the National Bank stamp. The hard board cover has a mottled pattern on the back and the front and is completely detached from the pages.warrnambool banks, warrnambool national bank, bank ledger 1910 -
Warrnambool and District Historical Society Inc.
Functional object - typewriter, Remington Company, New York, U.S.A, 1925
THis typewriter is a Remington typewriter, model Standard 12 manufactured in 1925. The Remington company of New York, U.S.A., in the 19th century manufactured firearms and later typewriters. In 1873 the company produced the first commercial typewriter and introduced the QWERTY keyboard system. This typewriter has no known local significance and is retained for display purposes.This is a metal typewriter with silver markings and silver rims on the keys. It has a red and black printing tape Remingtoncommercial typewriters, qwerty keyboard system, vintage business machines