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Lara RSL Sub Branch
Photograph of A Company 2/21st Battalion Australian Infantry, c July to September 1940
Black and White photo Company "A" 2/21Rare item of historical value due to the battallion being taken prisoner by Imperial Japanese soldiers at Ambon. The Australians suffered at the hands of their captures.Photograph of members of " A" Company 2/21st Battalion Australian infantry Taken in Melbourne. Vic. Group portrait of A Company, 2/21st Battalion. Left to right: front row: Chafer, Hartley, Bailey, Fisher, Breen, Marsh, Lance Corporal (L Cpl) Billings, Smith, Knuckey, McKenzie, Wilson, Dallagh, Jones, Redwood, Turnbull, Rutley, Minetti, Gravener and Corporal Borr (?). Second row: Winter, Brander, M.F. Osborne, V.F.H. Hubbard, Gladigou, Alison, Davies, Blair, Edney, Tuddenham, B. Tucker, Sergeant (Sgt) Stanbridge, Captain (Capt) Wesley, Lieutenant (Lt) Thomas, Sgt Stayte, Beachley, Hallowell, A. Osborne, Thatcher, Watson, unidentified, Ericson, Hadlow, Tucker, McGregor, C.R. O'Bryan and Bradley. Third row: Walker, R.R. Hubbard, Hutchins, L Cpl Kirwan, Mason, J.M. Francis, Corson (?), Leslie, Dunbar, Arnold, Inkster, Balcombe, Corporal Leary, Beckwirth, Barclay, Blanks, Conway, Bolwell, Rigney, Orange, Taylor, Dihood, Mitchell, Donchi, Howard, Flintoff, Hill, Capon, Lewin, L Cpl Eouid (?), Sgt Jacobs. Fourth row: Sgt Seabrooke, Privates King, Jorgenson, O'Halloran, Simmons, Amesbury, Kofoid, Daff, L Cpl Guest, Cooke, Ordish, Stratton, three cooks named Keel, Tullett and Brown, Privates Turner, Dahlberg, Uren, Ansett, Moran, Fry, Penny, Phillips, Lock, Loch, Perrin, Snodgrass, Argus, Gee, Corp Boyce.Photo and frame A Coy 2/21 with names inscribed there on. Black ans white photo by H.M. Walker, Wentworht House, 203 Collins Street, Melbourne.a coy 2/21 battallion -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Aerial photograph of coastline around Portland Victoria, c. 1954
Black and white aerial photograph of coastline around Portland. Black border, bottom edge, section of larger photo, approximately 50%, only land visible.Front: 'PORTLA' -printed, white border -
Coal Creek Community Park & Museum
Tin, paint
Cylindrical metal container with push on lid, sides with green background, black, green and white text, patterned border of diamonds and spots around top and bottom.Goodcass Undercoat White Pure Paint. -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - aerial view of Portland coastline, c. 1954
Black and white aerial photograph of coastline around Portland. Black border, scale all sides, 5 rows of 3 't' at regular intervals. Mostly ocean, small area of land top left. See Other Information.Front: '820 - 47' - handwritten, white, border 'RUN 6' 'PORTLAND', printed, white, borderport of portland archives, aerial photography, portland harbour, south west coastline -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - aerial view of Portland, c. 1954
Black and white aerial photograph of coastline around Portland. Black border, scale all sides, 5 rows of 3 't' at regular intervals. Half ocean, half land, separated by beach, further left than 8472Front: '607 - 91 ' - handwritten, white, border 'RUN - 6 PORTLAND', printed, white, borderaerial photography, central portland, portland harbour, south west coastline -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - aerial view of Portland, c. 1954
Black and white aerial photograph of coastline around Portland. Black border, scale all sides, 5 rows of 3 't' at regular intervals. 75/25 land to ocean. Further left than 8475, ?end of beach.Front: '607 - 94 ' - handwritten, white, border 'RUN - 6 PORTLAND', printed, white, borderaerial photography, central portland, portland harbour, south west coastline -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - aerial view of Portland, c. 1954
Black and white aerial photograph of coastline around Portland. Black border, scale all sides, 5 rows of 3 't' at regular intervals. Curved section of coastline top right corner. 90/10 ocean to landFront: '784 - 154'- handwritten, white, border 'RUN 7 A PORTLAND', printed, white, borderport of portland archives, aerial photography, portland harbour, south west coastline -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - aerial view of Portland, c. 1954
Black and white aerial photograph of coastline around Portland. Black border, scale all sides, 5 rows of 3 't' at regular intervals. Another curve in land, away from ocean. 70/30 ocean to landFront: '784 - 153' - handwritten, white, border 'RUN 7 A PORTLAND', printed, white, borderaerial photography, central portland, portland harbour, south west coastline -
Bendigo Military Museum
Headwear - BERET, UNITED NATIONS, Christies (Kent Brand)
Beret belonging to "Gordon Bruce Bearman". See Catalogue No. 7538 for service details.Light blue woolen beret with black band. White and gold metal badge attached to front. Badge features a map of the world surrounded by a laurel wreath. White Manufacturers' label sewn onto band. Brand name printed in white on inside.Printed on inside in white: "KENT, PURE WOOL, X-LARGE" beret, united nations peacekeeping, insignia, gordon bruce bearman -
Bendigo Military Museum
Photograph - PHOTOGRAPH WW2, FRAMED, C. 1940 - 45
Photo relates to Alan Keith GUY VX37836. Refer Cat No 131P for his service details.Black / white photo of a regiment. Mounted with green background, tan wooden frame with glass front, white cardboard backing with wire handing strap.Printed in white on grey background above photo: “8TH BATTERY 2/3RD L.A.A. REGIMENT” Printed in black on white background under photo: “Members names”photograph, framed, laa, regiment. -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - aerial view of Portland, c. 1954
Black and white aerial photograph of coastline around Portland. Black border, scale all sides, 5 rows of 3 't' at regular intervals. Small area of ocean, rest land with lakes.Front: '820 -9' - handwritten, white, border 'RUN 5' 'PORTLAND', printed, white, lower borderaerial photography, central portland, portland harbour, coastline -
National Wool Museum
CFA Blanket
Created by the Creswick Woollen Mills for wildland firefighting. Has CFA logoRed fire blanket containg aramid core with wool stiched to either side. White CFA logo locatted in the centre top of the blanket. Creator's label stiched in white to the bottom right corner of the blanket. Moth damage brings to the surface aramid core in one small section.White CFA logo stuck on front top centre of blanket. Bottom right corner has white sthiched maker's tag. -
Bendigo Military Museum
Photograph - PHOTOGRAPH WW2, Walker Photographers, C.1940
Original owner of photo was Eric Harry FINCH, Reg No VX38567.Black & white photo of unknown Military Unit. Photo taken at Mittagong, New South Wales, Australia in 1940.Handwritten in white bottom right: “WALKER photo”photographs, military, unit -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - aerial view of Portland coast, c. 1954
Black and white aerial photograph of coastline around Portland. Black border, scale all sides, 5 rows of 3 't' at regular intervals. Ocean, land with lakesFront: '820 -8' - handwritten, white, lower border 'RUN 5' 'PORTLAND', printed, white, lower borderaerial photography, central portland, portland harbour, south west coastline -
Bendigo Historical Society Inc.
Photograph - JACKSONS CORNER. VIEW POINT. 1875, 1875
Black & white photo of 3 story building - Jacksons Corner at View point in Bendigo. 1 person on 2nd floor. 8 men & 2 young boys standing in front of building. Markings/Inscriptions: Jacksons Corner. View Point. Sandhurst about 1875.N. White. Photo. Sandhurst.place, building, public buildings -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - aerial view of Portland, c. 1954
Black and white aerial photograph of coastline around Portland. Black border, scale all sides, 5 rows of 3 't' at regular intervals. Ocean at right, land on left.Front: '820 - 7' -- handwritten, white, lower border 'RUN 5' 'PORTLAND', printed, white, lower borderaerial photography, central portland, portland harbour, south west coastline -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - aerial view of Portland, c. 1954
Black and white aerial photograph of coastline around Portland. Black border, scale all sides, 5 rows of 3 't' at regular intervals. Buildings visible bottom leftFront: '607 -106' -- handwritten, white, lower border 'RUN 5' 'PORTLAND', printed, white, lower borderaerial photography, central portland, portland harbour, south west coastline -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - aerial view of Portland coastline, c. 1954
Black and white aerial photograph of coastline around Portland. Black border, scale all sides, 5 rows of 3 't' at regular intervals. Buildings visible most areas of photoFront: '607 -107' -- handwritten, white, lower border 'RUN 5' 'PORTLAND', printed, white, lower border -
The Beechworth Burke Museum
Animal specimen - Hardhead, Trustees of the Australian Museum, 1860-1880
Interestingly, the name "Hardhead" does not refer to the density of this species skull. Instead, it refers to the difficulty encountered by early taxidermies in styling the bird's head. This particular breed of Duck is smaller than average and are often found in the coastal regions of Australia. They are also known to reside in New Guinea, New Zealand and the Pacific Islands. This species was formerly known as the 'White-eyed Duck"; however, since the female Hardhead have dark eyes, this species was renamed the "Hardhead" Duck. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Hardhead specimen is a stocky medium-sized duck with chocolate brown colouring. The bird has paler white/ cream coloured plumage on the stomach and neck. The bill is a grey black colour and the eyes are made of a grey glass with a black pupil. The lighter brown colour of this specimen's head could refer to its identification as female or could be due to the taxidermy process or the impact of age on the colouring of the specimen. Female Hardheads have brown eyes, while the male have strikingly pale white/grey eyes. The bird has large webbed feet which are attached to the wooden platform it stands upon. The platform is inscribed on the left with the number 138.7a. / White-eyed Duck / See Catalogue, Page 39. / 138 on the wooden platformtaxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, heron, duck, australaisian shovelor, shovelor -
Brighton Historical Society
Clothing - Dress, Norma Tullo, Hot pants dress, circa 1967
Pat Grainger (1930-2023) had a distinguished career as a graphic designer. In the 1960s she lived in Brighton and was working with her husband Les Mason in the influential Les Mason Graphic Design studio in South Melbourne. This was one of three Norma Tullo outfits she owned at the time; she believed it would have been around 1967. Pat was a founding member of Port Melbourne Historical and Preservation Society and was active in local history and environmental and social justice causes. Norma Tullo (1936-2019) was an influential Melbourne fashion designer circa 1960s-1980s, part of a new wave of younger designers creating youthful, modern and affordable styles for a young market.Black and white paisley nylon hot pants dress (.1) with collar. Front button fastening with seven fabric covered buttons; short sleeves and accompanied with short red wool scarf (.2).Label, white text on black: "TULLO".pat grainger, paisley, melbourne designers, pat mason, norma tullo, 1960s -
Australian Queer Archives
T-shirt, Real : Visible : Here : Bisexual+ Community Perth, September 2017
This t-shirt was produced for Bisexual Visibility Day 2017, also known as Celebrate Bisexuality Day, which is celebrated on the 23 September.White short-sleeved t-shirt.A rectangle on the chest with a vertical bisexual pride flag is overlaid with text in white.bisexual -
Glenelg Shire Council Cultural Collection
Souvenir - Pen, n.d
Pen, biro, royal blue and clear plastic, white lettering.Front: 'Hook, Line and Glass by Darryl G. Tresize' - white -
Vision Australia
Photograph - Image, Errol Ingram teaching cane use to Jackie Renton
Rehabilitation teacher Jackie Renton being show how to teach correct use of the white cane by Errol Ingram.B/W photograph of woman using cane with man lifting it slightlyRehabilitation teacher Jackie Renton being show how to teach correct use of the white cane by Errol Ingram. Royal Blind Society.royal blind society of nsw, white cane day, jackie renton, errol ingram -
Greensborough Historical Society
Folder of Newspaper Clippings, Diamond Valley Hospital Inc., Press clippings 1988-1998, 1988-1998
The Diamond Valley Community Hospital was established in 1942 in Grimshaw Street Greensborough. Due to financial circumstances, the hospital closed in 2000. This collection of newspaper clippings is from i1988 to 1998 and was collected by staff. The collection includes advertisements of hospital services and articles from local newspapers.As the Diamond Valley Community Hospital is now closed, this collection of newspaper clippings records some of the people, services and events associated with the hospital.Blue lever arch file containing press clippings, each mounted on white A4 paper."Newspaper Clippings" handwritten on white label on front cover.diamond valley community hospital, dvch, greensborough -
City of Kingston
Photograph - Black and white, Public Transport Corporation, c. 1960
Black and white photograph depicting closed crossing gates at the level crossing at Park Road, Cheltenham. This image is part of a larger collection of images from the Public Transport Corporation displaying train stations and streetscapes in what is now the City of Kingston.Black and white photograph of Cheltenham level crossing at Park Road, Cheltenham. The gates are closed. Stamped in blue ink on reverse: COPYRIGHT / Public Transport Corporation / For re-ordering photographs / Please quote negative No H3052 / Enquiries C/- PTC Photographic Unit / Telephone switchboard 619 111 White paper stuck to reverse of image, with black typed text: Cheltenham Park Road, Cheltenham / 1965 / $50 reproduction fee appliescheltenham, railway crossing, suburbs, public transport -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - aerial view of Portland, c. 1954
Black and white aerial photograph of coastline around Portland. Black border, scale all sides, 5 rows of 3 't' at regular intervals. Mostly ocean, small area of land lower left.Front: '820-6' -- handwritten, white, lower border 'RUN 5' 'PORTLAND', printed, white, lower borderaerial photography, central portland, portland harbour, south west coastline -
Warrnambool and District Historical Society Inc.
Document - Patrick White Probate 1897, 1897
Tait collection: item 42 of 62 This is a document giving details of the Will and Probate of Patrick White, a farmer from Codrington who died in 1883. He left personal estate to the value of £316, with the beneficiaries being his wife, Eleanor and his son George. The lawyer concerned with this document was Ernest Chambers who had legal offices in Port Fairy, Koroit and Warrnambool at the end of the 19th century and the beginning of the 20th century. He had possession of this document and it was passed down to successive lawyers occupying the legal premises in Kepler Street, Warrnambool and located in this Kepler Street building in 2014. This document is of minor significance as Patrick White was not a resident of Warrnambool. The interest lies in the fact that the lawyer, Ernest Chambers, practised in Warrnambool in the 19th centuryThis is a cream-coloured piece of parchment paper containing details of the Will and Probate of Patrick White of Codrington who died in 1883. The paper is folded in two and the edges of the pages have blue lines ruled on them. There is handwritten material (black ink) on three of the pages. The seal of the Supreme Court of Victoria is attached with olive-green ribbon and there are five red stamps of the Master in Equity of the Supreme Court. The writing is fading in places but the document is readable. In the Supreme Court of the Colony of Victoria In the Probate Jurisdiction In the Will of Patrick White late of Codrington in the Colony of Victoria Farmer deceasedpatrick white,, codrington, ernest chambers, warrnambool history -
Kiewa Valley Historical Society
T-Shirt - Mt Beauty Festival of Bogong Moths
See KVHS 1481 Run by the Chamber of Commerce in November in 1994 and 1995Held in 1994 and 1995 in the Kiewa Valley in recognition of the aboriginal people who lived and gathered in the Kiewa Valley.Orange T-shirt with a iron-on green square which has white print on it. The print includes that of a moth.White print: "Mt Beauty / Festival of the Bogong Moth"bogong moth festival, mt beauty chamber of commerce, aboriginal -
Bendigo Military Museum
Headwear - BERET, 1942
Alan Mason collection, refer cat No 3979.2Beret, Cotton, blue colour, white label sewn on the inside with date.On white label, “N197 Made in Australia 1942, size 7”berets, work wear 1942 -
Clunes Museum
Photograph
BLACK AND WHITE PHOTOGRAPH, VIEW OF QUEEN'S PARK, CLUNES. DISPLAYING FOUNTAIN.WRITTEN IN WHITE "QUEEN'S PARK, CLUNES 4" IN THE MIDDLE OF THE PHOTOGRAPHlocal history, queen's park garden