Coour photographs of a brick Victorian house in Ballarat, with exceptional cast iron detail and fence. iron lace, cast iron, ballarat, armstrong street south, victorian house, brick

A source book of ideas for owner-builders on the design and construction of mud brick houses from all over Australia from the 198th and 20th centuriesSigned black ink "J. Connor" inside face pageadobe buildings, earth houses, mud brick building, mud brick construction, pise construction

MRS. WEICKHARDT WAS AN OLD IDENTITY OF CLUNES. AS A MISS PATIENCE THEY LIVED ON TALBOT ROAD CLUNES IN A RED BRICK HOUSE. WHICH IS STILL BEING LIVED IN.SEPIA PHOTOGRAPH OF MRS. MARGARET WEICKHARDT, NEE PATIENCE,WEARING A DARK DRESS - WHITE LACE JABOT AT HER THROAT - SMOCKING ON TOP OF SHOULDERS. SHE DIED IN 1927.MRS MARGARET WEICKHARDT - D. 1927. NEE PATIENCE. WIDOW OF JACOB FRANZ WEICKHARDT.photography, weickhardt., margaret weickhardt

St. Matthew’s Church Stawell second Manse built 1923. Single story brick house with small decorative timber verandah entrance with iron roof. A rocking horse is on the entrance verandah near front door. Large pine tree branches overhanging top section of photo with low plants in garden.New Manse built 1923stawell religion

M.G. Gregor was staying at the Sunbury Presbytery when she wrote a message on the flip side of this postcard to her niece on 23rd June 1912. She may have been employed there as a housekeeper.The Catholic Presbytery was built at a cost of 1315 pounds and opened on 25th February 1912. Father Gallivan was the first priest to reside in the new Presbytery. The Presbytery is adjacent to Our Lady of Mount Carmel in Macedon Street.A post card of a non-digital sepia photograph of an Edwardian style brick house with a tiled roof and a return verandah. The house has a picket front fence. A handwritten message dated June 23rd 1923 is written on the flip side of the card.catholic presbytery, catholic church, our lady of mount carmel catholic church, father gallivan

BHS Collectionblack and white photo ( 2 thereof ) of double fronted, gable roofed brick house, 2 single entrances, small cottage on right hand side. Picket fence and iron gate. 3 brick chimneys. Paling fence on left.'S. Black photo' ( James Lerk 28.02.2000)buildings, residential, brick house

A property illustration by Margaret Picken Commissioned by a real estate agency for the purpose of advertising 25 Beaufort St., Mitcham. This property has be listed as having sold for $309,000 in 2003. Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 25 Beaufort St., Mitcham depicting a L shaped brick house, set back from a front garden with feature rocks, and a winding driveway leading to a gate on the right.25 Beaufort St., Mitcham Picken © 2003 Realtorwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, mitcham

A property illustration by Margaret Picken Commissioned by a real estate agency for the purpose of advertising 5 Turnstal Ave., Nunawading This property is listed as having sold for $385,000 in 2003 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a black and white line drawing of a single story brick house with a footpath on the left leading up to the front door, and through a gate, in the backyard. In the foreground on the right is a front garden5 Turnstal Ave., Nunawading Picken © 2003 Relatorwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, nunawading

A property illustration by Margaret Picken Commissioned by the real estate agency Woodards Blackburn for the purpose of advertising 20 Husband Rd., Forest Hill This property is listed as having sold for $199,500 in 2001. Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 20 Husband Rd., Forest Hill, depicting a single story brick house, with driveway leading to a connected carport on the left. In the foreground, a low brick fence and front lawn.20 Husband Rd., Forest Hill Margaret Picken © 2000 Fletchers Real Estatewhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, forest hill

A property illustration by Margaret Picken Commissioned by the real estate agency Woodards Blackburn for the purpose of advertising 16 Jackson St., Forest Hill, This property is listed as having sold for $199,500 in 2001. Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 16 Jackson St., Forest Hill, depicting a single story brick house, with driveway leading to a connected carport on the left. In the foreground, a low brick fence and front lawn.16 Jackson St., Forest Hill Margaret Picken © 2003 Realtorwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, forest hill

Originally built in the 1850s by Charles Souter from earth excavated from his property. It was a forerunner for a building style that was later to be synonymous with Eltham. The house is historically significant as the oldest mud brick building in the Shire of Nillumbik, as one of less than half a dozen buildings from the 1850s that survive in the Shire. It underwent several additions and alterations between c.1950s-1980s. It is also significant for its associations with Mervyn Skipper from the well-known Eltham family who was one of the founders of the artist's colony at Montsalvat. The house is architecturally significant because its north section was designed by the noted 'Eltham-style' architect, Alistair Knox, and the two long Oregon beams supporting the main floor were added by the noted 'Eltham-style' builder, Horrie Judd who built the southern room. A onetime tenant in the house, Judd built many Eltham houses and was a major builder of Montsalvat. The 1934 flood destroyed the south wall and the house remained unoccupied for some time. Sonia Skipper, one of Montsalvat’s builders who also worked for Alistair Knox oversaw rebuilding it. She employed landscape designer Gordon Ford, artist Peter Glass and Tim Burstall. The house originally had a cellar for making and storing wine, reputedly the first made in the district according to Alistair Knox in his book ‘We are what we stand on’ (p33). Water would seep into the cellar so Sonia’s father and then owner of the house, Mervyn Skipper bulldozed a channel outside to divert it. The Brocksopp family purchased the house in 1950 and added an outside door to the cellar and converted it into a gallery. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p51This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, eltham, falkiner street, mud brick building, mudbrick houses, souter house

Six documents about the Japanese School: 1/The Japanese School of Melbourne Planning Brief document draft February 1984 to the City of Caulfield. Brief includes background of school, current educational standards of school and structure, future plans, including forecast of future student numbers, request to use prefabricated rooms. Also plans for new building and room alterations. Includes appendice which has current and projection graph of students attending. Period covered: January 1968-February 1984 (17 pages). 2/Fourteen page school prospectus, which includes history and location, term dates, school hours, curriculum subjects, teachers qualifications, health department approval and enrolment list. Also includes Division of School Duties, school educational aims and guidance priorities. Period covered: 07/09/1968-13/05/1986. 3/An 11/11/1988 Melbourne Development and Prospectus for the Japanese School of Melbourne, includes purpose of school, development options, planning brief, construction time, and development program. Includes seven plans and maps of school location and bus routes (14 pages). Prepared for the City of Caulfield on its request. 4/List of representatives of the Japanese School of Melbourne that met with City of Caulfield councilors on 23/11/1988. 5/Black and white photo of 'Ian Rob with Japanese students September 1991', six students included. 6/Colour photograph of 'Mayor Ed Biggs with Japanese students February 1992', thirteen adults and young people included.japanese school of melbourne limited, japanese school, caulfield, holy cross catholic, holy cross school, ellington school, keeron street, mockridge stahle and mitchell architects, architects, secondary schools, primary schools, playgrounds, hawthorn road, caulfield south, yaji hidero, japanese community, yazaki yasuo, morita hiroshi, teachers, bloink des, stokes tony, building surveyors, japanese supplementary school of melbourne, school committees, libraries, school houses, brick, bloink clarke harding consulting architects group, anthony stokes and assoc. building surveyors and town planners, rob ian, biggs ed mayor

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.Victorian Heritage Database - Hotham Street Road Overbridge HO116 Heritage Overlay - City of Glen Eira https://vhd.heritagecouncil.vic.gov.au/places/43557 (as of 04/07/2021) The Hotham Street road overbridge is located on the Sandringham railway line between Ripponlea and Elsternwick railway stations. It is presumed to have been built by contractors Sharp and Campbell who signed a contract on 25th . November, 1881 to construct a second line of railway between Windsor and Elsternwick. This contract was completed during 1882 and the bridge may have been designed in the year when Robert Watson took over from William Elsdon as engineer in chief for the Victorian railways. It is historically, aesthetically and technically significant. It is historically significant (Criterion A) to the extent that it demonstrates the standards of construction adopted by the Victorian Railways Department when it rebuilt the lines acquired from the private railway companies, (compare the Geelong and Melbourne Railway Co's line from Newport to Geelong, acquired in 1860). It is aesthetically significant (Criterion E) as an intact nineteenth century structure of its type, many similar girder bridges having been renewed with concrete girders in recent years. The bluestone abutments demonstrate high standards of stone masonry and are representative of Departmental work of the period. This bridge forms one of a group of historic structures on the railway to Brighton Beach and therefore contributes to the line's cultural importance as a whole. The survival of the riveted iron girders with their bellied angle iron struts is important since these elements are representative of the civil engineering practices of the Victorian Railways at the time and constitute the technical significance (Criterion F) of the structure.Page 96 of Photograph Album with three photographs (one portrait and two landscape) from Hotham Street - two external views of one house and a railway bridge.Handwritten: Hotham Street [top right] / 112 HOTHAM ST [under top left photo] / BRIDGE OVER SANDRINGHAM RAILWAY [under top right photo] / 112 HOTHAM ST CNR MELBY AVE [under bottom left photo] / 96 [bottom right]trevor hart, elsternwick, hotham street, caulfield, houses, brick, bay windows, verandahs, railway bridges, tunnels, gardens, bluestone, civil engineering, victorian railways, sharp and campbell, contractors

The Sands and McDougall directories are amongst the most comprehensive. You can find out more details about places in which people lived, the other residents in the area, the services available in the region...all of which help to paint a picture of your ancestors' life. Apart from the Street, Alphabetical, Trade and Professional directories, this volume also contains Government and Official, Ecclesiastical, Legal, Municipal, Colonial, Societies and Institutions directories. A fascinating feature in this volume is a Universal Building Societies Supplement which includes 15 pages of architectural house plans of the day - layouts and elevations - with the house price for each.The Sands and McDougall directories are amongst the most comprehensive. You can find out more details about places in which people lived, the other residents in the area, the services available in the region...all of which help to paint a picture of your ancestors' life. Apart from the Street,Alphabetical, Trade and Professional directories, this volume also contains Government and Official, Ecclesiastical, Legal, Municipal, Colonial, Societies and Institutions directories. A fascinating feature in this volume is a Universal Building Societies Supplement which includes 15 pages of architectural house plans of the day- layouts and elevations- with the house price for each.streets, trade, agriculture, government, legal, ecclesiastical, farmers, farm workers, clergy, plans, timber houses, brick dwellings, buildings, structures and establishments

B&W photograph of the Stephenson family sitting on the porch of a brick house. Top: Bert Stephenson, Bob Stephenson, George Stephenson. Middle: Elsie Ford (sister), Jean Spring (sister), Esme Jones (sister). Bottom: George & Jean Stephenson.

At the beginning of the 20th century the toy industry was based predominantly in Germany. During the First World War, imports from Germany were banned and the British government instead encouraged toy-making in Britain, as it helped the economy and provided jobs for ex-servicemen. Around this time, English manufacturer E. A. Lott devised a new system of bricks suitable for assembling small buildings. Together with a cardboard roof and instructions, Lott started selling these bricks as Lott’s Bricks in 1918. Lott’s Bricks eventually became even more popular then Anchor blocks, which were produced on the same principles by Richter, the well-known German manufacturer of construction toys. Lott’s success was assured when Queen Mary bought a set from him at the British Industries Fair in 1918. A number of sets were later produced, each with its own series, including Modern, Lodomo and Tudor. The bricks were the last of the old-fashioned composition blocks, which were later superseded by the very different styles exemplified by Minibrix, Bayko and Lego. Lotts Brick’s Ltd ceased to exist in the 1960s. (Source: V&A Museum)Toy with model building materials in wooden box with manufacturers label on lid. Th label pictures a white brick house with two equidistant chimneys. Included in the box are blocks to be used in building the house. These are in different shapes and sizes. The roofing panels are preformed.Manufacturer information and description lott's bricks, toy blocks, construction toys

A property illustration by Margaret Picken Commissioned by the real estate agency Woodards Blackburn for the purpose of advertising 13 Medhurst St., Burwood in 1993 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. The suburb lines are believed to have been redrawn, making this property no longer in Burwood, but located in Burwood East. This property which was built in circa 1960's, is listed as having sold for $130,000 in 1993 Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 13 Medhurst St., Burwood. Of a one story brick house with driveway to the left leading to a garage. In the foreground is a front lawn with a gumtree. There is a thin reddish 2.5cm mark to the left of the inscription.13 Medhurst St., Burwood Margaret Picken -93 Woodards - B/Burnwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, burwood, house, garden, burwood east

Decorated with Allied flags to welcome home a family member after World War 1. Mr and Mrs William James Donaldson moved into the house after their marriage in 1900 and it has had a family connection ever since. Courtesy: Mrs Elizabeth Mary DonaldsonA black and white close-up of the decorated porch of a brick house. A man is sitting on the front steps, two women are standing to his left and a little boy is sitting on a verandah post. Flags, including an American, British and Australian flags, decorate the porch.clothing and dress, festival and celebrations, insignia, flags, world war 1, 1914-1918, william james donaldson

Both images are associated with Ellie Campbell. James and Bridget Martin were early settlers at Spring Hill. All their children attended the Ballarat School of Mines..1) A black and white image of Spring Hill near Creswick, glued into a thick card with a gold gilt edge. .2) Martin family house at Subiaco Hill, Western Australia. Brick house built by Corby Statford Cambell, Elly Campbell's father. .1) Written in blue pen on front of photograph 'Spring Hill near Creswick - Victoria' Taped onto back 'Farmland allotted to James George Martin in c1849. He took his bride, Bridget Hyde (19 years old) by bullock dray from St James Church, Elizabeth Street, Melbourne to this new allotment - 10 children born there - William, Robert, Samuel, Elizabeth, Ellen, Emily, Mary (died 2 months old mother also died). J.G.M. moved to Ballarat - attended Dawson Street Baptist Church. Here he married a widow with 2 sons, Mrs ____. Her 2 sons were born, George and Charles (was in USA) . Children all attended School of Mines, Ballarat .2) On yellow sticky label with photo - "Family home Subiace Rd Subiac WA. Builtby Statford Campbell, Elly's fayher. Now Coppin St.ballarat school of mines, william martin, james martin, bridget martin, bridget hyde, samuel martin, elizabeth martin, ellen martin, mary martin, george martin, charles martin

A property illustration by Margaret Picken Commissioned by the real estate agency Hocking Stuart Blackburn for the purpose of advertising 63 Vicki St., Forest Hill This property has be subdivided into two house since being sold in 2002. Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 63 Vicki St., Forest Hill depicting a single story brick house with steps up the concealed doorway. On the left a driveway leads to a gated garage, on the right in the foreground is a front garden.63 Vicki St., Forest Hill Margaret Picken © 2002 Hocking Stuart B/Burnwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, forest hill, real estate

A property illustration by Margaret Picken Commissioned by a real estate agency for the purpose of advertising 8 Trevor Crt., Nunawading This property is listed as having sold for $285,000 in 2001 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a black and white line drawing of a semi detached brick house on a sub-divided lot, with a driveway on right leading straight to a connected garage, and sweeping to the left up to the garage for the front property.8 Trevor Crt., Nunawading Margaret Picken © 2001 Fletchers Real Estatewhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, nunawading

A property illustration by Margaret Picken Commissioned by a real estate agency for the purpose of advertising 2/9 Tasman Ave., Nunawading This property is listed as having sold for $160,000 in 2006 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a black and white line drawing of a semi detached brick house on a sub-divided lot, with a driveway on right leading straight to a connected garage, and sweeping to the left up to the garage for the front property.2/9 Tasman. Nunawadingwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, nunawading

In 2023 103 Lyons Street South was sold and left uncared for after being sold in 2022. 103 Lyons Street South, Ballarat from outside 105 Lyons Street South, Ballarat Central. 103 Lyons street is a red brick house which was built c1980. When the previous house was demolished an mine shaft was discovered under the house and had to be capped. 105 Lyons Street South is a double brick Spanish Mission house with slat roof.103 lyons st south ballarat central, 105 lyons st south ballarat central, spanish mission, architecture, slate roof

In 2023 103 Lyons Street South was sold and left uncared for after being sold in 2022. 105 Lyons St South was in the middle of being painted.103 Lyons Street South, Ballarat from outside 105 Lyons Street South, Ballarat Central. 103 Lyons street is a red brick house which was built c1980. When the previous house was demolished an mine shaft was discovered under the house and had to be capped. 105 Lyons Street South is a double brick Spanish Mission house with slat roof.103 lyons st south ballarat central, 105 lyons st south ballarat central, spanish mission, architecture, slate roof

In 2023 103 Lyons Street South was sold and left uncared for after being sold in 2022. 105 Lyons St South was in the middle of being painted.103 Lyons Street South, Ballarat from outside 105 Lyons Street South, Ballarat Central. 103 Lyons street is a red brick house which was built c1980. When the previous house was demolished an mine shaft was discovered under the house and had to be capped. 105 Lyons Street South is a double brick Spanish Mission house with slat roof.103 lyons st south ballarat central, 105 lyons st south ballarat central, spanish mission, architecture, slate roof

Bendigo Advertiser ''The way we were'' from 2000. Life on the land: the Stewart's house at Fosterville about 1895. Four-roomed mud brick house is pictured along with the dairy to its right. A blacksmith shop and chicken run are right of the dairy. The clip is in a folder.newspaper, bendigo advertiser, the way we were

A property illustration by Margaret Picken Commissioned by the real estate agency Woodards for the purpose of advertising 15 Satori St., Burwood Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 15 Satori St., Burwood. A single story brick house, with a driveway on the left leading to a connected carport which covers the front door. in the foreground is a horizontal plank timber fence, and a tall gumtree.15 Satori St., Burwood Woodards - B.Burn Margaret Pickenwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, burwood, house, garden

A property illustration by Margaret Picken Commissioned by a real estate agency for the purpose of advertising 45 Nurlendi Rd., Vermont. This property is listed as having sold for $171,500 in 1988 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a single story brick house with veranda across the frontage, on the left it forms a carport in front of the connected garage. In the foreground on the left is the driveway, while on the right is a front garden enclosed by a wrought iron fence.45 Nurlendi Rd., Vermont Marg. Picken '88 Woodards - Boxhillwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, vermont, vermont south

Ticket for House Raffle 1/-: 1st prize Brick house; 2nd prize Suite furniture; 3rd prize Wireless set. Drawn Melbourne Stadium 9 pm. 31/1/1948.Small raffle ticket, printed in red on white paper one side onlyraffles, australian legion of ex-servicemen & women, black family

Sarah Wright was married to a gold miner named William. They lived at Laura Villa, Smeaton. Their family won many singing and instrumental awards. Frank Wright their son was born and attended Smeaton State School and was a renown resident of Smeaton. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia. Laura Ritchie was his sister.Black and white photograph of a woman in a long dark skirt and light cardigan sitting on a chair with a pillow behind her back. The chair is on the verandah of a brick house. The woman is Sarah Wright and the house belongs to her daughter Laura Ritchie at 214 Armstrong St Nth, Ballarat.Written in pen on the back May 1928. Written in pencil 214 Armstrong St Northsarah wright. frank wright, laura ritchie, armstrong street, ballarat