Showing 590 items
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National Vietnam Veterans Museum (NVVM)
Photograph, Gibbons, Denis, Lottery Ticket Seller
Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection. A black and white photograph of a badly deformed male Vietnamese lottery ticket seller and his son with a very pronounced hair lip selling tickets to a female customer.photograph, vietnam, gibbons collection catalogue, vietnamese children, vietnamese adults, denis gibbons -
Glenelg Shire Council Cultural Collection
Weapon - Artillery Shell Casing, unknown
Shell casings were used to hold the propellant charge and projectile in artillery guns.An example of a shell casing used in artillery guns.Cylindrical shaped copper shell case with tapered top. Flat base with small lip. Inside base appears bright silver centre and features a small screw. Base underside: Stamped with a circle, inside of circle appears further markings but they are indistinguishable.war, defence force, ammunition -
Mont De Lancey
Domestic object - Mixing Bowl, early 1900's
A mass produced unbranded domestic item used before 1950's. A bowl is a round container with a wide uncovered top. Some kinds of bowl are used, for example, for serving or eating food from, or in cooking, while other larger kinds are used for washing or cleaning.A vintage large round green Depression glass mixing bowl with a pouring lip and handle, used for cooking. It contains a few pieces of artificial fruit for display in the kitchen.kitchenware, cooking, mixing bowl -
Flagstaff Hill Maritime Museum and Village
Container - Bottle, 1840s to 1870s
This small green bottle has been handmade by a glassblower and is the typical shape of a carbonated soda or mineral water bottle. It was made from 1840s-1870s. The bottle was found in the coastal waters of Victoria about 100 years from when it was made. It is part of the John Chance Collection. Glassblowers made bottles like this one by blowing air through a long pipe and into molten glass at the end of it. The shape of the glass would be blown out to fit into the shape of the cylindrical dip mould. Once it set, the glass was removed from the mould and the glassblower would continue using the pipe to create the neck and another ponty tool to push up and form the base. The bottle would be cracked off the end of the glassblower’s pipe and a blob of molten glass would be wrapped around the top of the neck and shaped to finish the lip of the bottle. The seal was usually a cork, held in place with a ball-wire fitting attached between the upper and lower parts of the neck finish. This style of handmade bottles usually had thick glass so that it could be heat-sterilised, then re-filled. The bottles would often have horizontal bubbles in the applied finish, caused by twisting the glass, and vertical bubbles and diagonal lines in the body from it being blown, and a pontil mark in the base where the ponty tool had been attached. Although the bottle is not linked to a particular shipwreck, it is recognised as being historically significant as an example of bottles imported for use in Colonial Victoria in the mid-to-late 1800s. The bottle is also significant as it was recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. Bottle; green glass, soda or mineral water style, handmade. Applied finish, blob double ring collar; upper is wide and rounded, lower is a narrow ring. Diagonal lines in glass on neck and shoulder. Low shoulder mould seam. Body is matt and tapers inward towards base. Shoulder and neck are shiny. Push-up base with pontil mark. Uneven base. Bubble on top of lip. Sediment on inside surfaces. White rubbing line and scratches on outside. flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, handmade, dip mould, mouth blown, pontil mark, 19th century bottle, collectable, soda bottle, mineral water bottle, green glass, blob finish, push-up base -
Kiewa Valley Historical Society
Bottle - Pickles
This bottle is unusual in colour and design. It is approximately 120 years old.Historical: Comparative to bottles made today and containers of today. Frosted pale green glass bottle with a straight body tapering to a long broad neck and broadening again at the top. The lip is straight. Possibly used for storing pickles or preserves.K 8981 on basetinted frosted glass, pickles. preserves. bottle -
Flagstaff Hill Maritime Museum and Village
Container - Try pot, c. 20th century
This try-pot is one of a set of three. Whalers used large iron pots, called try-pots to liquefy large chunks of whale blubber down into oil. Early on in the history of whaling, small whaling boats had no means to process blubber at sea and had to bring it into whaling stations for processing at shore-based try-works. Later, when bay whaling evolved and large scale vessel were utilised for hunting whales, try pots were mounted onto the top deck. This advance had its benefits as the processing facilities were mobile, whalers could move operations to follow whales and discover new whaling grounds. The deceased whale would be tied up alongside the ship, the crewmen cut away the blubber, or outer fat layer, in long strips. They hauled the strips aboard, cut them into smaller pieces, and tossed them into boiling cauldrons on deck to render the fat into oil. The whale oil was stored in barrels in the cargo hold, and brought to put for sale. The oil was much sought after as a good quality fuel tor heating, light and lubrication. Try pots were used in the whaling industry, one of the very early industries in Colonial Australia, including here on the southwest coast of Victoria. The high grade oil was a much sought after product and used for essential services such as fuelling the lights of the lighthouses. Commercial whaling ceased in Australia in 1979.Try pot, one of a set of three. A large cast-iron cauldron of about 200 gallons in capacity. Round metal container with rounded base and flat extended lip. flagstaff hill, warrnambool, maritime museum, shipwreck coast, try pot, trypot, cauldron, whale oil, whaling, fuel -
Glenelg Shire Council Cultural Collection
Decorative object - Moustache Cup, n.d
Displayed in History House. The moustache cup (or mustache cup) is a drinking cup with a semicircular ledge inside. The ledge, called a moustache guard, has a half moon-shaped opening to allow the passage of liquids and serves as a guard to keep moustaches dry. It is generally acknowledged to have been invented in the 1870s by British potter Harvey AdamsLarge scallop-edged tea-cup with gold patterning and pink designs on outside. Gold line around lip and handle. Section of china to protect moustache on inner edge.tea cup, functional object, moustache protector -
Flagstaff Hill Maritime Museum and Village
Domestic object - Funnel, Late 19th or early 20th Century
A funnel such as this is used to assist in pouring liquids into a narrow container such as a bottle or jar. An item like this could be commonly used in households for food preparation, cooking and soap making. It could also be used for pouring fuel, and medicinal purposes. Enamelware dates back to 1760 in Germany.This object is significant as an example of a type of item in common use in the 19th Century and that is still in use today.Funnel, white enamel with dark rusty metal rim. It has a triangular shaped hook on the top lip for hanging. The metal has been joined down one side.None.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, funnel, food preparation, beverage, laundry, fuel, food preservation, medicinal preparation, decanting, pouring -
Stawell Historical Society Inc
Realia, SHURL Doll
This doll belonged to Grace Isabel Mitchel (nee Watson). Grace was born in Leongatha and grew up in Korumburra and surrounds. She was gifted this doll as a child. As with all her treasures Grace took great care of them. She died 30/10/2022. She would be very proud to know her doll will now be treasured forever in the town she was created. Kindly donated by the estate of Grace Isabel Mitchel on behalf of Kay Lockhart and Noni Harken.Shurl Doll dressed as a bride, eyes open and close. European details and colouring. Hair with blond ringlet. Blur eyes, rouge cheeks, red lips, calico torso. -
Geoffrey Kaye Museum of Anaesthetic History
Decorative object - Vase, Bessie Biggs, 1981c
This vase was gifted to the Faculty by Dr Walter Wyndham Biggs upon his retirement from the Faculty Board in 1981. Dr Biggs was the first flying anaesthetist of the Flying Surgeon Service based at Longreach in central Queensland. The vase is hand painted by Dr Biggs mother, Bessie Biggs. The manufacturer of the vase, Furstenberg, is one of oldest and most renowned porcelain makers in Europe since 1747. Made in West Germany, the makers mark is found at the base of the vase marked with a blue under glaze symbol of a crown, script F and a number 9. Porcelain vase of bulbous form and narrow neck with gold trim on lip. Black and white hand painted scene of flying geese above a body of water surrounded by reeds.[hand written on base in black ink] Handpainted / by / Bessie Biggs / 1981 [embossed on base] 7405/30 [Blue under-glaze on base] symbol of crown / cursive script F / 9 / FURSTENBERG / SEIT 1747 / WEST GERMANY [Artist signature on painted surface] B BIGGSdr walter biggs, furstenberg, porcelain -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Pap boat associated with midwife Mary Howlett, c. 1866-1920, 1880 (approximate)
Pap boats date from approximately 1710 and were in extensive use until the end of the nineteenth century. They were used to feed pap to infants or invalids. Pap was a mixture of breadcrumbs, flour, rice or barley mixed with fluids such as broth, milk (if the infant was lucky), water, wine and even beer, to aid the digestion of pap it was often pre-chewed by the nurse or nanny. Pap was a popular form of infant nutrition for almost 300 years and used in many well to do homes. For unwanted or illegitimate infants in foundling homes it was often the only form of sustenance, however, and as a result the mortality rate was appallingly high. Despite a growing number of experts advising against the use of pap, it nevertheless persisted as a major source of infant nutrition in many nurseries until the late 1800’s, largely due to the ignorance of nannies and nurses who took great delight in disregarding the advice of physicians, who they believed were usurping their position in the household. ‘Nanny knows best’.(Amgueddfa Cymru - National Museum Wales, 'Pap Boat')Mary Howlett (1840-1922) began practising as a country midwife in 1866 in the western district of Victoria. She qualified as a 'ladies monthly nurse' in 1887 and continued to practise as a nurse and midwife until 1920. She began her six months training at the Melbourne Lying-In Hospital. She was known by many as 'Auntie', and her career spanned more than 50 years. Mrs Howlett's midwifery box and contents were given to Dr Frank Forster, and he donated them to the museum collection in 1993. Small round white china container with an extended slim lip. Fluid capacity approximately 30-90ml. The boat has been made from two moulded sections. infant care, infant feeding, midwifery -
Hymettus Cottage & Garden Ballarat
Juicer
Moulded green glass hand juice extractor with measuring base from the 1940s were the standard form for extracting and storing quantities of juice as opposed to the earlier more simple single lip base type of juicer.juice extractor, glass, measure -
Flagstaff Hill Maritime Museum and Village
Auger
Ring Auger, Double Twist with Lead Screw and Curved Cutting Lips, 1 1/2 inch with wooden handle 666mmL made by A Mathieson Glasgow. Marked H on shaftflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, ring auger, auger -
Tennis Australia
Trophy , Salver, 1952-1955
A large salver, presented to the winners of the Men's Doubles competition at the Italian Open, from the years 1952-1955. Engraving of winners' names feature on the underside of the lip. Materials: Silver/Metaltennis -
Geoffrey Kaye Museum of Anaesthetic History
Domestic object - Decanter
The plain glass square-based decanter comes with a stopper. The decanter narrows slightly as it approaches the base and the upper lip of the opening curves outwards. There is an illegible inscription scratched into the surface of the base.Inscription scratched into base. (Illegible)glass, decanter -
Whitehorse Historical Society Inc.
Container - Tin - Kerosene
Round pressed steel container for kerosene - has rib near top and bottom of tin. Lip at top and bottom - small carrying handle on top and a screw cap )1.6cm diam)Pennant Household Kerosene|Lighting, Cooking, Heating|Refrigeration + all household purposescontainers, industrial -
Geoffrey Kaye Museum of Anaesthetic History
Decorative object - Cloisonné vases
Twin cloisonné vases decorated ornately in red with floral designs in green, blue, and white on carved wooden bases. The vases have a bulbous shape, and the lip of each is painted gold.cloisonné, vase, enamel -
Kiewa Valley Historical Society
Saucer Ceramic, c1921
The SECV had chalets, cafes, mess halls and tea rooms all over Victoria including their construction sites. The SECV had a stores system which purchased thousands of sets of crockery and cutlery for use by personnel. There was a system of chefs, cooks, tea persons etc. to supply food and beverages to the workers. This saucer was used at one of the sites on the Kiewa Hydro Electric Scheme.Heavy, white ceramic saucer with State Electricity Commission of Victoria 1921 log/insignia on inside lip. Curves up to sides. On base, also inscribed in red are details of the makers.State Electricity Commission Victoria / 1921 On base: Vitrified / Sold by / Cafe & Hotel Supplies / Pty Ltd / DunnBennett & Co. ITC / Burslem / Made in Englandkiewa hydro electric scheme. mount beauty chalet. bogong mess hall. state electricity commission of victoria. crockery. -
Flagstaff Hill Maritime Museum and Village
Container - Glass Bottle, mid-19th century to 1902
This handmade glass bottle was recovered from the wreck of the 1895-1902 ship Inverlochy and is part of the John Chance Collection. The bottle has side seams that extend from base to mouth, indicating that it would have been made in a mould. The parallel, diagonal lines are likely to have been made by the molten glass being mouth-blown into the mould. The mould would have also had the pattern for the embossed numbers in the base. The seamless applied mouth would have been added after the bottle was removed from the two-piece mould. The even neck of the bottle would have probably been sealed with a cork or glass stopper. Bottles similar to this one were used for medical (apothecary) and cosmetic purposes. Bottles with these features date from around the late 19th to early 20th century. Bottles began to have embossed numbers on the bases from the late 19th century and the practice continues into modern times. The numbers may represent the date of manufacture i.e. “463” may be April 1863. It may instead be the date of the patent or design pattern number. This bottle may have been made around 1863 and the latest it could have been made was 1902, the year of the wreck of the Inverlochy. THE INVERLOCHY (1895-1902) - The Inverlochy was a steel sailing barque built in Scotland in 1895 for international trade. In 1902 the Inverlochy left Liverpool under the command of Captain E.R. Kendrick. There were 21 officers and crew and the captain’s wife Mrs Kendrick, on board, bound for Australia with cargo that included tools, chemicals, liquor (beer, whisky, stout, rum, and brandy), steel, iron, wire netting, hoop iron, tinplate and pig iron), and steel wire for the Melbourne Tramway Company, tiles, soap, soft goods and earthenware. On December 18 almost at their destination, the Inverlochy ran aground on Ingoldsby Reef at Point Addis, near Anglesea. The crew and passengers left the ship via lifeboat and landed at Thompson’s Creek, then walked about 20 kilometres to Barwon Heads. Salvagers were interested in the 10 miles of cable in the hold. Mrs Kendrick’s ‘high grade’ bicycle was amongst the items salvaged but she lost her jewellery and two pianos. By February 1903 the ship had broken up and objects such as bottles and casks of liquor were washed ashore. Bad weather shook the wreck in June 1903, causing the ship’s spars and figurehead to be washed ashore. This glass bottle is historically significant as it represents methods of storage and manufacture that were used from the 19th century and into the early-20th century, before machine made bottles were becoming common. The shape and size of the bottle are similar to bottles used for medical and cosmetic purposes in that period. The glass bottle also has significant as it was recovered by John Chance, a diver from the wreck of the Inverlochy in the late 1960s to early 1970s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. This glass bottle is significant because of its historical connection to the barque Inverlochy, which is an example of a commercial international steel sailing barque and is listed on the Victorian Heritage Database VHR S338. The Inverlochy is significant for its cargo, which is a snapshot of the kind of goods imported into Australia at the turn of the 19th century, including cable for the Melbourne Tramway Company. The wreck of the Inverlochy is important as an accessible dive site that shows the remains of a large international trading vessel and its contents. It is valuable for an insight into Victorian era of shipping and maritime history. Bottle; clear glass with opalescent shine in places, round, handmade. Narrow lip is flat across top and on side edge, neck is straight, about a third of the bottle’s height. The shoulder is rounded, and the body has straight sides with two pronounced side seams from below the lip to the base, which is shallow. Outer glass surface is smooth, inner surface has areas of dried, light coloured substance. Base has embossed inscription. Embossed "463" and logo symbol [trident]flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, john chance, inverlochy, scotland, captain e.r. kendrick, melbourne tramway company, ingoldsby reef, handmade, glass bottle, apothecary, cosmetic, mould blown, vintage, two-piece bould, point addis, medicine -
Flagstaff Hill Maritime Museum and Village
Tobacco Jar
Tobacco Jar, brown in colour, glaze unstablized and peeling, lid missing, large crack and chip missing from lip, c 1850 - 1890. H 14cm x Dia 11cm.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, tobacco jar -
Flagstaff Hill Maritime Museum and Village
Bottle, Late 19th century
This handmade ceramic bottle was made and used for pouring ink to fill ink wells. Businesses such as banks and post offices provided ink and dip pens for their customers' use, along with blotting paper to dry their writing.This bottle is significant for being both and example of handmade bottles and for its association with earlier methods of writing.Bottle, cream coloured, glazed ceramic bottle, cylindrical shape, with spout and flared lip moulded into mouth of bottle. Hand made. Bottle was used for pouring ink. Inscription stamped into base. "82 PRICE" (illegible) Label provided with donation is marked "SLATER AND PALMER works: MARSHGATE MILLS, STRATFORD ESSEX"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, ink and pen writing, ink pouring bottle, bank stationery equipment, writing with pen and ink -
Whitehorse Historical Society Inc.
Ceramic - Tile
The Australian Tesselated Tile Co. began in Mitcham, south of the Railway Station, in 1886. It almost collapsed after the bursting of the land boom in 1890s, then recovered to become one of the world's greatest tile works. It made a greater range of tiles than any other known tile works, here or overseas.Glazed mosaic tile with Sunburst design in dark orange, light orange and cream. Edged in black(on back) '495' '6'ceramics, earthenware -
Kiewa Valley Historical Society
Ski Boot Carrier x 2
Ski boots were carried by wooden carriers when transporting ski equipment eg. from transport to snow line or accommodation. The boots had a lip at the front and back to enable them being clipped onto ski bindings and boot carriers.These ski boot carriers indicate the type of equipment that used to be used by skiers skiing on the High Plains and Falls Creek. It is also an example of the inventiveness and skill of people who made their own equipment that either couldn't be bought or wasn't available locally. A pair of wooden ski boot carriers made from light wood. The wood is thick at the heel end with an overhang for the heel of the boot. It has a thin leather strap at the toe end and an adjustable clamp at the toe end. The adjustable part consists of a clamp on either side of the wood held by 2 nuts that screw towards each boot . This clamp can slide up and down the hollow groove in the wood. One boot fits on each side of the wood. Reused wood with old marksski boots. snow. high plains. falls creek -
Whitehorse Historical Society Inc.
Photograph, Australian Tesselated Tile Co, c1920
The Australian Tesselated Tile Co. began in Mitcham, south of the Railway Station in 1886. It almost collapsed after the bursting of the Land Boom in 1890's, then recovered to become one of the world's greatest Tile Works. It made a greater range of tiles than any other known Tile Works, here or overseas.Black and white photo of Australian Tesselated Tile Co (then know as the Australian Brick and Tessellated Tile Company) with workers gathered to welcome home their Manager Mr.E.E Walker.australian tesselated tile co.pty ltd, australian brick and tesselated tile co, walker. edgar edwardes. -
Orbost & District Historical Society
bottle, 1930 - 1950
Peck’s meat spreads were introduced in England in 1891. Thirteen years later, the British-based Harry Peck & Co. began exporting its products to Australia. By 1938, Peck’s set up in Australia and began making canned meat and fish products.This is an example of a food container used in the mid 20th century.A small clear moulded glass jar. It has a check pattern at the top and bottom with a smooth band in the middle. It has a wide opening tapering to the bottom. It is lipped for a rubber seal. It was used for Pecks paste.on base - PECKS with some indecipherable numberscontainer peck's-paste jar -
Orbost & District Historical Society
jar, 1930's
A cylindrical mould-formed white opaque glass jar that possibly originally contained Marmite, a yeast extract, made as a by product from beer brewing. It has a threaded lip to fit screw-on lid. Base of the jar has 'PROPERTY OF SANITARIUM HEALTH FOOD CO' AGM 21 V888jar storage container sanitarium-health-food-co. australian-glass-maunufacturers -
Flagstaff Hill Maritime Museum and Village
Bottle
Ref: LA 4 44 283 HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only nine in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Glass bottle, light green, bottle is intact with slight chip on lip. Bottle has cork and some sand inside. Recovered from the wreck of the Loch Ard. Artefact Reg No LA/43.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, bottle -
Glenelg Shire Council Cultural Collection
Artwork, other - Mannequin torso, 1920-1930
Female plaster mannequin torso with head, no arms. Brown/gold helmet style 'hair', red lips, brown weye liner, silver painted pretend earrings. Socket in base for insertion of polemodel, model making, mannequin -
Ararat & District Historical Society (operating the Langi Morgala Museum)
Domestic object - Child's mug, c.1857
This mug commemorates the birth of Mary S. Edwards on February 3rd, 1857. The mug is one of four (within the collection) gifted to each of the Edwards children. 2. Wm I Edwards born may 5th 1859 3. Elizabth Edwards born on April 19th 1862. 4. Grace Edwards born on February 19th 1864. All mugs were used by the Edwards children during their lifetimes and were donated to the museum by Misses Illife and Bessie Edwards in 1979.These mugs are of local Ararat and District significant due to their age (over 150years old in 2011), the fact that compile a complete set of four from the same family, and the fact that the family has close ties with the Ararat district. Their condition is very good (minor chips) and this, along with their usage during the lifetime of the original owners, adds to their significance.Highly glazed white porcelain mug inscribed in gold gilding across the body, and decorated with same on the lip, base and handle. Some crackling of glaze. Brown wear marks on handle and around rim. Inscription in gold on the body of mug: "Mary S. Edwards / Born Feby 3rd1857".ararat, langi morgala, museum, social history, mug, children, edwards, 1857 -
Kiewa Valley Historical Society
Bottle - Beer - Stout, Late Victorian c 1900
Stout, a strong dark beer, came in bottles and was bought at licensed premises either locally or in larger cities visited during shopping expeditions. This bottle may have been brought as a gift from a friend / relative from overseas. This bottle differed in that it is made from porcelain and contains, stout, not the common beer.Historical: Types of bottles change with the material they were made from, shape, size, inscriptions and weight. Aesthetic: Display showing inscription, material and shape.Beige porcelain heavy bottle used for stout 'a strong dark beer'. It has straight sides two thirds of the way up tapering to the lip and opening. On the bottom of the side is an oval stamp with inscription.Oval stamp: Circumference - Along the top - 'Port Dundas' along the top. Across the middle - 'Glasgow' Along the bottom ie. Underneath - 'Pottery Co.bottle, porcelain bottle, stout, beer, port dundas glasgow