John GLEESON Living at Campbell's Creek for over 30 years, John Gleeson makes a range of functional stoneware pottery. He fell in loved with pottery during a hobby class in Geelong in 1972. He worked for a year at Canny Ridge Pottery in Harcourt. John Gleeson uses white stoneware and porcelain clay from The Bendigo Pottery, and buff clay from Bennetts Pottery in Adelaide. He mixed all his own glazes from commercially sourced raw materials, sometimes supplemented with ash from his fire and local red clay to get special effects.Large celadon platter with incised fish design. john gleason, studio pottery, ceramics, australian studio pottery

Photograph of a hand thrown glazed stoneware canister with 'Gum Leaf' design. ceramics, gumleaf decoration, studio pottery, australian studio pottery

in 2009 Echuca Wharf Pottery was located at Murray Esplanade and Little Hopwood St, Echuca. Lindsay Chandler was a potter at Echuca Wharf Pottery from 1989-1994. Robert Henderson left Redbyrne to work at Echuca Wharf Pottery and then went not to work as a demonstration thrower at Bendigo Pottery.(https://www.flickr.com/groups/1281707@N21/discuss/72157629662786291/)Hand thrown lidded stonewarw canister with 'Gum Leaf' design by Echuca Wharf Pottery. landscape, ceramics, australian landscape pottery, echuca wharf pottery

Photograph of a hand thrown cup with glaze decoration. ceramics, landscape, studio pottery, australian studio pottery

Purchased, 1980Monoprint on papergippsland, artwork, permanent collection

Gwyn HANSSEN PIGGOT (1935-11.07.2013) Born Ballarat Gwyn Hanssen Piggot completed a Bachelor of Fine Arts at Melbourne University in 1954. She spent three years apprenticed to Ivan McMeekin at Sturt Pottery, Mittagong, New South Wales. Between 1958 and 1965 Gwyn Hanssen Piggot worked at various potteries in the United Kingdom, including Winchcombe Pottery in Gloucestershire, Leach Pottery at St Ives, and Wenford Bridge Pottery and Aldermaston Pottery in Berkshire. In 1960 she established her own studio in London. The essence of her work is purity, simplicity and form. She worked with porcelain for strength and for its translucent nature, and fired with wood to add a dine ash bloom to glazes. In 1992 Gwyn Hanssen-Piggott visited the Ballarat School of Mines Ceramics students, under the direction if lecturers Neville French and Prue Venables In 1994 she was artist in residence at the Ballarat School of Mines for six months. Gwyn Hanson Piggott received the Order of Australia Medal in 2002. Born Gwynion Lawrie John at Ballarat on 01 January 1935, Gwyn Hanssen Pigott died in London on 11 July 2018 London where she was for a solo exhibition of her new work. This item was purchased by the Ballarat University College Acquisition Committee. It is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. A bowl by internationally renowned ceramicist Gwyn Hanssen-Piggott. Photograph: HStudioart, artwork, ceramics, bowl, ballarat, gwynn hanssen piggot

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.A boxed framed glazed platterart, artwork, hubbard, ceramics

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. If you can provide information on this artist or artwork please use the email link below.art, artwork, mayne, ceramics, nicole mayne

This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, ceramic, ceramic puppet, puppetry, puppet, puppateer

Peter PILVEN (1956- ) Born Ballarat Peter Pilven is acknowledged by his peers for his high level of tacit skills, including throwing, and for his sound technical knowledge of materials.Training with John Gilbert's Edinborough Pottery from 1972-1975, Pilven trained with Joan Campbell in Fremantle in 1976. In 1977 Peter Pilven obtained a Diploma of Fine Art (Ceramics) from Ballarat College of Advanced Education (now Federation University). The following year he worked with Ian Dowling at Geraldton, WA, and with the Western Australian Aboriginal Education Unit in 1979. He next trained with Alan Cagier-Smith in England between 1980 and 1981. Peter Pilven established his own studion in 1982. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, peter pilven, ceramics

Woodfired sculpturejan feder memorial ceramics collection, julie terpstra, sculpture

Gwyn HANSSEN PIGOTT (1935 - 11 July 2013) Born Ballarat Gwyn Hanssen-Pigott completed a Bachelor of Fine Arts at Melbourne University in 1954. She spent three years apprenticed to Ivan McMeekin at Sturt Pottery, Mittagong, New South Wales. As a teenager she was taught to through by Neville Bunning, Ceramics lecturer at the Ballarat Technical Art School (a division of the Ballarat School of Mines). Between 1958 and 1965 Gwyn Hanssen-Piggott worked at various potteries in the United Kingdom, including Winchcombe Pottery in Gloucestershire, Leach Pottery at St Ives, and Wenford Bridge Pottery and Aldermaston Pottery in Berkshire. In 1960 she established her own studio in London. The essence of her work is purity, simplicity and form. She worked with porcelain for strength and for its translucent nature, and fired with wood to add a dine ash bloom to glazes. In 1992 Gwyn Hanssen-Piggott visited the Ballarat School of Mines Ceramics students, under the direction if lecturers Neville French and Prue Venables In 1994 she was artist in residence at the Ballarat School of Mines for six months. Gwyn Hanson Piggott received the Order of Australia Medal in 2002. Born Gwynion Lawrie John at Ballarat on 01 January 1935, Gwyn Hanssen Piggott died in London on 11 July 2018 London where she was for a solo exhibition of her new work. It is believed this work was presented at the time of Gwyn Hanssen Piggott's residencey in Ballarat.. It is part of the Federation University Art Collection which features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. Australian Studio CeramicsA bottle and two tumblers by renowned ceramicist Gwyn Hanssen-Piggott. art, artwork, ceramics, bowl, ballarat, gwyn john, ballarat school of mines, gwyn hanssen pigott

The company R. Fowler Limited was established in Sydney, in 1837 when Enoch Fowler (1807-1879) came to Australia from Ireland and is known today as the oldest pottery still in operation in Australia. They were mostly known for producing bottles, jars, and pipes. The pottery was originally located at Abercrombie Place on Parramatta Street, Chippendale, NSW before they relocated to Glebe in 1847. Later the pottery manufactured building materials such as tiles, pipes, and chimney pots. As the business grew, they moved to Parramatta in the 1850s. Enoch's son Robert (1839-1906) had joined the company, and took over its management in 1873, changing the name to “R Fowler Sydney” in 1880. Robert opened further sites at Marrickville and Bankstown, with the company becoming R. Fowler Limited in 1919. The factory at Thomastown, Melbourne was opened in 1927 from which time the trademark on this bowl was used. An item made by an Australian company during the first half of the 20th century. The item is significant as it gives a snapshot of the early development of manufacturing companies in Australia. It is typical of kitchenware used throughout Australia during the early 20th centuryA small Fowler Ware mixing bowl produced by R. Fowler Ltd. Thomastown, Victoria with Maker's mark clearly imprinted underneath the bowl.Set in circle underneath the bowl "R. FOWLER LTD./ THOMASTOWN/VIC"kitchenware, r. fowler ltd, pottery australia

Made in the old Buninyong Library building which leased rooms to the potter. Small clay jar with brown glaze and bat-like red coloured figure patterning. Small stopper and handle at the top. Old Library Pottery, G.S.C., Buninyongceramics, pottery, old library pottery

Two sections of unknown material. Possibly plasterarchaeology, plaster

Pottery with flower design.ceramics, australian studio pottery

ceramic flowers, ceramic memorial flowers, buninyong cemetery

Ken HOVENDEN Working at Bendigo Pottery from April 1972 at the age of 17, Ken Hovenden was also involved in the Lillydale Pottery venture. He worked at Cannie Ridge Pottery for a time, exhibiting work there in 1979. Known as a great thrower, his work featured beautifully fitted lids and quantities of mugs of identical size. In the 1980s, he set up his own pottery at Malmsbury and sold his work through Bangles Gallery at Cobargo. From late 1988 to 1997, he worked under the business name Shiloh Pottery in Castlemaine. His work often features a unique gum leaf design on individually thrown work. Marks used include KH on Bendigo Pottery Epsom Ware, Kevin Hovenden on Badger Creek Pottery, KH on Lillydale Pottery and his own impressed KH initials.Stoneware teapot with beige glaze and handpainted gumleaves, and stamped 'KH' on the footrim.australian studio pottery, ceramics, ken hovenden, teapot

australian studio pottery, ceramics

australian studio pottery, ceramics

Small souvenirs such as plates, cups, mugs, ash trays and jars, showing scenes and buildings in Warrnambool, were first produced in the late 19th century for all towns and cities in Australia and were popular in the early to mid 20th century. They are still produced for tourists today. The Historical Society has several of these souvenir dishes but this is the first souvenir egg cup we have seen. The image of Liebig Street is appropriate as this is the main street in Warrnambool. This souvenir egg cup has no great significance historically but it is representative of the type of souvenir sold to tourists and it is interesting because of its age (1940s). It will be useful for exhibitions.This is a white china egg cup with a coloured image of Liebig Street, WarrnamboolUnder the image – ‘Liebig Street, Warrnambool, Vic.’ On the base – ‘Royal Grafton Bone China, Made in England’ warrnambool, warrnambool souvenirs, liebig street

In the beginning of the19th century, the main mode of transportation was the horse and carriage. Even after the advent of the railway, remote areas still relied on the horse for local transport.Until Australian coachbuilders began making buggies from the 1860s, most were made in America Buggies with four wheels were light but comfortable. Many had hoods to keep the sun and rain off passengers. They were generally owned by doctors, ‘squatters’ and business people. Some had small turn-out seats at the back for children. Lamps are placed at different places on the carriage sides: 1 lamp on each side placed close to box seatThese lanterns are examples of lighting devices used in the time of horse and carriage transport.Two kerosene lanterns - buggy lamps.They are rectangular in shape and have a chimney on top. Both have carrying handles.There are 3 glass windows having two clear white lights and one small red round light on the back. The ceramic burner is made by Barton's.On ceramic wick holder - B in the middle of BARTONS B Underneath is TRADE MARK lighting kerosene-lights buggy-lamps transport lanterns

The fragments appear to be associated with three stoneware vessels, with two at least dating from the nineteenth century. One of the vessels is a late-nineteenth century stoneware ale or stout bottle which survives largely intact except for the base which is broken into three pieces and held together by a band wrapped around the bottle. The upper part of the bottle has a light brown glaze, and interestingly the pale stoneware body is discoloured by ash. The other items in this sub-set; two ceramic fragments from another unidentified vessel and a brown glazed short neck from a third (perhaps an ink bottle), are also fire damaged. -Ceramic Bottle & fragments, ceramic, fire damaged.

Pre egg cartons.Home-made with reused 'crate' wooden panels. Higginson and Hollond families - farmers in the Kiewa Valley. Bogong was a property owned by Kiewa Valley farmers. Dave Gibson worked with the SEC in the early days and married Lois Hollond (Robert and Reg's sister). Lois lives in WodongaOld brown wooden handmade box with two panels joined together on each face (sides, bottom, top). The lid fits inside at the top and has 3 smaller panels nailed on, 2 of which have leather straps nailed on one side of the box and fastened (nailed) to 1 side as a hinge. Inside: the box has 2 wooden vertical panels dividing the box into 3 sectionsTop of the lid in yellow paint "Mr D. Gibson/Bogong" on 1 wooden panel and "Eggs with Care" on smaller panel between the side panelseggs, farming. chooks, kiewa valley, higginson family, hollond family

This ceramic ram was produced to promote or advertise "Thibenzole", a product of Merck, Sharp and Dohme (Australia) Pty Ltd. Thibenzole is an anthelmintic or anti worm drench produced by MSD and launched onto the market in early 1962. It was promoted as being useful against most worm varieties and for being tasteless, odourless and easy to use. Presumably this ceramic ram was used as either a give away by MSD salesmen or as a shop countertop display.Ceramic ram advertising Thibenzole, a sheep drench produced by Merck, Sharp & Dohme (Australia) Pty Ltd, 1962. Ceramic ram advertising Thibenzole, a sheep drench produced by Merck, Sharp & Dohme (Australia) Pty Ltd, 1962. Ceramic ram advertising Thibenzole, a sheep drench produced by Merck, Sharp & Dohme (Australia) Pty Ltd, 1962. Ceramic ram advertising Thibenzole, a sheep drench produced by Merck, Sharp & Dohme (Australia) Pty Ltd, 1962.THIBENZOLE / MSD / THIBENZOLE GUARDIAN OF THE NATIONS SHEEP / CHAMPION / "THIBENZOLE" ANTHELMINTICsheep - parasites sheep drenching, merck, sharp and dohme (australia) pty ltd, thibenzole, sheep - parasites, sheep drenching

Sold by the Bendigo Tramways following its replacement. Larger size for use with a heavier size span or support wire than normally used in tramway overhead. Designed on the basis that in the event the insulator failed or broken, the overhead would still be supported but there would be a loss of insulation.Demonstrates a larger size insulator used on tramway overhead.Insulator - known as an egg type - ceramic - fired clay (porcelain) finished with a brown colour with two holes for span wire with the holes offset to each other.tramways, overhead, trolley wire, span wires, insulators

Small ceramic night light in the shape of a crown resting on a tasselled cushion. White ceramic with gold decorations to crown, rope edge on pillow & tassels. Twin flex power cord with 3 pin Bakelite plug connected to a socket with small globe & inserted into bottom of lamp. Pencil mark underneath 74/5 R067Small ceramic night light in the shape of a crown resting on a tasselled cushion. White ceramic with gold decorations to crown, rope edge on pillow & tassels. Twin flex power cord with 3 pin Bakelite plug connected to a socket with small globe & inserted into bottom of lamp. Pencil mark underneath 74/5 R067lighting, electric, night light