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Bacchus Marsh & District Historical Society
Photograph, Marshall's Blacksmith Shop 1883
This image is one of a series of photographs taken by Melbourne based photographers Stevenson and McNicoll who visited Bacchus Marsh and its nearby districts between September and November 1883. William Marshall opened his new premises in Main Street in June 1869. In the following November he opened a wheelwright shop adjacent to his smithy. Mr T. Carlton was the wheelwright. The Marshall Blacksmith building was located next to the ANA Hall in Main Street. It was demolished in 1910 to make way for a new building known as the Chambers Building. In the nineteenth and early twentieth centuries, the blacksmith played an essential role in the functioning of the whole community. Before the industrialisation of manufacturing, all metal objects, including farm implements, building requirements and domestic utensils were made by hand. As mechanisation of industry increased, the smith commonly performed the role of farrier in the times when horse power was pivotal to all aspects of society. Complementing this work, the forge was often allied with a wheelwright's shop. These premises also acted as a meeting place for the men of the town, where news was shared and friendships forged. Small sepia 'carte de viste' style unframed photograph on card with gold border framing photograph. Housed in the album, 'Photographs of Bacchus Marsh and District in 1883 by Stevenson and McNicoll'. William Marshall opened his new premises in June 1869, and in the following November opened a wheelwright shop adjacent to his smithy. Mr T. Carlton was the wheelwright. Printed On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE. blacksmiths, shops bacchus marsh vic., william marshall 1839-1914 -
Whitehorse Historical Society Inc.
Newspaper - Article, Dr Twiddy retires, 31/03/1998
Dr Kenneth Twiddy retired February 1999 after 45 years working in the Mitcham community. He began his career in 1954 in practice with Dr Threlkheld on the corner of Mitcham Rd and Harrison St Mitcham. 30 years later he moved to a practice in Edward St and retired eventually from Whitehorse Medical Centre. He plans, in retirement, to forge a stronger link with Mitcham R.S.L. and set up a retired practitioners group.doctors, twiddy, kenneth, threlkeld, verner w., dr, mitcham -
Federation University Historical Collection
Booklet, From Academy to University, 2001
Four page signed copy of a booklet concerning the University of Ballarat Art Campus at Camp Street. On back page - "Amidst the fevered atmosphere of multi-cultural settlement and the rush for gold, Ballarat's passion for the arts was born. The founding schools of art have evolved over 130 years to forge a proud identity in the University of Ballarat's 'New School of Arts'. The arts have returned to Camp Street Hill."arts academy, camp street, autographs, david karmouche, kerry cox, pamela davies, rosie mcgregor, tim broome, bill pryor, pater r. wilson, gerry anderson, robert hook, david james, terry lloyd, camp street hill -
Bendigo Historical Society Inc.
Photograph - FORTUNA COLLECTION: PHOTOGRAPH, 09/09/1990
Sepia photograph, head & shoulders, of Thomas Pearce in wood frame with painted gold inner edge. On a label underneath photo : The late Thomas Pearce who designed and hand forged Main Entrance Gates at 'Fortuna'. On a label attached to back of photograph: Presented to Commanding Oficer, Army Survey Regiment Lt-Col R. Van den Tol, by the Grand children of the late Thomas Pearce on the occasion of unveiling of Plaque to his memory. 9th September 1990 -
Kiewa Valley Historical Society
Tuyere Pipe, circa mid to late 1900's
This tuyere (word from French origin) was used by professional blacksmiths and or cattlemen before and during the Kiewa Hydro Electricity Scheme was being constructed. The need to use a furnace or forge in the shaping of metal rods, horse shoes and pipes is both a rural necessity and a construction, on site requirement. The "inventiveness" of cattlemen and construction workers to produce metal objects not available "off the shelf" is one of the inherent traits not only of rural self sufficiency but in the "pioneer" days of rural isolation one of survival.This tuyere is of great significance to the Kiewa Valley and its regions because it highlights one of the greatest strengths of the rural (especially isolated) life and its folk living there, and that is the great human factor of adaptability and survival techniques in sometimes harsh and demanding environmental circumstances. The inventiveness and the attitude, "she'll be right mate", demonstrates life on the land where specialised blacksmith activities can be found in non "professionals" because of the fact that "someone" has to do the job. This is one of the differences between country "rural" life and that found in cities and larger towns.This iron cone shaped tuyere has a small hole (diamenter 25mm) starting within an ever enlarging cone (amplification of the air pressure going through) delivering varying hot or extremely hot air into a furnace or hearth which intensifies the heat to allow the "shaping" of metal objects. The larger "flared" cone extension allows for the directed air to be spread and not concentrated.blacksmith tool, tue, bellows, fashioning metal, forge manufacturing process -
Orbost & District Historical Society
branding iron, late 19th -mid 20th century
Branding irons are used to print a burn an identifying marker on the hide of horses or cattle so that they may be later identified if they become lost or escape from their pasture. The irons were typically forged by blacksmiths using a toolset that included hammers, anvils and chisels. The branding irons were used by heating the end bearing the owner’s initials to a very high temperature in a furnace, and then burnishing it against the skin of the cow. Brands were registered with state governments as unique marks. This allowed for a state registry to be maintained. This is an example of an implement used locally in the livestock industry.A branding iron with letter R on circular end. Handle loop is oval shaped. It has been painted blue to half way.branding-iron rural-industry -
Orbost & District Historical Society
branding iron
Branding irons are used to print a burn an identifying marker on the hide of horses or cattle so that they may be later identified if they become lost or escape from their pasture. The irons were typically forged by blacksmiths using a toolset that included hammers, anvils and chisels. The branding irons were used by heating the end bearing the owner’s initials to a very high temperature in a furnace, and then burnishing it against the skin of the cow. Brands were registered with state governments as unique marks. This allowed for a state registry to be maintained. This item is an example of a common implement used in the livestock industry in Orbodt.A long-handled branding iron with an S or 2 on the end. There is a loop at the top for hanging.branding-iron rural livestock-industry -
Flagstaff Hill Maritime Museum and Village
Tool - Spliceing Tool, ca. mid-20th century
This splicing tool is handmade on a forge. It is used for splicing in fibre and wire rope work to form a semi-permanent joint between two ropes, or parts of the same rope or steel cable. The rope is partly untwisted and then the strands are interwoven. Splices can be used to form a stopper at the end of a line, to form a loop or an eye in a rope, or to join two ropes together. Splices are preferred to knotted rope; a knot typically can reduce the strength by 20–40%, but a splice is capable of attaining a rope's full strength. This homemade, handmade splicer is an example of a tool used to splice a cable or rope, a craft that was in much need onboard a sailing ship. Splicing tool; a spike on one end and a flat blade on the other, with goose-neck centre for leverage. Handmade.warrnambool, shipwreck coast, flagstaff hill, flagstaff hill maritime museum, flagstaff hill maritime village, splicing tool, rope work, rope strands, knot making, netting, net making, sailmaker's tool -
Mont De Lancey
Tool - Mortising Axe, Robert Sorby, Unknown
Used in the late 19th century.A forged steel narrow headed mortising axe with a long wooden handle. It was used in the construction of post and rail fences where it could be used to chip out small pieces in the wood. It has Rob.Sorby Sheffield and Steel Pod stamped on the head with a kangaroo design. The company have been manufacturing 'edge tools' for more than 200 years. They adopted the kangaroo brand in the early 1800's when the new colony of Australia was a big market for their tools. It was used in the late 19th century.Rob.Sorby Sheffield. Steel Pod with a kangaroo design is stamped on the head.axes, cutting tools, hand axes, froes, woodworking tools, cleaving tools -
Greensborough Historical Society
Photograph - Digital Image, Homefront: Justin the Tracker Dog, 11/07/2018
"Homefront" is the name of the group of chainsaw statues in Greensborough's War Memorial Park. Banyule Council initiated the project. The sculptures were designed by Amanda Gibson, carved by Hikaru Kodama and Leigh Conkie. This sculpture 'Justin the Tracker Dog" represents the 11 tracker dogs in the Vietnam War. The names of all dogs are on the base of the statue. All dogs were black Labradors rescued from Sydney pounds and named after Roman emperors. Justin was carved by Leigh Conkie. Stainless steel collar forged by Roland Dannenhauer. The Homefront project replaces Leigh Conkie's original chainsaw sculptures in War Memorial Park.Digital copy of colour photographsgreensborough war memorial park, war memorials, homefront project -
Orbost & District Historical Society
branding iron, Late 19th -mid 20th century
Branding irons are used to print a burn an identifying marker on the hide of horses or cattle so that they may be later identified if they become lost or escape from their pasture. The irons were typically forged by blacksmiths using a toolset that included hammers, anvils and chisels. The branding irons were used by heating the end bearing the owner’s initials to a very high temperature in a furnace, and then burnishing it against the skin of the cow. Brands were registered with state governments as unique marks. This allowed for a state registry to be maintained. This item was used in Orbost in the livestock industry.This item is an example of an implement once used in the livestock industry in Orbost.A branding iron with the letter W on the end. It has a long iron handle with a ring grip at the top.branding-iron rural-industry -
Orbost & District Historical Society
branding iron, late 19th -mid 20th century
Branding irons are used to print a burn an identifying marker on the hide of horses or cattle so that they may be later identified if they become lost or escape from their pasture. The irons were typically forged by blacksmiths using a toolset that included hammers, anvils and chisels. The branding irons were used by heating the end bearing the owner’s initials to a very high temperature in a furnace, and then burnishing it against the skin of the cow. Brands were registered with state governments as unique marks. This allowed for a state registry to be maintained. This item was used in Orbost in the livestock industry.This item is an example of a common implement used in rural industry in Orbost.A branding iron with the letter J on the end. It has a long handle with a ring grip at the top.branding-iron livestock-industry rural-industry -
Orbost & District Historical Society
branding iron, Late 19th century - mid 20th century
Branding irons are used to print a burn an identifying marker on the hide of horses or cattle so that they may be later identified if they become lost or escape from their pasture. The irons were typically forged by blacksmiths using a toolset that included hammers, anvils and chisels. The branding irons were used by heating the end bearing the owner’s initials to a very high temperature in a furnace, and then burnishing it against the skin of the cow. Brands were registered with state governments as unique marks. This allowed for a state registry to be maintained. This branding iron was used in Orbost. This item is an example of an implement commonly used in the livestock industry in Orbost.A long-handled branding iron with J H at the end. There is a hanging loop at the top.branding-iron rural livestock-industry -
Mont De Lancey
Tool - Chain Pipe Wrench, J.H Williams and Co, Late 19th century
A tool used in the early 20th Century.A two piece metal wrench with an adjustable chain that is used to tighten around metal objects. It has a double triangular pointed grooved jaw grip, a handle and chain attached. They provide safe, reliable and powerful torque. The dual reversible jaws allow ratchet action in both directions without removing the chain wrench from the pipe.Stamped on the handle - Drop forged from bar steel by J.H. Williams & Co, Brooklyn, NY. On a grip jaw at the top is stamped - No 1, 'W' in a triangle shape, Patented Oct.4 '81, Dec.13 '81, Mar. 14 '82, Sep.25 '83, Feb.14 '88 and Brook Chain Wrench at the bottom.tools, equipment, hand tools, wrenches, steel -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Manufactured Object, stainless steel razor blade holder, c1950
King Camp Gillette observed in 1902 that as existing, relatively expensive, razor blades dulled quickly and needed continuous sharpening, a razor whose blade could be thrown away when it dulled would meet a real need and likely be profitable. Gillette's innovation was the thin, inexpensive, disposable blade of stamped steel. Safety razors had been developed in the mid-19th century, but still used a forged blade that dulled and rusted.. Gillette's safety razor was expensive but lasted many years and the convenience of inexpensive disposable sharp blades was very profitable for Gillette.Throughout the 20thC most men used a safety razor with disposable stainless steel razor blades to shave their beards prior to the introduction of affordable electric razors in 1960's.A two piece stainless steel razor blade holder. The base has a round hole to safely push blade with fingertip and the lid has side finger grooves to aid opening. Contains unused 'CLUB' razor blade in paper packet, 2 used Wilkinson Sword razor blades and 2 Gillette Blades on razor blade 'CLUB', WILKINSON SWORD ; GILLETTEshaving equipment, safety razors, gillette king, proctor & gamble, club razor blades pty ltd melbourne, wilkinson sword pty ltd england, moorabbin, bentleigh, cheltenham, -
Whittlesea Historical Society Inc.
Photograph, Maureen Doyle, Epping Catholic School
This colour photograph, along with 12 others, was taken of the former Catholic Denominational School No. 238 (now a residence) in Coulstock Street, Epping. The remains of Mr. Ryan's blacksmith forge are at the rear of the building. The building was for sale by auction when these photographs were taken. The exact date of construction of the bluestone school building is not known but was possibly during the 1860’s, after construction of St. Peter’s Catholic Church nearby. In 1934 a new primary school was built alongside St. Peters Church in Wedge Street and the bluestone school building sold to the Worn family and converted into a residence. Historical building of the City of Whittlesea.Colour photograph printed on Kodak Paper, photo 2 of 13.Annotation reverse: loungeepping, bluestone house, catholic denominational school no. 238, coulstock street epping, st peter's catholic school epping, ryan's blacksmith forge -
Whittlesea Historical Society Inc.
Photograph, Maureen Doyle, Epping Catholic School
This colour photograph, along with 12 others, was taken of the former Catholic Denominational School No. 238 (now a residence) in Coulstock Street, Epping. The remains of Mr. Ryan's blacksmith forge are at the rear of the building. The building was for sale by auction when these photographs were taken. The exact date of construction of the bluestone school building is not known but was possibly during the 1860’s, after construction of St. Peter’s Catholic Church nearby. In 1934 a new primary school was built alongside St. Peters Church in Wedge Street and the bluestone school building sold to the Worn family and converted into a residence. Historical building of the City of Whittlesea.Colour photograph printed on Kodak Paper, photo 3 of 13.epping, bluestone house, catholic denominational school no. 238, coulstock street epping, st peter's catholic school epping, ryan's blacksmith forge -
Whittlesea Historical Society Inc.
Photograph, Maureen Doyle, Epping Catholic School
This colour photograph, along with 12 others, was taken of the former Catholic Denominational School No. 238 (now a residence) in Coulstock Street, Epping. The remains of Mr. Ryan's blacksmith forge are at the rear of the building. The building was for sale by auction when these photographs were taken. The exact date of construction of the bluestone school building is not known but was possibly during the 1860’s, after construction of St. Peter’s Catholic Church nearby. In 1934 a new primary school was built alongside St. Peters Church in Wedge Street and the bluestone school building sold to the Worn family and converted into a residence. Historical building of the City of Whittlesea.Colour photograph printed on Kodak Paper, photo 4 of 13.epping, bluestone house, catholic denominational school no. 238, coulstock street epping, st peter's catholic school epping, ryan's blacksmith forge -
Whittlesea Historical Society Inc.
Photograph, Maureen Doyle, Epping Catholic School
This colour photograph, along with 12 others, was taken of the former Catholic Denominational School No. 238 (now a residence) in Coulstock Street, Epping. The remains of Mr. Ryan's blacksmith forge are at the rear of the building. The building was for sale by auction when these photographs were taken. The exact date of construction of the bluestone school building is not known but was possibly during the 1860’s, after construction of St. Peter’s Catholic Church nearby. In 1934 a new primary school was built alongside St. Peters Church in Wedge Street and the bluestone school building sold to the Worn family and converted into a residence. Historical building of the City of Whittlesea.Colour photograph printed on Kodak Paper, photo 5 of 13.Annotation reverse: Gwen Hawke school house.epping, bluestone house, catholic denominational school no. 238, coulstock street epping, st peter's catholic school epping, ryan's blacksmith forge -
Whittlesea Historical Society Inc.
Photograph, Maureen Doyle, Epping Catholic School
This colour photograph, along with 12 others, was taken of the former Catholic Denominational School No. 238 (now a residence) in Coulstock Street, Epping. The remains of Mr. Ryan's blacksmith forge are at the rear of the building. The building was for sale by auction when these photographs were taken. The exact date of construction of the bluestone school building is not known but was possibly during the 1860’s, after construction of St. Peter’s Catholic Church nearby. In 1934 a new primary school was built alongside St. Peters Church in Wedge Street and the bluestone school building sold to the Worn family and converted into a residence. Historical building of the City of Whittlesea.Colour photograph printed on Kodak Paper, photo 6 of 13.Annotation reverse: doorway.epping, bluestone house, catholic denominational school no. 238, coulstock street epping, st peter's catholic school epping, ryan's blacksmith forge, gwen hawke -
Whittlesea Historical Society Inc.
Photograph, Maureen Doyle, Epping Catholic School
This colour photograph, along with 12 others, was taken of the former Catholic Denominational School No. 238 (now a residence) in Coulstock Street, Epping. The remains of Mr. Ryan's blacksmith forge are at the rear of the building. The building was for sale by auction when these photographs were taken. The exact date of construction of the bluestone school building is not known but was possibly during the 1860’s, after construction of St. Peter’s Catholic Church nearby. In 1934 a new primary school was built alongside St. Peters Church in Wedge Street and the bluestone school building sold to the Worn family and converted into a residence. Historical building of the City of Whittlesea.Colour photograph printed on Kodak Paper, photo 7 of 13.epping, bluestone house, catholic denominational school no. 238, coulstock street epping, st peter's catholic school epping, ryan's blacksmith forge, gwen hawke -
Whittlesea Historical Society Inc.
Photograph, Maureen Doyle, Epping Catholic School
This colour photograph, along with 12 others, was taken of the former Catholic Denominational School No. 238 (now a residence) in Coulstock Street, Epping. The remains of Mr. Ryan's blacksmith forge are at the rear of the building. The building was for sale by auction when these photographs were taken. The exact date of construction of the bluestone school building is not known but was possibly during the 1860’s, after construction of St. Peter’s Catholic Church nearby. In 1934 a new primary school was built alongside St. Peters Church in Wedge Street and the bluestone school building sold to the Worn family and converted into a residence. Historical building of the City of Whittlesea.Colour photograph printed on Kodak Paper, photo 8 of 13.Annotation reverse: Gwen Hawke Len Paulka timber saw.epping, bluestone house, catholic denominational school no. 238, coulstock street epping, st peter's catholic school epping, ryan's blacksmith forge, gwen hawke, len paulka -
Whittlesea Historical Society Inc.
Photograph, Maureen Doyle, Epping Catholic School
This colour photograph, along with 12 others, was taken of the former Catholic Denominational School No. 238 (now a residence) in Coulstock Street, Epping. The remains of Mr. Ryan's blacksmith forge are at the rear of the building. The building was for sale by auction when these photographs were taken. The exact date of construction of the bluestone school building is not known but was possibly during the 1860’s, after construction of St. Peter’s Catholic Church nearby. In 1934 a new primary school was built alongside St. Peters Church in Wedge Street and the bluestone school building sold to the Worn family and converted into a residence. Historical building of the City of Whittlesea.Colour photograph printed on Kodak Paper, photo 10 of 13.Annotation reverse: beehive water well Gwen Hawke Len Paulka.epping, bluestone house, catholic denominational school no. 238, coulstock street epping, st peter's catholic school epping, ryan's blacksmith forge, gwen hawke, len paulka -
Whittlesea Historical Society Inc.
Photograph, Maureen Doyle, Epping Catholic School
This colour photograph, along with 12 others, was taken of the former Catholic Denominational School No. 238 (now a residence) in Coulstock Street, Epping. The remains of Mr. Ryan's blacksmith forge are at the rear of the building. The building was for sale by auction when these photographs were taken. The exact date of construction of the bluestone school building is not known but was possibly during the 1860’s, after construction of St. Peter’s Catholic Church nearby. In 1934 a new primary school was built alongside St. Peters Church in Wedge Street and the bluestone school building sold to the Worn family and converted into a residence. Historical building of the City of Whittlesea.Colour photograph printed on Kodak Paper, photo 11 of 13.Annotation reverse: kitchen.epping, bluestone house, catholic denominational school no. 238, coulstock street epping, st peter's catholic school epping, ryan's blacksmith forge, gwen hawke, len paulka -
Whittlesea Historical Society Inc.
Photograph, Maureen Doyle, Epping Catholic School
This colour photograph, along with 12 others, was taken of the former Catholic Denominational School No. 238 (now a residence) in Coulstock Street, Epping. The remains of Mr. Ryan's blacksmith forge are at the rear of the building. The building was for sale by auction when these photographs were taken. The exact date of construction of the bluestone school building is not known but was possibly during the 1860’s, after construction of St. Peter’s Catholic Church nearby. In 1934 a new primary school was built alongside St. Peters Church in Wedge Street and the bluestone school building sold to the Worn family and converted into a residence. Historical building of the City of Whittlesea.Colour photograph printed on Kodak Paper, photo 12 of 13.epping, bluestone house, catholic denominational school no. 238, coulstock street epping, st peter's catholic school epping, ryan's blacksmith forge, gwen hawke, len paulka -
Whittlesea Historical Society Inc.
Photograph, Maureen Doyle, Epping Catholic School
This colour photograph, along with 12 others, was taken of the former Catholic Denominational School No. 238 (now a residence) in Coulstock Street, Epping. The remains of Mr. Ryan's blacksmith forge are at the rear of the building. The building was for sale by auction when these photographs were taken. The exact date of construction of the bluestone school building is not known but was possibly during the 1860’s, after construction of St. Peter’s Catholic Church nearby. In 1934 a new primary school was built alongside St. Peters Church in Wedge Street and the bluestone school building sold to the Worn family and converted into a residence. Historical building of the City of Whittlesea.Colour photograph printed on Kodak Paper, photo 13 of 13.Annotation reverse: stone step of the schoolepping, bluestone house, catholic denominational school no. 238, coulstock street epping, st peter's catholic school epping, ryan's blacksmith forge, gwen hawke, len paulka -
Mission to Seafarers Victoria
Photograph - Framed montage, Arthouse - Picture Framing & Gallery, Thou of Little Faith, 2013
A KEY MELBOURNE LANDMARK Although primarily dedicated to providing for the welfare of visitors from abroad, the Mission has always been a community-based organisation, and its doors are always open to the general public. Today, the Flinders Street complex lends its ample space to a variety of community pursuits – including yoga classes, religious sermons and gallery exhibitions. The Mission also continues as a popular venue for weddings and other social events, mainly due to the endearing historical connections and unique architecture and ambience. It is a distinctive and significant feature of Melbourne’s riverside streetscape. This window, titled ‘Thou of Little Faith’ is part of a pair that were installed at around the time the Mission was built in 1917. It is dedicated to a prominent family member of the ‘Forges of Footscray’ store fame, who were great supporters of the Mission’s work.Reflections of the Sea was an exhibition of 10 framed montage of photographs from the mission's archive collection showcasing 10 stained glass windows from the St Peter chapel. This exhibition curated by Georgia Melville and Catherine McLay, and funded by PROV and Creative Victoria, was displayed in the World Trade Centre Wharf Gallery in June July 2013 and toured to Queenscliff Maritime Museum. The photographs of the windows were taken by scientific photographer Justine M. Philip. This frame is showcasing the window in memry of James Leslie Forge, a photograph during a service in the chapel and a wedding photograph.Framed and mounted on black cardboard of black and white and colour reproductions from the MTSV collection for the exhibition Reflections of the Sea with brief label signageon label: ABOVE RIGHT: Sunday services in St Peter the Mariner's chapel, attended by seafarers and the public, circa 1950s BELOW RIGHT: Mr and Mrs Lee under the arches after their wedding at the Mission on May 1st, 1967reflections of the sea, georgia melville, exhibition, 2013, world trade centre, wtc, creative victoria, prov, mission to seafarers, stained glass windows, justine m. philip, flinders street, james leslie forge, weddings, service, chapel of saint peter, catherine mclay, arthouse -
Flagstaff Hill Maritime Museum and Village
Equipment - Boat hook head, before 1977
This boat hook head is in very good condition and has been manufactured. It would be attached to a pole or handle to give it a long reach. A boat hook is a common piece of marine equipment and many have been made by boat owners to suit their own purpose. They would also have been forged byblacksmiths and shipsmiths and have been available from ship's chandlers over the centuries. A boat hook can be used for many situations such as catching mooring ropes and chains, reaching rigging, pulling things or people out of the water, and a variety of fishing applications.This boat hook head is an example of equipment carried on vessels over hundreds of years for safety purposes and for general applications. Marine boat hook head, all brass. The body is a conical shape with a pointed end and curved, horn-shaped hook moulded into the side. The body is hollow until it reaches the hook's height. A screw hole is close to the base, in line with the hook.flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, boat hook, marine, fishing, boating, equipment, boat hook head, rigging, safety equipment -
Mont De Lancey
Tool - Bill Hook, Unknown
Used in the 19th centuryA bill hook or axe-handled slasher which is an axe-handled forged metal blade with a strong curved sharp axe like edge and a straight secondary edge on the back. It has a broken wooden handle with steel or a tang which passed through the handle if it were still attached. There is stamped on the blade near the handle join - '2'. The original finish of the blade would have been, 'Japanned' which is baked black enamel. It was used to cut back scrub, small trees and woody vegetation in the 19th century.'2' stamped on the blade near where it joins the handle.slashers, cutting tools, bill hook slasher, gardening tools, agricultural tools -
Ballarat Heritage Services
Tool - Object, Oriental Box Bellows
Japanese style box bellows (fukisashi/吹差鞴) reached their current and finalized form by about the sixth century. They are constructed almost entirely of wood and allow a smith to supply a highly controlled air blast to the forge by pulling and pushing the handle slowly back and forth. Using dual chambers and two sets of valves, the air is supplied on both the push and the pull stroke, and the blast may be highly intensified or stopped in an instant as needed by the smith.(http://islandblacksmith.ca/2015/06/why-you-need-a-swordsmiths-fuigo-box-bellows/, accessed 18 February 2018)Timber box with handle on the side which pulls out.fuigo bellows, japanese, bellows, fukisashi bellows, oriental box bellows, pump