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Port Melbourne Historical & Preservation Society
Photograph - Six women in 'rainbow' costumes related to a Swallow and Ariell Busy Bee event, 1914 - 1920
This could be the "Rainbow" set from a Swallow & Ariell's "Busy Bee" novelty night. The novelty nights held on 11 June 1915 and 30 June 1916 both included a "Rainbow" set and the set attending the 1915 event are identified as Misses D Ogelby, M Williams, E Carley, V Bowen, N Petersen and L Ogelby. 11 June 1915 - http://nla.gov.au/nla.news-article91164843 30 June 1916 - http://nla.gov.au/nla.news-article91165168One of 44 black and white photos recording the work and contribution by Swallow & Ariell's "Busy Bee" for the First World War in Europe .36 - Six women in identical 'rainbow' costumes in front of theatrical backdrop.built environment - industrial, business and traders, war - world war i, social activities, busy bee, swallow & ariell ltd, red cross -
Port Melbourne Historical & Preservation Society
Photograph - Woman in a Japanese kimono related to a Swallow and Ariell Busy Bee event, 1914 - 1920
Possibly, Miss Vivien Pannan who dressed as 'Japan' at the novelty night held on 30 June 1916. The background looks the same as the "Hard Up Wedding" backdrop (.34) http://nla.gov.au/nla.news-article91165168One of 44 black and white photos recording the work and contribution by Swallow & Ariell's "Busy Bee" for the First World War in Europe .37 - Woman in Japanese kimono and holding a parasol above her head, standing in front of theatrical backdrop.built environment - industrial, business and traders, war - world war i, social activities, busy bee, swallow & ariell ltd, red cross -
Port Melbourne Historical & Preservation Society
Photograph - Audience, Swallow and Ariell Bust Bee event, 1914 - 1920
This may be the Swallow & Ariell's "Busy Bee" Novelty Night at South Melbourne Town Hall, Friday 30 June 1916. 1916 '"NOVELTY NIGHT."', Port Melbourne Standard (Vic. : 1914 - 1920), 8 July, p. 3., viewed 21 Oct 2020, http://nla.gov.au/nla.news-article91165168One of 44 black and white photos recording the work and contribution by Swallow & Ariell's "Busy Bee" for the First World War in Europe .38 - Probably the same social event as (.33) to (.37) taken from the rear of the hall towards the stage . Many of the audience are in fancy dress.built environment - industrial, business and traders, war - world war i, social activities, busy bee, swallow & ariell ltd, red cross -
Port Melbourne Historical & Preservation Society
Photograph - Woman in 'Australian' fancy dress related to a Swallow and Ariell Busy Bee event, 1914 - 1920
Probably from a "Busy Bee" novelty night like those held on 11 June 1915 (http://nla.gov.au/nla.news-article91164843) and 30 June 1916 (http://nla.gov.au/nla.news-article91165168).One of 44 black and white photos recording the work and contribution by Swallow & Ariell's "Busy Bee" for the First World War in Europe .39 - Woman in fancy dress based on an Australian flag and wearing a head dress of an Australian map with "Busy Bee's" and a bee hive emblazoned.built environment - industrial, business and traders, war - world war i, social activities, busy bee, swallow & ariell ltd, red cross -
Port Melbourne Historical & Preservation Society
Photograph - Swallow & Ariell Busy Bee Baby Garment Stall, 1914 - 1920
One of 44 black and white photos recording the work and contribution by Swallow & Ariell's "Busy Bee" for the First World War in Europe .42 - Swallow & Ariell's "Busy Bee" Baby Garment Stall created as a giant pram.built environment - industrial, business and traders, war - world war i, social activities, busy bee, swallow & ariell ltd, red cross -
Port Melbourne Historical & Preservation Society
Photograph - S&A emplloyee carrying a biscuit tin as a makeshift drum, 1914 - 1920
One of 44 black and white photos recording the work and contribution by Swallow & Ariell's "Busy Bee" for the First World War in Europe .43 - Man carrying a tin, which looks like it is beaten to attract attention, in front of horse drawn cart loaded with people carrying Australian flags.built environment - industrial, business and traders, war - world war i, social activities, busy bee, swallow & ariell ltd, red cross -
Port Melbourne Historical & Preservation Society
Photograph - Crowd outside Swallow & Ariell offices, 1914 - 1920
One of 44 black and white photos recording the work and contribution by Swallow & Ariell's "Busy Bee" for the First World War in Europe .44 - crowd outside Swallow & Ariell's offices. Swallow & Ariell's carts used for carrying peoplebuilt environment - industrial, business and traders, war - world war i, social activities, busy bee, swallow & ariell ltd, red cross -
Ballaarat Mechanics' Institute (BMI Ballarat)
George Richmond in Hames and Woodward
This photograph is held in the Ballaarat Mechanics' Institute Audio Visual Collection. Please contact BMI for all print and usage inquiries. BMI librarian Rosemary McInerney's father George Richmond ran this furnitue business on Armstrong St Nth. Here are his reminiscences of that shoppping area from The Courier March 1st 1978 THE GOOD OLD DAYS IN ARMSTRONG ST. NORTH Mr George Richmond began work in Armstrong street north as a lad in knickerbockers in 1926. He started with Hames and Woodward, a piano, music and record shop, which he took over when both Hames and Woodward died during the war. Mr Richmond was guest speaker at an informal dinner of the Armstrong St North Traders Association held at the Victoria Hotel on Monday night. At the meeting he was made a life member of the association, with which he had been involved since its inception in 1930. “I can remember when a man on a bicycle with a little ladder on his backrode up the street with a long stick and turned on the gas lights under the verandahs,” he said. “It was around that time when there used to be a little man with a broom walking up and down the street, sweeping away what was left behind by horses. “There also used to be a bellringer who would walk up and down Armstrong street announcing a sale in a shop. He used to have a tall black hat, a large black frock coat and had a large mustache.” “Up to 1936, there used to be regular visits by street musicians, who were usually good for a few laughs.” “The last musicians to come through were an Italian trio, who were very good.” Mr Richmond said the depression was a sad time for Armstrong street. “A lot of people had to put their properties up for sale, because not many people could afford to buy things like records then,” he said. Mr Richmond said Fridays were very busy then as it was market day for hundreds of farmers in the area. “The hotels put on extra groomsmen for the stables, and standing in the store I could smell the beer and tobacco drifting down from the hotels.”ballarat, hames, woodward, furniture, richmond, armstrong st nth, shop -
Ballaarat Mechanics' Institute (BMI Ballarat)
Hames and Woodward Pty Ltd
This photograph is held in the Ballaarat Mechanics' Institute Audio Visual Collection. Please contact BMI for all print and usage inquiries. BMI librarian Rosemary McInerney's father George Richmond ran this furnitue business on Armstrong St Nth. Here are his reminiscences of that shoppping area from The Courier March 1st 1978 THE GOOD OLD DAYS IN ARMSTRONG ST. NORTH Mr George Richmond began work in Armstrong street north as a lad in knickerbockers in 1926. He started with Hames and Woodward, a piano, music and record shop, which he took over when both Hames and Woodward died during the war. Mr Richmond was guest speaker at an informal dinner of the Armstrong St North Traders Association held at the Victoria Hotel on Monday night. At the meeting he was made a life member of the association, with which he had been involved since its inception in 1930. “I can remember when a man on a bicycle with a little ladder on his backrode up the street with a long stick and turned on the gas lights under the verandahs,” he said. “It was around that time when there used to be a little man with a broom walking up and down the street, sweeping away what was left behind by horses. “There also used to be a bellringer who would walk up and down Armstrong street announcing a sale in a shop. He used to have a tall black hat, a large black frock coat and had a large mustache.” “Up to 1936, there used to be regular visits by street musicians, who were usually good for a few laughs.” “The last musicians to come through were an Italian trio, who were very good.” Mr Richmond said the depression was a sad time for Armstrong street. “A lot of people had to put their properties up for sale, because not many people could afford to buy things like records then,” he said. Mr Richmond said Fridays were very busy then as it was market day for hundreds of farmers in the area. “The hotels put on extra groomsmen for the stables, and standing in the store I could smell the beer and tobacco drifting down from the hotels.”ballarat, hames, woodward, furniture, richmond, armstrong st nth, shop, street, night -
Ballaarat Mechanics' Institute (BMI Ballarat)
Hames and Woodward window Armstrong St Nth
This photograph is held in the Ballaarat Mechanics' Institute Audio Visual Collection. Please contact BMI for all print and usage inquiries. BMI librarian Rosemary McInerney's father George Richmond ran this furnitue business on Armstrong St Nth. Here are his reminiscences of that shoppping area from The Courier March 1st 1978 THE GOOD OLD DAYS IN ARMSTRONG ST. NORTH Mr George Richmond began work in Armstrong street north as a lad in knickerbockers in 1926. He started with Hames and Woodward, a piano, music and record shop, which he took over when both Hames and Woodward died during the war. Mr Richmond was guest speaker at an informal dinner of the Armstrong St North Traders Association held at the Victoria Hotel on Monday night. At the meeting he was made a life member of the association, with which he had been involved since its inception in 1930. “I can remember when a man on a bicycle with a little ladder on his backrode up the street with a long stick and turned on the gas lights under the verandahs,” he said. “It was around that time when there used to be a little man with a broom walking up and down the street, sweeping away what was left behind by horses. “There also used to be a bellringer who would walk up and down Armstrong street announcing a sale in a shop. He used to have a tall black hat, a large black frock coat and had a large mustache.” “Up to 1936, there used to be regular visits by street musicians, who were usually good for a few laughs.” “The last musicians to come through were an Italian trio, who were very good.” Mr Richmond said the depression was a sad time for Armstrong street. “A lot of people had to put their properties up for sale, because not many people could afford to buy things like records then,” he said. Mr Richmond said Fridays were very busy then as it was market day for hundreds of farmers in the area. “The hotels put on extra groomsmen for the stables, and standing in the store I could smell the beer and tobacco drifting down from the hotels.” -
Ballaarat Mechanics' Institute (BMI Ballarat)
Hames and Woodward
This photograph is held in the Ballaarat Mechanics' Institute Audio Visual Collection. Please contact BMI for all print and usage inquiries. BMI librarian Rosemary McInerney's father George Richmond ran this furnitue business on Armstrong St Nth. Here are his reminiscences of that shoppping area from The Courier March 1st 1978 THE GOOD OLD DAYS IN ARMSTRONG ST. NORTH Mr George Richmond began work in Armstrong street north as a lad in knickerbockers in 1926. He started with Hames and Woodward, a piano, music and record shop, which he took over when both Hames and Woodward died during the war. Mr Richmond was guest speaker at an informal dinner of the Armstrong St North Traders Association held at the Victoria Hotel on Monday night. At the meeting he was made a life member of the association, with which he had been involved since its inception in 1930. “I can remember when a man on a bicycle with a little ladder on his backrode up the street with a long stick and turned on the gas lights under the verandahs,” he said. “It was around that time when there used to be a little man with a broom walking up and down the street, sweeping away what was left behind by horses. “There also used to be a bellringer who would walk up and down Armstrong street announcing a sale in a shop. He used to have a tall black hat, a large black frock coat and had a large mustache.” “Up to 1936, there used to be regular visits by street musicians, who were usually good for a few laughs.” “The last musicians to come through were an Italian trio, who were very good.” Mr Richmond said the depression was a sad time for Armstrong street. “A lot of people had to put their properties up for sale, because not many people could afford to buy things like records then,” he said. Mr Richmond said Fridays were very busy then as it was market day for hundreds of farmers in the area. “The hotels put on extra groomsmen for the stables, and standing in the store I could smell the beer and tobacco drifting down from the hotels.”ballarat, hames, woodward, furniture, richmond, armstrong st nth, shop -
Port Melbourne Historical & Preservation Society
Document - Photocopy, Supplement, The Argus re Missions to Seamen, Glen Stuart, Jul 1997
Photocopy of two page supplement to the Argus newspaper, covering the work carried out by the Victorian Missions to Seamen and the Mission at Port Melbourne. Dated 19 March 1938. Oliver, Rev. Frank L. (Chaplain Sup. of Missions to Seamen)mission to seamen, c g lavender, alfred michael nicholas, frank i oliver -
Port Melbourne Historical & Preservation Society
Document - Photocopy, Town Clerk's list of sustenance labourers working on Fishermen's Bend, Sydney Sims Anderson, Town Clerk, c. 1931
Copied for us by Tom Hills (Central Unemployed Committee president in the 1930s), from either the original or a copy thereof which was in his possession.Photocopy of Town Clerk's list of sustenance labourers drafted for work at Fishermen's Bend. c1931 (undated)depression, fishermans bend, societies clubs unions and other organisations, tom hills, a l baird, g beaton, g w barfoot, h biggs, r j bailey, v w broad, f e brown, f cadden, j v w cann, j carter, f cassidy, l w casey, d christian, c m clarke, c a cormick, p cummins, m daley, r dagleish, t darcy, w j evans, j edwards, r fennessy, d forbes, l w fraser, f gath, w gundry, l harcourt, p helme, j c hess, i t irwin, j h jenkins, e r jensen, j w johnson, w h johnson, c e kelly, w kilpatrick, a lawrence, a w leo, a r miller, e j moffitt, a montague, w moody, p w mossenton ?, t moyle, w mckenzie, j c nicholls, c nuttall, a offord, j j owen, a r palmer, c rasmussen, w o seivers, s sleaton, j w smith, s snowden, t spratt, a c stubbs, f a voges -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Framed photograph of Professor Gilbert Strachan
Gilbert Innes Strachan (1888-1963) was educated in Glasgow and Bristol. He was a fluent lecturer and a stimulating and dogmatic teacher. Strachan was a founding member of RCOG (London) and served on its Council from 1929- 1955. He was one of the pioneers of the use of radium in treating uterine cancer, receiving a CBE in 1953 for his work in this area. Professor Strachan donated a coat of arms to the Australian RCOG during a visit (pre- 1963). Professor Strachan died at his home in Cathedral Road, London on December 9, 1963, following a short illness. He was 75.Framed black and white photograph. The photograph is a side-on portrait photograph of Professor Gilbert Strachan, a white haired man with steel-rimmed spectacles, a dark suit, and a white shirt. Label on back of frame reads 'Professor Gilbert I Strachan CBE LID'. Frame is made of gold coloured metal and carries a simple wave pattern. The back of the photo is secured by a piece of orange and cream patterned chipboard, held in place by eleven small photograph tacks.Professor Gilbert I Strachan CBE LIDrcog -
Australian Gliding Museum
Machine - Glider – Sailplane, Construction completed 1952
This unique aircraft was conceived in 1943 as a two seat trainer. A very large part of the design work can be attributed to Jock Barratt and Harold Bradley. The general layout adopted is similar to the Kite I and Kite II single seat sailplanes of Martin Warner and Allan Campbell. Having regard to this heritage, the glider was originally named Kite III but renamed Pelican 2, perhaps because it was the second two seat training glider built by the Waikerie Gliding Club – the first being the Pelican, a reconfigured Pratt Utility glider. Pelican 2 was first flown in 1952 and regularly since then, at least until about 1992. The Pelican 2’s performance was found to be very good for sailplanes of its era and was often used for more advanced flying in addition to training new pilots. Very few changes have been made to the Pelican 2 over the years. The undercarriage was modified after its initial testing to improve the placement of the wheels. The trailing edge of the rudder (originally straight) was rounded adding to the surface area. The twin shoulder tow line bridles were replaced with a belly hook when aviation design rules declared shoulder bridles dangerous and a nose hook has since been added to allow for aero-towing. A unique home grown sailplane design associated with Australian gliding pioneers Wooden 2 seat glider sailplane with fabric covering. Distinctive features include the pod and boom fuselage with side by side seating for pilot and a second person. The canopy of perspex supported by aluminum framing opens with port and starboard segments separately folding upwards and forward. The instrument panel includes altimeter, airspeed indicator, slip indicator and variometers. In addition to the usual controls, there is a trim operated by a small wheel mounted centrally, at head height, on the bulkhead at the rear of the cockpit. Incorporated in the skid under the fuselage pod are two wheels (one approximately midships and the other at the rear end). It has a three piece cantilever wing of approximately nearly 17 metres. The ailerons run almost full length of the outer wing segments. A Gottingen 426 section has been used changing to M6 at the tips. Outer wing segments are joined to the centre section to give about 300 mm of dihedral at the tips. The glider is equipped with airbrakes. The colour scheme consists of orange fuselage with black nose and skid. The tailplane / elevator and rudder are painted white. The wing is predominantly white with an orange leading edge. Registration VH-GFY On each side of rudder – “Pelican II” in black lettering on a rectangle of silver On each side of fuselage pod the letters ‘FY’ On each side of the fuselage, below the edge of the cockpit opening – “WAIKERIE” in black paint. australian gliding, glider, sailplane, kite, pelican, waikerie gliding club, jock barratt, harold bradley, martin warner, allan campbell -
Port Melbourne Historical & Preservation Society
Photograph - Baby & Infant Garments, WWI donations to the French Society, Swallow & Ariell Busy Bee, 1914 - 1920
One of 44 black and white photos recording the work and contribution by Swallow & Ariell's "Busy Bee" for the First World War in Europe .10 - Swallow & Ariell's "Busy Bee" donation to the French Society of assistance to mothers and infants . 1200 baby and infant garmentsbuilt environment - industrial, business and traders, war - world war i, social activities, busy bee, swallow & ariell ltd, red cross -
Port Melbourne Historical & Preservation Society
Photograph - Soldiers opening packages from Swallow and Ariell Busy Bees, 1914 - 1920
One of 44 black and white photos recording the work and contribution by Swallow & Ariell's "Busy Bee" for the First World War in Europe .20 - Soldiers opening packages from "Busy Bees"built environment - industrial, business and traders, war - world war i, social activities, busy bee, swallow & ariell ltd, red cross -
Port Melbourne Historical & Preservation Society
Photograph - Swallow & Ariell Busy Bee fundraising stall, 1914 - 1920
One of 44 black and white photos recording the work and contribution by Swallow & Ariell's "Busy Bee" for the First World War in Europe .30 - Busy Bee fundraising stallbuilt environment - industrial, business and traders, war - world war i, social activities, busy bee, swallow & ariell ltd, red cross -
Port Melbourne Historical & Preservation Society
Photograph - Woman in 'Australian' fancy dress making a presentation related to a Swallow and Ariell Busy Bee event, 1914 - 1920
Probably from a "Busy Bee" novelty night like those held on 11 June 1915 (http://nla.gov.au/nla.news-article91164843) and 30 June 1916 (http://nla.gov.au/nla.news-article91165168).One of 44 black and white photos recording the work and contribution by Swallow & Ariell's "Busy Bee" for the First World War in Europe .40 - Woman from (.39) appears to be making a presentation to another woman in a uniform of military appearancebuilt environment - industrial, business and traders, war - world war i, social activities, busy bee, swallow & ariell ltd, red cross -
Coal Creek Community Park & Museum
Music Sheets
A collection of 41 music sheets. 5 - The Blackpool Walk / Angels of the Mons 6 - Love is Where you Find It / A Little Love, A Little Kiss 9 - Brown Eyes, Why are You Blue? / Poor Little Me 12 - My Dear / Why / You're as Pretty as a Picture / My Own (2 Copies) 13 - Cinderella Sweetheart / Hi-Ho Silver 14 - That Week In Paris / Two Sleep People 16 - Rock it for me / Say THat You Care For Me 17 - On The Bumpy Road to Love / There's Honey On The Moon Tonight 18 - The Same Sweet You / On Parade 21 - Cinderella / The Chestnut Tree 22 - Skating Down The Old Mill Stream / What Have You Got That Gets Me 26 - All Ashore / Sixty Seconds Got Together 32 - I Go For That / Junior 33 - The Great Waltz / Don't Wake Up My Heart 34 - Strike Up The Band / Kinda Lonesome 35 - Peace Of Mind / minute For Modern Miss 37 - The Night / Honolulu 38 - Hang Your Heart On A Rickory Limb / That Sly Old Gentleman 40 - Grandma Said / Something to Sing about 41 - Loving You / Killy-Ka-lee / I'll Still Be Loving You 91 - Waltzes From Vienna 96 - To You Sweetheart Aloha / Did I Remember 102 - At The Close Of A Long, Long Day / I Have Lost Me Heart In Budapest 111 - Man Of My Dreams / Life Is Empty Without Love 120 - Have You Ever Been Lonely / Sitting In The Dark 121 - And So I Married The Girl / Someone to Care For 122 - Thank Heaven For You / All Over Italy 123 - There's a Bridle Hanging On The Wall / You'll Never Go To Heaven 125 - There's a Lull in my Life / A Nic Cup Of Tea 138 - On Wings of a Song / Harmony Lane 149 - Swing it Here to Sway / The One Rose 150 - What Harlem is Tome 156 - Fifty Million Robins Can't Be Wrong / Nice Work If You Can Get It 162 - Sail Along, Silvery Moon / I Love To Whistle 164 - I Double Dare You / The Snake Charmer 168 - Sweet As A Song / Toodle Do 177 - I've Got A Pocketful of Dreams / When The Organ Played Promise Me 182 - This May Be The Night / I've Got A Date With A Dream 179 - At A Perfume Counter / On Linger Longer Island 183 - I Married An Angel / Spring is Here -
Monbulk RSL Sub Branch
Book, Naval Institute, U-boat adventures : firsthand accounts from World War II, 2010
Twenty-two U-boat veterans tell their stories in this collection of their experiences, recorded by the author during several years of travel throughout Germany. While many books have been written about the U-boat war, this is one of the few that focuses on the lives of the submariners, and rarer still is its concentration on the crewmen rather than the officers. Melanie Wiggins interviewed seventeen men of the enlisted ranks, along with five commanders, to take readers into the terrifying world of underwater warfare, where every single crewman made a crucial difference in the fate of his boat. As she searched for and interviewed U-boat men, Wiggins also collected photographs from scrapbooks and archives, and consulted war-era personnel records and secret diaries. Her attendance at a reunion of the crew of U-682 netted a wealth of information as did her interviews with submarine veterans in Gؤrlitz, former East Germany. Her interviews with Admiral Otto Kretschmer just two months before his death and ninety-four-year-old Commander Jѓrgen Wattenberg in Hamburg add important dimensions to the work. Among the individual sagas included are Radioman Hans Bѓrck's description of his 1942 patrol to Aruba and the visit of Japanese submarine I-30 at Lorient; Fireman 2nd Class Josef Erben's explanation of how his boat, U-128, got stuck on a large rock and had to be hauled free; POW Ernst Gؤ:thling's memories of being wounded in a British prison camp when German planes mistakenly dropped bombs in the area.Index, bibliography, notes, ill, p.250.non-fictionTwenty-two U-boat veterans tell their stories in this collection of their experiences, recorded by the author during several years of travel throughout Germany. While many books have been written about the U-boat war, this is one of the few that focuses on the lives of the submariners, and rarer still is its concentration on the crewmen rather than the officers. Melanie Wiggins interviewed seventeen men of the enlisted ranks, along with five commanders, to take readers into the terrifying world of underwater warfare, where every single crewman made a crucial difference in the fate of his boat. As she searched for and interviewed U-boat men, Wiggins also collected photographs from scrapbooks and archives, and consulted war-era personnel records and secret diaries. Her attendance at a reunion of the crew of U-682 netted a wealth of information as did her interviews with submarine veterans in Gؤrlitz, former East Germany. Her interviews with Admiral Otto Kretschmer just two months before his death and ninety-four-year-old Commander Jѓrgen Wattenberg in Hamburg add important dimensions to the work. Among the individual sagas included are Radioman Hans Bѓrck's description of his 1942 patrol to Aruba and the visit of Japanese submarine I-30 at Lorient; Fireman 2nd Class Josef Erben's explanation of how his boat, U-128, got stuck on a large rock and had to be hauled free; POW Ernst Gؤ:thling's memories of being wounded in a British prison camp when German planes mistakenly dropped bombs in the area.world war 1939 – 1945 –naval operations - germany, germany - u-boats -
Bendigo Historical Society Inc.
Postcard - GOLDEN SQUARE, BENDIGO FROM ' OLD CHUM' MINE
... right. I suppose you have started work before this. I don't... arrived all right. I suppose you have started work before this. I ...Postcard: hand coloured image showing mine site in Golden Square. Brick chimney in foreground, sheds. Tramway from LH side to poppet head behind chimney. On back of card ' Post GWW Card' Printed partly in Great Britain and partly in Germany. In black ink ' Dear Muncie Bob, I hope you arrived all right. I suppose you have started work before this. I don't start till 10th. Feb.' A stamp has been drawn, showing a house and written ' little house on the hill' Dated 1913.G.W.W.bendigo, mining, old chum mine, golden square, old chum mine, golden square, postcard -
Victorian Interpretive Projects Inc.
photograph, Opening of the bew building at Stratford Railway Station, Victoria, c1921, c1921
Stratford railway station is located on the Bairnsdale line in Victoria, Australia. The railway lined opened on 8 November 1887 it served the town of Stratford. The building at the Stratford Railway Station was opened around 1921 after the original building was destroyed by fire on 10 January 1920. "STRATFORD RAILWAY STATION. Mr. M'Lachlan, M.L.A., has received the following from Mr. Norman, late Chairman of the Railway Commissioners:-"In reply to yours, I beg to state that material for the new Stratford railway station has been ordered, and the work will be put in hand as soon as it has been delivered. It is not an easy matter at the present time to obtain materials, and I cannot say exactly when those required will be received." (Gippsland Times, 27 September 1920) Until their demolition, Munro, Fernbank, Lindenow and Hillside stations were located between Stratford and Bairnsdale stations. (wikipedia)Photograph of two postcards showing a crowd at Stratford Railway Station to celebrate the opening of the new building. stratford, stratford railway station, railway -
Geoffrey Kaye Museum of Anaesthetic History
Certificate, Proficiency, Anaesthesia, 1906
At the time of issue, anaesthesia was a practice still in its infancy. Proficiency in anaesthesia was determined by successful demonstration of a small number of administrations. It was also built into the existing medical qualifications and not a specialty in its own right. Dr Montefiore David Silberberg completed his training at the Melbourne and Children's Hospitals and went to London where he was clinical assistant to Sir James Mackenzie and was associated with Sir Thomas Lewis who did ground-breaking work on digitalis and electrocardiography. When he returned to Melbourne, he brought with him the first electrocardiograph used in medical practice in Australia. He started working in Collins Street and at the Melbourne Hospital as a specialist in heart problems. During World War I, he served in Egypt in 14 Australian General Hospital 1914-16. In 1919 he was appointed physician to outpatients at the Alfred Hospital while also working at the Children's Hospital and at Repatriation General Hospital. He was appointed inpatient physician at the Alfred Hospital in 1925 and, at about the same time, a University of Melbourne Stewart Lecturer in Medicine. He mentored many young cardiologists during his lifetime, providing instruction at the hospitals where he worked and holding regular extra-curricula meetings at his home.Handwritten certificate from the University of Melbourne acknowledging the proficiency of Montefiore David Silberberg in the administration of anaesthesia. The certificate has been adhered to a piece of cardboard which was the backing board when it was previously framed.Contents of handwritten certificate: This is to certify that / Montefiore David Silberberg / during the year 1906 / attended [scribbled over] has personally / conducted six cases of / anaesthetic + / proficiency in administring anaesthetics / 22.12.06 Es Embley MD / Hon Anaesthetist / Melb Hosp Handwritten in pencil at bottom of certificate: 9 + 6 3/4 / 6 - 4 3/4 Handwritten in pencil on reverse: K. BROWN / Dr. Kaye / 9 + 6 3/4 / 6 - 4 3/4 / 1/4 [indecipherable] / Dr Kaye [underlined] / 124 Anderson St / South Yarrasilberberg, cardiology, electrocardiograph, world war i, wwi, egypt, alfred hospital, children's hospital, repatriation general hospital, proficiency, anaesthesia -
Geoffrey Kaye Museum of Anaesthetic History
Salt cellar, S & E Davenport, 1804
Dr. S.A. Mellick was a long standing member of the Faculty of Anaesthetists, Royal Australasian College of Surgeons (FARACS) and gifted this object to the Faculty at the end of his term in 1989. Dr. Mellick was the first Australian to have become President of the International Society for Cardiovascular Surgery. The provenance and date of the salt cellar is verified by the hallmarks at the base of the dish made in 1804 during the reign of Britain's King George III.Sterling silver open cut salt cellar with blue glass bowl insert, boat shaped, featuring four ball feet, beaded borders with pierced and engraved detailing to the sides.[stand] PRESENTED BY S.A. MELLICK / FARACS / JUNE 1989 [hallmark] S E D (indicates maker as S & E Davenport), Image of Lion (indicates sterling silver), I (Indicates made in 1804) Image of kings head (indicates made in London), image of Sovereign's Head (indicates duty mark) Three cursive initials on side of dish are difficult to recognize however may possibly be identified as J E Wopen cut work, salt cellar, sterling silver, s & e davenport, dr sam mellick, faracs, salt cellar -
Geoffrey Kaye Museum of Anaesthetic History
Anaesthetic machine, Minnitt, 1930 - 1937
This Minnitt machine was owned by Dr Mary Clementina DeGaris. Dr DeGaris qualified from medicine, MB BS, at the University of Melbourne in 1905. She continued her studies, becoming only the second woman in Victoria to qualify MD, in 1907. With the outbreak of war, DeGaris attempted to enlist as a doctor with the Australian Army but was refused. Undeterred she travelled to England, where she joined the Scottish Women's Hospitals for Foreign Service, a medical group made up entirely of women. After the war, she returned to Australia and set up practice as an obstetrician in Geelong, Victoria. Subsequently, the Geelong Hospital named a wing after her, "DeGaris House", which is now part of Geelong Private Hospital. DeGaris was awarded the St Saba medal, 3rd class, for her work during WWI. Robert James Minnitt introduced the concept of self-administered analgesia, using an apparatus designed and built in conjunction with London scientific instrument-maker, Charles King. The Minnitt apparatus met with considerable success and led to further modifications, including the introduction of the Queen Charlotte gas-air analgesia apparatus in 1936.Brown leather suitcase with brass locks and leather handle. Inside the case is metal equipment, with arms for attaching cylinders. On top of the case, located underneath the handle, is a small brass plate, bearing the name of the owner in black printed script on a piece of card or paper held inside the plate.Printed in black ink on name plate: Dr Mary C. De Garis.minnitt, geelong, scottish women's hospitals, world war i, obstetrician -
National Vietnam Veterans Museum (NVVM)
Book, O'Brien, Tim, If I die in a combat zone (Copy 3), 1973
A work of passion and protest. One of the few good things to come out of the Vietnam WarA work of passion and protest. One of the few good things to come out of the Vietnam Warvietnam war, 1961-1975 - personal narratives, american -
National Vietnam Veterans Museum (NVVM)
Book, O'Brien, Tim, If I die in a combat zone
A work of passion and protest. One of the few good things to come out of the Vietnam WarA work of passion and protest. One of the few good things to come out of the Vietnam Warvietnam war, 1961-1975 - personal narratives, american -
National Vietnam Veterans Museum (NVVM)
Book, O'Brien, Tim, If I die in a combat zone (Copy 2)
A work of passion and protest. One of the few good things to come out of the Vietnam WarA work of passion and protest. One of the few good things to come out of the Vietnam Warvietnam war, 1961-1975 - personal narratives, american -
Bendigo Art Gallery
Photograph - Work on paper, Hayley MILLAR BAKER, I Will Survive 1, 2020
work on paper, photograph, inkjet, first nations artist, female artist, self portrait, clones, binoculars, ocean, sea, rocks, shoreline