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National Wool Museum
Yarn, Sun-glo Wool
This hank of knitting yarn was manufactured under the brand name 'Sun-glo' and was produced by F.W. Hughes Pty Ltd at the Alexandria Spinning Mills in Sydney.Sun-glo 2 ply wool produced by F.W. Hughes Pty Ltd at the Alexandria Spinning Mills, Sydney, NSW, c.1950-60.Sun-glo / Shrinkproof / WOOL / SUPER / 2 / PLY / AN / ALEXANDRIA / MILLS PRODUCT Guarantee / SUN-GLO WOOL / has been / manufactured by a / NEW PATENT / PROCESS / It is guaranteed / UNSHRINKABLE for / the lifetime / of the / Garment. / MANUFACTURED BY / F.W. HUGHES PTY. LTD. / AT THEIR / ALEXANDRIA SPINNING MILLS SYDNEYknitting handicrafts - history textile mills textile mills, f.w. hughes pty ltd alexandria spinning mills pty ltd, knitting, handicrafts - history, textile mills -
Clunes Museum
Document - HISTORICAL RESEARCH PAPER
RESEARCH PAPER PUBLIC HISTORY.RESEARCH PAPER ON THE CLUNES KNITTING MILL in 3 SECTIONS 1ST: GOLDEN UNDERWEAR- CLUNES KNITTING MILL 2ND: EXHIBITION BRIEF 3RD: THE MILL & BUSINESSGOLDEN UNDERWEAR - CLUNES KNITTING MILL. JOANNE MONK PUBLIC HISTORY . MONASH UNI.local history, document, research paper, clunes knitting mill -
Stawell Historical Society Inc
Photograph, Mr Carl Wehl and Son's Bark Mill in Taylor Street -- 2 Photos -- 1 Coloured
Carl Wehl and Son Bark Mill, located in Taylor Street Stawell. The coloured photo depicts what remains of the building in Taylor St. Stawell. The mill has not been used for many years. The original factories were on Stawell Flat. Carl Wehl a native of Hanover, Germany came to Victoria in 1861. Carl Wehl was at Pleasant Creek in 1872 when he started business as a wool scourer and tanner. By 1880 his business of tanning wool scouring discontinued, and he commenced trading, (mongering) in Bark Milling. The Mill was described as being the largest of its kind outside Melbourne,Two photographs of a weather board building with corrugated iron roof. One black & white photo and an enlarged photo of the building when used as a Bark Mill. The coloured photo obviously more recent as the writing has faded and can just be made out on the front of the building. One of the original colour photos is missing (152-2). A disused railway line can be seen in the foreground. Sign on the door "Depot Wimmera." Stawell Bark Mill C. Wehl & Son. Merchants.stawell -
Marysville & District Historical Society
Book, Robert Andersen & Associates, School Days-Looking back on Education in Victoria, 1985
... Barbara Mills ...Looking back on education in Victoria.Dust cover has a drawing of a child dressed in a coat and cap holding an Australian flag. He appears to be witnessing a parade of some sort. Hanging in the background are flags of various other nations.non-fictionLooking back on education in Victoria.education, victoria, history, text-books, curricula, schools -
Ballarat Tramway Museum
Slide - 35mm slide/s, Glen Mills, Sept. 1971
... Glen Mills ...White cardboard mount, 35mm slide, from the Association of Railway Enthusiast's film strip titled "Provincial Tramway Film Strip" of No. 38, crossing Albert St, southbound, with Destination of Sebastopol. Photo taken after tram has passed photographer. Has the Anglican Trinity church in the background. The film strip notes (Reg. Item 2560), provided the following caption details: "About 1/2 mile from the terminus the line crossed to the west side of the road. Here car No. 38 outbound bowls across the asphalt. - Nov. ' 70 (Glen Mills)" See image btm2576p.tif for high level scan of image. Stamped on base of slide "11786" and written in ink on top edge "No. 38 Sebastopol line Ballarat"tramways, trams, are, film strip, albert st, sebastopol, tram 38 -
Port Melbourne Historical & Preservation Society
Photograph - Milling Machine, Manufactured in Port Melbourne by O C Schumacher, Margaret Bride, 1994
Photograph 1994 of milling machine manufactured in Port Melbourne by O.C. Schumacher and now in the Bark Mill Museum, Swansea, Tasmania, a former flour millDetails in blue ink on back: 'Bark Mill Museum Swansea East coast Tasmania 1994'business and traders, industry - manufacturing, o c schumacher -
Ballarat Tramway Museum
Slide - 35mm slide/s, Glen Mills, Sept. 1971
... Glen Mills ...White cardboard mount, 35mm slide, from the Association of Railway Enthusiast's film strip titled "Provincial Tramway Film Strip" of Tram 12 bound for Gardens, photographed across the median strip plantation near Dawson St. with St. Peters Church in the background. The film strip notes (Reg. Item 2560), provided the following caption details: "The wide Avenue of Sturt St. was the central spine of the Ballarat system -all routes traversed it for at least part of its length. Here No. 12 "GARDENS" bound, is seen through the foliage of the centre plantation in Sturt St. -Sept. '71 (Glen Mills)" See image btm2567p.tif for high level scan of image. Stamped on base of slide "11777" and written in ink on top edge "No. 12 Sturt St Ballarat"tramways, trams, are, film strip, sturt st, st peters, tram 12 -
Ballarat Tramway Museum
Slide - 35mm slide/s, Glen Mills, Nov. 1970
... Glen Mills ...Agfa plastic mount (blue base, white cover) of a photograph of No. 21 or could be 27 taken from the Ballarat (Ballarat East) Fire Station tower. Photo taken Nov. 1970. Has the sign of the AMPOL service station in the foreground. Has destination of Special. Tram at the intersection of Main St and Barkly Street. One of a set of 20 slides made by the Association of Railway Enthusiast Provincial Tramways film strip. Reference Item 2560 details the ARE Film Strip and provide references to other slides. Photo Glen Mills Slide rescanned at 3200 dpi 25-10-2020, jpg replaced, tiff file retained. This file was scanned in 2003 and may show colour changes."BAS 69" in pencil.tramways, trams, mt pleasant, barkly st, main st, tram 21 or tram 27 -
Ballarat Tramway Museum
Slide - 35mm slide/s, Glen Mills, Nov. 1970
... Glen Mills ...White cardboard mount, 35mm slide, from the Association of Railway Enthusiast's film strip titled "Provincial Tramway Film Strip" of Ballarat Trams bogie No. 35 and four single truck cars in the storage loop, or City Loop at the east end of Sturt St. No. 35 has a "Bray Raceway Trotting Friday Night" on the front of the tram. The film strip notes (Reg. Item 2560), provided the following caption details: "At the east end of Sturt St., about 200 yards from "CITY" was "CITY LOOP" - a storage facility used to hold cars for peak loadings and emergency use. -Nov. '70 (Glen Mills) See image btm2562p.tif for high level scan of image. Stamped on base of slide "11770" and written in ink on top edge "Lydiard St. Ballarat"tramways, trams, are, film strip, city loop, sturt st, tram 35 -
Warrnambool and District Historical Society Inc.
Document, Lease of Land by Victorian Railways to Warrnambool Woollen Mill Co Ltd, 1952
The Warrnambool Woollen Mill was established in 1910 in South Warrnambool by a local company, with the building erected on a site that formerly housed another woollen mill destroyed by fire in 1882. The Warrnambool Woollen Company operated successfully for many years with over 700 employees in the 1940s and a good national reputation for quality goods. It made blankets and other woollen goods and was the first company in Australia to manufacture electric blankets. In the 1960s the mill was sold to the Dunlop Company and for the next thirty years it was bought and sold several times, finally closing in 2000 after 90 years of operation. The woollen Mill was built on a site which was in easy access to the railway line which operated along the original tramway line from the town to the jetty. It is possible that this land would have been used for parking during the period of 1950's to 1970's which was a successful period of manufacturing and trade for the Woollen Mill. A link between an important infrastructure and one of Warrnambool's most important industries.Four page folded document cream in colour . Printed form with diagram of the land in question coloured in pink . Seals of both Victorian railways and Warrnambool Woollen mill are stamped beside signatories on page 3. Dated 30th April 1952. Signed R Naylor for the Warrnambool Woollen Mill and two unreadable signatures for Victorian Railways.warrnambool, warrnambool woollen mill, warrnambool railways, lease victorian railways and warrnambool woollen mill -
Hume City Civic Collection
Photograph
Sepia photgraph on a postcard of Flour Mill Fall, Sunbury, with the weir, washed away.Writing on Front: Mill Fall Sunburypostcards, flour mill fall, sunbury, mill fall, george evans collection -
Ringwood and District Historical Society
Document, Certificate of Title - Leslie Mills of Plymouth Road, East Ringwood, Farmer - part of Crown Section 20, Parish of Warrandyte, County of Evelyn - 19th January, 1932
... Certificate of Title - Leslie Mills of Plymouth Road, East ...A4 copies of Landata Victoria Historical Search documents - Vol 5781 Fol 1156174.Leslie Mills is now the proprietor of an Estate in Fee-simple subject to the Encumbrances notified hereunder ... 10 acres or thereabouts, together with a right of carriage way over Grandview Grove (later Bemboka Road), Warranwood, Victroia. Transfers include Alexander William Brown of Tooradin, Farmer - 29th October, 1945, (died 25th June, 1957), Probate granted 28th January, 1958, to Alfred Hart Brown of Dandenong, Estate Agent, and Harry Britten Elms of Cardinia, Gentleman (*** See Probate details below) Oliver Burgess, Grandview Grove Ringwood, Florist - 14th May, 1964, Privatus Proprietary Limited, St.Kilda Road, Melbourne - 27th October, 1977, John Patrick Kelly, Company Director and Yvonne Gloria Kelly, Married Woman, joint proprietors, 10th September, 1980 *** Inventory of Real Estate Assets (for Probate purposes 4/10/1957) detailed in Family Genealogy record for A.W. Brown includes: "Grandview Grove, Ringwood Land containing 10 acres or thereabouts situate in Grandview Grove Ringwood being part of Crown Section 20 Parish of Warrandyte County of Evelyn and being the land described in Certificate of Title Volume 5781 Folio 174 on which is erected a 7 room house, a bungalow, shed and 2 glass houses valued by E. Miles, Ringwood - £5077-0-0 -
Ballarat Tramway Museum
Slide - 35mm slide/s, Glen Mills, Nov. 1970
... Glen Mills ...White cardboard mount, 35mm slide, from the Association of Railway Enthusiast's film strip titled "Provincial Tramway Film Strip" of No. 21 or could be 27 taken from the Ballarat (Ballarat East) Fire Station tower. Photo taken Nov. 1970. Has the sign of the AMPOL service station in the foreground. Has destination of Special. Tram at the intersection of Main and Barkly Streets. The film strip notes (Reg. Item 2560), provided the following caption details: "Another 1/2 mile or so saw the "Mt PLEASANT" line turn sharply from the Midland Highway and head towards its terminus in the southern suburbs. - Nov. '70 (Glen Mills)" See image btm2564p.tif for high level scan of image. Stamped on base of slide "11772" and written in ink on top edge "12 Mt Pleasant Line Ballarat"tramways, trams, are, film strip, mt pleasant, barkly st -
Ballarat Heritage Services
Photograph - Photograph - Colour, L.J. Gervasoni, Former Sunnyside Woollen Mill, Mount Pleasant, 2011, 07/08/2011
The Sunnyside Woollen Mill (or Ballarat Woollen Mill) was designed by Henry Richards Caselli.Colour photograph of a red brick woollen mill at Ballarat, known as the Sunnyside Woollen Mill, or the Ballarat Woollen Mill. It includes two remnant elm trees from the Ballarat Woollen Mills Avenue of Honour.ballarat woollen mill, sunnyside woollen mill, mount pleasant, chimney, ballarat woollen mills avenue of honour -
National Wool Museum
Textile - Blanket, Challenge Woollen Mills, Clan Murray series of Challenge, c1950s
... Challenge Woollen Mills ...Collector says - "Once I had gathered a dozen or so blankets, I started noticing the many different labels; where they were made, by who, the logos and fonts used. Then the labels became a thing, then the blankets had to have a label to join the collection. My favourite labels are by Physician, they had at least 4 different labels over the decades but the best has to be the Lady In Bed logo. Physician, Onkaparinga, Eagley and others matched the colour of the label to the colour of the blanket - a nice touch. Strangely, Castlemaine labels were always sewn on the back of the blanket where all the other mills sewed theirs on the front. To this day I always roll or fold a blanket with its label on display." " For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Checked blanket, pink, blue and lavenderClan Murray series of Challenge/Lambswool 'Perma-nap' blankets/All pure wool/Super Grade blanket, blanket fever, wool, challenge woollen mills -
National Wool Museum
Textile - Blanket, Eagley Woollen Mills, 1960s
... Eagley Woollen Mills ...Note from collector: Once I had gathered a dozen or so blankets, I started noticing the many different labels; where they were made, by who, the logos and fonts used. Then the labels became a thing, then the blankets had to have a label to join the collection. My favourite labels are by Physician, they had at least 4 different labels over the decades but the best has to be the Lady In Bed logo. Physician, Onkaparinga, Eagley and others matched the colour of the label to the colour of the blanket - a nice touch. Strangely, Castlemaine labels were always sewn on the back of the blanket where all the other mills sewed theirs on the front. To this day I always roll or fold a blanket with its label on display.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. " Queen sized brown, green and blue checked blanketEagley Blanket, Pure Woolblanket, blanket fever, wool, eagley woollen mills, victoria -
National Wool Museum
Textile - Blanket, Gibsonia Mills, 1950s
... Gibsonia Mills ...Note from collector: Once I had gathered a dozen or so blankets, I started noticing the many different labels; where they were made, by who, the logos and fonts used. Then the labels became a thing, then the blankets had to have a label to join the collection. My favourite labels are by Physician, they had at least 4 different labels over the decades but the best has to be the Lady In Bed logo. Physician, Onkaparinga, Eagley and others matched the colour of the label to the colour of the blanket - a nice touch. Strangely, Castlemaine labels were always sewn on the back of the blanket where all the other mills sewed theirs on the front. To this day I always roll or fold a blanket with its label on display.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Queen-Sized plaid blanket, brown, lemon, tan and mint100% Pure Lambswool/Gibsonia/Exclusive To All Foy and Gibson Ltd. Stores/Famous Since 1868blanket, wool, blanket fever, gibsonia, foy and gibson ltd -
National Wool Museum
Textile - Blanket, Laconia Woollen Mills, 1960s
... Laconia Woollen Mills ...Collector says: Once I had gathered a dozen or so blankets, I started noticing the many different labels; where they were made, by who, the logos and fonts used. Then the labels became a thing, then the blankets had to have a label to join the collection. My favourite labels are by Physician, they had at least 4 different labels over the decades but the best has to be the Lady In Bed logo. Physician, Onkaparinga, Eagley and others matched the colour of the label to the colour of the blanket - a nice touch. Strangely, Castlemaine labels were always sewn on the back of the blanket where all the other mills sewed theirs on the front. To this day I always roll or fold a blanket with its label on display.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Queen sized checked blanket, aqua and orange Laconia/Make "Goodnight" a Certainty/Pure Lambswool/Made in Australia wool, blanket, blanket fever, laconia -
National Wool Museum
Textile - Blanket, Waverley Woollen Mills, 1950s
... Waverley Woollen Mills ...Collector says: Once I had gathered a dozen or so blankets, I started noticing the many different labels; where they were made, by who, the logos and fonts used. Then the labels became a thing, then the blankets had to have a label to join the collection. My favourite labels are by Physician, they had at least 4 different labels over the decades but the best has to be the Lady In Bed logo. Physician, Onkaparinga, Eagley and others matched the colour of the label to the colour of the blanket - a nice touch. Strangely, Castlemaine labels were always sewn on the back of the blanket where all the other mills sewed theirs on the front. To this day I always roll or fold a blanket with its label on display.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Queen sized checked blanket, pink, grey and lemonThe Celebrated Waverley Blanket/100% Pure Wool/"The Best for Rest"/Made in Australiawool, blanket, blanket fever, waverley -
National Wool Museum
Loudspeaker
Used at Foster Valley Mill for P.A. system and to broadcast music through the mill.Used at Foster Valley Mill for P.A. system and to broadcast music through the mill. -
Ballarat Heritage Services
Photograph - Photograph - Colour, L.J. Gervasoni, Former Sunnyside Woollen Mill, Mount Pleasant, 2011, 07/08/2011
The architect of the Ballarat Woollen Mill was Henry Richards Caselli.Colour photograph of a red brick woollen mill at Ballarat, known as the Sunnyside Woollen Mill, or the Ballarat Woollen Mill. ballarat woollen mill, sunnyside woollen mill, mount pleasant, chimney, henry richards caselli -
National Wool Museum
Blanket, 1942
Made in 1942, this blanket has spent 60 years in the Belgrave Heights Convention Centre in the Dandenongs. It was provided for camping and accommodation by the BHC.Grey woolen blanket with 3 blue stripes. Large stain. Eagley Mills 1942 label in bottom right corner. Blue edging along the two short sides.Eagley / MILLS / 1942 -
Clunes Museum
Photograph - PHOTOGRAPH KNITTING MILL
CLUNES KNITTING MILL WAS ORIGINAL THE SOUTH CLUNES SCHOOL. SITUATED ON TALBOT ROAD CLUNES - LATER SCHOOL CLOSED AND PUPILS WERE TRANSFERRED TO NORTH CLUNES SCHOOL..1 BLACK AND WHITE POSTCARD PHOTOGRAPH OF CLUNES KNITTING MILL AND EMPLOYEES STANDING IN FRONT OF BUILDING .2 REPRODUCTION COPY OF THE ABOVE PRINTED ON MATTE PHOTOGRAPHIC PAPER.1 Hand written in blue ink on reverse; Clunes knitting mill employees, by May Grant also printed circular stamp in purple ink "Printed by H. Maddicks Daylesford"photographs, schools, 136 knitting mill, south clunes school -
Kiewa Valley Historical Society
Photographs - 2 Colour photographs of logs being harvested and milled for timber in the Kiewa Valley
: Hume and Hovell discovered the area in 1824 and by the end of the 19th century the Kiewa Valley was transformed by logging, dairy and beef cattle properties and tobacco farms. The logs could have been milled for timber at the State Electricity Commission's mill at Howman's Gap which provided a much needed source of timber for construction of McKay Creek Power Station which began construction in 1951 and also the camps and houses for the workers and their families There was a need for housing and infrastructure for an increasing population of workers for the hydro-electric scheme as there was a general shortage of this commodity. A timber mill was started in Tawonga by Mates, of Albury, in 1945, and electricity became available in 1946 the S.E.C. bought the mill, and enlarged it. In 1960 it was purchase by a local family, they also started a timber mill in Mt Beauty worked both until 1980 when they closed the Tawonga mill and enlarged the mill called Mt. Beauty Timbers Pty Ltd which employed approximately 50 people. An historical pictorial record of the type of machinery and vehicles in use in the 1950’s to harvest and mill the logs from surrounding forested areas.1. Colour photograph of large logs being milled for timber at a timber mill 2. Colour photograph of heavy machinery being used to harvest large logs for milling timber; timber mill; kiewa valley; forests; logging -
Eltham District Historical Society Inc
Document, Samantha Westbrooke Pty Ltd et al, 2 Bell Street, Eltham: Cultural Heritage Significance Assessment & Heritage Guidelines for Future Use & Development, 2012
... Peter Mills ...Prepared for Nillumbik Shire Council by Samantha Westbrooke Pty Ltd in association with Peter Mills PhD, Architectural Historian and Roark Muhlen-Schilte, Archaeologist. Covers history of early market gardening in Eltham with the commencement of European settlement in the late 1830s. The site for the village of Eltham was surveyed in 1851 and the Township Plan shows that the property is made up of Lots 7 and 8 which were sold at auction in June 1852 to M. O'Shea. The history of the Bell Street property is closely tied to the West family from the 1860s to 1930s; the earliest rate books for Eltham show William West farming in El;tham in 1864. In the aerly 1930s ownership of the creek side was transferred from the west family to the Fabbro family who shortly afterwards were impaced by the 1934 Diamond Creek flooding. Guido Fabbro relocated the original West home further up the hill and built a new Italianate style modern home in situ. The Fabbro family farmed the property. In 1993/4 Eltham Council acquired the creek-side market garden blocks to the south of 2 Bell Street which was recconceived in 1998 as the Barak Bushland Reserve. The Fabbro house was demolished shortly after and the lots were sold to a developer in 1994. The large steel shed now present on the 2 Bell Street property dates from soon after this sale.26 A4 pages color printcultural heritage significance assessment, peter mills, samantha westbrooke pty ltd, shire of nillumbik, 2 bell street, eltham, market gardening, west family, fabbro family, land use, barak bushland reserve, heritage assessment -
Eltham District Historical Society Inc
Book, Flour mills and millers of the Goulburn Valley, 1858-1980 / by Myrtle L. Ford, 1981
... Flour mills and millers of the Goulburn Valley, 1858-1980 ...Paperback; [62] p. : ill., facsims., map, ports. ; 22 cm.ISBN 0959225501flour mills, goulburn valley -
Ringwood and District Historical Society
Photograph, Ringwood High School - 1954, Form 2B. Boys standing (L-R): 1. Robert Buchan, 2. Rupert Macaw, 3. Ron Moxam, 4. John Barker, 5. John Thornbury, 6. Barry Mills, 7. Victor Greensill, 8. Robin Pratt, 9. Jack Ritch, 10. Des Benjamin, 11. Denis Higginbotham, 12. John Stevens. Girls standing: 1. Margaret Bould, 2. ?, 3. Helen Burden, 4. Beverley Wigley, 5. Elaine Fryer, 6. Jeanette Pease, 7. Gwen Ward, 8. Florence McKay, 9. Jean Hull, 10. Coral Skurrie, 11. ?, 12. Judith Morris, 13, Beverley Sutherland. Girls seated: 1. ?, 2. ?, 3. Taty Senik, 4. Valerie Peck, 5. Jeanette Melvin, 6. Janet Casimir, 7. Sandra Harrison, 8. Pam Ternouth, 9. Corinna Taylor, 10. Lynette Koeford, 11. Marie Anderson. Boys seated: 1. Garry Norris, 2. Laurie Watnall, 3. ?, 4. Kerry Brennan
... Barker, 5. John Thornbury, 6. Barry Mills, 7. Victor Greensill, 8 ...(No identification of students or class or year). -
Ringwood and District Historical Society
Photograph, Ringwood High School - 1954, Form 1B. Boys standing (L-R): 1. Peter Hodgson, 2. Peter Fry, 3. Ralph Stoel. 4. Kevin Kane, 5. Terry Dicini, 6. Rod Young, 7. Colin Warren, 8. Michael Cotter, 9. Daryl Pike, 10. Gordon Schultz, 11. Sid Gruar, 12. Neil Reid. Girls standing: 1. Carol Maggs, 2. Susan Libby, 3. Barbara Hill, 4. Leonie Stirling, 5. Dalia Karvellis, 6. Margaret King, 7. Pam Daniels, 8. Marjorie Reynolds, 9. Barbara Holden, 10. Nancy McDonald, 11. Lyndal Keene. Girls seated: 1. Margaret Vergers, 2. Juan Harris, 3. Wendy McIntyre, 4. Lorraine Norman, 5. Lynette Reid, 6. Anne Whitehouse, 7. Dulcie Ellis, 8. Carol Bruce, 9. Margaret Seamon, 10. Nola Burns, 11. Ruth Chandler, 12. Janice Mills. Boys seated: 1. Barry Wedlock, 2. Gordon Bould, 3. Ken Baker, 4. Bill Mann
... . Ruth Chandler, 12. Janice Mills. Boys seated: 1. Barry Wedlock ...Only writing on back of photograph, "Form 1B?" Paper list with photographs reads, "High School - Bedford Rd. Ringwood. Photo Pupils Form 1B. Reading from Left to Right. Back row boys: 1. Peter Hodges, 2. Peter Fry, 3. ??, 4. ??, 5. Terry Knight, 6. Ron Young, 7. ??, 8. ??, 9. Darrell Pyke, 10. Gordon Schultz, 11. ??, 12. Neil Reid. Boys sitting front: 1. ??, 2. ??, 3. Ken Baker, 4. Bill Mann". -
Ringwood and District Historical Society
Photograph, Ringwood High School - 1954, Form 1A. Boys standing (L-R): 1. David Newman, 2. Trevor Stark, 3. George Cartwright, 4. Bruce Fletcher, 5. William Aders, 6. Keith Jacobs, 7. George Tew, 8. Edward Neff, 9. David Light, 10. David Godfred, 11. Malcolm Day, 12. Geoffrey Asher. Girls standing: 1. Irene Macquay, 2. Lynette Johnson, 3. Irene Hendry, 4. Pat Cochran, 5. Jennifer Mason, 6. Julie Sanders, 7. Joan Ingram, 8. Susan Cruickshank, 9. Yvonne Price, 10. Glenys Lee, 11. Margaret Hocking. Girls seated: 1. Margaret Kerr, 2. Janice McIntyre, 3. Carol Dow, 4. Annette Tampaline, 5. Lorraine Spry, 6. Carol Harris, 7. Beverley Turner, 8. Barbara Noble, 9. Janice Mills, 10. Amber Beck, 11. Janet Brilliant. Boys seated: Colin Roudie, 2. Graeme Ward, 3. John Willis, 4. Max Bevis
... . Beverley Turner, 8. Barbara Noble, 9. Janice Mills, 10. Amber Beck ...Written on back of photograph, "Form 1A". List with photographs reads, "High School. Bedford Road, Ringwood. Photo pupils Form 1A (Names reading from Left to Right): Back Row boys: 1. David Newman, 2. ??, 3. George Cartwright, 4. Bruce Fletcher, 5. William Ader, 6. ??, 7. George Tew, 8. Edward Neff, 9. ??, 10. David Godfred, 11. James Day, 12. Geoffrey Asher. Boys sitting: 1. Colin Rowdie, 2. Graeme ?, 3. John Willis, 4. Max Bevis". -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Book, Jones, W. Lewis et al, The flour mills of Victoria 1840-1990 : an historical record, 1990
... The flour mills of Victoria 1840-1990 : an historical ...History of Victoria's flour mills (over 250)xxvi, 420 p. : ill., maps, ports.non-fictionHistory of Victoria's flour mills (over 250)flour mills, victoria