A Control Joy Stick presented to Pilot Officer Eric V. Read in 1937 after it was recovered from an aircraft he was flying had crashed in the Brisbane Ranges in December 1936. Eric Read was a 21 year old RAAF pilot who was on a flight over the Bacchus Marsh region to make meteorological observations. Read's plane came down in bad weather and crashed into a heavily wooded area of the Brisbane Ranges between Staughton Vale and Mount Wallace. An extensive air and ground search was conducted and after 32 hours Read was located, alive, but badly injured and unable to get out of the cockpit of the plane. He was first located from the air and then a rescue party was able to reach him through rough country and bring him to safety. Read recovered from his injuries and many years later gifted the control stick of the aircraft he had been flying as an item for the collection of the Bacchus Marsh and District Historical Society.This item is of local historical significance as an object related to a notable aircraft accident and subsequent rescue of the pilot. It is also significant for its rarity as a surviving piece of aviation equipment from this era.Control or Joy stick mounted on a wooden base.aircraft, aircraft accidents, eric v. read

This specimen is a Brown Goshawk juvenile. The Brown Goshawk is widely distributed across Australia, Wallacea, New Guinea, New Caledonia, Vanuatu, and Fiji. In Australia, it predominantly inhabits eucalypt forests, woodlands, farmland, and urban areas, while in the Pacific, it is primarily associated with rainforest environments. Historically, it was also present on Norfolk Island until around 1790, potentially representing an undescribed subspecies. However, the limited material available—consisting of a single historical skin and nine subfossil bones—precludes confirmation through scientific analysis. This specimen was originally identified as a Nankeen Kestral and is catalogued as such in the original Public Library and Burke Museum catalogue. The specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This specimen exhibits distinctive plumage compared to its adult counterparts. It has a streaky appearance, with a buff to pale rufous base color on its underparts adorned with bold, dark brown streaks. The upperparts are brown, with a slightly mottled or scalloped effect due to pale feather edges. Its eyes are yellow and legs are a pale yellow. The wings are broad and rounded, and the tail is long and barred. Identification swing tag with catalogue page number reads: 4. / Nankeen Kestrel - / See Catalogue,/ Page 2. /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, birds of prey, goshawk, ornithological, nankeen kestral

Label inside that reads size 2 narrow, serial number 11135, stores ref. No 22C/1518 MK 1A (R) Helmets Ltd Wheathampstead Herts. England

Framed mounted - Military Medal Keith Downward; Australian Active Service Medal with clasp Vietnam; Vietnam Medal; Australian Defence Medal; Australian National Service Medal; Vietnam Campaign Medal with clasp 1960. A certified True Copy of the citation for the Military Medal. Aluminium frame olive matt board, 6 medals and plaque. 1 infantry combat badge, 1 rising sun badge, 1 7RAR Corps badge, 3 black and white Photograph, Photograph 1 reads Pte Keith Downward receives the ribbon of the Military Medal from his Commanding Officer Major Jake O'Donnell at the 1st Australian Task Force Base (1ATF), Nui Dat, South Vietnam 25th February 1968. Photograph 2 reads Pte Keith Downward, the first Military Medal Winner from 7th battalion, The Royal Australian Regiment (7RAR), Nui Dat, South Vietnam 25th February 1968. Photograph 3 reads Major General R W Knights, General Officer Commanding (GOC), Southern Command congratulates Military Medal recipient Keith Downward 7RAR accompanied by his wife Ann, for single handedly capturing an enemy machine gun post. Captain Ernest G Crooks MBE looks on.3788618 Pte. Keith Downward M.M. / A Company 7 Battalion Royal Australian Regiment / the Military Medal was awarded for his actions during the battle of Suoi Chau Pha on 6th August 1967./ The training platoon of 7 RAR is named the Downward MM platoon in honour of Keith Downward7 rar, keith downward, military medal, battle of suoi chau pha, maj jake o'donnell, maj gen r w knights, capt ernest g crooks, a coy, downward

This image was copied in 2020 from a facebook post by Marcia Penny, a descendant of Linton's Craine family. Information with the image on facebook said the original photograph had been in a McIntyre family album (the McIntyre family was connected to the Craine family by marriage).Digital copy of an original photograph and its mounting card, which shows a coach drawn by two horses. The sign on the side of the coach reads "Cobb & Co / PLANET / Royal Mail". A man is standing near the horses' heads, and two (three?) other men are seated on the outside of the coach. In the background is the Royal Standard Hotel, a two-storey weatherboard building which stood on the corner of Sussex and Clyde Streets in Linton (demolished 1926). The photograph is undated.cobb & co coach, royal standard hotel, buildings, hotels

2 photographs. (1 black and white, 1 sepia original).copies of Black and white photograph showing houses and post office. 836-2 appears to be original photograph. It is mounted on thick cardboard that has become foxed. Pencil mark reads "Post Office 1924". 836-1 appears to be a Reprint and is labelled on reverse "Site now occupied by Hannams Store, House on left T.Grants, coffee palace built in front". Stamped Brian Pump, 36 Knaith Rd, Ringwood East 3135 Phone 870 7001.Written on back of copy: "Site now occupied by Hannams Store. House on left T. Grants. Coffee Palace built in front." Image shows houses and Post Office No 2- 1924.

Black and white photograph (2 copies). Oval shaped mountings. Appear to be reproduced from newspaper photographs. Caption beneath portrait on left reads: "Mr. J. Hill, stalwart worker and leader of the Wesleyan Church," and caption below portrait on right reads "Mr. T. Grant, a link between the Past and Present."

Students from several universities were involved in the organisation of the annual AGIdeas conference. It is likely a UB student member accidentally returned these to the university rather than the Design Foundation, Cato Partners.Blue box with clear lid containing series of mounted 35mm slides of presenter work used at the 2000 AGIdeas design conference.Box reads "2000 AG. Ideas Presenter."design foundation ltd, cato partners, agideas, ros moriarty, dick powell, andrea rauch, jonathan nolan, george gittoesa, mimmo cozzolino, john denton, alan chan

A gray plastic folder with a plastic insert at the front. In this insert there is a yellow paper with Australian Air Publication 7434.005-3 No. 8 top right hand corner. Above the Royal Australian Air Force Insignia reads Royal Australian Air Force. the rest of the information is under the insignia in black ink. Down the spine of the manual there is also a plastic insert with yellow paper that has the information in black ink. the manual is held together with metal supports.royal australian airforce - manuals, fuel pumps, bottom tank mounting

A cream coloured cardboard cover with black details on the front.At the top of the manual reads TM 9-1005-300-34 Department of the Army Technical Manual. There are three punch holes and two metal staples down the left hand side. the manual is kept in a plastic cover for protectionunited states - armed forces - service manuals, machine gun mount m66, installation kit

A cream coloured cardboard cover with black information of the front. At the top of the cover reads TM9-1000-205-12 and under this reads Department of the Army Technical Manual. There are three punch holes down the left hand side and the manual is in a clear plastic over for protection.united states - armed forces - service manuals, operation and organizational maintenance, 106mm recoilless rifle

Reverend John Ashley was a key initiator of missionary services to seafarers isolated and confined to moored ships or islands with families in the Bristol Channel of the 1830s. Attention was also focussed by other individuals, groups and churches in ports and led eventually to the establishment of the Mission to seamen, London which in turn inspired establishment of similar services in other countries and ports. Rev'd Kerr-Johnson who arrived in Australia was appointed by a Bethel Union of non-conformist churches in late 1856 and delivered the first shipboard service in 1857 for the Victorian Mission to seamen. refs: 1895-1905 Epitomised history... (MtsV) and Dr Ashley's Pleasure Yacht publication MTSV collection.John Ashley portraits are rare and this is the only image of him held in the collection at the Mission to Seafarers Melbourne. See also History for full significance.Sepia toned photograph of John Ashley mounted on dark blue card. Text at the bottom section of the photograph reads "THE REV.JOHN ASHLEY, D .D. /Pioneer Chaplain in the Bristol Channel"city of bristol, seamen's mission, mission to seamen, reverend john ashley (1801-1886)

Bacchus Marsh Dairymen's Co-operative Association factory began in 1910. The Co-op, as it was known locally, also had a store in Main Street. This butcher's shop was opened in 1923 and was located at 160 Main Street. The Co-op purchased milk from local farmers and trucked the milk direct to a factory in Melbourne. Due to financial difficulties, the Co-op ceased trading in the early 1980s. Records show that this site was in continuous use as a butcher's and allied industries from 1856 to 2011. The original building underwent several changes and additions until it was sold in 1922 to the Dairymen's Co-operative, who erected a new brick building in 1923. This building housed the Hospital Opportunity Shop from 2011 until 2016 when it was taken over by Natural Health and is still in use by this business.Black and white photographic print mounted on grey cardboard with decorative borders. Photo shows staff standing in front of the shop with two store signs. Along the top the verandah a sign reads: CHOICEST MEAT SUPPLIED. The lower sign along the top of the shop frontage reads: DAIRYMEN'S CO-OPERA. This sign is incomplete, indicating that the butcher's shop was part of the Dairymen's Co-operative Association store. At the front of the store six members of the staff stand in a line. There are five men, all wearing the traditional blue and white striped butcher's apron and one woman who is probably the cashier. At the top of the cantilever verandah, two rolls of canvas awning are tied up, ready to be let down on a hot day. On the left of the photo a portion of the brick Baptist Church can be seen. The store frontage continues to the right. The reflection of the store on the opposite side of the street can be seen in the window. The store frontage is finished with tiles along the bottom of the display window and an inset of leaded glass along the top of the window. On the footpath there is a scattering of sawdust, once used traditionally in butcher shops to soak up blood from the meat. The end of a 1920's vehicle has been captured as it passes in front of the store. On the back: On a printed label: OPENING OF BACCHUS MARSH DAIRYMAN'S CO-OPERATIVE BUTCHERS SHOP. 1923 L. to R. Norm Farrow, Sheila Muir, Bill Bence, Norm Mathews, Jim Cash and Ern Coe, (Manager). shops bacchus marsh vic., bacchus marsh dairymen's co-operative association, butcher's shops, main street bacchus marsh vic.

Set of six Agfa Colour slide, cardboard mount, by Keith Caldwell - all dated 11 March 1960 .1 - W5 720 inbound Dandenong Road, route 64, City, with advertisements for Tek toothbrushes, Bridge and Webster, auto electrical and Band aids. .2 - W2 573, showing St Kilda Junction, no route number. Tram has adverts but not easily read. .3 - SW6 947, showing route 62, city. Has adverts for Qantas and ? soap. .4 - W5 816, showing route 5, city, with adverts for Ducklings, Champion Spark plugs and Ferris car radios. .5 - W2 398, as for .4, with adverts for Remy Martin Brandy and 3AW. .6 - SW6 958, as for .1, followed by 833?. The first tram has adverts for Persil soap powder? and 3AWhand stamped "11 Mar '60". .5 has "W2" in ink.trams, tramways, dandenong rd, w5 class, route 64, w2 class, st kilda junction, sw6 class, route 62, route 5, tram 720, tram 573, tram 947, tram 816, tram 398, tram 958

Set of 7 Agfa Colour slide, cardboard mount, by Keith Caldwell of 7 or 12 March 1960 - .1 - W2 227 outbound in Royal Park with the Zoo walls in the background. Destination West Coburg, Route 55. Tram has two adverts which are hard to read. .2 - W2 470 inbound, Domain Road, Route 56 with the Upfield (Fawkner) railway line in the background. Tram has a Remy Martin Brandy advert. .3 - W5 786, as for .2, with an Exide battery advert. .4 - W2 456 as for .2, with an Coca Cola Advert .5 - SW6 965 in bound, showing St Kilda, route 55 with the railway line in the background. Tram has adverts for Band-Aids, Porsche motor cars in Richmond and Singletons? .6 - L 106 - in bound, showing destination of Carnegie, route 4. This would most likely be a Glen Huntly depot doing a late afternoon trip via William St. Has the zoo wall in the background. .7 - W3 655 in bound, showing destination of Carnegie, route 4. This would most likely be a Glen Huntly depot doing a late afternoon trip via William St. Tram has a Remy Martin Brandy advert. Tram running down to the Flemington Road intersection. .1 and .7 have political graffiti or slogans painted onto the zoo walls. examples are" Vote Bryant Out, ?? and the Labor Party? Welfare not warfare out Menzies and Drop Bob today Vote ? Out".1 to .4 - hand stamped "12 Mar '60" .5 to .7 - ditto "& Mar '60" .2 - "W2 Royal Park" .5 - "SW Car Royal Park" .6 - "L Royal Park" .7 - "W3 Royal Park"trams, tramways, royal park, west coburg, route 55, graffiti, domain rd, railways, route 56, w2 class, w5 class, w3 class, l class, st kilda beach, tram 470, tram 227, tram 456, tram 965, tram 655, tram 106, sw6 class, tram 786

Set of five Colour slides, Kodak, white cardboard mount of track laying and the construction of the Flinders Street overpass during November 1959. .1 - Photo showing the tram line in the pre location position with the new track over the first stage of the overpass read to be cut in. 15/11/1959. Tram running a route 46. Keith notes - 317 to Spencer St terminus in Flinders St from Cnr of Spencer with temporary track ready for trams on the overpass. .2 - track being tested on 21/11/1959 - has the Flinders St station and signal gantry in the background. On the bridge is a sign for Coffey Ford. Keith notes - 903 stranded on temporary track as test car for Kings St bridge overpass Flinders St between William and Market Sts. .3 - tram 903 testing the track, has a number of workers in the view - 22/11/1959 Keith's notes - 903 first tram (on its second use) testing Flinders St overpass track and approach curves on east side. .4 - trams 939 (route 46) and 350 (route 27, Spencer St) at the east end of the new bridge with people watching. Note the "cars stop here" on the orange pole near the bottom of the ramp. 22/11/1959 Keith's notes - 939 - first passenger tram over Flinders St overpass on return journey and 350 second passenger tram. .5 - tram 939 first passenger car over the bridge at the western end of the new bridge with many workers in the background. Also Markillies Hotel. Also shows the reinforcing in the side of the bridge for the next section of the bridge to be built following this stage. 22/11/1959 Keith's notes - 939 first passenger tram over Flinders St overpass over King St. Slide Number K(l)(287), K(m)(275), K(m)(278), K(m)(287), K(m)(282) respectively.Extensive handwriting on rear in ink giving the photographic details of exposure.trams, tramways, flinders st, track equipment, track construction, trackwork, route 46, testing, king st, tram 371, tram 903, tram 939, tram 350

Set of four Perutz colour slides, grey plastic mount, photo by Keith Caldwell of trams using the single track bridge over the Epping Rail line, (the hump), Preston Workshops - Miller St. .1 - W3 663, Route 9A, Northcote via St Georges Rd. .2 - W2 455 eastbound. showing special - route 11 .3 - W5 749 - as for .1 .4 - W5 - can't read the number. shows the bridge pier prior to be reinforced and the train tracks. 16/3/1966In ink "Bourke 14.3.66" and a purple date stamp.trams, tramways, miller st, the hump, w3 class, w2 class, w5 class, bridges, preston workshops, northcote, route 9a, tram 663, tram 355, tram 749

THE CLUNES FOOTBALL CLUB WERE RUNNERS UP IN CLUNES LEAGUE IN 1967. PHOTOGRAPH TAKEN IN CLUNES FOOTBALL GROUND.BLACK AND WHITE PHOTOGRAPH OF CLUNES FOOTBALL CLUB. 1967 - PASTED ON TO YELLOW CARDBOARD ORIGINAL PHOTOGRAPH OF 1967 FOOTBALL TEAM. .1 - 3 MOUNTED ON CARD WITH NAMES UNDERNEATH .4 - .6 COPIES OF MOUNTED PHOTOGRAPH .7 SMALL PHOTOGRAPH OF MOUNTED PHOTOGRAPHCLUNES FOOTBALL CLUB. RUNNERS UP CLUNES LEAGUE 1967- PLAYERS NAMES UNDERNEATH PHOTOGRAPH. MISSING FROM MEDIA BOTTOM LINE WHICH READS : ABSENT: G EPPINGSTALL, D JAMES, G TOOSE.local history, football, football club 1967

Shire of Grenville Hall and Angus shop, Sussex Street, Linton. Dating the photograph: The photograph can be dated to after 1887, when John Angus purchased the shop building (originally owned by Thomas Austin) from B. N. Dodd. 'W. Angus': From 1887 until the late 1890s the shop was run by John Angus' wife Wilhelmina Angus, who often advertised her business in the local newspaper, the 'Grenville Standard' (see photograph of advertisement, Registration no. 2019-346). It is not known when Mrs Angus retired, but it is understood that her son William then took over the shop. Elsie Jennings, an Angus descendant, recalled in a letter to LDHS that her uncle had run a draper's shop at this site. (See letter in "Linton - Township History - Recollections and reminiscences' file.) It is not clear whether the "W. Angus" in the sign refers to Wilhelmina Angus or to William Angus.Enlarged black and white copy of original photograph, which has been mounted on white card. The photograph shows a two-storey brick building, and next to it a double-fronted shop. The two-storey building is the original Grenville Shire Hall, built in the mid 1860s. The fence outside it is being used to post notices. Two large pine trees are between the fence and the building. The smaller shop next to the hall has a verandah supported by round timber posts, and signs across the front of the verandah read "Tailor" and "W. Angus". Two men engaged in conversation with each other are standing to the left under the verandah. There is a flagpole attached to one of the gate posts of the hall, and there is a telegraph pole in the street in front of the hall.w. angus, william angus, wilhelmina angus (née statemann), buildings, shire of grenville hall, shops, shire hall, town hall

Embroidered post card made in France which reads to... W West from Worthy. Embroidered silk postcards became a booming industry during the First World War that was largely driven by women. Many French women embroidered strips of silk in their homes before sending them to a factory to be mounted on card by a largely female production line. Designs endorsing patriotism and unity were popular amongst Allied troops.White rectangular bi-fold card with window mounted embroidery of the colours and flags of different countries in the shape of 1918. Inside is glossy paper with decorative flowers and printed and handwritten messages. Bound with yellow ribbon.Front: "1918 / souvenir from France" (embroidered) "Merry Christmas" (printed) wwi, postcard, embroidered postcard

Cast iron numberplate (white on black background) mounted on wood, with a braille and a written nameplate which reads: "Presented by the Victorian Railways Commission to the R.V.I.B. School for Blind Railway Club. This number plate came from steam locomotive class A2 number 932, which hauled the 'Sydney Limited', the 'Overland' and mainline passenger trains during its 48 years of service that ended in 1961." Cast iron numberplate on wood royal victorian institute for the blind, rvib school

From the album of WWI soldier William West (1268) of the 29 Infantry Battalion, 5th Pioneers Battalion. These postcards, photographs and clippings were sent to William's family and loved ones during the years he was on active service. See also 207 and 220. Assorted cards and photographs nested within a larger card. 1. Bi-fold Christmas card with blue flowers and horseshoe 2. Black and white photograph of a man wearing a suit and hat in a green / grey cardboard oval window mount 3. Sepia photograph of a man in a suit in a dark grey oval window mount 4. Small rectangular card with round edges and handwritten message from Mrs William West 5. Plastic and paper card with yellow cover and rose detail, pink ribbon binding 6. Small black and white landscape photograph of Ypres with "magpie cigarette" branding on back 7. Small slip of paper with inscription: "Pohoto" 8. Small rectangular card with white string binding and oval black and white photograph of a horse and carriage and printed detail of a kangaroo and wattle. Inscription reads: "Greeting from Wattle Land"album, photo album, newspaper clippings, postcard, wwi, christmas wishes, photograph, moustache, sepia, ypres, wattle land, australia, magpie cigarettes

Known for its distinctive ‘boo-book’ sound which gives it its name, the Southern Boobook owl inhabits a variety of environments, including woodland, rural, open desert and dense forest. It is found on mainland Australia as well as Tasmania and other costal islands. Some similar species can be located in New Zealand, New Guinea and Indonesia. Young Boobooks’ plumage is mostly off white, and there are slight variations in subspecies based on location - the Cape York rainforest owls are a larger, darker brown bird while the Tasmanian Boobooks are smaller and often have more white flecks on their plumage. Southern Boobooks hunt and eat nocturnally and, like most owls, their diet consists of smaller animals including smaller mammals and insects. While elements of this particular specimen are representative of the actual bird, the form and structuring of this specimen’s neck area appears to be somewhat out of shape in comparison to images of the actual bird, which present a distinct head structure. The eyes on this specimen are also problematic, as they are solely black - not aligning with accurate representations of this species that have a distinct golden yellow outer ring in their eyes around a large black pupil. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.One of the most commonly found Australian species of owl, the Southern Boobook is also Australia’s smallest owl. With a coating of dark chocolate brown coloured plumage on its wings, dorsal area, continuing onto the top of the head and around its eyes, the owl’s breast plumage is flecked with hazelnut brown and white feathers. Its chin and nose areas are a soft creamy white, and the owl’s beak is a darker grey. Traditionally, the eyes are yellow as are the legs and taloned feet. This particular specimen stands upon a wooden perch and an identifying tag hangs from its right leg.Swing-tag appears to read: '39. Boobook Owl / Catalogue page 53.' The 2 digit number at the beginning of the label could also be '3a'. taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, southern boobook, mopoke, australia, boobook, nocturnal, ninox novaeseelandiae, owl

This is a copy of a print originally published in 1774 by James Bretherton (British, active 1755–1799), after Henry William Bunbury (British, 1750–1811). Antiscorbutic pills were intended to prevent, or cure, scurvy. Black and white print, framed. Scene depicts two male 'quack' doctors (at image left) arguing over the relative merits of their antiscorbutic pills. The two men appear to have set up business directly opposite each other in the street, as a sign on the upper left of the image reads 'Dr WALKER'S/VERITABLE/ANTISCORBUTIC/PILLS/Beware of Impostors.' whilst a sign on the upper right of the image, directly opposite, reads 'TRUE/ANTISCORBUTIC/PILLS.' Directly behind the two men arguing, two dogs can be seen fighting each other. To the right of the men, the two wives of the doctors are also having a violent altercation, and to their right, two cats have their backs arched and are hissing at each other. There is a shield emblem resembling a coat of arms 'hanging' from the top centre of the image. The shield features images of two ducks, above the phrase 'QUACK QUACK QUACK'. Title for image is printed at bottom centre of image and reads 'MUTUAL ACCUSATION./Publish'd by Bretherton Ed. January 1774'. Text printed below image to the left of the title reads 'When once you've told and can't recall a Lye/Boldly, percist in't or your Fame will die.' (sic) Text printed below image to the right of the title reads 'Learn this ye Wives, with unrelenting Claws/Or right or wrong, Afsert your husbands cause.' (sic). Small text printed below bottom left corner of image reads 'Mr Bunbury del.' Small text printed below bottom right corner of image reads 'Js Bretherton f.'. Print is mounted on card and housed in a gold coloured wooden frame. A sticker for Gibson's Auctioneers is attached to the bottom right of the front of the frame, printed with the number '67'. There are two small auction house stickers stuck to the back of the frame of the work, as well as a sticker for the framer of the piece, Artist Framing Services. Two sets of D-rings and two wires have been attached to the back of the frame for hanging.

It is very likely that this is a painting that was presented to John 'Jack' Courier (1915-2007), who turned 80 in 1995. Courier left a bequest to the College consisting of a significant number of artworks by himself and others, including works by Peter Jacobs.Mixed media artwork, using acrylic and watercolours. Painting appears to be an abstract head and shoulders portrait of a figure, possibly a man. The figure is facing towards the right of the painting, with mouth open - the head of the figure takes up the majority of the space in the painting. The figure appears to be holding something in their right hand, which is raised. There are four semicircular shapes along the bottom edge of the painting which the figure is depicted behind. Handwritten text at the bottom of the painting reads 'Happy 80th Jack/ Jacobs '95'. The image is mounted and framed in a grey wooden frame, behind glass. There are four small auction house stickers stuck to the back of the frame. A stamp for Separation Creek Valley Productions appears at bottom centre of the back of the frame. A cord has been stapled to the back of the frame at upper centre for hanging. D-rings and a wire have also been attached for hanging at the top of the back of the frame.

It is likely this item was received from the estate of John 'Jack' Courier. Courier left a bequest to the College consisting of a significant number of artworks by himself and others.Drawing in lithographic crayon on paper. Drawing depicts a nude female figure with abstract detailing. The drawing is in black crayon on yellow paper. Handwritten inscription at the bottom of the drawing reads 'Standing Figure J. Courier'. The drawing has been mounted on card and framed in a back frame with gold trim on the inner edge. Handwritten text on the back of the object reads '1970s-early 80s/Artist/JOHN COURIER/368 TOORAK RD/STH YARRA 3141/MELB VIC/MEDIUM DRAWING IN LITHOGRAPHIC CRAYON/Price $200'. There is a hanging wire as well as D ring fixtures attached to the back of the work for hanging. Small sticker at the bottom centre of back of work is printed with text that reads 'FRAMERY/78 Barkers Road/Hawthorn, Victoria, 3122/862 1957.'

It is likely this item was received from the estate of John 'Jack' Courier. Courier left a bequest to the College consisting of a significant number of artworks by himself and others.Abstract print in dark colours (black, blue, brown) on paper, depicting a masked figure. Handwritten inscription at bottom of artwork reads '2/16 J. Courier'. The print has been mounted on card and installed in a wooden frame. Handwritten inscription on back of artwork reads 'Title SAMURAI/Artist J. COURIER/368 TOORAK RD/STH YARRA/Price $18'. There are fourteen visible mounting nails at the back of the work. A wire is attached across the top section of the back of the work for hanging.

This building on the corner of Main and Gell Streets, comprised of two shops, a residence and sheds at the back, was built by Jeremiah Ryan in 1886-7. It became known as "Ryan's Corner". The first usage as mentioned in the Bacchus Marsh Express was as a jewellery in one shop and a fish and oyster shop combined with Watson's agency business in the other. Over the years, a variety of businesses operated in the two shops, including a barber shop, auctioneer and land agent premises, a hairdresser, solicitor's, costumiere, and bootmaker. Joseph Burbidge operated a greengrocery on this site for several years until the corner store was purchased in 1903 and became an ABC Cafe. Various businesses continued to operate on the site, with the neighbouring ABC cafe continuing in business with a number of different proprietors. The cafe was taken over by Miss Mary O'Donnell in 1922, assisted by Mr "Bill" Day, who became a business partner in 1924. In 1935, Miss O'Donnell sold her share of the business to Mr Day, who continued to operate the tea rooms with his wife. He remained the sole proprietor until his death in 1963. Because he was a well-known shop-keeper in the town over a period of forty years, his establishment became known locally as "Bill Day's Corner". In 1968 the building was demolished for the Commonwealth Bank, which continues to operate on this site.Black and white photograph mounted on brown cardboard. Photograph of M. O'Donnell A.B.C. Refreshment Rooms with a young woman and a gentleman standing outside on the footpath. They can be identified as Virgie McCusker and W.J "Bill" Day. The corner brick building has a corrugated iron roof with a verandah supported by pillars featuring wrought iron corners. The corner pediment bears the name : Ryan's Corner 1887. The space between the corner pillars has a large sign reading: Miss M. O'Donnell. A.B.C. Dining & Refreshment Rooms. Board & Residence. Motors Catered For. The front window has an advertising sign: Cadbury's Chocolate. A sign on the door reads: Luncheon Please. Items can be seen in the window. At the corner stands an ornate iron gas lamppost.On the back: Handwritten: Corner Main & Gell Sts built by Jeremiah Ryan 1)Day. demolishe 19 (incomplete date) Site now Commonwealth Bank. C.B.A. opened 1963. Virgie McCusker, niece of Miss O'Donnell. 21/3/23.shops bacchus marsh, small businesses bacchus marsh, refreshment rooms, w.j. "bill" day 1887-1963

This is an image of the Rotunda Hospital in Dublin. Established as the Dublin Lying-In Hospital in 1745, it moved to its current location in 1757 and remains there to this day. This image was first published in Malton's 'A Picturesque and Descriptive view of the City of Dublin' in 1791.A colour engraving of a white building with a red roof. A tower, topped by a dome, rises above the middle of the building. There are four decorative columns on the front of the building, and the entrance to the building is surrounded by a metal fence. There are various figures in the foreground of the image. On the left, there is a well dressed family group consisting of three adults and a child. At left of centre, a figure is riding a horse, which is being preceded by a dog. At centre, in the middle background, one tall and one short figure stand next to the metal fence surrounding the building and are peering inside. At right of centre, a figure is driving a two horse buggy. On the far right, the shadowed figure of a beggar is holding out their cap. There is a smaller building to the left hand side of the featured building, and additional buildings are visible in the right side background. Clouds are visible behind the buildings. Text below image reads 'Lying in Hospital'. The print is mounted and framed in a black wooden frame with gold trim. A display label for this print is attached to the back of the frame. Handwritten inscriptions on the back of the frame of the artwork read 'Rotunda Lying in Hospital/Dublin // 19th British Congress RCOG 1971' and 'Original engraving/James Malton. London,/December 1795.' There is a sticker attached to the bottom right of the back of the frame featuring a printed image of a stork in read and the text 'FRIENDS OF THE ROTUNDA HOSPITAL'. There are two hooks and a wire attached to the back of the frame for hanging.

Charles Horace Mayo and WIlliam James Mayo were two of the founders of the Mayo Clinic in the United States.