Artwork features streets from Portland Victoria.Black and white linocut print. Image based on Julia Street Portland Victoria showing the Street and buildings looking toward the ocean. Foreground right an up close replicate of the sign pole of the middle of the roundabout between Percy and Julia Street, raised road crossings, road signs, Norfolk Island tree, ocean is visable with various Port structures. Sky is lined with clouds shaded black underneath.Along the bottom of the print written in grey lead 4/5 Julia Street, Portland Bob Stone 2007portand, julia street portland, linocut

The 1914–15 Star was authorised in 1918 and was awarded for service in specified theatres of war between 5 August 1914 and 31 December 1915. A recipient of the 1914 Star could not also be awarded the 1914–15 Star. The medal is accompanied by its original box. The Holgate medals were the first war medals held by BCC archives. They have historical and social significance for the College.The 1914-15 Star is a four pointed star of bright bronze, ensigned with a crown. The obverse has crossed gladius, overlaid with an oak wreath that is ensigned with the cypher of King George V. A scroll bearing the legend 1914-15 is centrally placed across the crossed blades. The 1914-15 Star ribbon has the red white and blue colours of the Empire, in shaded and watered stripes. The medal is accompanied by its original box.Engraved on a scroll in the centre of the medal front: '1914-15' The oak wreath is ensigned with the cypher of King George V. The back of the medal is engraved: '3193 / Pte E. S. HOLGATE / 6/F AMB. A.I.F. The box lid is inscribed: 'AMC/13 / 3193 / Pte. E. S. Holgate / 6/F.Amb,A.I.F. / 9350/Decd.'world war one, medal, 1914, the 1914 15 star, w w 1, private e s holgate, holgate, a i f, australian imperial force, holgate medal

Jacket - khaki colour, wool/polyester fabric, Service Dress style. Silver colour plastic buttons with shank and metal split ring. Buttons have raised emblem, with Armoured Corps Badge logo. Collar, shoulder epaulettes, four front pockets, top two with buttons and two metal press studs on flap, lower with flap. Two lapel badges, metal, Armoured Corps Badge logo. Green colour polyester fabric lining with white polyester fabric manufacturers label, inside left.Manufacturers information on labels - black ink print, "ADI/ VIC 1990^ / 8405.66.019.8465/ SIZE 102. 5R/ MATCHING TRS/ SIZE 87.5R/ SHADE NO. D/ ARMY NO/ NAME" "DRY CLEANING ONLY/ RE-PRESS USING IRON AND/ DAMP CLOTH OR MEDIUM/ TO HOT STEAM IRON/ CRESE UPPER HALF OF LAPELS ONLY".uniform, army, service dress, gittins

'Close Knit' was conceived based around providing the high density accommodation of the area with what many residents will never experience; the iconic ‘Aussie’ backyard, symbolised by washing on a Hills Hoist. This concept was transposed into several elements, including two large flying jumper sculptures. These stainless steel and fibreglass structures are supported on slanted poles, reminiscent of Hills Hoist arms. The jumpers appear to catch the breeze, and billow up, like washing on the clothesline on a sunny day, and cast lovely shadows across the paths and gardens. They are bright and joyful reminders of simple homespun joys. The handcraft theme is also featured in knitted concrete garden walls throughout the gardens. As if the wind is captured in the movement of the Hellenistic drapery, these panels echo the Lady of Justice, an earlier work of mine on the Victorian County Court. These feature walls bring a softness to the park and hark back to classic European garden design. There are 6 finial/balls of wool marking gateways and entrances to the park, as well as a couple randomly scattered throughout to be discovered. There is also a draped plinth at the Peel street entrance which has my signature. Again these elements echo traditional garden design and are a tactile and recognizable link to the hand knit themes of the park. Given the strong themes of domesticity and handcrafts, I have titled my work ‘Close Knit’, as it applies to the purpose of this public space as well as the works scattered throughout. Yarra City Council delivered Cambridge Street Reserve in partnership with the Victorian Government, who have supported the project with $1.3m funding. Yarra City Council has invested a further $731,130 towards the project. Urban Imitative Landscape Design worked with artist William Eicholtz at the beginning of the design process to consider the needs of a growing high-density population of the area. At double the size, with extensive park seating and a large lawn space which is shaded by native trees, Cambridge Street Reserve is now the largest park in Collingwood. 'Close Knit' by William EicholtzTwo knitted fibreglass 'jumpers' over stainless steel framework; six concrete balls of wool throughout the park; 25 metres of cast (drapery) concrete walls; concrete plinth at Peel street entry which is draped with a concrete knit and a ball of wool on top as finial; reverse rope reliefs on the front façade of eastern stairs. Artist name and date 'William Eicholtz 2023' inscribed on plinth with ball of wool on top as finial. handcrafts, domesticity, aussie icons, european garden design, public space, high density accomodation

This is a photo of one of the trestle bridges on the Heatherlie Quarry train line. It is located near the current site of "the Pines" campground.Photo is of a derelict trestle bridge over a shallow creek, taken on an angle. There are many sleepers missing and the bridge is surrounded by thick bush and trees. There is bracken in the foreground. A woman wearing a blouse made of material with a white background with a colourful pattern, blue jeans, a white "golf shade" and a red jumper ot jacket tied around her waist is walking on the near side of the bridge. Two men and two women are standing at the opposite end.structures, bridges, quarrying, heatherlie

Memorandum of agreement dated 17th November, 1933 between F.R. Rosan (landlord) and J. Shade (tenant). The said landlord agrees to let to the said tenant and the said tenant agrees to take from the said landlord the dwelling, together with all linos and window blinds situate in 78 Myers Street, Bendigo, and last occupied by the landlord, at the weekly rent of 2 pounds payable weekly. Such tenancy to commence on the fourth day of December, 1933.organization, business, h.a. & s.r wilkinson real estate

This map was printed in 1925 and contains the Warrnambool Harbour alterations proposed by the Warrnambool Harbour Committee incorporating the original designs of Captain Menzies, the Warrnambool Harbour Master and the City Engineer, Mr A. Lavercombe. The main features of the proposal were the extension of the Eastern Wall to almost enclose the harbour and a basin in Lake Pertobe. The design was to be placed before the Victorian Royal Commission on the Outer Ports which was established partly to examine the allegations of unsatisfactory work carried out in Warrnambool when the Breakwater was extended 300 feet in 1914 and also to make recommendations regarding all regional ports. The Warrnambool Breakwater was completed in 1890 but failed to provide the shipping conditions needed to continue Warrnambool as a viable port. Many plans and proposals for port improvement such as this one were produced in the late 19th century and the first half of the 20th century with the port officially closed in the 1940s. Still today the Breakwater and Warrnambool Harbour conditions remain a source of contention.This map is significant as it shows a 1925 design for Warrnambool Harbour hitherto little-known. It also has markings showing land sites of the time (BayView Hotel, Woollen Mill etc.)This is a map made of thick yellow paper pasted onto a cloth backing. It has two cloth tags at the top for tying up the map when folded. It appears to be a hand-drawn map copied with printed material added. The map is shaded green and red in some areas. Attached by nails to the map are wooden frames, rounded at the bottom and partly curved at the top. The map is torn and partly detached at the top. The top frame has a cord attached for hanging the map.warrnambool harbour, captain menzies, a.lavercombe city engineer, warrnambool breakwater, royal commission on outer ports

Medium red buckram covers with dark maroon plastic covered dust jackets. .2) Dust jacket is lighter shade of puce. Titles on front & spines. Illustrated with photos & maps. .1) Vol I Clinical Problems of War, 726 pages .2) Vol II Middle East and Far East, 701 pages .3) Vol III The Island Campaigns, 426 pages .4) Vol IV Medical Services of the RAN and RAAF, 574 pages.3) Fly leaf stamped in ink, oval shape: Returned Services League Memorial Hall Bendigobooks - history, military, medical

Four wheeled single horse-drawn vehicle containing a wooden stretcher, shaded by a black canvas hood. Driver's seat of black leather. Vehicle used as a jockey's ambulance at Caulfield Racecourse during the 1890s.It had space for one stretcher. Horse drawn ambulances, despite having springs, could be very rough to travel in. They were gradually replaced by motor ambulances at Australian race tracks. This ambulance is currently on public display at the Ambulance Victoria Museum in Bayswater.

The 1886 Irrigation Act in Victoria introduced the first legislation in Australia designed to enable the creation of a detailed scheme for agricultural irrigation. Part of the legislation saw the use of government funds for local irrigation projects. These local projects were managed by local irrigation trusts. The Lerderderg Irrigation and Water Supply Trust was formed in 1890. Printed paper map of the proposed Lerderderg District Irrigation and Water Supply. Plan showing overlap in boundaries of Trust District referred to in Mr Burke's report. The Lerderderg District lies within the Parishes of Korkuperrumul and Merrimu in the County of Bourke. At the top of the map above its title is the letter 'C; in capital lettering. A note on this map states: 'Portion of Bacchus MarshUrban District included in area of proposed Trust District shown by hatched shaded lines thus /////////////irrigation, water supply, lerderderg irrigation and water supply trust

1. & 2. DCPU (Disruptive Pattern Camouflage Uniform) Work dress, bush hat. colours - light to dark green through to mid to dark brown. Cotton/polyester fabric. Cotton/polyester cord chin strap with plastic lock clip. Hat with crown, fabric tape band of loops around crown, stiff brim and fabric neck protection flap. White colour cotton polyester fabric manufacturers label, inside on brim.Manufacturers information on label - black ink print. 1. "HARD YAKKA/ AUSTRALIA/ APRIL 2014/ PO NO: CC209P/ LAY NO: 8384/ ^/ NSN: 8415-66-151-8828/ SIZE: M 56CM/ NAME: PM KEYS NO:/ 75% COTTON/25% POLYESTER/ CARE INSTRUCTIONS/ HAND WASH IN COLD/ WATER WITH MILD/ DETERGENT RINSE/ WELL DO NOT WRING/ TUMBLE DRY OR DRY CLEAN/ DRIP DRY IN SHADE" 2. "HARD YAKKA/ AUSTRALIA/ AUGUST 2016/ PO NO: CC30WS/ LAY NO: 5020166/ ^/ NSN: 8415-66-151-8829/ SIZE: L 58CM/ NAME: PM KEYS NO:/ 75% COTTON/25% POLYESTER/ CARE INSTRUCTIONS/ HAND WASH IN COLD/ WATER WITH MILD/ DETERGENT RINSE/ WELL DO NOT WRING/ TUMBLE DRY OR DRY CLEAN/ DRIP DRY IN SHADE"uniform, army, work dress, headwear, dcpu

Books. A damaged green hard covered book titled 'The Vagabond Papers. Sketches of Melbourne Life, in Light and Shade.' 3rd series. The pen name of the author is The Vagabond. It is reprinted from 'The Argus' ( with the sanction of the Proprietors), with considerable alterations and revisions by the author.) 'Dedicated to the Members of 'The Fourth Estate' in Victoria, from Editor to 'Devil,' by their colleague, 'The Vagabond.' Published by George Robertson, Melbourne, Sydney and Adelaide 1877. 208 pgs. Ills. NB: Some excellent advertisements of products of the times are in this book.'The Vagabond'melbourne, city life, lydia chanceller collection, collection, advertisements, melbourne, city life, book, books

Document. Greeting Cards. Pale green card with darker shade around the edges. On the left is embossed holly coloured in green, white & gold. On the right is a coloured scene with a white raised frame. The scene consists of a man and a dog walking along a road in hill country. There are trees and grass along the road. In the distance the sky is red, yellow & orange. Good Wishes printed in gold in the top left corner. Verse by H. M. Burnside inside. Card & insert held together with green cord.Raphael Tuck & Sons Ltdperson, greeting cards, malone collection, malone collection, greeting cards, h. m. burnside

Plans of the Burnley Campus, Ornamental Gardens from Plan 11.0715 by Alexander Metherell Pty. Ltd. Dated November 1983. Scale 1:500. (1) 5 copies, buildings shaded showing construction type. Job No BHC/1 Drawing No SP/1. Tree placements stamped on, includes legend. (2) 2 copies No SP/1c. In Description column, "A" Building Names 7/02/1984. Also see B15.0352 full report. B11.0715 originals. B11.0599 SP/3.ornamental gardens, burnley campus, burnley horticultural college, alexander metherell p/l

BHS CollectionRay White 1992 Fridge Magnet Calendar: White and yellow card with black print. Printed on the front is * Ray White 21 View Point, Bendigo (054) 42 1122. Over 300 offices working for you. ERA Ray White (Bendigo) Pty Ltd Licensed Estate Agents. The 1992 Calendar with Public holidays in Yellow and School holidays shaded in grey. On the back is a fridge magnet, Emergency Phone Numbers and a table of commission on sale of property. Box 625business, retail, real estate

Clothing. Dark navy blue and red peaked hat or cap, with peaked shade over the face, featuring two heavy gold leaves 12 cm long, and curved from the sides of the shade, to meet in the centre. These may be woven or moulded gold work.A 1 cm wide black patent ribbon is held across the lower crown of the cap, with 2 x 2 cm diameter brass buttons - one at each end. Narrow braid (probably once gold braid) edges the 5.5 cm deep crown of the cap, which is dark navy in colour. A flat dark navy top of the crown is lined, and shaped on the underside with red woollen fabric. This is shaped to be wider and higher at the centre front. Two eyelets on either side of this section, ventilate the crown of the cap. A brass metal ''music stand'' topped by a crown and an oak leaf and acorn wreath at the sides is attached to centre front. A 5 cm wide leather band lines the crown, which is also lined with red cotton fabric, and a diamond shaped plastic ''hair-oil protection'' at the top of the crown.Inside crown, on a plastic protector, is a small white sticker, showing the number 7, this is probably an indication of size.costume, male uniform, civilian, cap

Collector says: I can still recall one of my earliest childhood memories, of my nana's bright aqua shoes against the checks of our family travel rug on summer picnics. Maybe that's when this collection planted its seed in me - 40 years later I start my first blanket collection after stumbling across old Onkaparinga travel rugs. I would go to a vintage market in Collingwood every month and almost always found a good one, amassing enough for the entire household. Everyone had their favourite, even the cat had his own – a small red tartan one just for him.Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Fringed plaid travel rug, brown, yellow and blue Onkaparinga/washing instructions/use A.W.C. approved wool detergent/warm machine wash on short gentle cycle/or warm hand wash/DO NOT BLEACH/warm rinse well on gentle cycle/normal spin/DO NOT TUMBLE DRY/dry in shade - gently pull to shape/dry cleanable (A) - in emblems: The Woolmark pure new wool, Woven in Australia, F 472wool, blanket, blanket fever, travel rug, onkaparinga

Collector says: "I can still recall one of my earliest childhood memories, of my nana's bright aqua shoes against the checks of our family travel rug on summer picnics. Maybe that's when this collection planted its seed in me - 40 years later I start my first blanket collection after stumbling across old Onkaparinga travel rugs. I would go to a vintage market in Collingwood every month and almost always found a good one, amassing enough for the entire household. Everyone had their favourite, even the cat had his own – a small red tartan one just for him."Collector's note- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. "Fringed travel rug, red, blue, green and blackOnkaparinga/washing instructions/use A.W.C. approved wool detergent/warm machine wash on short gentle cycle/or warm hand wash/DO NOT BLEACH/warm rinse well on gentle cycle/normal spin/DO NOT TUMBLE DRY/dry in shade - gently pull to shape/dry cleanable (A) - in emblems: The Woolmark pure new wool, Woven in Australia, F 472wool, blanket, blanket fever, travel rug, onkaparinga

This book has been part of a library that had been set up by the radio station 3YB in Warrnambool. This station was founded in 1936 from a Mobile Radio Station formed by Jack Young of Ballarat (hence the letter, YB). 3YB sponsored a Boys’ Club in the late 1930s and 1940s and a library for the boys was part of this sponsorship. This book is of minor interest because it was part of the library connected to the Everyboys Club established in the late 1930s by the Warrnamboool Radio Station 3YB. The subject matter of the book, an account of the aviation exploits in the South Pacific region of the well-known aviator, P. G. Taylor, would have appealed to young boys at that time. This is a hard cover book of 262 pages. The cover is blue but the colour on the spine has faded to a brown shade. There is some black lettering on the spine and also a small library sticker with the number ‘31’ on it. The book has outline maps on the inside of both covers, a Foreword, a Contents page, a List of Illustrations, fifteen Chapters of Text and an Epilogue. There are many black and white photographs and illustrations scattered throughout the text. The first two pages contain several date stamps from a library and two stamps of the Everyboys Club, 3YB. ‘Everyboys Club, 3YB’ ‘31’ radio station 3yb warrnambool, everyboys club, history of warrnambool

Cream coloured Document dated 29.March ? .1896 signed James Hetley & Co, W.D.Mason Collection, Quote from Glass Shade Windows & Stained Glass Warehouse,35, Soho Square London,a seal says Sole Agents for W.E. Chance & Co Antique Glass Letter to Mr Owen W. Williams stating various prices for their products including costs for freight etc. Also mentioned is the time taken by Cargo steamers -6-7 weeks en route - the mail steamers are quicker.business, retail, w d mason

Clothing. Cream coloured woman's panties with gussett and straight legs trimmed with 4 cm lace. 7cm vents each side seam on lower leg. 4cm lace inserts on side seams. Elastic lace waistband with decorative bow (4cmX1cm) at centre front. Sticker on lower front left leg (green and yellow) ''THE DAISY COLLECTION''and a picture of a white daisy. Swing tag still attached.Tag inside back seam''LITTLE LUXURIES BY GLORIA'' Size 16 to fit bust 95 cm Hip 100cm, Bri Nylon . Made in Australia. Warm hand wash. Do not bleach. Do not hand wring. Drip dry in shade, warm iron. Swing tag Black And Gold, ''Little Luxuries by Gloria''. Reverse style 510931, size 16 Price--- Australian Made Boomerang Symbol.costume, female underwear, woman's cream coloured panties

Brown leatherette case containing ladies' sewing kit. Lined with flesh coloured moire silk, gathered pocket containing a sheet of 200 pins, brass thread holder containing 2 reels of silk thread, one shade 677 the other 706. Other half of case has leather strap with 2 packets of Lighthouse brand needles, scissors, thimble, two needles, punch, button hook, one unknown tool, 1loose '30's button, 2 needle cards, one containing 12 safety pins of various colours.Lithgow Sheet, 200 solid headed English Pins. Abel Morrall's Dress and Lingerie Pins. Art Silk Hose Mending, Flora MacDonald Needles are a Pleasure to Use.domestic items, sewing

.1 Marquise hairnet envelope blue with face (empty) No 5, Shade mid brown large size single hair, cap shape.|.2 Embassy 2 pack, white with red writing on cellophane packet. Slumber net for medium light brown. Rayon and nylon|.3 Surefit, Human hair cap net, yellow with black writing on cellophane packet|.4 'Ideal' cap net human hair light brown. Manilla envelope.|.5 'Ideal' cap net human hair light brown , plain envelopecostume accessories, hair accessories

Cathy and Finlay Currie (Allan's parents). Mrs Currie is wearing a dark dress with a deep V-shaped patterned insert which extends from neckline to waist and appears to have looped edging. Her dark, wide-brimmed hat is trimmed with flowers. She holds a dark clutch bag and has dark shoes. There is an elaborate corsage pinned to her dress. Mr Currie is in a 3-piece suit of medium light shade, and a tall hat. Another woman can be seen behind them. They are outside a church and are probably at a wedding.

1. & 2. Shorts, black coloured nylon fabric with black colour polyester cotton lining, inside fob pocket, elastic and draw cord waistband. Yellow, red and black embroidered "Rising Sun Badge" with lettering "THE AUSTRALIAN ARMY" on lower left leg. White colour cotton/polyester fabric manufacturers label - inside back waistband.Manufacturers information on label - black ink print. 1. & 2. "afw/afw pty ltd/ Size: XX Large/Nylon outer/ Polyester Cotton Lining/ CC? CVC/ NSN; 8415-66-139-3924/ Apr. 2016/ Made in China/ Care Instructions/ Nylon Outer/Polyester Cotton Lining/ Warm hand wash/ Do Not Bleach/ Warm Rinse/ Drip Dry in Shade/ Warm Iron".uniform, army, physical training shorts

This jumper is part of a General Purpose Uniform issued by the Australian Airforce to Bernard Farley during service. This uniform type was developed in 2014 and replaced camouflage as the uniform worn during general base duties and in non-warlike environments. Although a camouflage pattern, this design is not intended for use as camouflage. This woolen jumper was presumably a winter addition to the GPU.This item has social significance, as an item of uniform worn by Warrnambool RSL community member and Secretary (2019), Bernard Farley during service with the Australian Airforce. The item is a representative example of current Airforce General Purpose Uniform and is in excellent condition. As a set, the uniform has aesthetic significance in it’s design, incorporating GPU uniform design from the Army alongside the colours and motifs of the Australian Airforce. Navy blue ribbed knitted jumper with stitched navy cotton elbow patches, rectangular in shape. Similar rectangular shaped patches on the left and right shoulder, bearing two epaulettes, stiched at one end and fastened with velcro and the other. The left shoulder carries an Airforce embroidered patch at the top of the arm. Arm cuffs have external seam for approximately 100 mm from the end, indicating that the jumper may have been worn with cuffs folded over. Synthetic strip of black fabric on the interior collar behind a cream coloured label.Label on interior of collar reads: “CALCOUP KNITWEAR/291083/ 06/01 / 8405/661468799 / SIZE: 115cm-125cm/SERVICE No........./ NAME........../MACHINE WASHABLE GENTLE CYCLE/Fasten shoulder straps before/washing. Warm machine wash,/inside out on medium cycle./Do not bleach./Warm rinse. Normal spin./Doi not tumble dry./Dry in shade. Warm iron./ Dry Cleanable A/80% Wool 20% Nylon”camouflage, general purpose uniform, airforce, uniform, australian defence force