They sphygmograph was devised as an improved device to measure blood pressure, and was a marked improvement on the first machine of its type. The sphygmomanometer was considered cumbersome and the Dudgeon sphygmograph was smaller, and once placed into its box, could be carried in a pocket. The Dudgeon sphygmograph was introduced in 1881. It was strapped tot he wrist with a metal strip that moved a stylus. This transmitted a record of the pulse onto smoked paper, creating a record of blood pressure.The sphygmograph is housed in a purple-lined, leather bound case with a metal hinge and clasp located halfway up the case. It is constructed from chrome and comprises several moving parts including wires, knobs and handles. A black fabric strap with a metal attachment is also present, used to attach to the patient's wrist.blood pressure, dudgeon, pocket-sized, portable

The photograph was taken after 1910 when the chapel, on the left, was built.This is a rare photograph of the Central Institute built in 1907 replaced by the Flinders Street Institute in 1917. The two buildings coexisted for many years until the this one was demolished (date still unknown).Small monochrome photograph at 45 degree angle depicting a horse carriage passing in front of the Siddeley Street mission, known as the Central Seamen Institute.In pencil: 137seamen institute, siddeley street, brick, huddard company, australian wharf, horse carriage, smoke, flag, chapel, walter richmond butler (1864–1949), goldsmith album

Pipe smoking has been in vogue for centuries, and in Australia it was a symbol of the "discerning smoker" such as the landed gentry, men of professional status or student. This pipe, however,of the "corncob" style, would have suited the younger professional or student/undergraduate(male or female) of the mid and late 1900s because it was relatively inexpensive to purchase and was regarded as a "beginners pipe". It is the type of pipe well suited to the rural backdrop. In the late 1900s, with the health related restrictions placed on public smoking these tobacco pipes were not immune from the legislation, and even though the pipe smoke was not as offensive as cigarette smoke it still came under the umbrella of smoking. Pipes were also used in the process of inhaling illicit drugs i.e. marijuana, but this use was limited to a very few. Smoking in the second millennium is being phased out as a social habit in Australia but may affect the few "private" smoker and has, as the United States prohibition era (alcoholic drinks) did, spawn an illicit trade in cheap contraband tobacco.This type of pipe lends itself well to the rural setting of the Kiewa Valley and although it is a bit rough in appearance its corncob barrel blended into the environment. The Kiewa Valley region was up until the late 1900s part of the Australian Tobacco Industry and the levels of men smoking pipes was enhanced by the ready supply, "off the fields", of tobacco leaves and the attitude to city based smoking restrictions was one of resentment.This pipe has a straight stem and its "style" is corncob. Originally made from corn cobs the pipe was light in weight and easy to hold in the mouth. The pipe has a permanent filter and a black coloured tin band at the stem/shank junction. The stem fits into the wooden shank which is fastened into the bowl. The stem is made from clear plastic (orange in colour). This stem is longer(70mm) than the shank(45mm). Both are horizontal and extrude 7mm from the bottom of the bowl.tobacco, pipe smoking, smoking accessories

Series of photographs taken near Rabaul in 1941 during WW2, of the Volcano Matupi and other local scenes. Taken by Ern King who died on Rabaul. Collection of 9 photos of Rabaul 1941. All Black and white with white borders. 1. A blow hole at Matupi with smoke coming out. 2. Snow on side of mountain. 3. A stump on side of Matupi. 4. & 5.Photos of Albino camp with soldiers watching natives. 6. Photo of the Volcano at Matupi. 7. Photo on top of Volcano at Matupi. 8. Photo of natives climbing a coconut tree. 9. Photo of a crocodile.On the back of each is written the following; 1. A blow hole at Matupi. 2. Bed (?) of Matupi 1941. 3. A stump on side of Matupi. 4. & 5.Photos of Albino camp 1941. E.G. King 6. Matupi from the bottom 1941. 7.Near the top of Matupi. 8. Getting a few coconuts for use. 9. A snap of a crocodile.rabaul 1941, volcano, matupi, ww2, e. g. king

Born in 1903, Norman Penrose studied at the Bendigo School of Mines. A painter and a teacher, he lived in Bendigo most of his life.Watercolour painting by Norman Penrose titled "Bendigo Mining Country." It shows a barren landscape of green shrubs and reddish dirt under a cloudy sky. A single poppet head and a chimney with smoke coming out can be seen on the right hand side with two houses further away. The painting is signed on the bottom left-hand side. The painting is under glass in a light brown wooden frame. Norman Penrose Collection On the back "Norman W. Penrose" ("Bendigo Mining Country') 14 Barkly Terrace, Bendigo. phone: 36420. In red chalk No 4 within a circle. bendigo, mining, norman penrose, artist, teacher

Postcard, WW1, B&W photo of three 18 pounder guns practice firing in a desert landscape. Smoke coming from the near gun. Two mounted soldiers observing in foreground. Two horse drawn guns and soldiers standing in right background. An indistinct row of mounted horsemen on a ridge in far distance. Handwritten in ink on the back Cinema Film Series 18 pders in action Zeitoun Feby '16postcard, postcard, ww1, zeitoun, egypt, 18 pounder guns

The letters of the completed banner were made by different churches within in the presbytery and spelled a sentence, presumably "BUILD YOUR CHURCH LORD!" Orbost was one of the churches that had the finished banner on display. One of 24 small banners with tabs at the top of each for hanging on a rod. 19 have large blue letters appliqued on them. Twenty two of the banners are roughly square and two are smaller and oblong. Three have no letters and are used as spacers in the four word sentence that the letters make. The banners are decorated with rural and coastal images. BN068.16 "L" with appliqued and fabric painted scene of a beach, hills and city smoke on the horizon "L"uniting church adult fellowship

Sepia toned postcard showing view of Works buildings at north end of eastern pier. Cunninghame Arm in front of buildings, Reeves River left distance. SS Wyralla steaming past, and SS Manawatu at pier. Jemmys Point, Mt Barkly, and Kalimna Hills in background. Photo taken from top of dune. Smoke issuing from Wyralla funnel. Carstairs boarding house in centre foreground. Lakes Entrance VictoriaLakes Entrance - Gippsland Lakesjetties, schools, township, ships and shipping

CEMA Art Collection Previously located in History HouseA house set amongst trees with a small body of water in front. The house has smoke rising from the chimney. Pinkish sky. On the water is a small wooden boat, and to the right of the house stands a person. In the background is a green hill with buildings set in the foothills. The hill and trees of the foreground are set against an orange/pink sky. The work has a gilded ornate frame with no mounts and exposed canvas. Signed front of painting bottom rightFront: Jessie Shevill 1894 Plaque attached to frame: The Lonely House Back: (no inscriptions)european painting, 1800s, country

Eltham Gateway, 860 Main Road, Eltham Situated on a large block of approximately 1,442 sq metres, it was last sold for $1.4 million 30 Oct. 2016. The premises had been left in an abandoned state for some time and on the evening of 6 July 2021 it was attended by the CFA and 8 emergency vehicles due to a fire. Breathing apparatus was required due to hazardous smoke conditions. The building was reportedly demolished by August 2021.Tomorrow's history documented todayeltham, jim connor collection, main road, eltham gateway

Eltham Gateway, 860 Main Road, Eltham Situated on a large block of approximately 1,442 sq metres, it was last sold for $1.4 million 30 Oct. 2016. The premises had been left in an abandoned state for some time and on the evening of 6 July 2021 it was attended by the CFA and 8 emergency vehicles due to a fire. Breathing apparatus was required due to hazardous smoke conditions. The building was reportedly demolished by August 2021.Tomorrow's history documented todayeltham, jim connor collection, main road, eltham gateway

This photographic exhibition was developed by the Federation University-led Community Wellbeing research stream of the Hazelwood Health Study in collaboration with Morwell Neighbourhood House and Gippsland Centre for Art and Design at Federation University Australia. It highlights people's hopes for the future of Morwell has its roots in two unexpected places: the Hazelwood mine fire in 2014 and an academic study into community recovery from that fire. In late summer of 2014 a bushfire spread to the coal mine near the town of Morwell in the LaTrobe Valley, in south-eastern Victoria. The Hazelwood mine fire burned for 45 days, shrouding communities - especially Morwell - in smoke and ash. Strong calls by the community for an investigation into the health impacts of the Hazelwood Mine Fire led to the Department of Health's (Know the Department of Health and Human Services) decision to fund a ten year study of the potential health effects of this smoke event (Known as the Hazelwood Health Study). This exhibition came out of work undertaken by the Community Wellbeing Stream of the Hazelwood Health Study during 2016 and 2017. Based at Federation University Australia's Gippsland Campus, just a few kilometres from where the fire took place, one of our Study's main aims has been to find out from the community how the smoke event impacted on community wellbeing. We also planned to talk to community members about the effectiveness of community rebuilding activities, and find our how these have aided recovery following the smoke event. In 2017 we began working with community organisations on a project to foster community recovery and wellbeing. What emerged from these discussions was the idea for a photographic exhibition, on the theme of 'Our hopes for the future of Morwell'. Invitations to participate were extended to up to 50 members of various community groups. The groups were asked to think of some object that symbolizes their hopes for the future of Morwell. Individuals were then invited to attend a photographic session kindly hosted by the Morwell Neighbourhood House. Each individual was to hold this object while it was photographed, as well as explain what the object represented in terms of Morwell's future. Out of this process twenty nine photographs with their captions were produced, enlarged and framed for exhibiting. The photographs were taken by Clive Hutchison of the Gippsland Centre for Art and Design at Federation University Australia.Twenty nine framed original photographs.morwell, our hopes for the future of morwell, clive hutchison, photography, morwell neighbourhood house, hazelwood health service, gippsland centre for art and design, hazelwood mine fire, haxelwood health study, morwell neighbourhood mine fire, neale stratford, tracie lund, ian brown, susan yell, sue whyte, ainsley ja, ainsley james, michelle duffy, shaun mallia, valerie prokopiv, morwell art and framing

The area, previously known as Back Creek, was named after Thomas Cottle, who settled in the district in the 1870s, and the original bridge over the Diamond Creek on the road to Strathewen. The original bridge (seen in the photo) was replaced with a new timber bridge at a cost of £1,500, the tender being awarded to a contractor named Birch who commenced work in June 1927. The gentleman in the photo who is resting whilst having a smoke of his pipe is a member of the Belot family.Original sepia photograph mounted on card broken lower left corner and cracked upper rightbelot, bridge, cottles bridge, cottles bridge-strathewan road, diamond creek (creek), heidelberg-kinglake road

Story is of the ball held to commemorate the second anniversary of the Battalion. Piece of white paper with black writing, Photocopy of an articles in "POW WOW". Page has two sections, representing two pages of the article. Heading across the top and date with line under that. Story, photograph of a chef and an officer standing either side of a cake. Right hand section continues the story. Under the story is a fire and chimney, smoke coming out the chimney. An officer standing in front of the fire with hands on hips. Under him is a poem.lieutenant colonel tackaberry, victory hall tatura, pow wow