Port of Portland AuthorityFront: (no inscriptions) Back: 177 (top left, pencil)port of portland

On display in History House.Photograph depicting 2 women riding a camel. Two other camels in background. In background is piers and bathing pavilion.Front: Portland, Victoria 1930 (printed, lower left). Back: c1933, Abdul and his Camels (blue pen, upper left). Lady with hat - Mrs. Andrews - (ME) Mrs Ernest (Myrtle) (blue pen, top centre).

A track to the top of Mt William existed many years before, an all weather road was constructed in the early 1960s Not only did engineers and construction workers enjoy some spectacular scenery during "smokos" but so have thousands of tourists Some even experiencing the freezing gale force winds which greeting Major Thomas Mitchell and his party in July 1836sPhoto shows 3 men looking over to Wonderland Range from Mt William. Two men are wearing hard hats The third man a felt hat - he is pointing to a point in the distanceWMT (Wimmera Mail Times}access routes, walking track, roads, mount william

The man in the photo is William Henry Thomas Parfett. Other names on the back of the photo are Alice Mathilda (Tot) Wright and Ida Laura Parfett. It is not known which women in the photo these are.The photo shows three women, all holding flowers. A man is pointing up at the top of a gum tree - he is also holding a bunch of flowers. A rocky outcrop is centre, right of photo. The bush is reasonably dense with a number of gum trees throughout. All four people are wearing hats.people, parfett

This windowless bark hut would have been used by stockmen who looked after sheep and cattle in the Fyans Valley. This hut was situated at the site later named the Borough Huts. See p8 Bridging the Gap Photo shows a man sitting outside a wooden slab hut. The hut has a tin flashing along top roof line. Man is wearing a hat and tie. A gun is leaning up against wall of hut. A sheep or cattle race can be seen in left corner of photo. buildings, houses

This postcard was printed in Germany and hand coloured. The name of the waterfall is not givenPostcard showing two men, with hands on hips, standing beside a waterfall. The waterfall flows over two rock ledges. Both men are wearing hats. A tree stands almost centre foreground and runs to the top of the card. The postcard has been hand coloured.Waterfall Grampians, Stawell printed on the bottom of the postcard in red.scenery, waterfalls

Rock formation is called " The Woolpacks " and was located on the Wonderland Track at the top of Silent Street -- however on a Broadbent map of the Grampians no.205 this formation was called the " Wool Sacks " ; and the "Woolpacks" was shown on the map close to Venus Bath.Photo shows distinct slabs of rock balancing on each other. Three people appear in the photo -- a man with a boy and a woman. All three are wearing hats. A large rock outcrop can be seen on right of photos -- trees can be seen on left.The Wool Packs F5030scenery, wonderland range

Some of the people in the photo are said to be members of the Balmain family. James and his wife Amy Sophia (nee D' Alton) had three children. Amy died suddenly in 1902 at the age of 37. See p45 Bridging the Gap.Photo shows group of people seated and standing by a waterfall,three men seated on top of waterfall, next level a man and a young woman ( who is holding a hiking stick), top level a man and woman both holding hiking sticks. In front of them seated on a rock is a woman holding a hat. on her lap Waterfall is split into three and they flow over a larger rocky platform.Balmains c1900recreation, bush-walking

Man was Freddie Paash, a Danish immigrant who made his home in Halls Gap. He is seated on what was known as the 'Coronation Chair'. c1930s. This no longer exists as it was struck by lightning.Side view of Man, with hat in his hand, smoking a pipe, seated on top of rocky outcrop. Gumtrees and bush visible in background. c1930speople, paasch

Photograph is taken at the Pinnacle in the Wonderland Range. The valley below is the Fyans Valley.Three men and a woman laying, sitting and standing on top of a high rocky outcrop. The woman and two men wear hats and the man standing is holding a stick. A mountain range can be seen opposite them with a valley far below, between the two ranges. A group of buildings can be seen in the valley. The style of dress worn by the people suggests early 1900s.The Pinnacle Wonderland Grampiansscenery, wonderland range

This brown wool felt hat with a broad brim was, by its style, used by a adolescent child for church services. This was worn in a period where church services on Sunday was an important weekly ritual by the whole family. Special (church only) dresses and hats were worn not only to show respect to the church but also part of expected community mores relating to religious beliefs. This behavioural pattern was more entrench in the rural communities than within larger cities. The closeness of smaller rural communities is the main factor regarding social norms. The visible standing within the community was uppermost. The period pre 2000 was a more coheasive family environment ( due to greater intra family activities) which provided better communication and family activities.This "church styled" hat is very significant to the rural lifestyle and its mores. It clearly demonstrates the coheasive force that religion has on the Valley population. The closeness that the semi isolation (at this time) brought about by the Valley's physical land formation and the poor roads within the valley brought families closer together. Not turning up for important social functionsw was duely noted by all (and frowned upon). Mrs E. Fisher lived at Mongan's Bridge in the Kiewa Valley.Brown child's all felt hat size 6 1/4. A broad brim with a lighter brown velvet ribbon head band. Head band has a crossover to the left front with 100 mm extension flowing over the brim. The top of the inside of the head pocket is lined with a soft silk fabric.6 and one quarter (size tag). Unreadable crest / monogramchildren's head wear, social head dress, church hats

Cardboard white box with decorated coloured flowery sides which curve over the edge to frame the top of the box. Top of the box has a picture of a smart fashionable lady wearing a broad brimmed black hat with a pink rose and seemingly wearing a white fur shawl. Her body is not shown. The inside of the box is divided into 4 equal compartments - 1 across and 3 in a row lengthwise. 15 metal black hairpins are in 3 of the compartments and 2 brown plastic hairpins in the other. Base if the box - "Finest selected / Hairpins. / Black / Made in England hair pins, make-up, personal item, hairdressing, toiletries, bathroom

Historically this item could be a valuable antique worn originally by a wealthy upper class woman. The fine hand painted pictures with gold boarders and porcelain body suggests the item was bought either in Europe or Britain and brought into Australia in the late 19 th to early 20 th century by a wealthy landed gentryThis item is a reflection of both the fashion mode of the 1800s to mid 1900s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsHead of pin is six sided, domed top made of porcelain. Two sides have hand painted pictures of grapes, two sides with flower arrangement , two sides detailing cypress tree tips of branch, top has flowers and leaves with hidden small birdshat pin, porcelain hat accessory, millinery clothing

This is a complete uniform of the Warrnambool Urban Fire Brigade in the mid 20th century. The Warrnambool Fire Brigade, located today in Mortlake Road, Warrnambool, was established in 1863. The formation was prompted by a fire at the Flying Buck Hotel in Liebig Street. The Warrnambool Fire Brigade has a long proud history of service to the people of Warrnambool and district for over 150 years. The uniform belonged to John (Jack) Sizeland, a firefighter for over 37 years. He retired in 1977. This uniform is of some significance as it shows the type of uniform worn by Warrnambool firefighters in the mid 20th century. It is also of importance because it belonged to a local firefighter, Jack Sizeland. This is a Warrnambool Fire Brigade uniform consisting of:- .1 A black cloth single-breasted jacket lined with black and white material. It has four silver metal buttons down the front and two on the top pocket lapels. The buttons have the inscription ‘Country Fire Authority Victoria’. There are two red and black cloth tabs stitched on the top of the sleeves (‘Warrnambool Urban Fire Brigade’). The belt is stitched at the back and loose at the front. .2 Black cloth trousers with a red braid stripe down each leg. .3 Black leather belt with a silver-coloured buckle. .4 Black officer-type hat with red plastic lining, a plastic peaked front with a green backing, a red and black braid around the rim with two metal buttons and a silver-coloured metal badge of the Country Fire Authority. .5 Black cloth (polyester) tie with orange lining. Trousers: ‘C.F.A., I. L. Wise’ Tie: ‘Mark Andrew Made in Australia’ Hat: ‘Emerco, Melbourne, Registered Trademark, This is Your Guarantee for Quality, Made in Australia’ warrnambool fire brigade, jack sizeland, history of warrnambool

This hat is part of the uniform worn by Sister Winifred Ride during World War 2. Nurses played a key role in the conflict through their care and compassion to the servicemen who were wounded and sick.The nurses uniform is symbolic of the sacrifice and service of the many women who served their country in WW2. Grey felt hat with 60mm brim. Brown hat band 30mm wide with narrow stripes top and bottom. Narrow stripes red and grey at top of band, grey and red at bottom of band.Inner hat band marked with "N231, 6 7/8, 1942"

Black and white photograph mounted on bege frame with red ornaments. Seems to be taken very early in the 20th century, before WWI. 3 Gentlemen stand on room, facing each other and not the camera. On the left, men is relatively more simple dressed, with small hat. In the middle, men with tall hat and pocket watch on fancy suit. And on the right, older man with hat, walking stick and overcoat.Handwritten: (top left) 55 P99(crossed out) (top right) AP 78 (bottom left) 81 (centre) (stick) FOYLE // PHOTOGRAPHER // WARRNAMBOOLvictoria police museum, police officers, police force, foyle photographer, warrnambool

In March 1892, Melbourne Butcher John Stamford took a prospective tenant to a house he owned at 57 Andrew Street Windsor. He noticed a 'disagreeable smell' coming from the front rooms. Suspecting foul play, Stamford called the police who quickly discovered a decomposing body and partially clad body of a young woman in a shallow grave under the fireplace. 'Her skull had been shattered and her throat cut'. Two detectives, Sergeants Considine and Cawsey, began investigations. The previous tenant, a 'Mr. Druin' who had rented the house had since disappeared was the main suspect. 'Druin' had arrived in Australia from England as 'Albert Williams' in December 1891 with his 24 year old wife Emily Mather. The body was Emily's. The crime scene investigation proved difficult as the suspect - whatever his real name- had cleaned up the scene very carefully. Much later it was discovered that the suspect was in fact Frederick Bayley Deeming, a former sailor born in Birkenhead, Cheshire, in 1854. In 1881, Deeming deserted his ship and lived in Sydney where he married and had a family. Deeply in debt, he later burned his business down to claim its insurance value and fled to South Africa before he could be arrested. He is believed to have committed numerous frauds and murders in Africa. Eventually found in Uruguay, he spent time in prison in England for fraud. After being released he married Emily and returned to Australia. After leaving England, British police began investigating him over the murder of Mrs Marie Deeming and her four children. Now using another alias, 'Baron Swanston', Deeming was arrested in Western Australia before he left the country in the company of a young woman, Kate Rounsefell, whom he planned to marry. It seems Kate would have been his next murder victim. Brought back to Victoria, in May 1892, Deeming went on trail for the murder of Emily Mather. Despite a strong defense conducted by a brilliant young barrister and 3 times Australian Prime Minister Alfred Deakin, the evidence against Deeming was overwhelming and he was found guilty. Deeming was hanged at Melbourne Gaol on 23 May 1892. He was known to be responsible for at least 6 murders and may have committed others. Black and white photograph backed onto black board showing a lady in dark clothing and hat resting with her right elbow on the arm of a lounge. Woman is holding a small sprig of flowers in her left handEmily Lydia Mather. Murdered by Deeming 1892 (in black ink along top of photograph)frederick deeming, emily mather, murders

Red felt Hostess hat with small brim with small Dent in right top side. Thin red band with 3 lines of white stitches around crown of hat with 2 tabs, Black band inside with black hat elastic sewn in by Nivek Headwear Reg. Melb.

Donated to Ansett Museum. Formerly worn by M. Crawford, pilot with Ansett Airlines.Complements the collection of air flight crew attire.Pilot's peaked cap. White vinyl flat-topped crown. Black cotton exterior band supported by rigid internal plastic band. Leather sweat band. Rigid black visor made of natural fibre. Black vinyl strap above visor is secured by black buttons.Insignia features a five-pointed silver star above a golden bird in flight, on red background, surrounded by a wreath of golden feathers. Black mounting. Brisbane Cap Co. Pty. Ltd. Hat belonged to M. Crawford, uniform, pilot, m. crawford, ansett airlines

Red felt Hostess hat with small brim with small Dent in right top side. Thin red band with 3 lines of white stitches around crown of hat with 2 tabs, Black band inside with black hat elastic sewn in by Nivek Headwear Reg. Melb.

Red felt Hostess hat with small brim with 4 small Dents to top left back side, 1 small dent to front. Thin red band with 3 lines of white stitches around crown of hat with 2 tabs, Black band inside with black hat elastic sewn in by Nivek Headwear Reg. Melb.

Red felt Hostess hat with small brim with 5 Dents in top. Thin red band with 3 lines of white stitches around crown of hat with 2 tabs, Black band inside with black hat elastic sewn in by Nivek Headwear Reg. Melb.

Orange faded felt Hostess hat with small brim with 4 small dents on top. Thin red band with 3 lines of white stitches around crown of hat with 2 tabs. Black band inside with stretched black hat elastic sewn in by Nivek Headwear Reg. Melb.

Red felt Hostess hat with small brim with 3 vertical dents in top front & right side. Thin red band with 3 lines of white stitches around crown of hat with 2 tabs, Black band inside with black hat elastic sewn in by Nivek Headwear Reg. Melb.

Donated to Ansett Museum. Formerly worn by Ansett Airlines pilot.Complements the collection of air flight crew attire.Pilot's peaked cap. Orange cotton flat-topped crown. Orange cotton exterior band supported by rigid internal leather band. Interior lining of green cotton under plastic. Perforated leather sweat band. Rigid black visor made of natural fibre. Black cloth strap above visor is secured by orange buttons.Insignia features a five-pointed silver star above a golden bird in flight, on red background, surrounded by a wreath of golden feathers.Label inside reads "Emerco Melbourne 36 1218 Made in Australia".

Donated to Ansett Museum. Formerly worn by Ansett Airlines pilot.Complements the collection of air flight crew attire.Pilot's peaked cap. Brown cotton flat-topped crown. Brown cotton exterior band supported by rigid internal leather band. Interior lining of green acrylic fabric. Leather sweat band. Rigid leather visor covered by brown plastic on top and green plastic on bottom. Brown plastic strap above visor is secured by brown button on left side. Button missing from right side. Missing insignia.No label for manufacturer, designer, or supplier.

Donated to Ansett Museum. Formerly worn by Ansett Airlines pilot.Complements the collection of air flight crew attire.Pilot's peaked cap. Orange cotton flat-topped crown. Orange cotton exterior band supported by rigid internal leather band. Interior lining of green cotton under plastic. Perforated leather sweat band. Rigid black visor made of natural fibre. Black cloth strap above visor is secured by 2 orange fabric buttons on either side.Label inside reads "Emerco Melbourne 36 1218 Made in Australia".

Following a Royal Commission in 1855, the Gold License was changed to the Miner’s Right, which reduced the fee and required annual payment, rather than monthly or quarterly.The fourth Goldfields Act, passed in early 1858, gave increased privileges to holders of Miner's Rights. These included the right to make residential claims, allowing the cutting of timber on claims and giving the right to build races and dams on any crown lands for mining purposes. This certificate is in the name of Samuel Richardson who brought it to Orbost.This item is of historical significance as it is associated with positive outcomes for gold miners brought about by the Eureka Stockade rebellion and its subsequent democrat changes. It is also associated with the Richardsonfamily who were early settlers in Orbost.A certificate for a miner's right printed on paper. It cost one pound. It was Not Transferable. Details have been filled out in ink. At the top of the licence is an elaborate etching, under the heading 'Colony of Victoria'. Inside a shield is a young woman, crowned, seated, with shipping in the background. oO her left is a miner with hat presenting her with a gold nugget while on her right, a farmer presents grain to her. Mottoes include 'Honi Soit Que Mal Y Pense'; 'Dieu et Mon Droit' and 'Advance Australia' There are handwritten notes in faded ink on the back.miner's right, colony of victoria, samuel richardson, no 14, government act