non-fictionAbstract William Holman Hunt's Light of the World (1851-53) was a remarkable painting that depicted an idealised vision of his conversion to Evangelical Protestantism. The derogatory critics and fierce debates that greeted the Pre-Raphaelite paintings at Royal Academy exhibitions from 1850 in no way abated when the Light of the World and other PRB works were hung in 1854. Acceptance of the Light of the World was gradual, significantly aided by a long explanatory letter from John Ruskin published in The Times (5 May 1854 p. 9) that explained the symbolism in great detail, championing the work as the principal Pre-Raphaelite picture in the Exhbition and one of the noblest works of sacred art ever painted. Curious Londoners flocked to see it, but there was no inkling then of its influence on religious art, poetry and illustration that would continue well into the twentieth century; no less influential was its impact on stained glass. Almost immediately it was embraced as a new subject for church windows of all denominations. The global tour of Hunt's larger copy of the Light of the World reached Australia in 1906 where, preceded by clever pre-publicity, it generated huge interest in cities and country centres here and in New Zealand. The effect of the 'blockbuster' tour was far-reaching, with hundreds of stained glass windows appearing in churches across the country for the next fifty years. This paper explores William Holman Hunt's co-option of illumination as metaphor and reality, the factors behind the longevity of the Light of the World as a stained glass phenomenon in Australia, and its universal appeal to Protestant church-goers.jesus, stained glass windows, bronwyn hughes, pre-raphaelite, william holman hunt (1827-1910)

The kit is packed in 2 wooden transit boxes. The Training Set is a semi-portable instrument for training operators in morse reading and sending and R.T. communication. The set comprises audio oscillators for morse reading, morse interference and background noise interference, power supply for microphones, an audio amplifier, and a switch board for group working with up to six independent, contained in the instructor's set. The instructor and each operator under training has a receiver-head gear, a hand microphone and a morse key. The instructor has an additional morse key used for providing morse interference. In the case of each operator, the microphones and headphones plug into an "operator's control unit" fitted to the table in front of each operator. The units also house a morse key, and are connected to the instructor's set by four-core cable. Plug and socket connections are used. The apparatus may be used for a class of up to 36 operators. Working Instructions - filed on Object Data Record radio, wireless, training set

The 70th regiment is a military regiment with a Balalrat base. Handwritten foolscap letter on 'Training Area No. 70b Orderley Room, Ballarat' letterhead introducing Lieutenant Webb to Frederick Martell of the Ballarat School of Mines and requesting access to diagrams of a skeleton for training purposes. The letter is signed by Captain John Santerballarat, webb, santer, santon, universal training scheme, 70th regiment, letterhead