Colour Slide: Looking at the dam Wall from outside. with conveyor in foreground and steel shed in background in front of Dam Wall.lake bellfield

From a family who had three generations that worked for Dennys Lascelles. Image depicts seven men in suits sitting and standing in front of a wall of wool. Believed to feature Arthur Ganly at back left side standing. Also features DPC Wilson seated, who would become Director of Dennys Lascelles.Green/grey cardboard backing with black and white photo attached. Photo depcits seven men in suits, four standing and three seated in front of a wall of wool. DPC Wilson, future Director of Dennys Lascelles is seated. Back of item has names written in pencil, but they are very difficult to make out.

During the Victorian era, the period (1837-1901) in which Queen Victoria ruled England. The queen’s influence was felt throughout the world, including in the United States and Australia where Victorian values shaped society and style, especially in home décor. This period’s distinct style presents an eclectic mix of highly ornamented furniture, wallpaper, and knick-knacks. Particularly in terms of furniture, and the characteristic floral patterns and rich, contrasting colours, wall hanging that enjoyed the height of its popularity during the Victorian era were of the spiritual type with an either embroidered or punched paper religious motto or bible quote. Mottoes were commonly hung high up on the wall or in an area of prominence, to remind the viewer of their important message, such as “He Leadeth Me” and “Honesty, Industry, and Sobriety.” Short and pithy, they embodied the ideals of Victorian society. Technological advances contributed to the boom of religious mottoes whereas before the Industrial Revolution home décor of this sort was handmade and therefore minimal, now consumers could purchase and fill their homes with all sorts of mass-produced ephemera goods similar to the subject item. Many of these mass-produced period pieces still exist today, often in their original frames, ceramic, or paper formats. Flagstaff maritime museum has many examples of mottoes on display that serve to reflect the period in which values of home, faith, and Christianity were very prominent in everyday Victorian society.An item that reflects the social values and attitudes of the late Victorian era that was used to promote good Christian and moral values in many households. These items of decoration were very popular at this time and the subject item is significant as it gives a snapshot into the social norms of past generations. Wall decoration white china with relief circular hanging pieces, paper folds pinned back to reveal words Paper is pinned by metal studs. Paper folds create star shape. (set of 2)Watch and Pray and Come Unto Meflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, shipwreck coast, great ocean road, paper wall decoration

Red yearbook with a full art cartoon cover of a heavily muscled man in a loincloth and headband holding a spear and spray can with a brick wall in the background. There is White text reading Geronimo on the wall and '93 is sprayed into the wall below it.GERONIMO '93

Samuel McGeorge was born in Belfast, Ireland in 1850. He was trained for the ministry at Moore College, Sydney. He was Vicar in Ararat for 10 years prior to coming to Warrnambool in 1899, to become the 3rd Vicar of the Parish. He was inducted on June 1st by Bishop Cooper. He showed a deep regard for the welfare and happiness of his parishioners. Christ Church progressed well under his charge. He suffered a very painful and distressing illness which forced him to obtain leave of absence from his clerical duties, but he continued to visit and encourage the sick and sorrowing. On December 4th 1904, Canon McGeorge opened the new Church and Sunday School in Koroit St, East Warrnambool, of which he had established. It was opened as a Mission Hall. It was to become St. George's and the first recorded service was on February 11th 1906. He preached his last sermon at Christ Church on Dec 4th before illness prevented him performing his duties. He resigned from the Vicariate shortly before his death in Warrnambool on December 16th, 1905. The stained glass window in the north wall of the second nave was a gift of many parishioners. Depicting St. Michael, it was erected in memory of Rev Canon McGeorge, and was unveiled by Dean Parkyn on December 23rd, 1906. His widow Mrs Emma McGeorge, remained an active church worker until her death in 1933. The Lych gate at the Koroit Street entrance was built with a bequest from her.Stained glass lancet window, north wall, north nave, depicting Saint Michael, the arch-angel Michael.Saint Michael. To the Glory of God and in memory of/ Samuel McGeorge Vicar 1899 - 1903

Rear of a bluestone building at Axedale. Painting or photo of horses attached to the wall. An implement, including an old tractor seat, is near the wall.Bill Hawkingregion, small towns, axedale

Slide. Wall Hanging. Pilot and Aircraft,the Spirit of St.Louis,& Charles Lindbergh depicted on material.Various metal objects on the wall. March 1971slide, bendigo, wall hanging, wall hangimg

Cunninghame Arm footbridge showing crowd on bridge, cars parked on Esplanade, new concrete wall between dunes and lake at south end of bridge Lakes Entrance Victoria. c1955. Also another colour postcard similar view of footbridge made by Murray Views donor Susan Samuel 2 January 2015 number 04272.1, 9 x 14 cmColour postcard taken from south end of the Cunninghame Arm footbridge showing crowd on bridge, cars parked on Esplanade, new concrete wall between dunes and lake at south end of bridge Lakes Entrance Victoria. c1955. Also another colour postcard similar view of footbridge The Foot-Bridge, Lakes Entrance. Vicrecreation, waterfront, land reclamation, gippsland lakes

Wall mount of unnamed ship wooden flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

The clock has been at Athenaeum since it was donated by Mr. Robert Chamberlain in 1892. Restored by George Premm in 2000 when the clock face was replaced.Octagonal wooden framed wall clockRoman numerals for time and 31 numbers on the outer face for days of the month

Colour slide in a mount. Bluestone wallMount Made in Australia / 9slide, robin boyd

6975-21 Stawell High School Form 3C 1971 Students and Teacherin front of pebble wallStawell High School Form 3C 1971education

Lake Bellfield Looking along the wall.grampians, lake bellfield

Looking down the valley at the Dam Wallgrampians

(Photocopied) instruction manual for wall telephone.wall telephone in museum

Quilted Wall Hanging by School Childrenephemera, general

Rainbow Workshop TutorLarge wall mounted ceramic plategreg, daly ceramic

As buildings were updated and additions made in line with changing needs of clients, plaques are often used to recognise and pay tribute to the benefactors that have enabled this to occur. These plaques were located in the Kooyong building and removed during its refurbishment in 2017.2 plaques acknowledging donors on wallThese services & facilities were made possible by the generous support of the estate of the late Betty Isabel Huon. These services & facilities were made possible by the generous support of the Percy Baxter Charitable Trust.betty isabel huon, percy baxter, fundraising, vision australia foundation

Russell THORPE Russell Thorpe was a Diploma of Visual Art student at the Gippsland Centre for Art and Design (GCAD) from 1977 to 1979.Australian Studio PotteryStoneware ubglazed mpsaic wall hanging.Stamped with the words "But is it art"jan feder memorial ceramics collection, russell thorpe, australian studio pottery, alumni, wall plaque, wall hanging

Iron door bolt with wall platehistoric building, former royal mint