Black and white copy of Batchelder photo of Bendigo Town hall, taken from Pall Mall and Bull Street corner ( Noelene Wild 7/2000 ) Bare brickwork ? Large crowsd assembled in front. Horse and carts in front loaded drays at rear.Batchelderbuildings, government, town hall, sandhurst

"Hello Dolly", a musical written by Jerry Herman, opened in Broadway in 1964. It was based on the play "The Merchant of Yonkers" by Thornton Wilder. It was made into a film starring Barbra Streisand in 1969.Bendigo Operatic Society - Program for 'Hello Dolly' production at Capital Theatre for 8 nights commencing We 13th November 1974 Program has a drawing in red & black ink of a woman's face & hat Program on white paper with black & red ink print. Program has black & white photos of Production Team & Cast souvenir programme, bendigo operatic society

Frank Hurley was a photographer and member of Shackleton's Antarctic Expedition. Former Principal of the Ballarat School of Mines, Richard W. Richards, was a member of this expedition. He is the author of this children's information book which was also illustrated by Hurley, and won the Children's Book of the Year Award: Older Readers in 1948.Hard covered book with coloured image of a vessel in a rough sea glued onto the front. The 140 page book includes numerous reproductions of photographs by Frank Hurley, including Ernest Shackleton, the Endurance, Penguins, whales, Frank Wild, Tom Crean, Frank Hurley.antarctica, ernest shackleton, richard w. richards, dick richards, frank hurley

Black and white photograph: city skyline taken from St. Pauls's, Mitchell St. in foreground ( left to right ) Wills St. on RHS ( to distance ) and Garsed St. on LHS ( to distance ) Edwards St. ( next street parallel to Mitchell St. ( Noelene Wild 7.2000 )Peter Hyettplace, aerial view of bendigo

Black and white photo: driveway leading to building, Grass, garden beds, trees each side. Multi storey building at end of drive. Bendigo Hospital, main entrance from Lucan Street, Hyett Block right centre ( Noelene Wild, July 2000 )Peter Hyett, 1995buildings, hospital

""Annie Get Your Gun" is a musical in two acts with music and lyrics by Irving Berlin based on the life of Annie Oakley, a sharpshooter who starred in Buffalo Bill's Wild West. Music Programme for "Annie Get Your Gun" a musicall in two acts performed by Bendigo Theatre Co.Inc. June 15th to 24, 1989,at the J.B. Osborne Theatre, Kangaroo Flat - a 20 page booklet with acknowledgements, advertisements, details of cast, musical numbers and story synopsis. programme, concert

Part of Comedy Festival 1995 with comedians Colin Lane and Frank Wood, produced by Lano and Woodley. Special thanks to Micheal Wild,Yuri Worontschak, Zhodi Cummings, Marni Foulis.Black and White flyercomedy festival, curtains, athenauem theatre ii

Black and white photograph depicting committee members of the Kangaroo Flat Football Club holding the Premiers Flat for 1960. Inscriptions: Kanagaroo Flat Football Committee, 1961. G Edwards, Cr. A Llanson Pres., V Collins, B Langley, N Wild, J Sutherland.Herald Sunperson, group, sports team

This collection of 20 photos was most likely taken in c1978. The AUTOMAP 1 computer assisted cartography and mapping system was introduced in 1975. The components of AUTOMAP 1 were the Input Sub-System of four Wild B8s stereoplotters and three Gradicon digitising tables, the Optical Line Following Sub-System – Gerber OLF, the Verification Sub-System – Gerber 1442 drum plotter, the General Purpose Sub-system – HP21MX computer and the Output Sub-System – Gerber 1232 flatbed plotter). The first map was published in 1978 (Strickland 3665-3, 1:50,000). AUTOMAP 1 was the first computer assisted cartography and mapping system utilised by the Survey Corps and was the first system used by Australian mapping organisations. The history of the AUTOMAP 1 system is covered in more detail with additional historic photographs, in pages 116-118 of Valerie Lovejoy’s book 'Mapmakers of Fortuna – A history of the Army Survey Regiment’ ISBN: 0-646-42120-4. See items 6122.20P, 6410.24P, 6183.19P, 6200.5P, and 6222.17P for additional photographs of the AUTOMAP 1 system.This is a set of 20 photographs of Air Survey Squadron military and civilian personnel operating AUTOMAP 1 equipment at the Army Survey Regiment at Fortuna, Bendigo, c1978-1980. Black and white photos .1P to .18P are on photographic paper and were scanned at 300 dpi. Photo .4P is in colour and mounted with a duplicate on manilla card. Black and white photos .19P to .20P are on 35mm negative film and scanned at 96 dpi.They are part of the Army Survey Regiment’s Collection. .1) - Photo, black & white, c1978-1980, Gerber Optical Line Follower (OLF), SSGT John Bennett. .2) - Photo, black & white, c1978-1980, HP21MX computer General Purpose Sub-system. .3) - Photo, black & white, c1978-1980, Gerber OLF .4) - Photo, colour, c1978-1980, unidentified digitising on Gradicon edit table. .5) - Photo, black & white, c1978-1980, Gerber verification drum plotter. .6) - Photo, black & white, c1978-1980, Gerber OLF, CAPT Rob Bridge. .7) - Photo, black & white, c1978-1980, Programming and system administration, SGT Alan Toogood. .8) - Photo, black & white, c1978-1980, Unidentified digitising on Gradicon edit table. .9) - Photo, black & white, c1978-1980, CPL Rick Downie digitising on Gradicon edit table. .10) - Photo, black & white, c1978-1980, SPR Dave Irving digitising on Gradicon edit table. .11) - Photo, black & white, c1978-1980, Gerber OLF and CPL Rick Downie. .12) - Photo, black & white, c1978-1980, 1130 Computer System administration, L to R: unidentified, SSGT Les Dixon, SPR Geoff Havelberg. .13) - Photo, black & white, c1978-1980, AUTOMAP 1 tape administration, Maryanne De Groot. .14) - Photo, black & white, c1978-1980, AUTOMAP 1 tape drive. .15) - Photo, black & white, c1978-1980, HP21MX computer General Purpose Sub-system. .16) - Photo, black & white, c1978-1980, digitising topographic features with a Wild B8 stereo plotter, L to R: unidentified, CPL John Smith. .17) - Photo, black & white, c1978-1980, digitising topographic features with a Wild B8 stereo plotter, CPL John Smith. .18) - Photo, black & white, c1978-1980, digitising topographic features with a Wild B8 stereo plotter, CPL Adrian Rynberk. .19) - Photo, black & white, c1978-1980, Programming and system administration, SGT Alan Toogood. .20) - Photo, black & white, c1978-1980, Gerber OLF, CPL Chris Edwards. .1P to .20P - No personnel are identified.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, automap 1

Taken in 1880, the photograph depicts a group of eleven young men and women with a dog. They are having a picnic outdoors in what is thought to be Beechworth Forest. A number of the people in the photograph are holding bunches of wild flowers.Sepia rectangular photograph printed on matte photographic paper mounted on card.Reverse: 1997.270 / A02703 /entertainment album, picnic, beechworth, 1800s, dog, flowers, leisure, outdoors, forest

Members of the Milo family of horse-in a carriage travelling from Stawell Street Kew on a list to a violet farm in Doncaster."NAN TERRY W RAY FOX & JACK COGLIN GOING TO VIOLET FARM / DONCASTER / 'BUS' RAN FROM END OF TRAMLINE TO DONCASTER / MONT ALBERT TRAM / WILD LIFE SANCTUARYfamilies -- stawell street -- kew (vic.), milo family, violet farm -- doncaster

Black and white photrograph: residential street, 5 motor vehicles in middle distance. Noelene Wild 7.2000 ' photo, Peter Hyett, 1995, Sailors Gully Rd., from Kirkwood Road intersection, looking towards Darling St. intersection, Virginia Hill housing estate on right'Peter Hyettplace, streetscape, sailors gully road

black and white photograph of greyhounds exiting the starting boxes. Race 3. left No. 8 Cheetah's Lad, No.7 Halley's Lad,No. 6 (vacant box), No. 5 Mark Reward, No. 4 Super Hero, No.3 (Vacant Box), No.2 Hector Bunner, No.1 Wild Runner.clubs and associations, sport, greyhound racing

Soft cover, emerald green, title in silver on front, autobiographical diary of author's experiences on the Burma - Siam Railway. 185 pages. Photo of author on back cover with review of book. Title in white on spine. Some coloured illustrations of wild flowers plus black and white drawings throughout.Handwritten on fly leaf "Return to John W Toon OAM".books, military history, pow's

Black and white photograph of Charing Cross, High St., to Pall Mall. ( Noelene Wild July 2000 ) Alexandra Fountain on left Shamrock Hotel in background. In image ' The Beehive, the store for better value' ' Dorothy's Home stores ' 'Treloar's Jeweller' Santini's ' On back in grey lead pencil 'A5'place, streetscape, charing cross

The VOC sent its trading ships to the (then) Dutch East Indies to collect spices and other goods. In the 17th century accurate navigation was not always possible and ships might end up on the wild, unchartered West Australian coastline. Item recalls the fact that the WA coast was unintentionally visited by Dutch ships during the 17th and 18th centuries. Because the coast was so unattractive the Dutch did not try to settle the country.Large rectangular timber plaque with scalloped edges depicting historic shipwrecks of Western Australia.An insert reads: "Historic Shipwrecks of Western Australia (Protected as of 1983). Coastal cities are marked with their names and dots along the coastline indicate wreck sites. Most are named and dated; others marked as unidentified. An inset map deals with the area around Fremantle and shows a large number of wrecks. A separate typed notice attached to the map identifies the five known Dutch wrecks - all ships of the VOC - Vereennigde East Indian Compagnie (Dutch East India Company). Further than that there are a distance scale and a compass.

Program of the Official Opening of New Library and Classrooms - 37 Rowan Street 12.30 p.m. Friday 24th September 1976. Guests Mr K Houlahan, Mr S Gerry, Sr E Wilder, Councilor R.R.Cooper.Cream coloured program. Black writing on front - Official Opening Ceremony of new Library and Classrooms on front. Blank page on Left Hand side. Right hand side has programme listed, Blank back page. 1976nursing history, nurse training

This edition includes a report on the Progress Association's AGM March 1970 meeting, School and Kinder news, Scout and Guide news, Wild cherry, Personal news. A digital copy of this Newsletter is available from Greensborough Historical Society.Newsletter, 14 p., illus. greenhills and north greensborough progress association, greenhills

Bendigo Advertiser ''The way we were'' from 1999. Changes: this site was originally Smith's butcher shop in Victoria Street, Eaglehawk, owned by Jimmy Wild from 1924-1939. It was then run by Roy Shuttleworth. Later it became Allen's Pet Supplies. House on the right is now the sight of IGA supermarket.newspaper, bendigo advertiser, the way we were

This majestic peacock embodies the technical achievement, skill and ingenuity of artisans during the 19th century. It is now known as the 'Loch Ard Peacock' and was designed and modelled in 1873 by Paul Comolera (1818-1897) and fired in one piece at the Minton factory at Stoke-on-Trent in the United Kingdom in 1875. The peacock has been portrayed in symbolic motifs and has figured heavily in folktales and fables since antiquity, and many cultures around the world see it as a symbol of beauty, rebirth and power. Wealthy Victorians loved majolica, and the large peacock would have been the ultimate home accessory as a conservatory ornament – combining their desire for nature, the exotic and vibrant colours. The peacock model was listed in catalogues by Minton & Co. for a retail price of 35 guineas or sold as a pair for 90 guineas. Minton & Co. was founded in 1793 by Thomas Minton (1765–1836) and became a famous pottery and porcelain manufacturer. Comolera was a French artist and sculptor, renowned for dramatic naturalistic forms and life-size renditions of birds and animals that won him admiration in public and artistic circles. He was employed by Minton & Co. from 1873 to 1880, and the life-sized peacock became his best-known work. Comolera kept a live peacock loaned from the nearby Duke of Sutherland's Trentham Hall Estate in his studio to create a life-size model of fine buff earthenware model, which was then hand painted in brilliantly coloured green and blue glazes to mimic the peafowl’s dazzling plumage. There are no surviving production records, but according to documents in the Minton Archive, nine peacocks were made by Comolera. However, today, some historians now believe that twelve were fired at the Minton factory; research is ongoing. These peacocks were so admired that Minton & Co. used them as exhibition showpieces at International Exhibitions in London, Paris, and the United States of America, ensuring the company had a worldwide reputation. So, when Melbourne hosted an International Exposition in 1880, Minton & Co. sent out ceramics and tiles, and in particular, this peacock was intended to be part of their exhibit in the British Court in the Exhibition Building, built in the Carlton Gardens. The early dispatch date (1878) indicates that the company may have intended to exhibit their wares, including the peacock, at the 1879 Sydney International Exhibition, but the company did not take up this option. The ship that Minton & Co. used to bring the peacock and their other wares to the Australian colonies was the ill-fated Loch Ard, which sunk after striking Mutton Bird Island near Port Campbell, Victoria, in calm foggy weather in June 1878 on the final leg of the ship's journey to Melbourne. The loss of 52 lives made it one of Victoria’s worst shipwrecks. Therefore, this peacock never made it to the grand exposition in Melbourne, as Minton & Co. had planned. Charles McGillivray dragged this peacock, still in its original packing case, onto the beach in the gorge just two days after the Loch Ard went down. The peacock was rescued unscathed apart from a chip on its beak (only repaired in 1988). After a disagreement with a Melbourne Customs Officer, Joseph Daish, McGillivray stopped his salvage operations, leaving the peacock on the beach. The second salvagers were James Miller and Thomas Keys. Miller was a member of the firm Howarth, Miller and Matthews, Geelong, who had brought the salvage rights to the Loch Ard wreck on 10 June. When Miller and Keys arrived at the wreck site, a storm had washed many of the salvaged goods, including this peacoc,k back into the sea. The two men found the peacock in its case ‘bobbing along in the water’ and pulled it back to the beach. To ensure the peacock wasn't washed out to sea again, Miller and Keys hauled the packing case containing the peacock up the gorge's cliff face to the top, ready to be transported. In an interview in 1928, Keys claimed that at the time of the rescue, the head had broken from the body. This account was proven to be true in 1988, following the birds' display in Brisbane. This peacock began its life in Australia, not in the grandeur of an International Exhibition as intended, but in the hallway of a simple domestic house in Geelong. It appears Minton & Co. did not attempt to buy this peacock back. Florence Miller, daughter of James Miller (Loch Ard salvage rights holder), later remarked that the only item of real value rescued from the wreck had been the peacock and that this had been kept by her father in the family home at Malvern for many years and became a treasured family possession. As such, this 'Loch Ard peacock' was almost forgotten and mistaken with other Minton peacocks around the world. Miss Florence Miller tried to sell the peacock due to financial difficulties in the 1930s but was unsuccessful. While attempting to sell her Loch Ard relic, it was displayed in the window of the old Argus newspaper office, which was at 76 Collins Street, Melbourne; the Argus had relocated to the corner of Elizabeth and La Trobe Streets in 1926. Between 1935 and 1939, the old Argus building was occupied by the Joshua N. McClelland Print Room, which sold not only paintings and prints but also antiques and authentic replicas, as well as hosting exhibitions. Miss Florence Miller loaned her peacock for display at the Victorian Historical Exhibition held in the National Gallery on 1st June 1935, the 57th anniversary of the Loch Ard wreck. As a result, the peacock attracted public attention in books, newspapers and magazine articles that told the story of its survival from a shipwreck. Miss Florence Miller was keen to sell the peacock, even writing overseas to Captain Blain on November 30th, 1938, about the possibility of a sale, but this became no longer possible due to the outbreak of war. Recent information points to the Loch Ard peacock being owned by John S R Heath before its sale to Frank Ridley-Lee in May 1941. Research is ongoing, but it seems likely that John Samuel Robert Heath, a leading Melbourne dentist with a practice in Collins Street, and his wife, a dental mechanic, had purchased Miss Miller’s Loch Ard peacock before its sale in 1941. They were lovers of fine arts, music, wine and food. The peacock in the window of the old Argus building could have attracted their attention as they had already purchased the old stone Presbyterian Church on Warrigal Road, Oakleigh, in 1933 and had converted its interior. The home, renamed The Studio, even included Melbourne’s first all-electric kitchen. The peacock was perfect for display in the Studio’s entrance. A magazine article published after the conversion was completed included photographs of the interior. The picture of the ‘portico’ had a caption below that stated, “Some of her [Mrs Heath’s] finest pottery was salvaged from the Loch Ard Wreck”. In 2025, Heath’s two remaining sons remember running around in the entrance with the peacock standing there, oblivious to its value. Heath was an accomplished artist, studying under Max Meldrum. He painted and exhibited his works at The Studio and in a public exhibition, and he was a finalist eight times in the coveted Archibald Prize portrait competition, including the submission of his self-portrait that is now part of his grandson’s collection. The next owner of the Loch Ard Peacock was Frank Ridley-Lee. He displayed it at his home in Ivanhoe after buying it at an auction in May 1941. The peacock remained in the hands of the Ridley-Lee family until it was offered for sale by auction in 1975 as part of an art collection belonging to Mrs Ridley-Lee's estate. The peacock was not sold at this time, as the reserve price of $4500 was not met. This news was passed on to the board of the newly created Flagstaff Hill Maritime Village. Urgent efforts were made to collect the necessary money through fundraising by the Warrnambool City Council and public donations. The Fletcher Jones Company and the Victorian Government contributed half the cost. On 9 September 1975, the Loch Ard peacock was purchased by Flagstaff Hill Maritime Village, and it found a new home at the maritime museum. Since then, it has only left Warrnambool twice. Firstly, in 1980, at the centenary celebrations of the Royal Exhibition Building in Melbourne, and secondly, in 1988, the peacock was given pride of place at the entrance to the Victorian Pavilion at the Brisbane World Expo, acknowledging that this Minton Majolica peacock is the most significant shipwreck object in Australia. The Minton majolica peacock is considered of historical social and aesthetic significance to Victoria and is one of only a few 'objects' registered on the Victorian Heritage Register (H 2132), as it is a most notable and rare object associated with the Minton factory of the 1870s and works by the celebrated sculptor Paul Comolera along with the wreck of the Loch Ard on the Victorian coastline. This Minton peacock is historically significant for its rarity; it was one of only 9-12 known to exist. The shipwreck of the Loch Ard is also of significance for Victoria and is registered on the Victorian Heritage Register Ref (S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck. The collections object is to also give us a snapshot into history so we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's early social and historical themes. The collection is historically significant is that it is associated, unfortunately with the worst and best-known shipwreck in Victoria's history. The peacock, resplendent in polychrome glaze, stands perched on a rocky plinth decorated with vines, leaves, flowers, blackberries and wild mushrooms. The peacock’s breast is cobalt blue; the wings and legs are in naturalistic colours. The tail is a mass of feathers coloured in green, ochre blue and brown — a fantastic display of artistry and Minton expertise. Inscribed at the base :P Comolera, and a Minton & Co. design number: 2045.flagstaff hill, warrnambool, maritime museum, shipwreck coast, loch ard, loch ard gorge, peacock, paul comolera, victorian heritage register, minton peacock, minton & co., stoke upon trent, bird figures, mintons, ceramics, international expositions, majolica, naturalistic, staffordshire, john samuel robert heath

Bendigo Advertiser '' The way we were'' from Monday, September 30, 2002. Debutants: four pairs of Bendigo debutants of yesteryear. From left, back: Ian Snell, Ken Reid, Max Kent and Bill Coakes. Front: Norma Wild, Yvonne Russell, Mareon Cox and Elaine Straub. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Rabbits were brought to Australia on the First Fleet as a source of food. However the plague of rabbits appears to have originated with the release of 24 wild rabbits by Thomas Austin for hunting purposes in October 1859, on his property, Barwon Park, near Winchelsea, Victoria. This a typical Rabbit trap used by residents of Moorabbin Shire c1930Austral Box Steel Rabbit trap 20thCAUSTRAL

The photograph shows SEC Ballarat tram No. 13 just before it crossed Albert St on its way to Lydiard St North. The photo shows the "wilds" or unkempt nature of Albert St at the time. Photo by I K Winney of Sydney, 12/1949.Yields information about tram 13 and the nature of the southern section of Albert St. Sebastopol.Black and white photograph with photographers details on rear."Car No. 13 on open right of way 1/2 mile from Sebastopol terminus, Ballarat 12/1949, I K Winney"tramcars, sebastopol, albert st., tram 13

Commemorative limited edition (5/30) collage from 'The Kooyong Collection', featuring digital print reproduction of photograph of doubles team Brookes/ Wilding playing against Alexander/Wright at 1908 Australian Championships. Certificate of authenticity adhered to back of frame. Materials: Paper, Ink, Wood, Glass, String, Adhesive label, Cardboardtennis

The Man from Snowy River" is a poem by Australian bush poet Banjo Paterson. It was first published in The Bulletin, an Australian news magazine, on 26th April 1890. The poem tells the story of a horseback pursuit to recapture the colt of a prizewinning racehorse that escaped from its paddock and is living wild with the brumbies (wild horses) of the mountain ranges. Eventually the brumbies descend a seemingly impassably steep slope, at which point the assembled riders give up the pursuit, except the young hero, who spurs his pony down the "terrible descent" to catch the mob.Two characters mentioned in the early part of the poem are featured in previous Paterson poems; "Clancy of the Overflow" and Harrison from "Old Pardon, Son of Reprieve".The town of Orbost is situated on the Snowy River and the town has always been "the heart of Snowy River country".A first day cover for "The Man From Snowy River" stamps. There is a picture of a saddle in the top left-hand corner. There is a strip 5 stamps on the envelope and it has been stamped at Orbost Post Office. This strip has 5 scenes based on the Banjo Patterson legendary poem by the same name. The stamps include: At The Station, Mountain Bend, The Terrible Descent, At Their Heels and Brought Them Back.first-day-cover man-from-snowy-river stamps philately

The budgerigar, or budgie, is a very social bird, found in large groups in the wild. They primarily live across mainland Australia. They are often found near water. Budgies are very popular pets globally (called parakeets in other countries). They eat grasses and seeds. They nest in hollowed trees. Budgies in the wild are often right green with a yellow face. This specimen is a good example because it has the common colouring of wild budgies and has not got signs of wear/use. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. This male budgerigar is perched with its wings partially opened and looking to the left. It has a yellow head with black stripes on the back, indicating the specimen was quite aged before it was killed. It has a blue nose, indicating it is male. Its body is light green. Its wings are green-yellow with black lines. Its tail is a blue-green. It has some minor pest damage around its eyes.no markings or identification tagsbudgerigar, budgie, parakeet, taxidermy, ornithological, bird

This collection of four photos was most likely taken at Lithographic Squadron, Army Survey Regiment, Fortuna, Bendigo in 1988. Orthophoto mapping provided the Survey Corps with the capability to produce map products quickly in the event of a crisis. These are four photographs of equipment used by the Army Survey Regiment to produce orthophotomaps. The OR1 orthophoto projector and workstation was introduced in the mid-1980s. It was the second-generation equipment used to orthorectify colour and monochrome film aerial photography, replacing the system introduced in 1973. Orthorectification is the process of removing geometric distortions and scale errors/variations from images. Images have tilt and relief distortions that make it difficult to compare accurately a map and an image of the same geographic area. Once an image is orthorectified, features on the image are shown in their planimetric locations. These four photographs of orthorectification equipment in operation were taken at the Army Survey Regiment at Fortuna, Bendigo, 1988. The photographs were on 35mm negative film and were scanned at 96 dpi. They are part of the Army Survey Regiment’s Collection. .1) to .4) - Photo, black & white, 1988, WILD OR-1 Orthorectification Workstation, SPR Carmel (Butler) Fauth.No personnel are identifiedroyal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, litho

Black and white photograph: looking up Mitchell Street, Bendigo to the south. Photo taken from Charing Cross with the Bendigo Building Society Fountain Court Building on the immediate right. On back of photo in grey lead pencil B14. Noelene Wild 7/2000 ' photo Peter Hyett, 1995, Mitchell St. from Charing Cross.Peter Hyettplace, streetscape, mitchell street, bendigo

Wall calendar 1924 for Hume & Iser Pty Ltd Bendigo. The main part is a painting by J. C. Park titled ''Haunt of the wild duck'' Under the painting the name Hume & Iser Pty Ltd Bendigo Timber and iron Merchants and ironmongers, established over 50 years. Large stocks of all building material always on hand.business, retail, hume and iser

This collection of 20 photos was most likely taken in 1980. The AUTOMAP 1 computer assisted cartography and mapping system was introduced in 1975. The components of AUTOMAP 1 were the Input Sub-System of four Wild B8s stereoplotters and three Gradicon digitising tables, the Optical Line Following Sub-System – Gerber OLF, the Verification Sub-System – Gerber 1442 drum plotter, the General Purpose Sub-system – HP21MX computer and the Output Sub-System – Gerber 1232 flatbed plotter). The first map was published in 1978 (Strickland 3665-3, 1:50,000). AUTOMAP 1 was the first computer assisted cartography and mapping system utilised by the Survey Corps and was the first system used by Australian mapping organisations. The history of the AUTOMAP 1 system is covered in more detail with additional historic photographs, in pages 116-118 of Valerie Lovejoy’s book 'Mapmakers of Fortuna – A history of the Army Survey Regiment’ ISBN: 0-646-42120-4. See items 6410.24P, 6183.19P, 6184.20P, 6200.5P, and 6222.17P for additional photographs of the AUTOMAP 1 system.This is a set of 20 photographs of Air Survey Squadron military and civilian personnel operating AUTOMAP 1 equipment at the Army Survey Regiment at Fortuna, Bendigo, c1980. The photographs were on 35mm negative film and were scanned at 96 dpi. They are part of the Army Survey Regiment’s Collection. Photos .19P and .20P are printed on photographic and scanned at 300 dpi. .1) - Photo, black & white, c1980, Gerber plotter. .2) - Photo, black & white, c1980, Gerber plotter, LT Rob John .3) - Photo, black & white, c1980, Gradicon edit table, SPR Jamie McRae .4) - Photo, black & white, c1980, Gradicon edit table, SPR Steve Linane .5) - Photo, black & white, c1980, 1130 System administration, unidentified. .6) - Photo, black & white, c1980, Wild B8 stereo plotter, SPR Van Dalen? .7) - Photo, black & white, c1980, Wild B8 stereo plotter, SPR Van Dalen? .8) - Photo, black & white, c1980, Gerber Optical Line Follower (OLF). .9) - Photo, black & white, c1980, Gerber OLF. .10) - Photo, black & white, c1980, Gerber OLF. .11) - Photo, black & white, c1980, Gerber OLF. .12) - Photo, black & white, c1980, Gerber OLF. .13) - Photo, black & white, c1980, Data management, CPL Greg Gilbert. .14) - Photo, black & white, c1980, Data management, CPL Greg Gilbert. .15) - Photo, black & white, c1980, 1130 Operating System administration, SGT Denis Marshall. .16) - Photo, black & white, c1980, Programming System, L to R: unidentified, SGT Alan Toogood. .17) - Photo, black & white, c1980, Programming System, L to R: Robert Cox, WO1 Bob Mason, John Dean. .18) - Photo, black & white, c1980, Programming System, L to R: Robert Cox, WO1 Bob Mason, John Dean. .19) - Photo, black & white, c1980, Gradicon edit table, CPL Chris Carter. .20) - Photo, black & white, c1980, Gerber plotter, LT Rob John..1P to .18P - No personnel are identified .19P - ‘CPL Chris Carter’ annotated on backroyal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, air survey, automap