Harry Foster Midgley No 3414 enlisted in the AIF in 11th reinforcements 14 th Batt on 14.7.1915 aged 21 years 4 months. Embarked for Egypt 11.10.1915, hospitalised 14.12.1915 with Dysentry, returned to unit 4.2.1916, transferred to 46th Batt 3.3.1916 then 12th FAB as a gunner 17.3.1916. Embarked for France 2.6.1916, transferred to 11th FAB, WIA GSW to left ear, transferred to 4th Div Ammunition column 25.6.1917, WIA 1.8.1917 with GSW’s to chest, back, right arm, right leg. DOW’s in 41st Casualty Clearing Station Belgium 2.8.1917.Black & white photocopied photograph of soldier, button up uniform from waist up with Rising Sun badges on lapels. Peeked cap with badge in front, faux timber frame with glass front, cardboard back. 3414 Gunner Henry Foster Midgley, Bendigo 11th Field Artillery Brigade on top. Died of wounds - 02 August 1917 at bottom. On back: Brenda Chambers in texta.photography-photographs, military history, midgley

Framed photograph, timber frame, glass, photograph B&W, half portrait of Field Marshall Lord Kitchener in uniform, backing mount beige colour, black print under photo, framing label on rear.photography-photographs/frame accessories, military history, british, passchendaele barracks trust

Woolamai House was built in approx 1869 on part of Capt Cleeland's property which covered most of the eastern end of Phillip Island. He maintained the Beacon Light on Woolamai Point close to his house. Owned and occupied by family since 1869.Photograph coloured. Front aspect of house showing front door and bay window on right. Timber turret above - garden in front. Construction built for Capt. John Cleeland approx 1869. Known as Woolamai House.local history, photographs, buildings - historical, coloured photograph, john cook, woolamai house, cleeland family history

Woolamai House was built in approx 1869 on part of Capt Cleeland's property which covered most of the eastern end of Phillip Island. He maintained the Beacon Light on Woolamai Point close to his house. Owned and occupied by family since 1869.Coloured photograph - front aspect of timber house taken from the side angle showing bay window, front door, turret and rooms beyond. Lawn in front. Built for Capt. John Cleeland approx 1869.local history, photographs, buildings - historical, coloured photograph, john cook, woolamai house, cleeland family history

The original licence for the Sans Souci Hotel was granted to A. G. Ventry in 1909. The hotel burned down on 15.06.1923 and was rebuilt. It burned down again in 1936 and the licence surrendered 21.12.1936. with the owner compensated with 475 pounds and the occupier 50 pounds. (info Victoria Government Gazette Thursday December 24 1936) The hotel was at Upper Bemm River near Club Terrace in East Gippsland.This item is a contemporary pictorial record of a building which was once a popular destination for adventurous tourists in the early 1900's. There are few photographs of this hotel.A pencil (?) drawing of the old Sans Souci Hotel at Upper Bemm River, near Club Terrace. It is a one storey timber building. The drawing has been framed at one time causing differences in light damage.sans-souci-hotel bemm-river

Ship model Skylark. 2 masted sailing ship, hill painted, black strip on white. Separate wooden life boat. "Skylark" on each side of bow and across stern. Rudder pivots. On timber stand. Name "SKYLARK" on both sides of bow. "SKYLARK HULL" across bowflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Original Ships History: Aréthuse was a French frigate, launched in 1757 during the Seven Years War between England and France. She was captured by the Royal Navy in 1759 and became the fifth-rate HMS Arethusa. She remained in Royal Navy service for twenty years until she was wrecked after being badly damaged in battle. The ship was constructed at Le Havre for privateer warfare as ”Pélerine” and soon after her launch, she was purchased by King Louis XV (1710-1774) and commissioned as Aréthuse on 21 January 1758. In June, under captain Vauquelin, she sailed through the British blockade of Louisbourg helping to defend the site before departing, again forcing the blockade. On 18 May 1759, she was in transit from Rochefort to Brest, under the command of Louis-Philippe de Rigaud, Marquis of Vaudreuil, when she was intercepted near Audierne Bay (Baie d'Audierne) by three Royal Navy ships the Thames, Venus and Chatham. She attempted to escape but after two hours, lost her topmasts and was overtaken by her pursuers. Thames and Venus engaged her with heavy fire, causing 60 casualties before the vessel surrendered. She entered service with the Royal Navy for the rest of the war, and was in service in British home waters and became responsible for the capture of several French privateer cutters. In 1777, a Scotsman James Aitken, widely known as John the Painter, was hanged from her mizzenmast for burning the Rope House at Portsmouth Royal Dockyard on 7 December 1776, to aid the struggle of American independence. The mast was struck from the ship and re-erected at the dockyard entrance so as many people as possible could watch the execution. On 17 June 1778, she fought a famous duel against the French 36-gun frigate, Belle Poule. Belle Poule was on a reconnaissance mission, along with the 26-gun Licorne, the corvette Hirondelle and the smaller Coureur when she encountered a large British squadron that included Arethusa at a point 37 km south of The Lizard. Admiral Keppel, commanding the British fleet ordered that the French ships be pursued. The captain of Belle Poule refused the order to sail back to the British fleet. The British fired a warning shot across his ship's bow, to which he responded with a full broadside. This action began a furious, two-hour battle between the two ships that resulted in the deaths of the French second captain and 30 of the crew. However, Arethusa was crippled by the loss of a mast and withdrew, allowing Belle Poule to escape. This battle was the first between British and French naval forces during the American Revolutionary War and took place around three weeks before France had made a formal declaration of war. The battle was widely celebrated in France as a victory, even inspiring a hair-style in court circles that included a model of Belle Poule. It was also viewed as a victory in Britain and became the subject of a traditional Sea shanty, The Saucy Arethusa. On 18 March 1779, under captain Charles Holmes Everitt, Arethusa engaged the French Aigrette, under Lieutenant Mortemart, sustaining considerable damage in the fight. Arethusa was wrecked the next day off Ushant, It was the fame of this Arethusa which induced the Royal Navy, during the following two centuries, to bestow the name on a further seven consecutive individual ships and two consecutive classes of cruisers. (See Provenance Sec this document for information on the makers of this model). Model ship of the 3 masted frigate the “Arethusa”, model is painted black and white with varnished deck and masts. A British flag is flown at the stern. The ship is displayed in a glass case with timber frame and 4 legged stand.Label at bottom of glass case, printed in black script on a gold strip “Model of the “Arethusa" "A famous frigate, taken from the French by the British, on the 18th of May 1759 and lost on the French coast in 1779. – Made and presented by G. Lance & P. Diggins, October 1894” flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, arethusa ship model, george lance, peter diggins, len asling, warrnambool art gallery, warrnambool exhibition, message in a bottle

Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders on the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. VIOSH had its first intake of students in 1979. At that time the Institution was known as the Ballarat College of Advanced Education. In 1990 it became known as Ballarat University College, then in 1994 as University of Ballarat. It was 2014 that it became Federation University. VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree - on the basis of extensive work experience and knowledge. Students would have attended Ballarat College of Advanced Education..1 A timber framed black and white photograph taken at Sovereign Hill of a group of twelve people dressed in period costume with a name plate at the bottom. .3 Sepia colour portrait mounted on card - photographers information Typed name plate with names .3 Red Hill Photographic Rooms, Sovereign Hill. Number of photograph - 8105-45viosh, viosh australia, graduate diploma in occupational hazard management, andrew barnard, robert brown, alan channon, brian emerson, frederick garner, murray giles, roy hegney, ronald mansfield, anthony payne, george robotham, robert sutton, ballarat college of advanced education

Framed certificate of acceptance into United Grand Lodge Masons for George. Carl. H.A.Jess 17th September 1878 admitted to the Golden Corinthian Lodge No 641 Sandhurst Vic. Brown timber frame, no glass. Deframed 2022document, certificate, masons

Bendigo State Schools Athletic Sports Assoc shield, Group A Marching Trophy presented by Bendigo District Council of Mothers Clubs won by Golden Square 1973 & 1974. Timber shield with silver plated attachments.bendigo, education, golden square school

Black and white photograph of underground mine working with two workers shovelling rock in foreground, another miner working in upper background. Mine drive (end) showing wooden support posts and associated timber work.mining, underground equipment, miners, bendigo, mines and mining, mines, miners

Postcard, color. Image shows tram no. 25 outside Beehive building, Pall Mall, Bendigo. Tram's livery is maroon and white. Coca Cola and Bendigo Timber Co. sign on roof. Garden of marigolds in foreground.Nu Color Vuebendigo, tramways, tram no. 25, bendigo, tramways, tram no. 25, pall mall, beehive

Arthur Magee, Timber Merchant Bridge Street Sandhurst invoice dated March 13th 1885 issued to Mrs Walder for the purchase of 3 tins of paint, brush and one and a half pints of turps. Illegible signaturebendigo, industry, hardware sales, arthur magee. paint prices 1885

Dark timber frame, burgundy matt board box display of twenty-four medals & bars, four badges, beret, L & R sleeves with insignia & cloth badges, photo & citation of WO11 Keith Payne.victoria cross, medals, vietnam., wo keith payne

Metal candle holder, cylindrical, open top and bottom, with metal spike attached. Used by underground miners. Candle holder was stuck into timbers or rock to provide light. Small stub of candle in holder. Wick fraying.gold mines, mining equipment, candle holder

Wooden framed blackboard. Written on timber frame in gold print: 'Bendigo Stock Exchange'. Written on blackboard in gold: 'Reports'. Board was used in the Bendigo Stock Exchange, housed in the Beehive Building, Pall Mall, Bendigo.

Small photo depicting Victorian Fashions, shows 3 adults and baby in pram, framed with a thin timber frame under glass, markings read 'Victor Keppler', Donated by Mr Atkinson related to Mary Reibyperson, group, casual, victorian fashion, fashion

Circular wood base with 1 cm groove. Internal raised velvet base - worn condition. Dark blue in the central area; light tones outward edge Lacquered timber of light wood. Victorian origin.

Two coloured. One sepia photograph framed in black timber with white matting. 1. Centurion dug in at Coral 2. Huey's on a supply mission overyfly a centurion at FSB Coral 3. Tank dug in a Coral.photograph, huey helicopter, battle of coral-balmoral, centurion tank

Painting Depicting HMAS Vampire.(Gunship) Destroyer in Gold /Bone inset timber frame (Acrylic on board )Vampire did escort duties in Vietnam.HMAS Vampire has a sister ship Vandetta daring class destroyers.hmas vampire.

This historic railway clock , originally installed in the Parcels Office at Ballarat Station Station Clock - Ballarat Station A Victorian Railways Station clock that was located in the Parcels Office at Ballarat. In the 19th Century, time was not seen as an urgent requirement to be somewhere or do something. There was sun up and sun down. A number of towns in Victoria operated on different times to other towns in the state. With the coming of the railways in Victoria from 1854, time became more important not only from the public side, but from a railway operational safety side. Clocks started appearing at railway stations, sometimes showing a different (standard) time to that of the local town. Eventually all of Victoria was bought into the same time zone, which matched the railway standard. Historic - Station Clock - Ballarat Station - which was used in the Parcels Office at the Victorian Railways Ballarat railway stationStation Clock - Ballarat Station Parcels Office Clock Antique timber cased railway clock. Circular face with Roman numerals. By Foster of London, with numbered brass plaque '631'. Single barrel fusee movement. Foster London 631 puffing billy, ballarat station, station clock

A related souvenir from the Second Word War is the colourful 'Souvenir of Palestine'. Like the First World War Egyptian embroideries, they used cotton sateen in a range of bright colours (although sometimes velveteen was used instead) and bear the words 'Souvenir of Palestine', a year date, and sometimes a personal message, as well as images of specific mosques or landmarks, camels, goats and date palms. The Palestinian souvenirs were often seen displayed for sale outside houses in country villages These types of souvenirs were very popular with Australian troops; they were easy to send home and were colourful. The vendors would have a number of designs for sale already machine embroidered, from which the soldier could select and then personalise with a date or message. Brown timber frame containing dark green square silk cloth edged with gold fringe, embroidered with two flap poles either side of rising sun crest/badge above two red heartsSouvenir Of Palestine 1941 Australia Commonwealth Military Forcespalestine, 1941, souvenir, embroidered cloth

This is a WW2 Morse code Signalling Lamp B 5A/2334 in its original wooden box. It was probably manufactured by BTH (British Thomson Houston), who were manufacturers of the iconic ‘Aldis Lamp.’ It was used for signalling ship to aircraft and ground to aircraft using morse code.Timber transit box with with hinged opening top secured by non return catches containing black metal round lamp with glass face attached to a low square stand. There are two metal bars attached to lid.Inside lid - Ref No 5A/2338 or 0? Hand painted in white SOS …—-… Box front face - printed in white and barely legible “small lamp”

This is one of a set of 3 miniature oil paintings by the self-taught artist Alfred William Eustace (1820-1907). A.W. Eustace, an Australian artist and taxidermist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.Miniature oil painting of a landscape, with creek and grassland in foreground surrounded by bushland and hill in distance, by A.W. Eustace, under glass in original timber frame with beige matte and a twist wire stand. One of 3 miniatures. No signature visiblealfred eustace, oil painting, landscape, chiltern

Created by architects Grant and Associates to show their concept for a new ambulance district headquarters and station in Wangaratta. This building was subsequently built and as of 2015 is still in use.Timber framed water colour showing ambulance station seen from the road. Two cars present and several women and men are walking near the building. Ambulance Service logo has been adhered to the building.north eastern victoria district ambulance service, wangaratta

Framed colour photograph featuring a coastal scene Wilson's Promotory or Cape Patterson area. Shows a red sports cars on winding road with rocky islands bearing some foliage in background. Brown timber frame.

Ten or more cattle pulling logs to a sawmill (possibly McLaren's sawmill in Belgrave). The land around the track is cleared and it is heavily treed in the background. There is dead timber lying around and the land looks dry. c.1920.

Lock up originally located at rear of police station in Gellibrand Street QueenscliffFrequent occupants of the gaol were fishermen and sailors for being intoxicatedTimber lock-up building with tin roof painted white with small well secured door in the middle. A window with bars is high above the door. Door has black hinges, double locks and viewing window.gaol, lock up, queenscliff historic buildings

Adelaide Steamship Co. MV 'Manunda' built Glasgow 1927, commenced coastal passenger service in Australia 1929, converted to 2/1 Australian Hospital Ship (AHS) in 1940 for service to Middle East, New Guinea and New Zealand. Returned to coastal trade in 1948, sold to Japan 1956, broken up in 1957. 9 drawer timber desk with brass drawer pull handles. Several stamps on the inside of top middle draw - 'Radio Maintenance Store, Transmitting Station Essendon' and 'Paul.J.Barton, 33 Bellbird Cres, Vermont 3133''Manunda' stamped on back of deskship, furniture, manunda, doctor'sdesk, desk, steamship, ahs