127 p. : ill. (some col.), ports. ; 26 x 26 cm. fletcher & parker (firm) - history., real estate agents - victoria - balwyn north - history, melbourne (vic.) - history - pictorial works

The Kew Festival began in 1974. A feature of many festivals were the festival parades in which community groups participated. None of the photographs in the album are named so KHS welcomes viewers to identify participants and or locations.Photograph from an album depicting participants in the 1992 Kew Festivalkew festival - 1992

The Kew Festival began in 1974. A feature of many festivals were the festival parades in which community groups participated. None of the photographs in the album are named so KHS welcomes viewers to identify participants and or locations.Photograph from an album depicting participants in the 1992 Kew Festivalkew festival - 1992

The Kew Festival began in 1974. A feature of many festivals were the festival parades in which community groups participated. None of the photographs in the album are named so KHS welcomes viewers to identify participants and or locations.Photograph from an album depicting participants in the 1992 Kew Festivalkew festival - 1992

Two publications by the Australian Railway Historical Society (Victorian Division) about the Outer Circle Railwaynon-fictionTwo histories of the Outer Circle Railwaythe outer circle railway

One of a number of 'real photo' and commercial postcards created by or owned by members of the Christian and Washfold families of Kew. The postcards are part of a larger collection of photographs, postcards and publications donated to the collection in May 2021.View of Melbourne on the horizon, looking in an easterly direction along the River Yarra. A State Library of Victoria catalogue record says ‘Elevated view along Yarra River, trees in foreground, line of saplings along both banks of the river, bridge in background (possibly Johnson Street Bridge)’. This may be incorrect.The Rose Series P. 3480yarra river -- melbourne, postcards -- yarra river, the rose series postcards, christian-washfold collection

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 30 Belford Road, Kew by Margaret Picken.30 BELFORD RD., KEW / MARGARET PICKEN '90 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 30 belford road - kew east (vic).

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 28 Belford Road, Kew by Margaret Picken.28 BELFORD RD., KEW / MARGARET PICKEN '98/ WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 28 belford road - kew east (vic).

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2003. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 96 Belford Road, Kew by Margaret Picken.96 BELFORD RD., KEW / MARG PICKEN '87artist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 96 belford road - kew east (vic).

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 38 Cole Avenue, Kew by Margaret Picken.38 COLE AVE., KEW / MARGARET PICKEN ~99 / WOODARDS ~ BALWYNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 38 cole avenue - kew east (vic).

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for real estate agents in Melbourne between 1983 and 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020'Hastings' was built in the English Revival style in 1930. The pen and ink drawing on drafting film was created by Margaret Picken in 2000.1467 BURKE RD., KEWE. / MARGARET PICKEN (c) 2000 / FLETCHERS REAL ESTATEartist -- margaret picken 1950-, property illustrations — buildings — kew (vic.), property illustrations — buildings — kew east (vic.), 1457 burke road -- kew east (vic.)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of14 McCubbin Street, Kew by Margaret Picken.14 McCUBBIN ST., E. KEW / PICKEN © 2003 / FLETCHERSartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 14 mccubbin street - kew east (vic).

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 33 Mathers Avenue, Kew by Margaret Picken.33 MATHERS AVE., KEW / MARGARET PICKEN ~92 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 33 mathers avenue - kew east (vic).

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 54A Hartwood Street, Kew by Margaret Picken.54A HARTWOOD ST., KEW / MARGARET PICKEN ~97 / WOODARDS ~ HAWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 54a hartwood street - kew east (vic)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 571 High Street, Kew by Margaret Picken.571 HIGH ST., KEW / MARGARET PICKEN ~94 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 571 high street - kew east (vic).

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 585 & 587 High Street, Kew by Margaret Picken.585 + 587 HIGG ST., KEW / MARGARET PICKEN ~92 / WOODARDS ~ BALWYNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 585 & 587 high street - kew east (vic).

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 805 High Street, Kew by Margaret Picken.805 HIGH ST., KEW / MARGARET PICKEN ~96 / WOODARDS ~ BALWYNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 805 high street - kew east (vic)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 825 High Street, Kew by Margaret Picken.825 HIGH ST., KEW / MARGARET PICKEN ~96 / WOODARDS ~ BALWYNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 825 high street - kew east (vic).

'Mornington' is a two storey residence with basement, built in bi-chromatic brickwork and erected in 1869. Following the purchase by the Society of Jolimont Square this building was tenanted until early 1935, when Mr. and Mrs. Abraham moved in from Blackburn. Following Abraham's death in early 1940 the building was rented out again. In 1947 the then Welfare Superintendent and Missioner (Mr. Ernest A. Reynolds) and Mrs. Reynolds, established a Young Mens Hostel using "Mornington" and the adjoining house "Highgate". This Hostel operated until "Horace Bedggood Hostel" was opened in 1959. Mornington, later known as the 'Red Brick Building' or 'H.E.A.R. Service Building' was used in later years for the Society's H.E.A.R. Service.Jolimont Square is significant as part of an early sub-division in Melbourne. The building is an early example of well resolved bi-chromatic brickwork, and has unusual curved bays for the ground floor windows. 19cmHx24.5cmWmornington, jolimont square, highgate, bedggood, h.e.a.r. service, reynolds, abraham

1973, 155, city of heidelberg repertory group, heidelberg theatre company inc, directed by donald vidgen

Local SceneDeer Park looking North up the river - Kororoit Creek - AR0021

The cricket body first founded in the Eastern Suburbs to provide cricket for those associated with the churches in that area, was the Eastern Suburbs Sunday Schools' Association. It later combined with the Camberwell Districts Churches Association in 1925. This book covers Part 1 and Part 2 of their history. The cricket body first founded in the Eastern Suburbs to provide cricket for those associated with the churches in that area, was the Eastern Suburbs Sunday Schools' Association. It later combined with the Camberwell Districts Churches Association in 1925. This book covers Part 1 and Part 2 of their history.east suburban churches cricket associations, cricket, camberwell districts, churches associations, 1925

Main Street with Closure Warning Sign 1978 from Post Office Corner.stawell business streetscape

Pictorial representation of the development of Melbourne's eastern suburbs. A collection of photographs of the local eastern area of Melbourne showing a lot of 'then' and 'now' photographs.A collection of photographs of the local eastern area of Melbourne showing a lot of 'then' and 'now' photographs.fletcher and parker, fletchers, real estate agents, melbourne, hawthorn, balwyn, camberwell, kew, land use, ashburton, montagnana-wallace, (mr) neil wallace, (mr) neil montagnana

The property in the foreground is 'Edgeware' at 171 Union Road, a house built by the Zeplin family. It became the home / residence of Dr Percy Liddle and later Dr James Landells Blakie. By the time this photo was taken Dr Blakie had moved across the road to 174 Union Road. In the background behind the 2 houses in the foreground is the Surrey Hills Stationmaster's house, sitting behind a picket fence. The Alan Holt register gives a build date of c1915 for this house, which fits stylistically. The first stationmaster was probably Michael Ginnane, who stayed in the area after he retired, moving to 1 Russell Street. This property was listed as 8 Bedford Avenue, the only house on the south side of the road. It was demolished in c1972 to make way for widening of the rail track with a third line. The photographer Norman Carter took many photos of Surrey Hills and Mont Albert from the 1920s, in particular of events and activities associated with the Church of England.Black and white photo taken from the steeple of Holy Trinity Church looking across housing towards the railway line and Albany / Windsor Crescents and on towards Canterbury Road. Surrey Hills Primary School and St Stephens Presbyterian Church feature prominently on the horizon. The stationmaster's cottage is centre left adjacent to a large conifer-like tree, with a white fence delineating the railway yards.On back of original: "6-11-21" and in a different hand in biro: "from tower of Holy Trinity Church"albany crescent, windsor crescent, st stephens presbyterian church, surrey hills primary school, railways, stationmasters' houses, bedford avenue, norman carter, edgeware, dr percy liddle, dr james blakie