The building is the former Sunbury State School 1002, which was relocated to the former Industrial School in Jacksons Hill in 1999. The Federation Style building replaced an earlier school building in 1912 and it is now incorporated into the Sunbury Community Health Centre complex. A school in Sunbury has occupied the site on the corner of Macedon and Stawell Streets from 1870 to 1999. A coloured photograph of a red brick single storey Federation style building with an orange tiled roof. A white minivan is parked outside the building and a modern cream brick building is visible on the LHS of the photograph.sunbury state school no. 1002., sunbury community health centre

This cylinder was constructed for the postage of two documents (0060.2 and 0060.3), to notify the family of Pte James Thomas Newton (945215) 3rd Battalion, Australian Imperial Force, of his passing. The documents appear to be addressed to M A Newton, though James Thomas Newton's next of kin is listed as David Newton, his father. James Thomas enlisted on 18 July 1916, joining the 3rd battalion, first in "B" Company and . James Thomas' service records indicate that he died on 9 October 1916 in a field hospital, Liverpool, NSW. He was ailed by bronchial pneumonia for 13 days before succumbing to the illness. A telegram suggests that the family were notified on the day of his death and received the cylinder and documents in the post 6 years later. Brown card cylinder which appears to have been formed from a single sheet of card, taped in place. Paper label contains the name of the recipient, several other stamps cover the cylinder. Label reads "M A Newton/Whitfield/Vict.". Round postage stamp reads "PAID - AT - MELBOURNE VIC/ 12 MR23/8". Other stamps include "DO NOT CRUSH" and a handwritten annotation, possibly added later "BILL KELLY."post, postal, postage, death notice, certificate, private james thomas newton, 3rd battalion, australian imperial force, first world war, world was i, world war 1

Notice printed on single sheet of paper, distributed by the Grenville Council, which outlines water restrictions applying in Linton. Notice prepared by A. J. Smith, Shire Secretary, dated 16th February 1918.Text: " NOTICE. / Linton Water Supply. "water restrictions, a. j. smith [shire secretary], shire of grenville

Colour photograph showing wrought iron double gates of Linton cemetery in 1987. Photo shows single gate each side of double gates, with track behind leading through impressive trees."Cemetery gates".linton cemetery

Form - A5 single sided sheet - "Weekly of Day Change of Shift" - F/PT 06022A - advising of an agreed shift change between crews and approval by the Depot Manager. Has The Met logo.trams, tramways, crews, shifts, the met, forms

A strip of negatives and one single negative all relating to Bendigo Teachers' College. Two negatives are of the old Court House an early site of the Bendigo Teachers' College 1927-1931. (negatives not scanned)education, la trobe university bendigo collection, negative, court house, bendigo, buildings, old court house, bendigo teachers' college, tertiary education, teacher training

Shire of Marong Voters' Roll 1834 - 1934, South Riding, at the time of the Centenary of the State. Four typed pages, single sided, with cover sheet showing the Shire Hall and Soldier's Memorial, Marongshire of marong south riding, voters' roll

Both reports re Appeals being "ANZAC Tokens and Poppy Appeal" both topped the $2,000.00 mark which was a first, something they were striving for to reach that mark. Welfare details a number of areas they dealt with. The Appeals & Welfare Officer was Ernest Alfred Jackman. He served on Committee of the Bendigo Sub Branch in 1961 - 62 and 1973. He was on the Welfare Sub committee for 15years and Welfare Officer 1975 - 78. He was the Appeals Officer from 1960 - 1994. He was made a Life member in 1986.Both documents paper all print in text, single sided both have two sections, top is Appeals and bottom Welfare relating to the Bendigo RSL Sub Branch for the years 1975 & 1977."Ern Jackman - Welfare - Appeals Officer"brsl, smirsl, welfare, appeals

A complete record of the DVFL season 1956, includes financial report, description of events, membership, teams, scores from the seasons games and winners of best and fairest awards for all divisions and age groups. In 1956 the Division 1 Premiers were Heidelberg Football Club.This annual report covers many teams from within the Diamond Valley area. Includes junior and senior teams.Foolscap size book. 19 pages, printed on single sides of page . Larger pink cover with black text. Includes typed tables. Photo of premiership teams and past president Frank Vale.australian rules football, greensborough football club, diamond valley football league, dvfl, northern football league, nfl, northern football netball league, nfnl, heidelberg football club

A property illustration by Margaret Picken Commissioned by a real estate agency for the purpose of advertising 16 Morack Rd., Vermont This property is listed as having sold for $240,000 in 2000 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a brick single story house. On the left is a driveway leading to a connected garage, while to the right in the foreground is a front lawn, with a couple of gumtrees.16 Morack Rd., Vermont Margaret Picken © 2000 Woodards - Balwynwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, vermont, vermont south

Illustrated booklet with cream cover and abbreviated title and author's name in brown print on front cover along with sepia photo of a single story Victorian style house with verandah and chimney (Airdrie House)non-fictionAirdrie House in Canterbury, Victoria, was established in 1931 by the Society for the Care of Aged or Incapacitated Nurses, and later became known as the Airdrie House Society Incorporated. The book "The Airdrie Story" details the history of the house and the society, from its founding until 1991. Airdrie House was not just a house, but a place dedicated to supporting the needs of nurses, reflecting the community's recognition of their vital role. airdie house, aged care, nurses, canterbury

From website: "Shot at various locations by cinematographer Robert Tremelling under the direction of Brenton Manser, the docudrama Rider and Writer is based on poet Adam Lindsay Gordon’s life during the time he lived in South Australia and Victoria. Manser has been researching, planning and developing the script for the new film since February 2012. Much of the footage for Rider and Writer has been shot in Mount Gambier, Port MacDonnell, Penola, Coleraine and Warrnambool. Jakin Manser has the leading role of Adam Lindsay Gordon, and former Grant High School drama teacher, David Reed, returned to Mount Gambier to act in the film, cast as John Riddoch, wealthy pastoralist and friend of Gordon. After 50 commended performances playing Riddoch in the stage production ‘Reckless’, Reed had retired. However, he was enticed by Manser to revive the character for the film."With a bust of Adam Lindsay Gordon in Westminster Abbey, London, his story is of national and international significance. Only one other film about Gordon is known to exist, produced in 1916. Allan Childs, curator of Gordon’s former residence ‘Dingley Dell’ is excited by the project: ‘To have a film that is made with the latest high definition equipment will bring the story of this famous poet alive to a new generation. We’ve come a long way since the black and white silent movies of 1916.’ The film premiered in Mount Gambier on 30 August 2014.adam lindsay gordon, brenton manser, robert tremelling, docudrama, 2014

.1 - Close up photo of a single trucker and a bogie tram showing difference in bumper heights. .2 - Photo showing the front of a single trucker (No. 26?) with the motorman leaning out the small window with a cigarette in hand. Photo dated 1970. .3 - No. 34 parked on "0" road. Photo dated 1971. .4 - Similar to .2, driver looking at photographer. .5 - Bogie tram parked on "0" road, photo dated 1970. .6 - No. 27 at Lydiard St North terminus - photo dated 1970. Has a strong association with a Melbourne tram driver who assembled the scrap book and series of photos of Ballarat trams at the time of closure. Yields information about the tram operations.Set of six black and white photographs contained with Reg item 5988, a Stamford Kiwi School Scrap Book - card covers, 23 sheets, spiral bound, titled "Ballarat", prepared by Ellen Butland of Auckland following the closure of the SEC Ballarat Tramway system.closure, trams, tramways, ballarat, lydiard st nth, tram 34, tram 27, depot, crews, motormen

On the 1984 Los Angeles Olympic Uniforms donator Doug wrote- During the 1980s the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technician, my role was a low profile newly created position of “Controller, Technical Marketing” where wool was to be marketed on its technical properties, as distinct from the “Product Marketing Group” which exploited trhe traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. When the forthcoming Los Angeles Olympic Games was announced, the Product Marketing Group seized upon the chance to show the world that we could make top fashion garments and display them on our elite athletes on the world stage. A concept was launched using a contemporary top designer, Adel Weiss, with the most exclusive fabrics and knits available, and all with a lot of hype. This launch failed dismally for the following reasons- - The designer did a wonderful job presenting an excellent fashion range on perfect skinny models. The AOC however wanted a uniform which had an obvious Australian appearance when fitted to elite, and frequently muscular, athletes. - The fabrics chosen did not reflect the performance required by travelling athletes, there was no recognition of the need for ‘easy care.’ - There was no recognition given to the problem of measuring, manufacturing and distribution of a range of articles when the selected athlete could be domiciled anywhere in Australia. - There was no appreciation of such historical facts as Fletcher Jones, who had been unofficial suppliers dating back to the 1954 Olympics in Melbourne, and the Fletcher Jones board member, who was also an AWC board member, and was not in favour of the change. The project passed from Product Marketing to Public Relations, a big spending off-shoot of the AWC Chairman David Asimus, and due to the day to day operations of the project was passed to me and PR took care of the financial matters. The first task was to meet with the AOC and find out exactly their requirements. This lead to the production of a design and manufacturing brief, cointaining exact time lines for each event required to ensure an appropriate uniform on every athlete chosen to represent his/her country on the date given for the Opening Ceremony in Los Angeles. Working backwards the timeline becomes- 1. Noted the exact date of the Opening Ceremony. 2. Estimated the date for distributing completed garments to each athlete. 3. Estimated the time span available for measuring each athlete and commence making each component of the ensemble to the individual measurements of each athlete. 4. Decided the date for making the final choice of uniform design concept. 5. Decided the date for distribution of the design brief to selected designers. These five steps were spread out over a two year period. The Commonwealth Games occur midway between each Olympic Games, work on the Olympic uniform commences the week after the Commonwealth Games closing ceremony and MUST be ready by the prescribed day two years hence. The project also had to remain cognisant of trade politics existing within the span of the task, as well as the temperament of designers in general. It is no overstatement to say that in the past every designer in Australia believed they could, and should, be chosen to design the Australian Uniform. The final choice of designer almost always faced criticism from the fashion press and any designer who had been overlooked. However, with the contenders receiving an exacting brief the numbers of serious contenders greatly reduced. The Los Angeles Olympic Uniforms. A further reason for the AWC bid failure to design the LA uniform was that the AOC had already chosen Prue Acton to design it. This was based on her proven performance during previous games as she had a talent for creating good taste Australiana. Her design concepts also considered the effect when they were viewed on a single athlete as well as the impact when viewed on a 400 strong team coming on to the arena. A blazer trouser/skirt uniform in bright gold was chosen for the formal uniform. It was my task to select a pure wool faille fabric from Foster Valley weaving mill and have sufficient woven and ready within the prescribed timeline. The trouser/skirt fabric selected was a 60/40 wool polyester plain weave fabric from Macquarie Worsted. This fabric had a small effect thread of linen that was most attractive when dyed to match some eucalyptus bark Prue had brought back from central Australia. For the Opening Ceremony uniform, Prue designed a series of native fauna, a kookaburra for the men’s shirt and a pleated skirt with a rural scene of kangaroos, hills and plants. This presented an insurmountable printing challenge to the local printing industry as it had an unacceptably large repeat size and the number required (50) was also commercially unacceptable. The solution was a DIY mock up at RMIT and the employment of four student designers. The fabric selected for this garment was a light weight 19 micron, pure wool with a very high twist yarn in alternating S and Z twist, warp and weft. This fabric proved to be the solution to a very difficult problem, finding a wool product which is universally acceptable when worn next to the sin by young athletes competing in the heat of a Los Angeles summer. Modifications to this fabric were developed to exploit its success when facing the same problem in future games. Garment Making- The most exacting garment in the ensemble is the tailored blazer, plus the related trouser/skirt. Unfortunately tailoring athletes that come in various shapes and sizes such as; - Weight lifters develop an enormous chest, arms and neck size. A shirt made to a neck size of 52 would produce a shirt with cuffs extending well beyond the wearer’s hands. - Basketball players are up to 7 feet tall and garments relying ona chest measurement grading would produce a shirt with cuffs extending only to elbow length. - Swimmers develop enormous shoulders and slim hips, cyclists by contrast develop thighs I liken to tree trunks and a uniform featuring tight trousers must be avoided at all cost. Suffice to say many ensembles require specialist ‘one off’ treatment for many athletes. Meanwhile there is a comfortable in between group who can accept regular sizes so you can cater for these by having back up stock with plenty of built in contingencies. Athletes may be domiciled anywhere in Australia, this creates a fundamental problem of taking their measurements. The Fletcher Jones organisation was key to answering this problem due to their presence in every capital city, as well as many provincial towns around Australia. Each athlete on being selected for the Olympic Team was simultaneously requested to visit their nearest Fletcher Jones shop. The standardised measurement data collected was shared with the other manufacturers, e.g. Pelaco Shirts, Holeproof Socks and Knitwear, Maddison Belts, and even Hush Puppy Shoes. As the time for the Games approached the AOC made arrangements for combining meeting of all. Selected available athletes at the Australian Institute of Sport, Canberra, where, among other things, they were fitted and supplied with their uniform. The method evolved as follows.Men’s cream coloured button up, collared shirt. Images of a kookaburra have been printed onto the shirt, a single kookaburra on the left breast and a pair of kookaburras on the reverse of the shirt. The kookaburras are printed in a brown tone to complement the cream colour of the fabric.On tag - FMaustralian wool corporation, 1984 los angeles olympics, olympic uniforms, men's uniforms, sport, athletes

Series consists of Items ranging from single-page Shire Brochures to official dinner invitations to tickets for a Vintage Train excursion, books, and many posters advertising events such as the Eltham Festival.shire of eltham archives, series listing

Colour photograph of a single truck tram east bound in Wendouree Parade near St Aidans Drive with the lake and Mount Warrenheip in the view. Taken by A T Miles 31-1-1968.Yields information about the Ballarat Tramway operations and views during 1968.Photograph - colour print with notes on rear.A T Miles stamp and location and date notes.tramways, trams, lake wendouree, wendouree parade, mt warrenheip

Photograph shows VR single truck tram 2 second fleet showing destination St Kilda. Driver leaning out of glass windscreen and conductor standing on roadway with arms folded.Yields information of Railways tramcar 2 and crew Black and white photograph with stamp and notes on rear TMSV stamp, black biro writing 'Print from RH Prentice negative - August 1980 (Original from L Marshall Wood collection)'victorian railways, single truck, vr tram 2, second fleet, st kilda

This photograph is a "snap shot" in time circa 1950s detailing the rural environment before the effects of the Kiewa Valley Hydro Scheme altered the basic rural setting of the valley. The golfing fairway was being mapped out on previous grazing land, before the laying of a golf course, for use by the construction workers and auxiliary administration employees of the Victorian State Electricity Commission. This photograph details a dramatic period in time which saw an enormous change to the exclusively rural area of the Kiewa Valley region in the mid 1900s. This change presented both physical and mental challenges to the existing quiet rural inhabitants of the valley. The State of Victoria had to make adjustments to the changing demands imposed by population and industrial expansions. The development of cleaner energy supplies to a growing population has its downside ,which ever way the intrusion into the "natural" landscape is made.Black and white photograph detailing surveyor posts for construction of golf course. Land used, before establishment of the Mount Beauty Village, as farming/grazing cattle and viewed towards Mount Bogong and its Alpine ranges. The photo is on 200gms paper and not on photographic paper.nilmount beauty in the 1940s - 1950s, grazing in the kiewa valley, sec victoria

The Eureka A4 was a Melbourne invention, designed to capitalise on the growth of IBM PCs. It attached to the PC and allowed blind and vision impaired people to utilise screen orientated programs. The Royal Victorian Institute for the Blind supported the project and in this image, David Blyth and the managing director of Robotron Milan Hudecek, pose for a publicity shot at the launch of the Eureka A4 Notetaker in July 1997. Black and white photograph of two men at the Eureka A4 computer standDavid Blyth, Director of Community Services at the Royal Victorian Institute for the Blind, carrying a Eureka A4, while Milan Hudecek, Managing Director of Robotron Pty Ltd looks on.royal victorian institute for the blind, braille equipment, david blyth, milan hudecek

Two pages of typed notes titled - Electrically Welded Single Strand Barb Wire. The notes mention the advantages of the single strand electrically welded barb wire over the ordinary twisted barb wire of two strands. Advantages include less weight in the fence and for freight, less stretching, barbs are at fight angles to the wire and rust does not attack the welded barb wire as it is not bent which can cause the galvanising to crack. The welding helps to keep the rust out.sciences, instruments - general, scalebuoy, bill ashman collection - correspondence, electrically welded single strand barb wire, university of melbourne

Black single breasted tail coat.Jacket cut away and squared at waistline, two X 2 cm buttons on either side of front opening. Long sleeves with three V buttons and vent at wrist level 1.5cm. Single vent at back to waistline forming two tails falling to the back of the knee, tapering to a curve at the bottom. Fully lined with polished cotton-black in body of the coat with white lining in the sleeves. Section of the lining around the arm is quilted. Worn with matching trousers 11400.671.costume, male, black tail coat

Yields information about the basis of the swap of tramcars that took place during Oct. 1960 between Ballarat and Bendigo and the reasons for it.Photocopy of a "file note" of a Conference at Bendigo on Thursday 28 June 1960 to discuss Bendigo tramways rolling stock. Gives background to the situation in both Ballarat and Bendigo, the condition of the trams in Bendigo, bogies, single truckers and Birney trams. Notes that the problem can be resolved by shifting two single truck trams from Ballarat to Bendigo and sending one bogie tram from Bendigo to Ballarat. Gives list of people attending the meeting. Photocopy provided by Andrew Cook 15-1-2015.trams, tramways, tramcars, birney, sec, bendigo, ballarat, meetings, transporting trams, moving trams

This image is one of several family group portraits taken by Stevenson and McNicoll on what appears to be a rural property. The identity of this family group and the location where the image was taken has not been identified. It is presumed to be in the Bacchus Marsh district and dates from around September-November 1883. The composition of the group appears to be a father and mother with three adult daughters.Small sepia unframed photograph on card with gold border framing photograph. Housed in the album, 'Photographs of Bacchus Marsh and District in 1883 by Stevenson and McNicoll'. The image shows a family group of four women and one man. They are standing in a single row in front of a farm house. The family in this image and the precise location of the property have not been identified. The house in the background is a single storey timber structure with a shingled roof and a verandah at the front. Two chimneys can be seen attached to the house.On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE. stevenson and mcnicoll 1883 photographs of bacchus marsh and district, farmhouses, families

Part of "Woolcock Gallery Collection" exhibition 1989, CEMA.Two flowering plant studies. On left is a grey-green foliaged plant with small leaves growing close to the stem. Multiple stems end in single rounded flowers with many petals. On the left of this study are two details of a florette with many petals. One the right of this study is a detail of a cluster of leaves. The study on the right of page contains multiple stems with narrow, long grey leaves on stems ending with a single rounded yellow flower. To the lower left of this study is a detail of a yellow flower stem.Front: Calocephalus brownii (Cushion Bush). " citreus (Lemon Beauty-heads) (lower left) (pencil) CEW/85 (base of flower, lower left) (coloured pencil) CEWoolcock (lower right, signature) (pencil) Back: 16 (upper left) (pen)

A harness distributes pressure over a large area of the horse. The breeching harness can be used for a single horse, a pair, or in a larger team but only for the pair closest to the vehicle as only they have control of the vehicle.Used by residents in the Kiewa Valley prior to motorised vehicles.Goes around the horse's haunches ie. back end of the horse. Allows the horse to slow a vehicle or hold it back when going down the hill. Connects to the shafts. Leather with steel buckles and rivets and chains.horse equipment, breeching harness

A harness distributes pressure over a large area of the horse. The breeching harness can be used for a single horse, a pair or in a larger team but only for the pair closest to the vehicle as only they have control of the vehicle.Used by residents in the Kiewa Valley prior to motorised vehicles.The harness has a round bit of leather that sits on top of the hind quarters and it connects to or is part of the breeching harness. Also connects to the crupper (the strap that hooks under the tail). Leather with steel buckles and chainbreeching straps, breeching harness, horse equipment

A GMC 3500 ambulance owned and operated by the Metropolitan Ambulance Service. It has a 6.5 litre turbo diesel engine built by Mader International, Tasmania. It is a single berth vehicle clinical design module.Four-wheeled vehicle fitted out as an ambulance.Bodywork painted white with red logo and markings. Bonnet painted black. Bumpers are chrome. A strip-light is mounted on roof above front windscreen. Registration number POQ315ambulance, motor vehicle, gmc 3500, metropolitan ambulance service