Roll of film taken by Eltham Shire Council officers (Nov. 1981) of the Beard street group, a private street scheme, before construction commenced in February 1982. They provide perspective of the changes in housing styles and road development that began sweeping in from the mid 1970s with increasing urbanisation of what was once more outlying suburbs and regions.35 mm colour positive transparency (1 of 27) Mount - Kodak Ektachrome CardProcessed 18 Jan 1982roads, housing estate, infrastructure, private street scheme, andrews street

Roll of film taken by Eltham Shire Council officers (Nov. 1981) of the Beard street group, a private street scheme, before construction commenced in February 1982. They provide perspective of the changes in housing styles and road development that began sweeping in from the mid 1970s with increasing urbanisation of what was once more outlying suburbs and regions.35 mm colour positive transparency (1 of 27) Mount - Kodak Ektachrome CardProcessed 18 Jan 1982roads, housing estate, infrastructure, private street scheme, andrews street

Roll of film taken by Eltham Shire Council officers (Nov. 1981) of the Beard street group, a private street scheme, before construction commenced in February 1982. They provide perspective of the changes in housing styles and road development that began sweeping in from the mid 1970s with increasing urbanisation of what was once more outlying suburbs and regions.35 mm colour positive transparency (1 of 27) Mount - Kodak Ektachrome CardProcessed 18 Jan 1982roads, housing estate, infrastructure, private street scheme, park road

Roll of film taken by Eltham Shire Council officers (Nov. 1981) of the Beard street group, a private street scheme, before construction commenced in February 1982. They provide perspective of the changes in housing styles and road development that began sweeping in from the mid 1970s with increasing urbanisation of what was once more outlying suburbs and regions.35 mm colour positive transparency (1 of 27) Mount - Kodak Ektachrome CardProcessed 18 Jan 1982roads, housing estate, infrastructure, private street scheme, park road

Roll of film taken by Eltham Shire Council officers (Nov. 1981) of the Beard street group, a private street scheme, before construction commenced in February 1982. They provide perspective of the changes in housing styles and road development that began sweeping in from the mid 1970s with increasing urbanisation of what was once more outlying suburbs and regions.35 mm colour positive transparency (1 of 27) Mount - Kodak Ektachrome CardProcessed 18 Jan 1982roads, housing estate, infrastructure, private street scheme, park road

Roll of film taken by Eltham Shire Council officers (Nov. 1981) of the Beard street group, a private street scheme, before construction commenced in February 1982. They provide perspective of the changes in housing styles and road development that began sweeping in from the mid 1970s with increasing urbanisation of what was once more outlying suburbs and regions.35 mm colour positive transparency (1 of 27) Mount - Kodak Ektachrome CardProcessed 18 Jan 1982roads, housing estate, infrastructure, private street scheme, beard street, eurabbie court

Roll of film taken by Eltham Shire Council officers (Nov. 1981) of the Beard street group, a private street scheme, before construction commenced in February 1982. They provide perspective of the changes in housing styles and road development that began sweeping in from the mid 1970s with increasing urbanisation of what was once more outlying suburbs and regions.35 mm colour positive transparency (1 of 27) Mount - Kodak Ektachrome CardProcessed 18 Jan 1982roads, housing estate, infrastructure, private street scheme, beard street, eurabbie court

Roll of film taken by Eltham Shire Council officers (Nov. 1981) of the Beard street group, a private street scheme, before construction commenced in February 1982. They provide perspective of the changes in housing styles and road development that began sweeping in from the mid 1970s with increasing urbanisation of what was once more outlying suburbs and regions.35 mm colour positive transparency (1 of 27) Mount - Kodak Ektachrome CardProcessed 18 Jan 1982roads, housing estate, infrastructure, private street scheme, beard street, frank street, shalbury avenue

Roll of film taken by Eltham Shire Council officers (Nov. 1981) of the Beard street group, a private street scheme, before construction commenced in February 1982. They provide perspective of the changes in housing styles and road development that began sweeping in from the mid 1970s with increasing urbanisation of what was once more outlying suburbs and regions.35 mm colour positive transparency (1 of 27) Mount - Kodak Ektachrome CardProcessed 18 Jan 1982roads, housing estate, infrastructure, private street scheme, shalbury avenue

Brown glass, 3-sided methylated spirit bottle. Strong embossing on 2 sides. No cracking or chipping. Crown sealed, circa late 1940s. It was from an era when most common household poisons had their own unique shaped bottle so if the label was removed or illiterate people still knew what the contents were. Brown glass, 3-sided methylated spirit bottle. Strong embossing on 2 sides. Embossed: “Property of Renown and Pearlite Pty Ltd Burney Victoria” “This container must not be used as a food container” methylated spirits, bottles, agm, agm (australian glass manufacturers)

The building is clearly what is now known as the Mission to Seafarers, however there seems to be a sign on the building describing it as the Mission to Seamen. Depicts actual road outside the Mission, Flinders st which seems to still be undeveloped with wooden? drainage covers still in place suggesting a period for the photograph circa late 1930s to the immediate post WW2 era.The image is part of the century long record of the central location of the Mission at 717 Flinders St. Black and white photograph depicting the Flinders Street building circa 1945. victoria-missions-to-seamen, melbourne-missions-to-seamen, cottage, windvane, flinders street

The Diamond Valley Community Hospital was established in 1942 in Grimshaw Street Greensborough. Prior to the hospital, health services in the area had been limited. The Hospital closed in 2000. This photograph is of the first hospital on the Diamond Valley Hospital site. This area on Grimshaw Street now houses many medical services in what was once the Diamond Valley Community Hospital.Digital copy of black and white photograph.diamond valley community hospital, genista house

A photo taken in the Halls Gap Hall at what is said to be one of the best of the early Flower Shows of native flowers. The first flower show was held in 1933 at the suggestion of local resident Jack Watson. Four years later head teacher Grant Greenwood suggested a show be held and due to its success it continues to this day (2010).The photo shows floral displays, arranged on tables along walls and in the centre of a room. There is a bench seat in front of the table in the centre of the room (right side of the photo). Photos and paintings can be seen on the wall on the left side of the photo. "One of the first flower shows Native Flowers Ida Stanton" hand written in pen on back of phto.events, wildflower show

What device converts AC to DC? rectifier A rectifier is an electrical device that converts alternating current (AC), which periodically reverses direction, to direct current (DC), which flows in only one direction. The process is known as rectification, since it "straightens" the direction of current. The unit was used at Ballarat School of Mines in the Maths, Science and Physics Departments.Grey metal unit with Dials on the front and vents at the back. Handle for carrying. Two switches for turning on and off. Yellow sticker - SMB - with number 116071. Engraved on back - S.M.B.. Maths / Science / Physics Sticker on cord indicating inspection of unit - 13/04/2005. Tag Number - 032735alternating current, direct current, ac, dc, rectifier, electrical, ballarat school of mines, science, maths, physics

This oil sketch by Donald Laycock is for "Terra Australis", a large (20' X 8') outback desert scene commissioned by Robin Boyd for the Australian Pavilion at Expo 1970. Robin Boyd was the Exhibit Architect of the Australian Pavilions at Expo '70 in Osaka and Expo '67 in Montreal. It is not known what happened to "Terra Australis" after Expo '70.Red toned abstract composition."DL 69" in bottom right corner. Sketch for Terra Australis Exhibition '70" written on canvas around the frame on the rear.donald laycock, expo 70, osaka, robin boyd, walsh st artwork, ohm2022, ohm2022_32

An interesting night exposure. Unfortunately it is not known what event these fireworks were supporting. Mrs Bon Strange and her husband Bert were well known Ballarat residents. When Mrs Strange died some years ago, her extensive slide collection was sorted through and those relevant to Ballarat were gifted to the Ballarat Library.fireworks, lake wendouree

This letter, from John Worrall, Producer of University of the Air, thanks Robin Boyd for agreeing to stick with the original plan for the series and provides dates for the eight programs - from 4 November through to 12 December 1964. Australian design and not expanding it to world architecture. The letter also sets out what Robin needs to prepare in the preliminary stages.Two pages.Robin Boyd's handwriting and plan sketch in pencil on the reverse of second page.

From 1838 early Ballarat was settled by pastoralists in ideal conditions, a peaceful, verdant valley where the hills were clothed in virgin forest and the flats covered with lush pasture. Then gold was discovered to spark off what was Victoria's first great gold rush. This book covers the gold rush after on the aboriginal ownership and early pastoral activities.Ballarat: the formative years. A.W. Strange. B. & B. Strange; Ballarat (Vic); April 1982. viii, 100 p.; illus.; map. Soft cover. ISBN 0 9596802 3 3Signed: "A.W. Strange 10/1/1983" Map inside back cover.ballarat; pastoralism; aborigines; gold rush; mining; eureka; local government; a.w. strange;

Padbury’s Funeral Parlour in Kew was the earliest business of its kind in what is now the City of Boroondara. It was established by John Padbury in 1859. Following his death, the company was renamed A W Padbury & Co. The two-storey building is still [in 2023] extant. Members of the Padbury family married into a number of pioneer Kew families including the Whitmans and Morgans. Rare portrait of a significant Kew businessmanOriginal print positive 'cabinet card'. Portrait of Alfred Padbury, owner of A W Padbury & Co. Son of founder - John Padbury.Reverse: “Alfred Padbury / Son of John Padbury / Whitman”funeral parlours. -- kew (vic.), a w padbury, businesses -- cotham road -- kew (vic.)

This image is one of several family group portraits taken by Stevenson and McNicoll on what appears to be a rural property. The identity of this family group and the location where the image was taken has not been identified. It is presumed to be in the Bacchus Marsh district and dates from around September-November 1883. The composition of the group appears to be a father and mother with three adult daughters.Small sepia unframed photograph on card with gold border framing photograph. Housed in the album, 'Photographs of Bacchus Marsh and District in 1883 by Stevenson and McNicoll'. The image shows a family group of four women and one man. They are standing in a single row in front of a farm house. The family in this image and the precise location of the property have not been identified. The house in the background is a single storey timber structure with a shingled roof and a verandah at the front. Two chimneys can be seen attached to the house.On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE. stevenson and mcnicoll 1883 photographs of bacchus marsh and district, farmhouses, families

Vol. 2, No. 1, Feb-Mar 1997 CONTENTS MEDALS AND MODERNISM A retrospective look at the cultural impact of the Melbourne Olympics 3 CD REVIEWS 6 NEW HORIZONS Judy Jacques takes a new direction 6 LA MAMA 30 YEARS ON Liz Jones at the helm 10 PAST AS POST CUBISM Annita Furey on Heather Shim men 14 GRAPE GRAZING FESTIVAL Food, wine and music in the Yarra Valley 16 SHORT STORY Fantasia on a cup of coffee 18 WHAT'S ON A round-up of events for February 22 WHO'S TEACHING WHAT Classes in the region 24 FRANCES DUFFY RETROSPECTIVE An artist who extended the boundaries of tonalism 26 ANDY WARHOL AND THE CAN OF SOUP More than 15 minutes of fame 27 A ‘DUTCH’ FESTIVAL COMES TO ST ANDREWS 28 LISTINGS Artists, performers and galleries 29 "Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 36 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/​06) 1956 melbourne olympics, 1956 olympics, 1995 eltham arts ball, a.d. (archie) colquoun, abu baku, adams of north riding, afandi siyo, albert namatjira, alice (1956), andy warhol, annita furey, anthony dymke, art streams magazine, ballarat school of mines, bathing in the dark, bob sedergren, bob valentine, bourbo's belly, brian brown quntet, bulleen art & garden centre, cafe margot, charles blackman, christine edwards, circushead, clifton pugh, cottlesbridge, council amalgamation, cuddlefish, dave pithouse, david lord, david tolley, dawn sime, dione mcintyre, dixon's creek, edward grigoryan, eltham college concert band, eltham wiregrass gallery, erika mcgilchrist, fergusson winery, food for all seasons, frances duffy, fred williams, frenzi, geoff achison, geoff mainwaring, graeme bell, grape grazing festival, half caste child, heather shimmen, hoodangers, isobel lindsay, james wakeling, janette geri, john brack, john mcall, john murphy, jordie albiston, judy jacques, kath mckinnon, katherine's silly women, kelly 1956, ken harrison, kevin borland, kim harriss quartet, la mama theatre, lauurie dawes, leonard french, lighthouse, liz jones, lloyd jones, lothlorien, lovegroves, lovey's estate, luxum, maelstrom, max meldrum, may grigg, michelle nicolle, mighty servant, mirka mora, miss suzannah espie, moma, montsalvat jazz festival, moonee valley drifters, moonlight shadow, museum of modern art at heide, mystery train, the melbourne jazz band, nicole eveleigh, nigel shipley, olympomania, peter mcintyre, phyllis murphy, pip avent, portrait of georges mora (1956), ray horsfield, red shed theatre company, reed's gallery, richardson house (1955), river house (1955), robin boyd, sandro donatti, secret of the west wind, seville, shantell vineyard, shedlevellers bush band, shirley bourne, sigmund jorgensen, sir william dargie, soul sister swing, sydney nolan, that handsome couple, the band who knew too much, the broken fence (1956), the gusset rustlers, the rhonda movement, the russian gypsey jazz quartet, three amigos, victorian artists supplies, warburton, wholefood delights, yarra valley grape grazing festival, yellow dog jazz band, yering station, art streams

Marshall White is a former Merri-bek resident and artist. He completed a Fine Art diploma at the National Gallery Art School in 1973. After a severe motorcycle accident left him with quadriplegia in 1977, he returned to university, earning a Master in Painting from what is now the Victorian College of the Arts. White is considered a pioneer of digital art in Victoria. He taught art to inmates at Pentridge Prison, which provided him with access to early computers. Using a Commodore Amiga, Marshall pushed the boundaries of digital art. Strip 1 represents an early contribution to what was, at the time, an emergent art form. Inspired by William Blake and Arthur Boyd, White’s work delves into psychological spaces, addressing themes such as the apocalypse and White’s distain of religion. White's work exemplifies resilience and the transformative power of creativity in the face of challenges.Purchased

The people in these four photographs are unidentified. The quality of the articles suggests that the original owner of the frames was in affluent circumstances. Photographs dating back to the 1860s and the early 1870s are not common in our collection.These are two rectangular-shaped metal frames with brown leather coverings. The frames are hinged in the middle and the two sides are closed over with a metal clasp. (one of the metal clasps is missing). The frames have ornate gilt edges around the sides and an ornamental pattern on the leather fronts and backs. Inside the frames are four photographs (two in each folded frame) placed behind glass. The four photograph mounts have ornate gilt edges and three photographs are mounted in a round shape and one in an oval shape. The photographs are black and white and are of what appears to be three women and one child. The frames are somewhat stained and scuffed. 19th century photography

A history of the Dargo, Crooked River goldfieldPaperback. Cover has a black and white photograph of a couple of buildings surrounded by forest. Photograph is probably of Dargo. One building has a sign that says S. Frankenberg. Another has a sign of which only the letters PION visible. In the photograph there are a number of men standing around the buildings as well as what appears to be two children sitting on a bench outside a building. There is also a large wagon-like vehicle to which is attached are a large train of oxen. In the foreground of the photograph is another group of oxen which appear to be chained together. There is also two men standing near the second group of oxen, both appear to be holding whips.The stamp of the Marysville & District Historical Society Inc / P.O. Box 22 / Marysville 3779gold, gold mining, gold town, dargo, gold miner, gold field, gippsland, victoria, australia, history

The Album was compiled by Nancy McHaffie late 1990's, with the assistance of Edith Jeffery's, with her book "Garden of Memories" and extensive knowledge of Phillip Island. The Cemetery lies back from the road and is surrounded by Manna Gums, rare Peppermint Gums, Blackwoods and other native trees. In all 25 acres of land were set aside as Crown Land in the land settlement of 1868. There are 6.2 acres of wetlands near the cemetery entrance.466-21: Henry Bennell was known as "Bricky" Bennell. Henry or Harry as he was sometimes called, was the Island's firs bricklayer. He was married to Elizabeth West, daughter of John West, who owned the first Chicory Kiln on the Island in what is now Thompson Avenue. Henry Died on September 14th, 1940, aged 68 years. 466-22: Captain David Reid J. B. Captain Reid served as a Councillor of the Phillip Island and Woolamai Shire in 1875. He was the first Trustee and President, as well as being instrumental in establishing a school at Rhyll on block 13 about 1870. He died in 1891 at the age of 75.phillip island cemetery, nancy mchaffie, edith jeffery